2024 |
Elisa Carollo, ‘Nicole Eisenman Unveils ‘Fixed Crane’ in Madison Square Park’, Observer, 28 October 2024 Paul Ramirez Jonas, ‘Nicole Eisenman: Painting the Story’, Cornell AAP, 10 October 2024 Elena Calvarino, ‘Nicole Eisenman: Fixed Crane for Madison Square Park’, The Arts Intel Report, October 2024 Zachary Small, ‘Nicole Eisenman at the Tipping Point’, The New York Times, 07 September 2024 Aruna D’Souza, ‘Our Summer Art Picks’, 4Columns, 23 August 2024 Lauren Theisen, ‘The Beauty Of The Ordinary Is There For The Painting’, Defector, 20 August 2024 Alex Greenberger, ‘Nicole Eisenman’s Chicago Retrospective Places Her Among the Great Jewish Artists’, Art in America, 09 August 2024 Debra Brehmer, ‘The Fury and Failings of a Nicole Eisenman Survey’, Hyperallergic, 31 July 2024 Janet Arvia, ‘Designing Women: Exhibitions Display Work by Female Artists’, Rebellious Magazine, 29 July 2024 Emily Watlington, ‘In Rome, a Blockbuster Survey of American Figurative Painting Portrays a Chaotic Country’, Art in America, 26 July 2024 Isaiah Davis, ‘Building Sculptures From the Neck Down with Nicole Eisenman’, Elephant, 23 July 2024 Shelby Black, ’10 Spectacular Museum Exhibitions to See This Summer’, Galerie, 12 July 2024 Clare Gemima, ‘Nicole Eisenman: What Happened at MCA Chicago’, Whitehot Magazine, 09 July 2024 Sarah Moroz, ‘New Nicole Eisenman Work Debuts in Paris Parallel to Her MCA Show’, Observer, 02 July 2024 Tianna Williams, ‘Nicole Eisenman explores the dimensions of sculpture and painting at Hauser & Wirth Paris’, Wallpaper*, 24 June 2024 ‘Nicole Eisenman on Building and Breaking Narratives’, Artnet, 26 June 2024 Debra Thimmesch, ‘Nicole Eisenman’s Tutorial on Sculpture, Politics and Everything’, FF2Media, 20 June 2024 Chadd Scott, ‘‘Stylistic Chameleon’ Nicole Eisenman Survey at MCA Chicago’, Forbes, 12 June 2024 ‘Group Exhibition, Self Pleasure’, Ocula, 06 June 2024 Barry Schwabsky, ‘Nicole Eisenman: What Happened’, Brooklyn Rail, 29 May 2024 Julian Bell, ‘The Must-Also-Haves’, The New York Review, 09 May 2024 Manu Sharma, ‘The MCA’s ‘What Happened’ presents the breadth of Nicole Eisenman’s art’, Stir World, 05 May 2024 Nicole Eisenman, ‘“My Career Is Down the Drain”: Bjarne Melgaard, in Conversation with Nicole Eisenman’, Interview, 02 May 2024 Shelby Black, ‘Artist Nicole Eisenman’s First Major Museum Survey Arrives in the U.S.’, Galerie, 29 April 2024 Eli Anapur, ‘Nicole Eisenman's First Major Comprehensive Survey Is One Deeply Reflective of Our Moment in Time’, Widewalls, 20 April 2024 Sebastian Smee, ‘Nicole Eisenman is the most inventive U.S. painter working right now’, The Washington Post, 19 April 2024 Caroline Roux, ‘This New Exhibition in Rome Juxtaposes Its Rococo Setting with Contemporary Artworks’, Galerie, 18 April 2024 Mary Houlihan, ‘Things to Do in Chicago April 11-18: The Mix’, Chicago Sun Times, 11 April 2024 Jadine Collingwood, ‘Jadine Collingwood on 5 Paintings by Nicole Eisenman’, Ocula, 10 April 2024 Paloma Baygual, ‘Heading to EXPO CHICAGO? Katy Diamond Hamer, ‘Exploring 30 Years of Nicole Eisenman’s Rich Figurative Work’, Art & Object, 10 April 2024 Benjamin Sutton, ‘Five Museum Shows to See in Chicago This Spring’, The