| 2023 |
Travis Diehl, ‘Alex Da Corte’, Artforum, December 2023, pp. 138 – 139 Steve Chiotakis, ‘Step into a Surreal Home at the Matthew Marks Gallery’, KCRW, 18 October 2023 Nick Haramis, ‘For These Artists, Their Medium Is Their Identity’, The New York Times Style Magazine, 14 September 2023 James Davidson, ‘What Fresh Hell Is This? Alex Da Corte Debut Solo Exhibition in Asia Is a Wild Ride through His Perplexing Take on Consumer Culture…’, We Heart, 06 July 2023 Jennie Waldow, ‘Alex Da Corte: Chicken’, The Brooklyn Rail, July 2023 Sydney Goldhawk, ‘Scarlett Johansson Stars in Prada’s Vivid Dreamscape for Latest Campaign’, S Magazine, 02 June 2023 Aditi Agrawal, ‘Weekly Round-Up: Pop Culture and Fashion Moments on Our Radar’, Grazia, 22 May 2023 Kevin Leblanc, ‘The Best Pre-Fall 2023 Fashion Campaigns’, ELLE, 18 May 2023 Mahoro Seward and Tom George, ‘New Bottega Veneta and Kiko Kostadinov’s latest label: What’s in Fashion?’, i-D, 19 May 2023 ‘Prada: The Glass Age’, Wonderland, 17 May 2023 Caroline Goldstein, ‘”I Hope I Learn Something New”: Alex Da Corte on How He Found His Own Artistic Voice by Inhabiting Pop Culture’, Artnet News, 27 April 2023 Irma Kiss, ‘Two Artists Take on Philadelphia in This Season of PBS’s ‘Art21’’, The Philadelphia Inquirer, 13 April 2023 ‘“Art in the Twenty-First Century” Visits Amy Sherald and Alex Da Corte’, Ocula, 30 March 2023 Alex Da Corte, ‘Alex Da Corte’, CURA, Issue 40, Spring Summer 2023 Julia Marsh, ‘The Immersive Abandon in Alex Da Corte’s Street at University of the Arts’ Rosenwald-Wolf Gallery’, Artblog, 09 February 2023 Peter Crimmins, ‘Philly Artist Alex Da Corte Explodes Into ‘The Street’’, WHYY, 23 January 2023 Quinn Russell Brown, ‘Alex Da Corte’s ‘The Street’ is a love letter to Philadelphia written in Pop Art’, The Philadelphia Inquirer, 21 January 2023 Emily Schilling, ‘UArts’s Rosenwald-Wolf Gallery presents Alex Da Corte’s The Street’, Broad Street Review, 16 January 2023 |
| 2022 |
Cal Revely-Calder, ‘Neon signs have a power’, The Spectator, 30 September 2022 James Davidson, ‘Immersive, overwhelming, exceedingly clever and brilliant fun, Alex Da Corte’s unforgettable Mr. Remember is a truly exquisite exhibition…’, We Heart, 26 September 2022 TF Chan, ‘Copenhagen art exhibitions: an ongoing guide’, Wallpaper, 26 August 2022 ‘Mr. Olympia’s Flower Show or: No Highway Cowboys or…| Alex Da Corte’, Generazione Critica, 06 August 2022 ‘As Long as the Sun Lasts’, Apollo Magazine, 29 July 2022 ‘Alex Da Corte’, Apollo Magazine, 08 July 2022 Lanie Goodman, ‘A Stroll Through the World’s Best Sculpture Parks’, Cultured, Art, 17 June 2022 Annabel Downes, ‘Frieze New York: Advisory Selections’, Ocula, 18 May 2022 ‘Frieze New York 2022: Six Superb Booths’, Ocula, 18 May 2022 ‘Alison Chi's Top 5 Works on Frieze Viewing Room’, Frieze, 17 May 2022 Aruna D’Souza, ‘Whitney Biennial 2022’, 4Columns, 15 April 2022 Benjamin Sutton, ‘Review: The 2022 Whitney Biennial in five key themes’, The Art Newspaper, 06 April 2022 Nobutaka Asanuma, ‘Review: Repetition and Difference | Repeater’, Far Tsushin, 04 April 2022 Marley Marius, ‘A Glimpse Into This Year’s