Monographs
| 2016 | Isabelle Graw, Zebra (New York & London: Sadie Coles HQ & 47 Canal, 2016) |
Selected Publications
| 2022 | Lesley A. Martin and Miko McGinty (eds.), Object Lesson: On the Influence Of Richard Benson (New York (NY): Aperture, 2022) |
| 2021 | Roberta Tenconi, Vicente Todoli and Fiammetta Griccioli (eds), INDEX Maurizio Cattelan (Milan: Pirelli HangarBicocca / Marsilio Editore, 2021), pp. 618 – 619 |
| 2019 | Objects Recognized in Flashes: Michele Abeles, Annette Kelm, Josephine Pryde, and Eileen Quinlan (Viena: MUMOK Museum Moderner Kunst; Cologne: Konig Books, 2019) (exh. cat.) |
| 2015 |
Charlotte Cotton, Photography Is Magic (New York: Aperture, 2015) Emmanuel Alloa, Eva Kernbauer, Esther Ruelfs, et al., x VI: Positions on the Future of Photography, (Nuremberg: Verlag für moderne Kunst, 2009) |
| 2013 | Gunnar B. Kvaran (ed.), Meanwhile… Suddenly and Then (Lyon: 12th Biennale de Lyon, 2013) |
| 2012 | William Ewing, Out of Focus, exh. cat. (London: Saatchi Gallery, 2012) |
| 2010 | Klaus Biesenbach (ed.), Greater New York 2010, (New York (NY): PS1 / MoMa, 2010) (exh. cat.) |
| 2009 | Giancarlo Politi (ed.), PRAGUE BIENNALE ART 4 (Milan: Giancarlo Politi Editore, 2009) |
| 2005 | Charlotte Cotton (ed.), Peek: The Art + Commerce Festival of Emerging Photographers (New York (NY): St. Ann’s Warehouse, 2005) (exh. cat.) |