Art Newspaper, 10 April 2024 ‘Here Are 8 Must-See Exhibitions (And One Top-Secret Sale) in the City’, Cultured, 08 April 2024 Keith Estiler, ‘MCA Chicago Dives into Nicole Eisenman's World’, Hypebeast, 08 April 2024 ‘Nicole Eisenman’s First Major Survey Comes to the Museum of Contemporary Art Chicago’, Hyperallergic, 02 April 2024 Jasmine Reimer, ‘Nicole Eisenman’, Bordercrossings, April 2024 Dan Duray, ‘“The Anxious Eye” Showcases the Legacy and Modern-Day Relevance of German Expressionism’, Observer, 15 March 2024 |
2023 |
Adrian Searle, 'Nicole Eisenman – Castration? Giving Birth while being Hanged? Nothing is too OTT here', The Guardian, 10 October 2023 Christian Egger, ‘Nicole Eisenman: What Happened’, ArtReview, Summer 2023, pp .104-105 Hans-Joachim Müller, ‘She Paints What Concerns People’, Die Welt, 27 March 2023 Holland Cotter, Blake Gopnik, Jillian Steinhauer, Travis Diehl, Max Lakin, Arthur Lubow, John Vincler, Will Heinrich and Martha Schwendener, ‘What to See in N.Y.C. Galleries in February’, The New York Times, 01 February 2023 |
2022 |
Karla Knight, ‘The Artists’ Artists Twent-six artists reflect on 2022’, Artforum, December 2022 Barry Schwabsky, ‘Nicole Eisenman’, Artforum, September 2022 Etienne Dumont, ‘Nicole Eiseman confronts the Modern again, Bilan, 05 August 2022 Ksenia Soboleva, ‘Nicole Eisenman: Untitled (show)’, The Brooklyn Rail, July 2022 Howard Halle, ‘Eisenman’s Paintings Back in NYC Art Scene at Hauser & Wirth’, Art&Object, 28 June 2022 D. Creahan, ‘New York – Nicole Eisenman: ‘Untitled (show)’ At Hauser & Wirth’, Art Observed, 25 May 2022 Alex Greenberger ‘5 Chelsea Shows to See During Frieze New York’, Artnews, 17 May 2022 Ksenia Soboleva ‘Looking Back/ The 12th White Columns Annual’, The Brooklyn Rail, February 2022 |
2021 | Kat Herriman, ‘In New York, Group Art Shows Provide Temporary Shelter From Urbanite Isolation’, Cultured, 23 February 2021
Ian Parker ‘Every Nicole Eisenman Picture Tells a Story’, The New Yorker, 22 February 2021 Ksenia M. Soboleva, ‘The Delightfully Debased Art of Nicole Eisenman and Keith Boadwee’. Hyperallergic, 19 January 2021 |
2020 |
Osman Can Yerebakan, ‘How Star Painter Nicole Eisenman Leveraged a New Solo Show to Pay It Forward, Putting the Spotlight on Her Naughty Friend Keith Boadwee Instead’, Artnet, 09 December 2020 ‘Lee Lozano and Nicole Eisenman at Hauser & Wirth Somerset’, Ocula, 20 November 2020 Veronica Simpson, ‘Nicole Eisenman: Where I Was, It Shall Be’, Studio International, 12 November 2020 Rahel Aima, ‘Out of the Weeds: Nicole Eisenman on How Boredom Fuels Her Art’, ArtReview, 08 October 2020 Taylor Dafoe, ‘Nicole Eisenman, Martin Puryear, and 100 Other Artists and Intellectuals Call On Museums to Reinstate the Postponed Philip Guston Retrospective’, Artnet, 30 September 2020 Sebastian Smee, ‘Join the Crowd’, The Washington Post, 19 August 2020 Claire Selvin, ‘City of Münster Secures Funding for Beloved Nicole Eisenman Fountain Sculpture’, ArtNews, 06 July 2020 Shiv Kotecha, ‘For Nicole Eisenman, Historical Memory is a Blunt Instrument’, Frieze, No. 212, 28 April 2020 Hilary Reid, ‘Bananas to the Rescue!’, Vulture, 23 April 2020 Phyllis Tuchman, ‘Nicole Eisenman: Sturm und Drang’, The Brooklyn Rail, April 2020 Scott Indrisek, ‘These Major Contemporary Artists Are Passionate Collectors of Outsider Art’, Artsy, 22 January 2020 Helen Holmes, ‘Artists Call on MoMA to Cut Board Members Who ‘Profit From “Suffering”’, Observer, 15 January 2020 Ryan McNamara, ‘Nicole Eisenman: Sturm und Drang’, Artforum, 01 January 2020 |