Whitney Biennial’, Vogue, 02 April 2022 Jerry Saltz, ‘The Whitney Biennial Falters On:This year’s show has just enough high points to get you through it — including three stunning Charles Ray sculptures’, Vulture, 01 April 2022 Holland Cotter, ‘Critic’s Pick: A Whitney Biennial of Shadow and Light’, The New York Times, 31 March 2022 Alastair Reid Schanche, ‘Don't miss this Alex Da Corte exhibit that reimagines the cultural icons of our immediate past’, TimeOut, 04 January 2022 |
| 2021 |
Adam Langer, ‘How to master the little- known art of indoor birdwatching’, Forward, 19 June 2021 Arthur Lubow, ‘Alex Da Corte, Puppet Master’, The New York Times Style Magazine, 15 June 2021 Ariella Budick, Blue-Sky Thinking Brings Big Bird To The Met’, Financial Times, 05 May 2021 ‘Big Bird Goes Mobile at the Met’, The New Yorker, 30 April 2021 Maggie Goldsmiths, ‘Big Bird Meets Calder On The Metropolitan Museum’s Roof Garden’, Forbes, 19 April 2021 ‘Philadelphia-based Artist Alex Da Corte Delivers Whimsy to The Met’s Rooftop’, ARTFIX Daily, 18 April 2021 Nina Azzarello, ‘Overlooking New York City, Big Bird Rests on the Moon in Alex Da Corte’s Whimsical Kinetic Work on the Met’s Roof Garden’, Designboom, 17 April 2021 Christie Grimm, ‘The Met Museum’s Annual Rooftop Garden Installation Has Been Revealed!’, Guest of a Guest, 16 April 2021 Shaye Weaver, ‘Big Bird stars in this year’s Metropolitan Museum of Art Roof Garden Commission’, Time Out, 15 April 2021 Will Heinrich, ‘On the Met’s Roof, a Wistful Fantasy We’ve Been Waiting For’ The New York Times, 15 April 2021 Jonathan Hilburg, ‘Follow that Bird! Alex Da Corte blends Calder and Sesame Street at this year’s Met rooftop installation’, The Architect’s Newspaper, 15 April 2021 Tess Thackara, ‘Up on the Met Roof, an Artist Is Taking Big Bird to New Heights’, The New York Times, 02 April 2021 Kristian Vistrup Madsen, ‘One Take: Kristian Madsen on Alex Da Corte’s Chicken’ Frieze, No. 218, April 2021, cover, pp. 16-17 ‘Follow that Big Bird – up to the Met roof’, The Art Newspaper, 02 April 2021 Kevin Brazil, ‘Alex Da Corte’, frieze, Issue 217, March 2021, p. 136 ‘The Met announces Alex Da Corte as artist for 2021 Roof Garden Commission’, artdaily.com, 16 February 2021 Helen Holmes, ‘Conceptual Artist Alex Da Corte Has Landed the Met’s 2021 Roof Garden Commission’, OBSERVER, 15 February 2021 Nancy Kenney, “Absurd’, yet ‘deadly serious’: Alex Da Corte will create the Met’s next rooftop installation’, The Art Newspaper, 12 February 2021 ‘Alex Da Corte Lands the Met’s Rooftop Commission, and Other News’ Surface, 12 February 2021 ‘Alex Da Corte To Design Met Rooftop Commision’, Artforum, 12 February 2021 Jonathan Hilburg ‘The Met taps Alex Da Corte for the 2021 Roof Garden Commission’, The Architect’s Newspaper, 11 February 2021 Claire Selvin, ‘Alex Da Corte Commissioned for Met Museum’s 2021 Roof Garden Installation’, ARTnews, 11 February 2021 ‘Alex Da Corte's 'As Long as the Sun Lasts' Will Be The Met's Roof Garden Commission 2021’, ARTFIXdaily, 11 February 2021 Robin Pogrebin, ‘Alex Da Corte Will Bring His Riotus Sensibility to the Met Roof’, The New York Times, 11 February 2021 Alastair Reid Schanche, ‘Don't miss this Alex Da Corte exhibit that reimagines the cultural icons of our immediate past’, TimeOut, 04 January 2021 Samuel Anderson, ‘House Party: Alex Da Corte deconstructs the American media psyche in Shanghai’, PIN-UP, January 2021 |
