Selected Press
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2024 |
Chris McCormack, ‘Diego Marcon: La Gola’, Art Monthly, No. 481, November 2024 Róisín Tapponi, ‘Spotlight: Diego Marcon in Conversation with Róisín Tapponi’, CURA, No. 34, Fall/Winter 2024, p. 128-147 Simone Molinari, ‘Diego Marcon “La Gola” Kunsthalle Wien’, Flash Art, 31 October 2024 Michael Kurtz, ‘Diego Marcon’s “La Gola”’, E-Flux, 28 October 2024 Finn Blythe, ‘Hyper realistic animatronic dolls come to life in Diego Marcon's new film’, Wallpaper*, 28 October 2024 ‘Diego Marcon’, Blickfang, 19 October 2024 [translated from German] Alexandra Seibel, ‘Delight and flesh wounds’. Kurier, 09 October 2024 [Translated from German] ‘Kunsthalle Wien opens the first solo exhibition in Austria by Diego Marcon’, Artdaily, 05 October 2024 ‘Diego Marcon: La Gola’, Ocula, 04 October 2024 ‘“La Gola”: Vienna Kunsthalle briefly mutates into a cinema’, Salzburger Nachrichten, 03 October 2024 [Translated from German] ‘Venice, at Ca’ Pesaro comes She Loves You, a work by Diego Marcon inspired by the Beatles song’, Finestre sull’Arte, 26 September 2024 ‘Nebula public program: “Thick Atmospheres’, E-Flux, 11 September 2024 Mariacarla Molè, ‘A Fog Hangs Over Venice’, ArtReview, 05 August 2024 Nadja Ayoub, Kaitlin Chan, Diego Marcon, Pentti Monkkonen, K Allado-McDowell, ‘Seductions’, Spike Art Magazine, No 80, August 2024 Kim Mi-hye, ‘Diego Marcon: La Gola’, Public Art, issue #214, July 2024, pp.118-123 ‘Diego Marcon: La Gola / Marina Xenofontos: View from Somewhere Near’, E-Flux, 30 April 2024 Taylor Dafoe, ‘In an Old Venice Hospital, 10 Artists Explore the Hazy Space Between Cinema and Art’, Artnet, 19 April 2024 Kat Herriman, ‘10 Must-See Exhibitions at the Venice Biennale’, W Magazine, 24 April 2024 ‘Diego Marcon - Have You Checked the Children’, Ooo, April 2024 ‘Nebula’, E-Flux, 27 March 2024 Irene Bellini ‘Spoleto, spring full of exhibitions and explorations on childhood’, Inside Art, 22 March 2024 [translated from Italian] Grace Edquist, ‘Why have artists embraced animation?’, Art Basel, 23 February 2024 Amah-Rose Abrams, ‘Artists consider the cosmic movie camera at Biennial de l’Image En Movement 2024’, Wallpaper*, 16 February 2024 Nicolas Vamvouklis, ‘In conversation with Andrea Bellini and Nors N. Khan’, Fondazione Imago Mundi, Issue #28, February 2024 ‘Biennale de l’Image en Mouvement 2024: A Cosmic Movie Camera’, E-Flux Film, 22 January 2024 Charlie Fox, ‘The Puppet’s Nightmare and Other Bedtime Stories’, Spike Art Magazine, No. 78, January 2024 |
| 2023 |
‘The Comedy and Tragedy of Uncanny Aesthetics <Diego Marcon: Have You Checked the Children>’, Art in Culture, December 2023, p. 146 Camille Moreno, ‘Review, Diego Marcon- Dolle’, FAD Magazine, 06 November 2023 Chris Fite-Wassilak, ‘Diego Marcon’s “Holow People”’, ArtReview, 29 September 2023 Chris Fite-Wassilak, ‘The Interview: Diego Marcon’, ArtReview, Vol. 75 No 6, September 2023 Edoardo Durante, ‘The Theatre at the Theatre: Diego Marcon for Foundazione Trussardi’, The Collector, 29 June 2023 ‘Diego Marcon’s Art Is Made with the Same Substance of which Nightmares Are Made’, Rivista Studio, 27 June 2023 Giuseppe Frangi, ‘Ludwig, the Child of Melancholy’, Il Manifesto, 22 June 2023 Di Guia Cortassa, ‘The Children of Diego Marcon, between Terror and Grotesque’, Esquire, 20 June 2023 