2019 |
Sarah Nicole Prickett and Kaitlin Phillips, ‘Inside Job’, Artforum, 13 December 2019 Phyllis Tuchman, ‘Double Feature: Revered Painter Nicole Eisenman Has Quickly Become One of Today’s Most Thrilling Sculptors’, ArtNews, 01 October 2019 Chadd Scott, ‘Nicole Eisenman Installation Puts Exclamation Point on Fenway Development’, Forbes, 06 June 2019 Peter Schjeldahl, ‘The Whitney Biennial in an Age of Anxiety’, The New Yorker, 20 May 2019 ‘Nasher Sculpture Center Acquires Nicole Eisenman’s “Sketch for a Fountain”’, Artforum, 20 May 2019 Johanna Fateman, ‘Wise Guys – Johanna Fateman on the art of Nicole Eisenman’, Artforum, 01 April 2019 |
2018 |
Kate Brown, ‘Nicole Eisenman Makes a Dramatic Turn to Sculpture in Her First Solo Institutional Show in Germany’, Artnet, 08 November 2018 Keith J. Varadi, ‘Nicole Eisenman at Susanne Vielmetter Los Angeles Projects’, Contemporary Art Review, 18 April 2018 Daniel Gerwin, ‘Nicole Eisenman’s Portraits of Angry White Men’, Hyperallergic, 12 April 2018 Syndey Walters, ‘Dark Light is a Masterpiece of Political Relevance’, Art and Cake, 09 April 2018 Sharon Mizota, ‘Review: In Nicole Eisenman’s paintings, a must-see mirror to America’s political moment’, Los Angeles Times, 02 April 2018 |
2017 |
Hans-Jürgen Hafner, ‘Nicole Eisenman’, Frieze, 15 December 2017 Priscilla Frank, ‘Art Exhibition Champions Blemishes, Pimples, Scars And Other Glorious Flaws’, Huffington Post, 07 December 2017 Stephen Truax, ‘Why Young Queer Artists Are Trading Anguish for Joy’, Artsy, 07 November 2017 Catherine Hickley, ‘Locals fight to retain Eisenman fountain following Sculpture Projects Munster’, The Art Newspaper, 09 October 2017 Jens Hoffmann, ‘Skulptur Projekte Munster’, Frieze, 11 September 2017 Eileen Kinsella, ‘See the Photo Highlights of Skulptur Projekte Munster, the World’s Most Important Public Art Show’, Artnet, 09 June 2017 Alex Greenberger, ‘Historical Friction: Nicole Eisennman at the New Museum and Anton Kern, New York’, ArtNews, 09 June 2016 Terence Trouillot, ‘The New Face of Painting? Nicole Eisenman Reinvents Portraiture in Her New Show at Anton Kern’, Artnet, 06 June 2017 Jacqueline Lewis, ‘Nicole Eisenman Hides Nothing at the New Museum’, Cultured, 09 January 2017 |
2016 |
Nicole Eisenman and A.L. Steiner, ‘An Open Letter To Our Future Selves, by the Art Duo Ridykeulous, W Magazine, 01 November 2016 Jacob Korczynski, ‘La Biennale de Montreal, “Le Grand Balcon/The Grand Balcony”’, e-Flux, 26 October 2016 Barry Schwabsky, ‘Nicole Eisenman’s Path to Genius’, The Nation, 14 July 2016 Alex Greenberger, ‘Historical Friction: Nicole Eisennman at the New Museum and Anton Kern, New York’, ArtNews, 09 June 2016 John Yau, ‘A Truly great Artist’, Hyperallergic, 05 June 2016 Roberta Smith, ‘Nicole Eisenman, Fluidly Merging Past, Present and Future’, New York Times, 02 June 