| 2020 |
Kathleen Langjahr, ‘AP: Assembled Personalities’, The Booklyn Rail, June 2020 Benjamin Lima, ‘Enjoy the Dallas Museum of Art’s exploration of home from the comfort of yours’, The Dallas Morning News, 29 April 2020 Sophie Smith, ‘Tierra Whack Shares New Song ‘Dora’ And Imaginative New Video’, U Discover Music, 30 October 2020 Holly Black, ‘Investigation: Is There an Ideal Age to Be an Artist?’, Elephant, 08 April 2020 Caroline Goldstein, ‘Artists From Do Ho Suh to Alex Da Corte Interpret the Meaning of Home in a Timely Exhibition in Dallas – See It Here’, Artnet News, 01 April 2020 Annie Clark, ‘Alex Da Corte’, Interview Magazine, issue 530, March 2020, pp. 174-181; published online 13 February 2020 Nina Corcoran, ‘Tierra Whack Is Living Her Best Live on New Song “Dora”, Stream Consequence of Sound, 30 October 2020 Rhian Daly, ‘Watch Tierra Whack’s Colourful, Surreal Video for ‘Dora’’, NME, 30 October 2020 Rory Mitchell, ‘ Frieze Viewing Room: Ten Advisory Selections’, Ocula, 07 October 2020 Mark Westall, ‘Alex Da Corte Helter Shelter Or: The Red Show! Or…’, Fad Magazine, 28 October 2020 Andrew Russeth, ‘In Philadelphia, Alex Da Corte Reinvents an Allan Kaprow Classic’, Surface, 12 March 2020 Megan Ziots, ‘A First Look at the Dallas Museum of Art’s Vibrant New Exhibit’, Paper City, 13 March 2020 Nadia Caristo, ‘Prada presents Rubber Pencil Devil’, Stove, November 2020 Konstantinos Pappis, ‘Tierra Whack Drops New Song ‘Dora’, Our Culture, 31 October 2020 Gabriella Angeleti, Gareth Harris and José da Silva, ‘Three museum collections to explore from home this weekend’, The Art Newspaper, 01 May 2020 Tom Denman, ‘Alex Da Corte “Helter Shelter or: The Red Show! Or…” Sadie Coles HQ, London’ Flash Art, No.333, Vol. 53, Winter 2020- 21, p. 202-203 Kevin Brazil, ‘Alex Da Corte’s Nostalgia for Pop’, Frieze, 09 December 2020 Charles Guarino, 'Previews: “Invisible City: Philadelphia and the Vernacular Avant-garde”', ARTFORUM, January 2020 |
| 2019 |
Emmanuelle Lequeux, ‘Les plus belles oeuvres de 2019’ [The most beautiful works of 2019], Beaux Arts, BAM no. 426, December 2019, p. 61 Ben Davis, ‘The 100 Works of Art That Defined the Decade, Ranked: Part 3’,Artnet News, 31 December 2019 Shannon Eblen, ‘Seeing the Past from the Future’, The New York Times, 23 October 2019 Lucas Zwirner, ‘Alex Da Corte and Charlie Fox are into the Monster next door’, Interview, 23 October 2019 Judith Benhamou-Huet, ‘Fiac 2019: un lieu de découvertes’, Les Echos, 19 October 2019 Benjamin Sutton, ‘The 10 Best booths at FIAC’, Artsy, 17 October 2019 MaÏlys Celeux-Lanval, ‘Fiac 2019: nos plus belles découvertes!’, BeauxArts, 17 October 2019 Rafael Pic, Alison Moss et. al., ‘FIAC 2019: Our top ten favourite booths’, Le Quotidien de l’Art, Special edition, #2, 17 October 2019, p. 14-18 Manon Garrigues, ‘Les 12 oeuvres les plus