Monographs
2024 |
Nicole Eisenman, Nicole Eisenman: Maker's Muck (New York (NY): Hauser & Wirth Publishers, 2024) |
2023 |
Nicole Eisenman, Monika Bayer-Wermuth, and Mark Godfrey, Nicole Eisenman: What Happened (London: Whitechapel Gallery, 2023) (exh. cat.) |
2022 |
Nicole Eisenman, Katharina Ammann, Bice Curiger, Daniel Koep, and Christina Végh, Nicole Eisenman and the Modernists (Cologne: Snoeck, 2022) (exh. cat.) |
2021 |
Solveig Øvstebø, Diana Tourjée, and Rahel Aima, Nicole Eisenman: Giant Without A Body (Oslo: Astrup Fearnley Museet, 2021) (exh. cat.) Dan Cameron, Nicole Eisenman (London: Lund Humphries, 2021) |
2020 |
Nicole Eisenman and Matt Longabucco, Nicole Eisenman: Incelesbian (New York (NY): Anton Kern Gallery, 2020) Heather Pesanti and Litia Perta, Nicole Eisenman: Sturm und Drang (Austin (TX): Radius Contemporary Austin; New York (NY): Flag Art Foundation, 2020) |
2019 |
Nicole Eisenman, Nicole Eisenman: Baden Baden Baden (Koln: Verlag der Buchhandlung Walther Konig, 2019) |
2017 |
Nicole Eisenman and James Cahill, Nicole Eisenmann: Hydra Workshop 2016 (London: Sadie Coles HQ, 2017) |
2016 |
Nicole Eisenman, Helga Christoffersen, and Massimiliano Gioni (eds.), Nicole Eisenman: Al-Ugh-Ories (New York (NY): New Museum of Contemporary Art, 2016) (exh. cat.) |
2014 |
Samantha Topol, Dear Nemesis: Nicole Eisenman 1993-2013 (St. Louis (MO): Contemporary Art Museum St. Louis; Koln: Verlag der Buchhandlung Walther Konig, 2014) |
2011 |
Beatrix Ruf, Nicole Eisenman (Zurich: JRP Ringier, 2011) (exh. cat.) |
2010 |
Ian Berry and Nicole Eisenman, Nicole Eisenman: The Way We Weren't (Saratoga Springs: The Frances Young Tang Teaching Museum and Art Gallery, 2010) (exh. cat.) |
2008 | Lutz Becker and Uwe Koch, Nicole Eisenman: Consciousness Razing (Koln: Flypaper, 2008) |
2006 | Amy Sillman, Matt Sharpe, and Mathieu Victor, Nicole Eisenman - Selected works 1994-2004 (New York (NY): Koenig Books, 2006) |
2003 | David Ebony, Jane Harris, Frances Richard, Martha Schwendener, Sarah Valdez, Linda Yablonsky, Nicole Eisenman: Selected Works 1993-2003 (New York (NY): Universe, 2003) |
Selected Publications
2024 |
Margaret Andera, Michelle Grabner, Byron Kim, Barry Schwabsky, and Molly Zuckerman-Hartung, 50 Paintings (Milwaukee (WI): Milwaukee Art Museum, 2024) (exh. cat.) Manuel Bolz et al., KörperZeiten: Narrative, Praktiken und Medien (Schriftenreihe der Isa Lohmann-Siems Stiftung) (Berlin: Dietrich Reimer Verlag GmbH, 2024) |
2023 |
Branden Wayne Joseph and Drew Sawyer, Copy Machine Manifestos: Artists Who Make Zines (New York (NY): Brooklyn Museum; London: Phaidon Press, 2023) (exh. cat.) Sylvia Liska, The Secession Talks: Exhibitions in Conversation 2011–2022 (Vienna: Schlebrügge, 2023) Julian Rothenstein (ed.), Seeing Things: The Small Wonders of The World, According To Writers, Artists And Others (London: Redstone Press, 2023) |
2022 |
Rebecca Morrill, Karen Wright, and Louisa Elderton, Great Women Artists (London: Phaidon Press, 2022) Charlie Porter, What Artists Wear (New York (NY): W.W. Norton & Company Inc., 2022) Massimiliano Gioni, Dark Light: Realism in The Age Of Post-Truths (Mila: Skira, 2022) |
2021 |
Hilton Als, Helen Molesworth, and David Rimanelli, (Nothing But) Flowers (New York (NY): Karma Books, 2021) Kimberly Davenport, Joshua Fischer, and Rainey Knudson, One Thing Well: 22 Years Of Installation Art (Houston (TX): Rice Gallery, 2021) (exh. cat.) Phil Saunders, Prints and their Makers (New York (NY): Princeton Architectural Press, 2021) |
2020 | Lydia Yee, Radical Figures: Painting In The New Millennium (London: Whitechapel Gallery, 2020) (exh. cat.) |
