| 2024 |
Gazelle Mba, ‘Interview: Martine Syms’, Fact Magazine, 15 March 2024 Samantha Bergeson ‘“The African Desperate” Trailer: Martine Syms’ Feature Debut Deconstructs Race in the High Art World’, Aol, March 2024 Eli Diner, ‘Found in Translation’, Art Review, 22 February 2024 Andrea Lazarov, ‘Martine Syms ad Andrea Lazarov’, Many of Them, Issue 10, February 2024, pp. 422-435 ‘Martine Syms’, Marfa Muse, 19 January 2024 Aria Hughes, ‘How Rihanna and LeBron James’ Louis Vuitton Video Campaigns Came to Be’, Complex, 09 January 2024 Mark Leckey ‘Artist’s favourites’, Spike Art Magazine, No. 78, January 2024 |
| 2023 |
Maia Ruth Lee, ‘In Conversation: Maia Ruth Lee and Martine Syms on "Glyphoscope 2024"’, Hyundai Artlab, 27 December 2023 Stephen Mooallem, ‘The Collective Power of the L.A. Art World’, Harpers Bazaar, 05 December 2023 Daniella Fishman, ‘Spring 2024 Adult Preview: Art, Architecture & Photography’, Publisher Weekly, 01 December 2023 Ben Broome, ‘Martine Syms’, Cura, No.41, October 2023, pp. 176 – 198 Lisette May Moore, ‘Martine Syms: “I’m Interested in When Humour And Pain Can Kiss”, Plaster, 20 October 2023 Mindy Seu, ‘Martine Syms, Being a Humana Can Be Really Unruly’, Spike Art Magazine, Issue 77, Autumn 2023, pp. 103-113 Millie Walton, ‘Frieze Week Highlights: Breast-Feeding Goddesses and Poetry in Performance’, Apollo Magazine, 10 October 2023 ‘40 under 40 USA 2023: Martine Syms’, Apollo Magazine, 25 September 2023 Estelle Hoy, ‘Martine Syms’, Autre Magazine, Fall/Winter 2023 Alayo Akinkugbe, ‘How tarot and MF Doom inspired Martine Syms’ new exhibition’, Dazed, 18 September 2023 TJ Sidhu ‘Martine Syms: I have a naughty sense of humour’, The Face, 15 September 2023 Shana Nys Dambrot, ‘Video Art by Women of Color: American Gurl Wakes Up from the American Dream’, LA Weekly, 27 July 2023 Juliana Halpert, ‘Martine Syms’s “Loser Back Home”, E-Flux Criticism, 21 July 2023 ‘Artists Martine Syms and Ben Babbitt Ruminate on Cellists and Hypnotists’, CULTURED, 20 June 2023 Shana Nys Dambrot, ‘Martine Syms Surveys What Remains at Sprüth Magers’, LA Weekly, 15 June 2023 Clem MacLeod, ‘Martine Syms’, Worms, Issue 7, June 2023 Fiona Duncan, Diamond Stingily, Martine Syms and Rocket Caleshu, ‘The African Desperate’, Gagosian Quarterly, Summer 2023, pp.100-103 Gazelle Mba, ‘Martine Syms’, FACT, spring/summer 2023, pp. 182-195 Maximilíano Durón, ‘2023 Guggenheim Fellowships Go to Artists Kapwani Kiwanga, Martine Syms, Pamela Council, and More’, ARTnews, 07 April 2023 Dennis Lim, ‘Signals: How Video Transformed the World’, E-Flux Criticism, 24 March 2023 Matthieu Jacquet, ‘In ‘The African Desperate’, Filmmaker Martin Syms Pokes Fun at the Art World’, Numéro, 16 March 2023 Pierre d’Alancaisez, ‘‘Everybody Is Trying So Hard to Look Like They’re Not Trying’: Martine Syms’s Art-School-Insider Satire’, Art Review, 06 February 2023 |
| 2022 |