spectaculaires re repérées à la Fiac’, Vogue France, 17 October 2019 Francesca Gavin, ‘A chandelier shaped like a bottom – and other Fiac 2019 highlights’, Financial Times, 17 October 2019 Anne-Cecile Sanchez, ‘Une Fiac 2019 très attendue’, Le Journal des Arts, 16 October 2019 Anna Tome, ‘Alex Da Corte: Marigolds’, The Brooklyn Rail, October 2019 Judith Benhamou-Huet, ‘Fiac 2019 – Paris the safe haven’, Judith Benhamou-Huet reports, October 2019 Christian Viveros-Fauné, ‘Alex Da Corte | Marigolds’, Artland Magazine, September 2019 Janet Kraynak, ‘May You Live in Interesting times, ARTFORUM, September 2019, pp. 217-224 Christian Viveros-Fauné, ‘Alex Da Corte, Marigolds’, ARTLAND, September 2019 ‘10 artists at the Venice Biennale we know & Love’, Cultured Magazine, 05 July 2019 ‘Editors’ Picks: 12 Things Not to Miss in New York’s Art World This Week’, ArtNet News, 01 July 2019 Annie Armstrong, ‘Alex Da Corte Will Be in Residence at Wexner Center’, ArtNews, 23 May 2019 Sebastian Smee, ‘Making Magic’, Washington Post, 01 May 2019 Cat Kron, ‘Alex Da Corte’s Carnegie International contribution tests television’s capacity for compassion’, Cultured, 08 March 2019 Jørgen Leth, Alex Da Corte, ‘Jørgen Leth & Alex Da Corte Interview: The Perfect Monster’, Louisiana Channel, January 2019 |
| 2018 |
Artnet News, ‘Alex Da Corte Explains How His Surreal Restagings of ‘Mr. Rodgers’ and ‘Sesame Street’ Create a ‘Portrait of the Land I Live In’, Artnet News, 7 December 2018 Grant Johnson, ‘Alex Da Corte's Neon Ghost House Is the Stuff of Dreams—And Nightmares’, Garage, 26 October 2018 Margot Norton, ‘Alex Da Corte in conversation with Margot Norton’, CURA Magazine, October 2018 Sabrina Tarasoff, ‘Poppies in July’, Mousse, Issue 65, Fall 2018, pp. 80-87 Jeffrey Kastner, ‘Alex Da Corte’, ARTFORUM International, May 2018 Sabrina Tarasoff, ‘Ghost Stories of almost nobody’, Mousse, Issue 63, April-May 2018, pp. 176-183 Erin Schwartz, ‘In Alex Da Corte's Spooky New Show, St. Vincent Co-Stars with a One-Eyed Cat’, GARAGE, 21 February 2018 Bridget Read, ‘In a New R.L. Stine–Inspired Show, Artist Alex Da Corte Gets Spooky’, Vogue, 17 February 2018 |
| 2017 |
Stephanie Eckardt, ‘Eminem's Comeback Has Stretched Over to the Art World, Thanks to Alex Da Corte’, W Magazine, 25 November 2017 Philomena Epps, ‘Alex Da Corte: Bad Land’, Elephant, 17 November 2017 Alina Cohen, ‘From Wawa to Mama: 20-ish Questions with Artist Alex Da Corte’, The Standard, 11 November 2017 Ezra Marcus ‘Artist Alex Da Corte Looks at the World Through the Eyes of Eminem Circa 2001’, Interview, 20 October 2017 Charlie Fox, ‘Why Frankenstein’s Monster Haunts Queer Art’, The New York Times Style Magazine, 13 October 2017 Ayla Angelos, ‘Alex Da Corte directs a colourfully bizarre music video for St. Vincent’s single New York’, It’s Nice That, 01 September 2017 Marc Hogan, ‘Inside St. Vincent’s “New York” Video: A Chat With Director Alex Da Corte’, Pitchfork, 31 August 2017 Claire Voon, ‘Alex Da Corte Directs a Luminous Video for St. Vincent’s Ode to New York’, Hyperallergic, 31 August 2017 Kasper Bech, ‘Jørgen Leth & Alex Da Corte; The Perfect Monster’, Louisiana Channel, August 2017 Charlotte Jansen, ‘Oscar Wilde meets Wes Anderson in the fantasy world of Alex Da Corte’, Wallpaper*, 25 July 2017 Devin Barrett, ‘When in Philadelphia’, Hercules Universal, Issue XII, Vol. II, Spring 2017, pp. 94-103 Gary Canino, ‘Alex Da Corte on scaling your art’, The Creative Independent, 21 March 2017 Tom Brewer, ‘Smashing Icons with Alex Da Corte’, SSENSE, 2017 |
