Monographs
| 2023 |
Alex Da Corte: Fresh Hell (Ishikawa: MCA Kanazawa, 2023) (exh. cat.) Alex Da Corte, Karen Kelly and Barbara Schroeder (eds.), Alex Da Corte: Chicken (Brooklyn (NY): Dancing Fox Press, 2023) |
| 2022 |
Laerke Rydal Jorgensen, Mathias Ussing Seeberg, William Pym and Alex Da Corte (eds.), Alex Da Corte: Mr. Remember (Humlebæk: Louisiana Museum of Modern Art, 2022) (exh. cat.) |
| 2021 |
David Brelsin, Rubber Pencil Devil (New York (NY): American Art Catalogues, 2021) Shanay Jhaveri, Jack Halberstam and Sheena Wagstaff, Alex Da Corte: As Long as the Sun Lasts. The Roof Garden Commission (New York (NY): The Metropolitan Museum of Art, 2021) Alex Da Corte, Smiles (New York (NY): American Art Catalogues, 2021) |
| 2020 |
Mario Mainetti (ed.), Alex Da Corte: Rubber Pencil Devil (Shanghai: Prada Rong Zhai, 2020) (exh. cat.) Alex Da Corte, Claus Due, William Pym (eds.), TRUE LIFE (London: Sadie Coles HQ; Cologne: Koenig, 2020) |
| 2019 |
Alex Da Corte, Fun Sponge (Portland: Publication Studio, 2019) (exh. cat.) Alex Da Corte, Marigolds (New York (NY): Karna Books, 2019) (exh. cat.) |
| 2017 |
Alex Da Corte and Sam McKinniss (eds.), Slow Graffiti (Vienna: Secession, 2017) |
| 2016 |
Alex Da Corte (ed.), A Man Full of Trouble (New York (NY) : Karma, 2016) Alex Da Corte and Jayson Musson, Easternsports (New York (NY): Karma Books; Philadelphia: ICA, 2016) (exh. cat.) Alex Da Corte, 50 Wigs (Herning: Herning Museum of Contemporary Art, 2016) (exh. cat.) Alex Da Corte, Free Roses (Massachusetts (MA): Museum of Contemporary Art; New York: DelMonico Books, 2016) (exh. cat.) |
| 2015 |
Alex Da Corte, Modern Life (Paris: les presses du reel, 2015) (exh. cat.) |
| 2009 |
Alex Da Corte and William Pym (eds.), Big Brother (Chicago (IL): Golden Age, 2009) |
Selected Publications
| 2023 |
Alex Da Corte, Sabrina Tarasoff and William Pym, The Daemon (Los Angeles (LA): Matthew Marks Gallery, 2023) (exh. cat.) Sylvia Liska, The Secession Talks Exhibitions in Conversation 2011-2022 (Wien: Schlebrügge, 2023) |
| 2022 |
David Breslin, Whitney Biennial 2022: Quiet as It’s Kept (New York (NY): Whitney Museum of American Art, 2022) (exh. cat.) Francesca Gavin, Rough Version: The NTS Interviews with Francesca Gavin 2016-2021 (Copenhagen: At Last Books, 2022) |
| 2021 |
Roberta Tenconi, Vicente Todoli and Fiammetta Griccioli (eds.), INDEX Maurizio Cattelan (Milan: Pirelli HangarBicocca / Marsilio Editore, 2021), pp. 560 – 561 The Dreamers: 58th October Salon Belgrade Biennale 2021 (Belgrade: CURA. BOOKS and the Cultural Centre of Belgrade, 2021) colour illus. pp. 192-193 Marta Gnyp, Katy Hessel and Amanda Renshaw, ‘Alex Da Corte’, New Wave: Contemporary Art and The Issues Shaping Its Tomorrow (Milan: Skira, 2021), pp. 119-137 |
| 2019 |
Ingrid Schaffner (ed.), Dispatch (Pittsburgh (PA): Carnegie Museum of Art, 2019) pp. 164-165 (exh. cat.) Gullringsbo Konstsamling Vol. 1 2019 (Stockholm: Svenska Hus AB, 2019) Charlie Fox, My Head Is a Haunted House: Dracula's Wedding (New York (NY): Karma Books; London: Koenig Books, 2019) |
| 2018 |
Ingrid Schaffner (ed.), ‘Alex Da Corte’, The Guide (Pittsburgh (PA): Carnegie Museum of Art, 2018), pp. 58-59 Alex Da Corte and Sam McKinniss (eds.), C-A-T Spells Murder (New York (NY): Karma Books, 2018) |
Artist Writings
| 2023 | Alex Da Corte, You Will Not Catch Me Alive’, Marisol: A Retrospective (New York (NY): Delmonico Books, 2023) pp. 179-187 |