‘Martine Syms and Precious Okoyomon Need Space to Breathe’, Interview Magazine, 9 December 2022 ‘Power 100’, Art Review, 01 December 2022 ‘Martine Syms and Daisy Zhou Discuss the Nuances of an Artistic Life’, W Magazine, 28 October 2022 Nick Chen, ‘Martine Syms’ new film exposes the inbuilt racism of art school’, Dazed, 25 October 2022 Emmanuel Onapa, ‘The Story Behind Martine Syms’ Debut Film, The African Desperate’, AnOther, 24 October 2022 Darla Migan, ‘‘There’s This Illusion That It’s an Equalizer’: Artist Martine Syms on How Her New Film Explodes the Myth of the MFA Education’, Artnet News, 24 October 2022 Nicolas Rapold, ‘“The African Desperate’ Expands the Movies” Narrow View of the Art World’, The New York Times, 21 October 2022 Kemi Alemoru, ‘With ‘The African Desperate’, Director Martine Syms Turns the Coming-Of-Age Party Film into a Work of Fine Art’, gal-dem, 21 October 2022 Mini Anthikad Chhibber, Martine Syms on ‘The African Desperate’: A Freudian slip that became the title’, The Hindu, 20 October 2022 Dara Birnbaum, Lauren Cornell and Martine Syms, ‘Slippage and Misdirection: Dara Birnbaum in Conversation with Martine Syms’, Frieze, 28 September 2022 Anni Irish, ‘Martine Syms’s first feature film gleefully deconstructs the MFA Experience’, The Art Newspaper, 16 September 2022 Alex Greenberger, ‘Martine Syms’s Debut Feature Film Is an Uproariously Funny Art World Satire’, ARTnews, 15 September 2022 Travis Diehl, ‘The Many Lives of Martine Syms’, The New York Times, 02 September 2022 Leah Gallant, ‘The sitcom as social critique: Martine Syms foregrounds Black banality in major Chicago exhibition’, The Art Newspaper, 29 August 2022 Shawn Ghassemitari, ‘Martine Syms Presents the First Season of ‘She Mad’ at MCA Chicago’, HypeArt, 11 Aug 2022 Anna Furman, ‘From ‘Barbies scissoring’ to ‘contorted emotion’: the artists using AI’, The Guardian, 11 July 2022 Stephan Salisbury, ‘After ‘a world of change,’ artist Martine Syms brings forth ‘Neural Swamp’’, The Philadelphia Inquirer, 05 July 2022 Samantha Ozer, ‘Martine Syms discusses her film The African Desperate and the lore of graduate school’, art21, July 2022 Bard College, ‘CCS Bard Summer Exhibitions Delve Into Video Art and Black Melancholia’, HYPERALLERGIC, 24 June 2022 Jareh Das, ‘Martine Syms Takes the Art School to Task’, Ocula, 01 June 2022 Mark Asch, ‘The African Desperate Review: Martine Syms’ Directorial Debut Is Full of Insight and Vitality’, The Playlist, 04 May 2022 Leonardo Goi, ‘ND/NF Review: The African Desperate is a Boisterous Portrait of Academia, Artistry, and Aimlessness’, The Film Stage, 03 May 2022 Matthieu Jacquet, ‘La Famille Artistique de Martine Syms: Portrait par Danielle Levitt’, Numéro art, No.10, May-August 2022, pp.152-163 Nelson Kim, ‘“I Want to Make Big, Unforgettable, Life-Changing Works”: Martine Syms on Her New Directors/New Films Closing-Night Film, The African Desperate’, FILMMAKER, 29 April 2022 Greta Rainbow, ‘Martine Syms’ first feature film satirizes the MFA experience’, i-D Magazine, 29 April 2022 Nicolas Rapold, ‘Living On: Movies to Look Out For at New Directors/New Films’, MoMA, 20 April 2022 Essence Harden, ‘What does it mean to be truly alive in L.A.? Martine Syms is using film to figure out’, Los Angeles Times, 24 February 2022 Hannah Ongley, ‘Martine Syms illuminates a space between secular and sacred at Prada Mode Los Angeles’, Document, 22 February 2022 Aria Hughes, Artist Martine Syms Wanted Prada Mode Guests to Feel Recognized With ‘HelLA World’, Complex, 19 February 2022 Alessandra Codinha, ‘Prada Fêtes Artist Martine Syms and Frieze in Los Angeles’, Vogue, 18 February 2022 ‘With Her Latest Prada Commission, Artist Martine Syms Explores Her Love and Hate for Los Angeles’, Artnet News, 16 February 2022 Róisín Tapponi, ‘The First Feature Film From Martine Syms Is a Hazy, Alluring Send-Up of the Art World’, Vogue, 02 February 2022 |