Michele Ongaretti, ‘Dramoletti Unheard of at the Teatro Gerolamo. Diego Marcon's Anthology’, Arts Core, 13 June 2023 ‘Twentieth Anniversary of Nomadic Projects in Milan’, e-flux, 13 June 2023 ‘Mysterious Humanity’, Muse, 07 June 2023 Valentina Tosoni ‘Twenty years of Art for the Trussardi Foundation: from the Hanged Children of Cattelan to the Fragile Ones of Marcon’, La Repubblica, 06 June 2023 Paola Manfredi, ‘La Mostra Dramoletti di Diego Marcon A Milano: Pronti a Farvi Spezzare il Cuore?’, Vanity Fair, 06 June 2023 Ada Masoero, ’20 Years of the Trussardi Foundation’, Il Giornale dell’Arte, 02 June 2023 Jonah Goldman Kay, ‘Diego Marcon’, Artforum, 02 May 2023 Lucia Brandoli, ‘Diego Marcon’s Exhibition at Teatro Gerolamo Celebrates 20 Years of Fondazione Trussardi’, Domus, 02 May 2023 Leone Casati Modignani ‘In Milan, the Microworlds of Diego Marcon: Distressing Actions that Repeat themselves Endlessly’, ArtsLife April 2023 Rochelle Roberts, ‘A Haunting Sense of Power: Monelle at Sadie Coles HQ’, Recessed.Space, 03 February 2023 |
| 2022 |
‘The Biennale in Venice 2022 – See What I’ve Seen of Both (Part 1)’, Oberg Photographics, 04 December 2022 ‘Prosegue la Rassegna “Pausa Studio”: Alla Scuola Normale Arriva Diego Marcon’, Pisa Today, 13 November 2022 Lea Schleiffenbaum, ‘Interview: Diego Marcon’, Artfridge, 26 September 2022 Vito De Biasi, ‘The St. Moritz Art Film Festival Attracts Tourism in the Engadine “With the Gravitational Force of Cinema”’, Elle Decor, 16 September 2022 Bianca Cerrina Feroni, ‘Diego Marcon Met en Scène le Fait Divers à la Biennale de Venise’, L’Echo, 13 August 2022 Donato Totaro, ‘FNC 2021: Experimental Film Selections’, Off Screen, August 2022 Amelia Winger-Bearskin, ‘Hyperreal’, Studio Amelia, 01 July 2022 Maureen Sullivan, ‘A Re-Enchanted 59th Venice Biennale, Part I: Top 10 Pavilions and Exhibitions’, Sculpture, 17 June 2022 Nicholas Stephens, ‘59th Venice Biennale: What Would the World Look Like Without Us?’, COBO Social, 14 June 2022 Laura Cherubini, ‘The 2022 Biennale and Its Surroundings’, Quaderni dell’Arte, 2022 Stefano Chiodi, ‘Identità, feticcio di un decennio prima’, Alias, Il Manifesto, 12 June 2022 ‘Un-folding Dreams: A brief journey through 59th Venice Biennale’, Irish Architecture Foundation, 01 June 2022 Dean Kissick, ‘The Downward Spiral: 59th Venice Biennale’, Spike Art Magazine, 12 May 2022 ‘These are the Winning Names of IndieLisboa 2022’, IndieLisboa, 08 May 2022 Adrian Searle, ‘Cyborgs, sirens and a singing murderer: the thrilling, oligarch-free Venice Biennale’, The Guardian, 25 April 2022 Alessandro Sciarroni, ‘What to See at the Venice Biennale, according to 9 Art Aficionados’, Milano Art Guide, 24 April 2022 Jenny Dogliani, ‘La Biennale della Complessità’, Il Giornale dell’Arte, 20 April 2022 Angela Vettese, ‘Corpi mutanti di ieri e di oggi’, Domenica, Il Sole 24 Ore, 24 April 2022 Clara Mazzoleni, ‘Alla Biennale di Venezia il sogno di una nuova umanità’, Rivista Studio, 22 April 2022 Silvia Criara, ‘Transformation is a Work of Art’, Interni, 03 February 2023 Stefano Pirovano, ‘Diego Marcon and the Ludwig paradigma’, Conceptual Fine Arts, 03 February 2022 |
| 2021 |