2016 Sarah Spellings, ‘This Artist Sees Right Through Your Relationship Shams’, The Cut, 11 May 2016 Peter Schjeldahl, ‘Seriously Funny’, The New Yorker, 09 May 2016 ‘Nicole Eisenman’s Paintings Will Make You Laugh, Even When It Hurts’, Artsy, 06 May 2016 Deborah Solomon, ‘A Conversation with Nicole’, The New York Times, 06 May 2016 Emma Allen, ‘The Rain in Spain’, The New Yorker, 02 May 2016 Eileen Myles, ‘Nicole Eisenman’s Green World’, Frieze, 28 April 2016 Diane Solway, ‘Nicole Eisenman has Both Style and Substance’, W Magazine, 21 April 2016 |
2015 |
Raimar Stange, ‘Nicole Eisenman’, Frieze, 11 November 2015 Jerry Saltz, ‘Nicole Eisenman Is a Massively Deserving Genius’, Vulture, 30 September 2015 Brian Boucher, ‘Nicole Eisenman and LaToya Ruby Frazier Among 24 MacArthur ‘Genius’ Grant Winners’, Artnet, 29 September 2015 Roberta Smith, ‘Nicole Eisenman Savors Her MacArthur Moment’, New York Times, 29 September 2015 Robin Pogrebin, ‘MacArthur ‘Genius Grant’ Winners for 2015 Are Announced’, New York Times, 29 September 2015 ‘2015 Macarthur Fellows Include Nicole Eisenman, Latoya Ruby Frazier’ Artforum, 29 September 2015 Andrew Durbin, ‘Painting Ghosts’, Out, 16 September 2015 Travis Jeppesen, ‘Nicole Eisenman’, Artforum, 08 September 2015 David Humphrey, ‘Nicole Eisenman and David Humphrey’, Bomb, 06 July 2015 Carolina A. Miranda, ‘The Whitney Museum announces inaugural show, and the internet parses’, Los Angeles Times, 16 April 2015 Aruna D’Souza, ‘Nicole Eisenman Is an Artist With a Lot on Her ‘Seder’ Plate’, Forward, 01 April 2015 Ara H. Merjian, ‘The Forever Now: Contemporary Painting in an Atemporal World’, Frieze, 16 March 2015 Seph Rodney, ‘Can I Get a Witness’, Artillery, 03 March 2015 Lloyd Wise, ‘The Forever Now: Contemporary Painting in an Atemporal World’, Artforum, March 2015 Mona Molarsky, ‘Drawing on Talent: A Profile of the Work of Artist Nicole Eisenman’, Our Town, 17 February 2015 |
2014 |
Hilarie M.Sheets, ‘Nicole Eisenman at Institute of Contemporary Art’, ArtNews, 31 December 2014 Paddy Johnson, 'The Ten Best Exhibitions of 2014,' Art F City, 31 December 2014 Hrag Vartanian ‘Best of 2014: our Top 10 Exhibitions Across The United States’, Hyperallergic, 26 December 2014 Jason Farago, ‘The Forever Now Review: calling time on the avant garde’, The Guardian, 12 December 2014 Jerry Saltz, 'Forever Now is MoMAs Market Moment,' Vulture, 12 December 2014 Zhong Fan, 'Nicole Eisenman: Brushes with Greatness,' W Magazine, 11 December 2014 Corrine Fitzpatrick, ‘Corrine Fitzpatrick on the best exhibitions in 2014’, Artforum, 11 December 2014 Scott Indrisek, 'At MoMA, 17 Painters of Our Forever Now,' ArtInfo, 09 December 2014 Noemi Smolik, 'Manifesta 10,' Frieze, 13 September 2014 Holland Cotter, ‘In Museums, Masters Old and New’, New York Times, 03 September 2014 Stephanie Cristello, 'Open Letter to an Enemy: Nicole Eisenman (1993 2013),' The Seen, 19 May 2014 Andrew Russeth, '2014 Gwangju Biennale Releases Full 105-artist list,' Gallerist NY, 13 June 2014 Angela Suico, 'The Carnegies Evening of Drawing With Nicole Eisenman,' Pittsburgh City Paper, 28 February 2014 Thomas, Mary, 'Carnegie Museum of Art acquires additional works by International