Monographs
| 2022 | Sam Durant, Proposal for Non-Aligned Monuments, Free Movement (Grimbergen (LA): Strombeek Blum & Poe, 2022) (exh. cat.) |
| 2020 | Sam Durant, Iconoclasm (Detroit (MI): Library Street Collective, 2020) |
| 2017 | Sam Durant, The Meeting House: Build Therefore Your Own World (London: Black Dog Publishing, 2017) |
| 2008 | Tell it Like it Is! (Arnhem: Kunstcommissie van het Paleis van Justitie in Arnhem, 2008) (exh. cat.) |
| 2007 |
Chloé Zaug (ed.), Sam Durant: Scenes from the Pilgrim Story: Myths, Massacres and Monuments (Boston (MA): Massachusetts College of Art, 2007) (exh. cat.) |
| 2005 | Sam Durant and Sabine Eckmann, Sam Durant: Proposal for White And Indian Dead Monument Transpositions, Washington D.C (New York (NY): Paula Cooper Gallery, 2005) (exh. cat.) |
| 2004 |
Greg Burke, Sam Durant: Entropy in Reverse (New Plymouth: Govett-Brewster Art Gallery, 2004) (exh. cat.) Peter Doroshenko, Sam Durant: 12 Signs Transposed and Illuminated (Ghent: Stedelijk Museum voor Actuele Kunst, 2004) (exh. cat.) |
| 2003 | Monica Bonvicini / Sam Durant: Break It / Fix It (Vienna: Revolver, 2003) |
| 2002 |
Sam Durant (Los Angeles (LA): Museum of Contemporary Art; Düsseldorf: Kunstverein für die Rheinlande und Westfalen; Ostfildern-Ruit: Hatje Cantz, 2002) (exh. cat.) |
Selected Publications
| 2023 |
Laura Raicovich, Culture Strike: Art and Museums in an Age of Protest (London: Verso Books, 2023) Emory Douglas, Bobby Seale, Sam Durant, Sonia Sanchez, and Colette Gaiter, Black Panther: The Revolutionary Art of Emory Douglas (New York (NY): Rizzoli, 2023) |
| 2022 |
Farah Nayeri, Takedown: Art and Power in The Digital Age (New York (NY): Astra House, 2022) Andreas Beitin, Power! Light! (Cologne: Kunstmuseum Wolfsburg; Verlag der Buchhandlung Walther und Franz König, 2022) |
| 2020 |
Elizabeth Darby, Re-Issue Re-Imagine Re-Make: Appropriation in Contemporary Furniture Design (London: Lund Humphries, 2020) (p.58) Robert Roos, This is America: Art USA Today (Amersfoort: Kunsthal KAdE, 2020) |
| 2019 |
Andreas Beitin and Roger Diederen (eds.), Lust der Täuschung: Von antiker Kunst bis zur Virtual Reality (Munich: Hirmer Verlag GmbH, 2019) Sam Durant, Omer Fast, Till Gathermann, Tom McCarthy, Susan Ploetz, and Eva Stenram, The Death of The Artist (New York (NY): Cabinet Books, 2019) |
| 2018 |
Steven Gartside and Zoe Watson (eds), Break in Transmission (Manchester: The Holden Gallery, 2018) (exh. cat.) Clare Davies (ed.), Siah Armajani: Follow This Line (Minneapolis (MN): Walker Art Centre; New York (NY): The Metropolitan Museum of Art, 2018) (exh. cat.) |
| 2016 |
Miranda Isabel Lash and Trevor Schoonmaker, Southern Accent: Seeking the American South In Contemporary Art (Durham (NC): Nasher Museum of Art at Duke University 2016) |
| 2010 | Achim Borchardt-Hume, Keeping It Real: An Exhibition in Four Acts from The D. Daskalopoulos Collection (London: Whitechapel Gallery, 2010) (exh. cat.) |
| 2006 |
Manu Park (ed.), Contemporary Art Exhibition: Busan Biennale 2006 Tale of Two Cities: Busan-Seoul / Seoul-Busan (Seoul: Artbooks Publishing Corp., 2006) (exh. cat.) |
| 2005 |
Alex Coles, Design Art (London: Tate Publishing, 2005) Malik Gaines, Moscow Biennial of Contemporary Art: Dialectics of Hope (Moscow: ArtChronika, 2005) (exh. cat.) Hugh Honour and John Fleming, A World History of Art (7th Edition) (London: Laurence King, 2005) Outpost (Boston (MA): Paine Gallery; Massachusetts College of Art, 2005) LA Artland (London: Black Dog Publishing, 2005) Andrea Scott, Vitamin D: New Perspectives in Drawing (London: Phaidon Press, 2005) |
| 2004 |
John Baldessari and Meg Cranston, 100 Artists See God (New York (NY): Independent Curators International, 2004) (exh. cat.) Nicolas Bourriaud, Playlist (Paris: Palais de Tokyo, 2004) |
| 2003 |
Thom Collins, Somewhere Better Than This Place (Cincinnati (OH): Contemporary Arts Centre, 2003) Matthew Higgs, Baja to Vancouver: The West Coast and Contemporary Art (San Francisco (CA): CCA Wattis Institute; San Diego (CA): Museum of Contemporary Art San Diego; Seattle (WA): Seattle Art Museum; Vaancouver (BA): Vancouver Art Gallery, 2003) (exh. cat.) |
| 2002 |
Emma Mahony, Anyone Can Play Guitar: Air Guitar – Art Reconsidering Rock Music (Milton Keynes: Milton Keynes Gallery, 2002) (exh. cat.) Dominic Molon, Out of Place: Contemporary Art and the Architectural Uncanny (Chicago (IL): The Museum of Contemporary Art Chicago, 2002) (exh. cat.) Jessica Morgan, Artists Imagine Architecture (Boston (MA): The Institute of Contemporary Art, 2002) |
| 1997 |
Cornelia H. Butler, The Power of Suggestion: Narrative and Notation in Contemporary Drawing (Santa Monica (CA): Museum of Contemporary Art Los Angeles, 1997) |