2019 |
Jane Panetta, Whitney Biennial 2019 (New York (NY): Whitney Museum of American Art, 2019) (exh. cat.) Madeleine Schuppli, Maske In Der Kunst Der Gegenwart = Mask In Present-Day Art (Zurich: Scheidegger und Spiess, 2019) Barry Schwabsky, The Observer Effect: On Contemporary Painting (Berlin: Sternberg Press, 2019) |
2018 |
Risa Puleo (ed.), Walls Turned Sideways: Artists Confront The Justice System (Houston (TX): Contemporary Arts Museum Houston, 2018) Stephanie Seidel, Gean Moreno, and Alex Gartenfeld, The Everywhere Studio (Miami (FL): Institute of Contemporary Art; Munich: Del Monico Books-Preste, 2018) |
2017 | Kasper König, Britta Peters, and Marianne Wagner, Skulptur Projekte Münster 2017 (Leipzig: Spector Books, 2017) |
2016 |
These Strangers... Paintings and People (Amsterdam: Roma Publications; S.M.A.K., 2016) (exh. cat.) Holland Cotter, Unfinished Memories: 30 Years of Exit Art (New York (NY): Exit Art; Gottingen: Steidl, 2016) (exh. cat.) David Getsy, Queer (London: Whitechapel Gallery; Cambridge (MA): The MIT Press, 2016) |
2015 |
Charlotte Mullins, Picturing People: The New State of The Art (London: Thames and Hudson, 2015) Manuela Ammer, Achim Hochdörfer, and David Joselit, Painting 2.0: Expression In The Information Age : Gesture And Spectacle, Eccentric Figuration, Social Networks (Munich: Delmonico Books; Wein: Museum Moderner Kunst Stiftung Ludwig Wien, 2015) (exh. cat.) Julia Hasting and Barry Schwabsky, Vitamin P₂: New Perspectives In Painting (London: Phaidon Press, 2015) Helen Marten, June: A Painting Show at Sadie Coles HQ, London (09 June - 15 August 2015) (London: Sadie Coles HQ, 2015) |
2014 |
Laura Hoptman, The Forever Now: Contemporary Painting In An Atemporal World (New York (NY): Museum of Modern Art, 2014) Bill Arning, Valerie Cassel Oliver, and Dean Daderko, Outside the Lines (Houston (TX): Contemporary Arts Museum Houston, 2014) Kasper Konig, Manifesta 10: The European Biennial Of Contemporary Art (London: Koenig Books, 2014) |
2013 |
Michael Wilson, How To Read Contemporary Art: Experiencing The Art Of The 21st Century (Antwerp: Ludion; New York (NY): Abrams Books, 2013) |
2012 |
Peggy Phelan and Helena Reckitt, Art and Feminism (London: Phaidon Press, 2012) Elisabeth Sussman and Jay Sanders (eds.), Whitney Biennial 2012 (New Haven (CT): Yale University Press; New York (NY): Whitney Museum of American Art, 2012) (exh. cat.) |
2006 | Frank Wagner, Kasper König, and Julia Friedrich, Das Achte Feld: Geschlechter, Leben Und Begehren In Der Kunst Seit 1960 = The Eighth Square: Gender, Life, And Desire In The Arts Since 1960 (Ostfildern: Hatje Cantz, 2006) (exh. cat.) |
2003 | Vicky A. Clark, Comic Release: Negotiating Identity for A New Generation (New York (NY): D.A.P./Distributed Art Publishers, 2003) |
2002 |
Calvin Bedient, Mark Bennett, and Jessica Hough, Family (Ridgefield (CT): Aldrich Museum of Contemporary Art, 2002) |
2001 | Kristin Chambers, Threads Of Vision: Toward A New Feminine Poetics (Clevland (OH): Cleveland Center for Contemporary Art, 2001) |
2000 |
Harmony Hammond, Lesbian Art in America: A Contemporary History (New York (NY): Rizzoli, 2000) Carrie Cooperider, Melissa Hiller, and Jennifer Poole, The Figure: Another Side of Modernism (Staten Island (NY): Snug Harbor Cultural Center, 2000) (exh. cat.) |
1997 |
Johanna Drucker, Ida Gianelli, and David Ross, American Art from the Whitney Museum 1975-1995: Multiple Identity (Milan: Charta, 1997) Jeff Fleming, Women's Work: Examining The Feminine In Contemporary Painting (Winston-Salem (NC): Southeastern Center for Contemporary Art, 1997) |