artists’, Pittsburgh Post-Gazette, 25 February 2014 Sarah Hermes Griesbach, ‘Reflection: Nicole Eisenman’s Broad Range On View At CAM’, St. Louis Magazine, 13 February 2014 Sarah Bryan Miller, 'Artist Nicole Eisenman isn't afraid to make viewers uncomfortable,' St. Louis Post-Dispatch, 08 February 2014 Malcolm Gay, ‘“Dear Nemesis”: Figurative painting is alive and well in CAM’s survey of Nicole Eisenman’s midcareer work’, River Front Times, 30 January 2014 Jonathan Griffin, ‘2013 Carnegie International’, e-Flux, 07 January 2014 |
2013 |
Kurt Shaw, ‘Sculptures at Carnegie Museum bend historical allusions’, TRIB Live, 28 December 2013 Judith Hopf, 'Best of 2013: Nicole Eisenman at Studio Voltaire, London', Artforum, December 2013 ‘Carnegie International', Spike Art, Winter 2013 Robert Raczka, ‘Nicole Eisenman's good "bad painting" and witty sculpture are a highlight at the Carnegie International’, City Paper, 06 November 2013 Peter Schjeldahl, 'Play Time: The Carnegie International', The New Yorker, 21 October 2013 Roberta Smith, 'Global Extravaganza, but on a Human Scale', The New York Times, 11 October 2013 Sky Goodden, 'Welding a New Medium, Nicole Eisenman Wins the Carnegie Prize', Artinfo, 09 October 2013 Jason Foumberg, 'Playful Politics at the 2013 Carnegie International', Art in America, 09 October 2013 Andrew Russeth, 'A Playground in Pittsburgh: The 2013 Carnegie International Is a Quiet Triumph', GalleristNY, 08 October 2013 Andrew Russeth, 'Carnegie Prize for Nicole Eisenman, Fine Prize for Zanele Muholi', GalleristNY, 07 October 2013 Mary Thomas, 'Carnegie International awards prizes to two exhibiting artists', Pittsburgh Post-Gazette, 07 October 2013 Bob Karlovitz, 'Pair of works at Carnegie International bring home prizes', Pittsburgh Tribune-Review, 07 October 2013 Mary Thomas, 'Three Curators give the Carnegie International a different look', Pittsburgh Post-Gazette, 29 September 2013 Marcia Tanner, ‘Inspired appropriation redux: Nicole Eisenman in Berkeley’, Berkeleyside, 08 July 2013 Jennifer Higgie, ‘In your Head’, Frieze, 24 May 2013 Kimberly Chun, ‘“Nicole Eisenman / Matrix 248”: Tea Party time’, SFGate, 22 May 2013 Sura Wood, 'Outside of the Box’, The Bay Area Reporter, 16 May 2013 Roberta Smith, '40 Nations, 1,000 Artists and One Island', New York Times, 10 May 2013 Joseph Akel, '10 Picks: New York Frieze 2013', Interview Magazine, 10 May 2013 Amy Sillman, ‘Nicole Eisenman: Berkeley Art Museum and Pacific Film Archive’, Artforum, 01 May 2013 |
2012 |
Helen Molesworth, ‘Helen Molesworth’, Artforum, December 2012 Schultz, Charles, 'Nicole Eisenman: Woodcuts, Ethings, Lithographs, and Monotypes at Leo Koenig', Art in Print, July/August 2012, p. 36 'Nicole Eisenman: the story behind the artwork, in the artists own words', Modern Painters, July/August 2012 Chloe Wyma, '25 Questions for Witty Expressionist and Biennial Star Nicole Eisenman', Boulin Artinfo, 19 June 2012 Hirsch Faye, 'Nicole Eisenmans Prints and People', Art In America, 15 June 2012 '50 Next Most Collectible Artists', Art + Auction, June 2012 Peter Schjeldahl, ‘Not Like the Other Ones’, The New Yorker, 04 March 2012 Roberta Smith, ‘A Survey of a Different Color’, The New York Times, 01 March 2012 Ariana Reines, Nicole Eisenman ‘Something Inside Me’, Parkett, No. 91, 2012, pp. 102-112 |