‘Diego Marcon The Parents’ Room’, Cura Magazine, 2021 ‘Diego Marcon “The Parents’ Room” at MADRE, Naples’, Mousse, 04 November 2021 Mark Sladen, ‘Letter from Naples’, Art Monthly 451, November 2021 Mario Francesco Simeone, ‘Catastrofe familiare in un corto-performance’, Alias, Il Manifesto, 17 October 17 2021 Aurora Maria Riviezzo, ‘Diego Marcon “The Parents' Room” Museo Madre / Naples’, Flash Art, 08 October 2021 Nora N. Khan, ‘Afterimages of Progress: on Diego Marcon’s film Monelle’, Fondazione In Between Art Film, October 2021 Marina D. Richter, ‘The Parents’ Room’, Ubiquarian, 6August 2021 Nicolas Bardot, ‘Entretien avec Diego Marcon’, Le Polyester, 24 July 2021 ‘Entretien avec Diego Marcon’, Le Polyester, 24 July 2021 Bruno di Marino, ‘Diego Marcon formato famiglia’, Alias, Il Manifesto, 15 July 2021 Marina D. Richter, ‘Diego Marcon: “The idea was to create a film that had to be percieved as a coded language of a very archetypal cinema genre, and to pervert it from the inside”’, uniquarian, 15 July 2021 Stephan Saito, ‘Diego Marcon on working all the angles in “The Parents’ Room”’, The Moveable Fest, 13 July 2021 |
| 2020 |
Laura Cuzzubbo ‘Fiammelle, Bambini ed Europa’, Digressioni Editore, 23 April 2020 ‘I (Never) Explain #66 – Diego Marcon’, ATP Diary, 19 April 2020 ‘Diego Marcon’, Gasworks, 10 March 2020 |
| 2019 | Sharmini Aphrodite, ‘The Unseen Sea; “Ludwig” by Diego Marcon’, So-Far, 18 April 2019 |
| 2018 |
‘Diego Marcon Wins 2018 MAXXI Bulgari Prize’, Artforum, 29 October 2018 Alex Greenberger, ‘Diego Marcon Wins 2018 MAXXI Bulgari Prize’, ARTnews, 26 October 2018 Dobrosława Nowak, ‘Una Conversazione Che Sembra Troppo Corta. Intervista a Diego Marcon’, Forme Uniche, 03 September 2018 Maria Chiara Valacchi, ‘Artforum Critics’ Picks’, Artforum, August 12, 2018 Clara Mazzoleni, ‘Diego Marcon e l’indagine dell’oscurità’, Rivista Studio, 1 August 2018 Cesare Alemanni, ‘Tutto si spegne nel momento in cui lo vedi’, Il Tascabile, 31 July 2018 Michele D’Aurizio, ‘Trost in Tränen. Apparizioni e sparizioni nei film e nei video di Diego Marcon’, Flash Art, N. 339, May–June 2018 Stefano Pirovano, ‘Diego Marcon and the Ludwig paradigma’, Conceptual Fine Arts, 30 May 2018 Eva Fabbris, ‘Lack of light’, Mousse,N. 62, February–March 2018 Leonardo Caldana, ‘Diego Marcon: MAXXI Bulgari Prize’, CURA, 2018 |
| 2017 |
Federica Florian, ‘Au commencement il y a la lumière’, Flash Art, N. 330, December 2016–January 2017 Barbara Casavecchia, ‘A Year Full of Shadows’, Frieze, 23 December 2017 ‘Michele Bazzana & Diego Marcon’, Flash Art, 23 February 2017 |
| 2016 |
Barbara Casavecchia, ‘Pictures never stop’, Frieze, N.178, April 2016 ‘ART Situations – Interview with the artists | Part 1 – MARCO, Roma’, ATP DIARY, 22 January 2016 |
| 2015 |
Caterina Riva, ‘Heart, film and exhaustion: Caterina Riva talks to Diego Marcon’, Nero Magazine, 12 November 2015 Federico Chiari, ‘Diego Marcon’, Flash Art, 10 July 2015 ‘Diego Marcon. Esercizi di Stile’, Arte.It, 2015 |
| 2013 |
Francois Quintin, ‘Diego Marcon: reality spotter, Arts Magazine’, N. 81, November 2013 Francesco Garutti, ‘In ritiro / On retreat’, Abitare, N. 532, May 2013 Francesco Tenaglia, ‘Lo stato dell’arte’, BLOW UP, Issue 180, May 2013 |
| 2009 |
Francesca Betteni-Barnes, ‘Filmmaker DOC13’, Cineforum, N. 482, March 2009 Carmen Scotti, ‘I miei due grandi amori? Il Cinema e Cronaca vera’, Cronaca vera 1899, January 2009 |
| 2007 |
Cristina Piccino, ‘Filmmaker, laboratorio per un cinema di frontiera’, Il Manifesto, September 2007 |