| 2025 |
‘Ten Artists to Watch in 2025’, Frieze, 07 January 2025 Keith Estiler, ‘U.S. Museum Exhibitions to See in 2025’, Hypebeast, 06 January 2025 |
| 2024 |
Jo Lawson-Tancred, ‘Meet 7 Artists Who Stole the Spotlight at the 2024 Venice Biennale’, Artnet, 23 December 2024 Niklas Maak, ‘The City, The Style and Death’, Frankfurter Allgemeine Sonntagszeitung, No. 49, 08 December 2024 ‘NYFF 2024: Dispatches from the 62nd New York Film Festival’, Screen Slate, 21 October 2024 Ikechúkwú Onyewuenyi, ‘Cannot Resist Seeing’, Mousse, 07 October 2024, pp. 108-119 ‘The Miraculous Arms – Three Point Five Stars’, DivaCorp, 12 August 2024 Kerstin Winking, ‘Art with a capital i or a small i: on the recent popularity of indigenous art’, Metropolis M, No.2, 28 June 2024 [Translated from Dutch] ‘Karimah Ashadu’, Kinoki, 20 June 2024 Marisa Santin, ‘Life Scenes in Lagos’, Venezia News, 20 June 2024 Toby Kamps, ‘Karimah Ashadu with Toby Kamps’ The Brooklyn Rail, June 2024 Nelson C.J., ‘Karimah Ashadu on her Venice Biennale Debut Win and Creating from the Mundane’, OkayAfrica, 27 May 2024 Victoria L. Valentine, ‘Latest News in Black Art: Greg Tate Wins Pulitzer, Venice Biennale Silver Lion Award, Project Row Houses Names Director, Plus New Triennials in Boston and Delta Region’, CultureType, 07 May 2024 ‘“Karimah Ashadu: Plateau” at the Wiener Secession in Vienna’, OnArt, May 2024 ‘Silver Lion Goes to Karimah Ashadu’, Contemporary&, 22 April 2024 Maximiliano Duron, ‘Venice Biennale Names 331 Artists for 2024 Edition, Titled ‘Foreigners Everywhere’’, ArtNews, 31 January 2024 Till Briegle,‘Harsh Reality’, Art Magazine, 2024, pp. 85-94 [Translated from German] |
| 2022 |
Lisa-Maria Röhling, ‘This Video Artist finds beautiful images for serious topics’, Bremen Zwei, 18 October 2022 [Translated from German] Axel Schröder, ‘The truth behind the facades’, Deutschlandfunk Kultur, 18 October 2022 [Translated from German] Iris Hetscher, ‘Award goes to Karimah Ashadu’, Weser Kurier, 14 September 2022 [Translated from German] ‘Böttcherstraße Art Prize 2022 goes to Karimah Ashadu’, Monopol, 14 September 2022 [Translated from German] ‘Böttcherstraße Art Prize 2022 goes to Karimah Ashadu’, Süddeutsche Zeitung, 14 September 2022 [Translated from German] Fiona Sinclair Scott, ‘Visiting Venice this summer? Here’s the best art on show at the Venice Biennale’, CNN, 14 May 2022 ‘Venice Biennale special: Unknown Pleasures: Penumbra’, Monocle Weekend Edition, 23 April 2022 Thomas Kliemann, ‘When the Poplars Cry’, General Anzeiger, 03 February 2022 [Translated from German] |
| 2021 |
Miriam M’Barak, ‘Karimah Ashadu: Labor as a Practice Towards Independence’, Contemporary&, 29 June 2021 Zoé Samudzi, ‘Karimah Ashadu’s Films Honor the Everyday Labor of African Workers’, Art in America, 26 May 2021 |
| 2020 |
Karin Schulze, ‘In the Light of Africa: Films and Installations by Karimah Ashadu’, Szene, 29 April 2020 [Translated from German] |
| 2019 |
Silke Hohmann, ‘Ars Viva Prize 2019 Cultural Circle of German Business honors three artists’, Monopol, 16 April 2019 [Translated from German] ‘Karimah Ashadu’, Ars Viva, 2019 |
| 2018 |
Karimah Ashadu, Dominic van den Boogerd, ‘Karimah Ashadu In conversation with Dominic van den Boogerd’, Biennale de l’Image en Mouvement, 28 November 2018, pp. 46-57 ‘Karimah Ashadu receives Edith Breckwoldt scholarship’, Hamburg.de, 01 October 2018 Mónica Savirón, ‘Faena Art's Biennale of Moving Images Brings Global Culture to Miami Beach’, MUBI, 06 January 2018 |
| 2017 |
Neil Vazquez, ‘Faena Art's Biennale of Moving Images Brings Global Culture to Miami Beach’, Miami New Times, 19 April 2017 Pablo Larios ‘Biennale of Moving Images - Centre d'Art Contemporain, Geneva’, Frieze, 28 January 2017 |