| 2021 |
Jess Cole, ‘Martine Syms’, MARFA #16, Autumn-Winter 2021, pp. 172-181 Bianca Heuser, ‘Views: Keep On, Keeping On’, Spike Art Magazine, Issue #69, Autumn 2021, pp. 156-157 Madeleine Seidel, ‘Martine Syms: Loot Sweets’, The Brooklyn Rail, 25 September 2021 Simon Wu, ‘Securing Transactions: Martine Syms at Bridget Donahue’, Art in America, 13 September 2021 Martha Schwendener, ‘Art Gallery Shows to See Right Now’, The New York Times, 10 September 2021 Rachel Willcocks, ‘Martine Syms Pictures the Black American Dream’, ArtReview, 23 July 2021 Ellie Wiseman, ‘Glasgow International Stands to Attention’, Ocula Magazine, 30 June 2021 Lauren Elkin, ‘The Liverpool Biennial’s Blinkered Approach to Feminist Art’, Frieze, 17 June 2021 Hettie Judah, ‘Glasgow International: screens lure eyeballs but it’s the sculptures that thrill – review’, The Guardian, 11 June 2021 Tessa Moldan, ‘London Gallery Weekend: Shows to See’, Ocula Magazine, 02 June 2021 Oli Basciano, ‘In Situ’, Elephant #45, Spring/Summer 2021 Ben Luke, ‘Our critic’s choice of London Gallery Weekend shows: Central’, The Art Newspaper, 27 May 2021 Mark Westall, ‘Martine Syms’ Soft’, FAD Magazine, 25 May 2021 Polina Kuznetsova, ‘Prada Linea Rossa Reveals Spring/Summer 2021 Collection’, Cr Fashion Book, 07 April 2021 Abby Aguire, ‘Is There Anything Bad Bunny Can’t Do?’, W Magazine, 05 April 2021 Zainab Jama, ‘Martine Syms has Big Feelings Too’, The Face, 24 March 2021 Arden Fanning Andrews, ‘Artist Martine Syms And Lil Miquela Creator Trevor McFedries On Why You Don’t Need To Find Your Purpose Before You’re 30’, Artnet News, 31 March 2021 Megan N. Liberty, ‘Martine Syms’s Shame Space’, The Brooklyn Rail, February 2021 Allison Conner, ‘Martine Syms’s New Book Is an Irreverent Performance of Contemporary Living’, Hyperallergic, 04 January 2021 |
| 2020 |
Louise Malcolm, ‘Is London’s Cork Street Revival All That it is Set Out to Be?’, Cobo Society, 17 November 2020 Annie Armstrong, ‘In Conversation with Martine Syms’, GARAGE, no. 19, 30 October 2020, pp. 174-181 Annie Armstrong, ‘Smarter Child’, Garage Magazine, 30 October 2020 Claire Selvin, ‘Martine Syms, Sondra Perry, and More Shortlisted for Rolls-Royce Commission’, ARTNews, 21 October 2020 Kabir Jhala and Louisa Buck, ‘Three exhibitions to see in London this weekend’, The Art Newspaper, 16 October 2020 Joshua W. Potter, ‘London’s Sadie Coles HQ & Cork Street Galleries Presents: “Ugly Plymouths” – A Martine Syms Exhibit’, Culture Honey,13 October 2020 Chris Fite-Wassilak, ‘London Roundup’, Art-Agenda, 09 October 2020 Hettie Judah. ‘Pop-up space odyssey: how to do Frieze with no Frieze’, The Guardian, 09 October 2020 Lucy Stranger, ‘Frieze Week Gallery Trail’, Go with Yamo, 06 October 2020 ‘Artwork by Martine Syms’, Purple Magazine, issue ‘Purple Love’, p. 517 Steffani