Monographs
2023 |
Alvaro Barrington, Oh, Sandy? Sandy, Sandy, (Karma, New York, 2023) |
2022 |
Alvaro Barrington, Alvaro Barrington: 91–98 jfk–lax border (Colour and Black and White Editions) (New York (NY): Blum and Poe, 2022) |
2020 |
Alvaro Barrington, Crosses (London: Alvaro Barrington, 2020) |
2019 |
Alvaro Barrington, GARVEY! (London: Sadie Coles HQ, 2019) |
Selected Publications
2024 |
Ayaki Saeki (ed.), Absolute Chairs (Tokyo: Heibonsha Ltd; Saitama: Museum of Modern Art Saitama, 2024) (exh. cat.) Felicity Fenner (ed.), Roslyn Oxley9 Gallery: The First 40 Years (Sydney: Formist Editions, 2024) |
2022 |
Joe Bradley, The Drawing Centre Show (Dijon: Les Presses du Reel, 2022) (exh. cat.) |
2021 |
Alice Acland, Martha Barratt, Phoebe Cripps, Ben Eastham, Emily LaBarge, Jeremy Atherton Lin, Rosanna Mclaughlin, Rianna Jade Parker, Ralph Rugoff, Attillah Springer, Thomas Sutton, Mixing It Up: Painting Today (Hayward Publishing, London, 2021) Russell Tovey and Robert Diament, Talk Art: Everything You Wanted To Know About Contemporary Art But Were Afraid To Ask (London: Ilex Press, 2021) |
2020 |
Jim Lewis, Tim Griffin, Sarah Lehrer-Graiwer, Alvaro Barrington, Dike Blair, Marley Freeman, Zenzaburo Kojima (New York (NY): Karma Books, 2020) |
2019 |
Alvaro Barrington, GARVEY! (London: Sadie Coles HQ, 2019) Norman Rosenthal, Julia Peyton Jones, Artists I Steal From (London: Galerie Thaddaeus Ropac, 2019) Elisabetta Barisoni, Norman Rosenthal, Harry Woodlock (eds.), ‘Alvaro Barrington’, Breathless/London Art Now (Perugia: Tipografia Petruzzi, Magonza, 2019) pp. 44-45 |
2017 |
Rose Wylie, Melissa Blanchflower, Agnes Gryczkowska, Hans Ulrich Obrist, and Yana Peel, Rose Wylie: Quack Quack (Cologne: Koenig Books; London: Serpentine Galleries, 2017) (exh. cat.) |