2011 |
Lily Simonson, ‘Looking at Los Angeles: Nicole Eisenman and Wynne Greenwood’, Art21 Magazine, 26 May 2011 Kate Wolf, ‘Nicole Eisenmans Human Touch’, Artslant, 16 May 2011 ‘Artists On Ab-Ex’, Artforum, June 2011 David Pagel, ‘Art review: Nicole Eisenman, ‘New Paintings’ at Susanne Vielmetter Los Angeles Projects’, Los Angeles Times, 05 May 2011 |
2010 |
Roberta Smith, ‘Post-Minimal to the Max’, The New York Times, 10 February 2010 |
2008 |
Brigitte Werneburg, 'Kunstrundgang', TAZ Berlin, 17 September 2008 Astrid Mania, 'Verfuhrerisch direkt', Artnet Magazine, 10 September 2008 Brian Sholis, ‘Nicole Eisenman: Nicole Eisenman discusses her new exhibition in Berlin’, Artforum, 06 September 2008 Holly Myers, 'Nicole Eisenman A Show Born of Fear at Susanne Vielmetter’, ArtReview, January 2008 |
2007 |
Holly Myers, 'Our Favorite Shows and Artifacts: Nicole Eisenman at Susanne Vielmetter', LA Weekly, 27 December 2007 Amra Brooks, 'Our Favorite Shows and Artifacts: Nicole Eisenman at Susanne Vielmetter', LA Weekly, 27 December 2007 Ashley Tibbits, 'Nicole Eisenman: A Show Born of Fear at Susanne Vielmetter Los Angeles Projects', Flavorpill, 27 November 2007 Emma Gray, 'Top 10 Shows in Los Angeles This Month: Nicole Eisenman, A Show Born of Fear at Susanne Vielmetter', The Saatchi Gallery Blog, November 2007 Brian Sholis, 'Scene & Herd: Boy Wonder', Artforum, 30 October 2007 Amra Brooks, 'Must See Art: Nicole Eisenman, A Show Born of Fear at Susanne Vielmetter Los Angeles Projects', LA Weekly, 25 October 2007 Anna Schindler, 'In der Kunsthalle Zrich: das bad girl Nicole Eisenman', Kunstzeitung, May 2007 |
2006 |
Faye Hirsch, 'Tides and Tidings', Art in America, October 2006 Roberta Smith, 'Nicole Eisenman: Progress: Real & Imagined', New York Times, 10 June 2006 |
2005 |
Erik Parker, 'The Artists Artists', Artforum, December 2005 Tim Davis, 'Top Ten', Artforum, May 2005 |
2004 |
Johanna Burton, ‘Nicole Eisenman’, Artforum, Summer 2004 Noah Chasin, 'Nicole Eisenman: Elizaville', Time Out New York, 01-08 April 2004 Nicole Bsing and Heiko Klass, 'Vor Erffnung ausverkauft, Die Welt', 27 March 2004 Jaye Hirsch, 'Nicole Eisenman at the Herbert F. Johnson Museum of Art', Art in America, February 2004 John Reed, ‘Nicole Eisenman’, Artforum, March 2004 |
2003 |
Amy Sillman, 'Top Ten', Artforum, 2003 |
2001 |
Kim Levin, 'Self-made men: male self-portraits’, The Village Voice, 01 May 2001 Susan Harris, 'Nicole Eisenman at Jack Tilton', Art in America, January 2001 |
2000 |
Holly Myers, ‘Emotions of childhood linger in paint’, Los Angeles Times, 27 December 2000 Katie Clifford, 'Nicole Eisenman: Jack Tilton’, ArtNews, November 2000 Mario Naves, 'All About Bambi’s Sex Life’, The New York Observer, 16 October 2000 Ken Johnson, ‘Art In Review; Nicole Eisenman’, The New York Times, 06 October 2000 Joyce B Korotkin, 'The Likeness of Being’, The New York Art World, February 2000 Joel Silverstein, 'Review,' February 2000 Robin Cembalest, 'The Woman in the Mirror’, Elle, January 2000 Donald Goddard, ‘Nicole Eisenman’, New York Art World, 2000 |