Monographs
2019 |
Monster Chetwynd and Marie Lusa, The Supreme Deluxe Essential Monster Chetwynd Handbook (Zürich: Edition Patrick Frey, 2019) |
2014 |
Monster Chetwynd, Bat Opera (London: Sadie Coles HQ; Koenig Books, 2014) Monster Chetwynd, Some Canterbury Tales (London: Four Corners Books, 2014) |
2007 |
Raphael Gygax (ed.), Heike Munder, Spartacus Chetwynd (Zürich:JRP Ringier, 2007) |
Selected Publications
2023 |
Andrea Bellini, Chrysalis: The Butterfly Dream (Geneva: Centre d'art Contemporain Genève, 2023) (exh. cat.) |
2022 |
Faye Dowling (ed.), The Horror Show! (London: Somerset House Trust, 2022) (exh. cat.) Dirk Vermaelen, Ursula Ströbele, Stefaan Vervoort, Julie Verheye and Koen Sels, Rinus Van De Velde: Inner Travels (Brussels: Hannibal Books; Lichtervelde: Europalia Arts Festival, 2022) (exh. cat.) Lize Braat, Maud Marchal, and Marine Tourret (eds.), SurréAlice (Strasbourg: Éditions des Musées de Strasbourg, 2022) (exh. cat.) Phoebe Cripps, Testament (London: Goldsmiths CCA, 2022) |
2021 |
Frac île-de-france: La Collection (Paris: Le Plateau / Frac île-de-france, 2021) (exh. cat.) Grace Ndiritu, Dissent Without Modification: The 1990’s (Bergen: Bergen Kunsthall, 2021) Fay Blanchard and Anthony Spira (eds.), Laura Knight: A Panoramic View (London: Philip Wilson Publishers, 2021) (exh. cat.) |
2019 |
Danilo Eccher (ed), The Dark Side – Chi Ha Paua Del Buio? (Milano: Silvana Editoriale, 2019) Sally Talent, Tate Create Things To Make and Do By Artists (London: Ilex Press; Tate Publishing, 2019) Nicola McCartney, Death of The Artist: Art World Dissidents and Their Alternative Identities (London: I.B. Tauris & Co. Ltd, 2019) |
2018 |
Laura Herman and Pieter Boons (eds), Experience Traps (Berlin: Open-Air Museum of Sculpture Middelheim; Motto Books, 2018) |
2017 | Laura Lord, ROOM (London: Sadie Coles HQ; Coventry: The Mead Gallery, Warwick Arts Centre, University of Warwick 2017) (exh. cat.) |
2016 |
Justine Moeckli and Merel van Tilburg (eds.), Nightfall – Gothic Imagination Since Frankenstein (Los Angeles (LA): DoPe Press, 2016) Rosie Cooper, Sandeep Parmar, and Dominic Willsdon (eds.), The Two-Sided Lake: Episodes, Storyboards And Sets From Liverpool Biennial 2016 (Liverpool: Liverpool University Press, 2016) Faye Robson, The Creative Stance (London: Common-Editions, 2016) |
2015 |
Raphael Gygax, Judith Welter (ed.), Toys Redux: An Anthology on Play as Critical Action (Zürich: JRP Ringier; Migros Museum für Gegenswartskunst, 2015) Sorcha Carey and Emily Gray, The Improbable City: Charles Avery, Marvin Gaye Chetwynd, Julie Favreau, Emma Finn, Ariel Guzik, Kemang Wa Lehulere, Hanna Tuulikki (Edinburgh, Edinburgh Art Festival, 2015) (exh. cat.) |
2014 |
Bice Curiger (ed.), The Parkett Series with Contemporary Artists Issue 95 (Zurich: Parkett-Verlag AG, 2014) Hans im Glück - Kunstraum Niederoesterreich (St. Pölten: Kunst im öffentlichen Raum, 2014) Bloomberg New Contemporaries (2014) (London: New Contemporaries, 2014) (exh. cat.) |
2012 |
Lizzie Carey-Thomas (ed.), Turner Prize (London: Tate Publishing, 2012) (exh. cat.) Simon Grant (ed.), In My View: Personal Reflections on Art by Today's Leading Artists (London: Thames and Hudson, 2012) |
2011 | Spartacus Chetwynd, Katerina Koskina, Yannis Bolis and Kleoniki Christoforidou (eds.) Biennale: 3, Thessaloniki Biennale of Contemporary Art (Thessaloniki: State Museum of Contemporary Art, 2011) |
2010 | Maye Richards and Faye Robson (eds), British Art Show 7: In the Days of the Comet (London: Hayward Publishing, 2010) |
2009 | Nicolas Bourriaud, Altermodern: Tate Triennial (London: Tate Publishing; New York (NY): Harry N. Abrams Books, 2009) (exh. cat.) |
2005 | Beck’s Futures (London: Institute of Contemporary Arts, 2005) (exh. cat.) |