| 2016 |
Christopher Knight, ‘Review: Alex Da Corte set Pop aflame at Art + Practice’, Los Angeles Times, 09 August 2016 Maurizio Cattelan, ‘Alex Da Corte’, purple MAGAZINE, issue 25, Spring/Summer 2016 Brian Droitcour, ‘Coming Up Roses: Alex Da Corte at MASS MoCA’, Art in America, 05 May 2016 Stephanie Eckardt, ‘Frieze New York 2016: Alex Da Corte Soars Over the Fair’, W Magazine, 04 May 2016 Sebastian Smee, ‘Stuff and nonsense in spellbinding show at Mass MoCA’, Boston Globe, 08 April 2016 Randy Kennedy, ‘Alex Da Corte’s ‘Free Roses’ Puts His Eccentricities on View’, The New York Times, 27 March 2016 |
| 2015 |
Annie Godfrey Larmon, ‘Openings: Alex Da Corte’, ARTFORUM, Summer 2015 Gio Marconi, ‘Alex Da Corte: Devil Town’, Mousse, issue 48, April-May 2015, pp. 248-249 Jarrett Earnest, ‘ALEX DA CORTE with Jarrett Earnest’, The Brooklyn Rail, April 2015 Christian Viveros-Fuané, ‘Alex Da Corte’s Twisted Installation at Luxembourg and Dayan Channels Blue Velvet and Pee Wee’s Playhouse’, Artnet news, 04 March 2015 Laura McLean-Ferris, ‘Plastic Spiritualism and Nice Hair’, FLASH Art, #301, March-April 2015, pp. 72-79 Brian Droitcour, ‘Alex Da Corte and Jayson Musson’, Art in America, 19 February 2015 Thea Ballard, ‘Introducing Alex Da Corte: Inorganic Matter’, Modern Painters, February 2015, pp. 36 |
| 2014 |
Kim Nguyen, ‘Alex Da Corte in conversation with Kim Nguyen’, CURA, No. 18, Fall 2014, pp. 94-105 Gabby Bess, ‘Artists Jayson Musson and Alex da Corte Play Easternsports’, Paper, 17 September 2014 Matthew Leifheit, ‘Three Amazing Young Artists Made a Baroque Surrealist Masterpiece of a Video’, Vice, 25 September 2014 Heather Corcoran, ‘Art Talks With Alex Da Corte’, The Wild, June 2014 Alex Da Corte and William Pym, ‘Alex Da Corte “A Night In Hell” at Carl Kostyál, Stockholm’, Mousse Magazine, June 2014 Copenhagen Contemporary, ‘Q&A with Alex Da Corte’, Copenhagen Contemporary, May 2014 Nicola Trezzi, ‘High and Low. High to Low. High is Low,’, The Room, Spring/Summer 2014, pp.48-51 Thor Shannon, ‘Present Tense’, Out of Order, Issue 4, Spring 2014, p. 180-201 |
| 2013 |
Harry Gassel, ‘Interview: Alex Da Corte’, FADER magazine, 17 October 2013 Annie Godfrey Larmon, ‘Alex Da Corte’, ARTFORUM, 24 July 2013 Riley Hooker, ‘All the colours of the dark’, MAKER Magazine, February 2013 |
| 2012 |
‘Alex Da Corte’, Artmap, 2012 ‘Living the Dream’, Portfolio, The Surreal Issue, 2012 |
| 2011 |
Daniel Gerwin, ‘Alex Da Corte’s “The Island Beautiful/Mortal Mirror”, Machete, May 2011 Rachel Reese, ‘Hands Across the Water: Alex Da Corte by Rachel Reese’, BOMB Magazine, 03 February 2011 |
| 2010 |
Christopher Bollen, ‘Alex Da Corte’, Interview, 23 March 2010 Kanitra Fletcher, ‘Alex Da Corte’, Landmarks, 2010 |