Jemison, ‘Martine Syms’, BOMB Magazine, Issue 153, Fall 2020 cover, pp. 42-53 Sophie Bew, ‘Art Project: Martine Syms’, AnOther Magazine, Issue 36, Spring Summer 2020, pp. 482-491 Andrew Rysseth, ‘Gorrilas in Cowboy Boots, Fish Full of Dynamite- Darren Bader’s AR App is in Beta’, ARTnews, 06 April 2020 Martine Syms, ‘How Martine Syms Fell in Love with Aretha Franklin’, Frieze Week, 10 February 2020 Helen Holmes, ‘Martine Syms and Melvin Edwards Among United States Artists Grant Award Winners’, Observer, 22 January 2020 Ashleigh Kane, ‘Art Shows to leave the house for this month’, Dazed, 10 February 2020 Deborah Vankin, ‘Frieze Week L.A. 2020: Your guide to talks, screenings, performances and parties’, Los Angeles Times, 06 February 2020 ‘Martine Syms and Nari Ward among 2020 United States Artists Fellows’, ARTFORUM, 22 January 2020 Alex Greenberger, ‘United States Artists Names 2020 Recipients of Coveted Fellowships, Including Howardena Pindell, Martine Syms, Cameron Rowland’, ARTnews, 22 January 2020 Martine Syms, ‘Misdirected Kiss’ [extract], WID, January 2020 |
| 2019 |
Kathryn O’Regan, ‘Martine Syms. “Anything you do on camera is like a performance”’, SLEEK #60, Winter 2019, pp. 42-47 Miriam Katzeff, ‘Best of 2019’, ARTFORUM, December 2019, p. 189 Tyler Watamanuk, ‘A Sculpture/Chair That Asks "Who Is Going to Grab My Booty?"’, Garage, 27 October 2019 ‘Intermission: Capricorn’, L’Officiel USA, 16 October 2019 Isaac Joseph, ‘Ain’t nothing like the real thing’, LALA Magazine, Summer 2019, pp. 118-125 Nicole-Ann Lobo, ‘Where We Could Go; The 2019 Whitney Biennial’, Commonweal, 24 July 2019 Beatrix Ruf, ‘The Image Is Now Part of My Flesh. Martine Syms in Conversation with Beatrix Ruf’, Mousse Magazine, Issue 67, Spring 2019 Ernest Macias, ‘Martine Rose Shares the Weird Secret to Her Fashion World Success with the Artist Martine Syms’, Interview Magazine, 10 April 2019 Hiba Ali, ‘An Expression of the Divine: A Review of Martine Syms at the Graham foundation’, New City Art, 12 January 2019 Mimi Chu, ‘Martine Syms’s Misdirected Kiss’, Frieze: The 200th Issue, January / February 2019 Amarie Gipson, ‘Order of Appearance: In Chicago Show, Martine Syms Examines How Blackness Is Performed, Absorbed and Circulated’, ArtNews, 08 January 2019 Lori Waxman, ‘Martine Syms’, 4Columns, 04 January 2019 |
| 2018 |
Third Magazine, ‘Martine Syms’, Third Magazine, 2018 William J. Simmons, ‘Martine Syms resets the traditional bounds of identity’, Cultured Magazine, December 2018 Maisie Skidmore, ‘Martine Syms, artist, on Andrea Lawlor’s Paul Takes the Form of a Mortal Girl’, AnOther Mag, Autumn-Winter 2018, p. 120 Kimberly Drew, ‘Martine Syms’, WIP Magazine, November 2018, pp. 24-33 Eddy Frankel, ‘Show of the week: Martine Syms. Grand Calme’, Time Out, 11 – 17 September 2018, p. 80 Maurizio Cattelan and Marta Papini, ‘Interview with Martine Syms’, Purple, Fall 18, pp. 218-21 Anne Bourassé, ‘Martine Syms pas si Calme à la Galerie Sadie Coles’ [extract], Point Contemporain, September – November 2018 Jareh Das, ‘Shows during Frieze: London Lowdown’, Ocula, 20 September 2018 ‘Martine Syms Grand Calme’, Journal, September 2018 Bryony Stone, ‘“Fear and desire for connection and the blocks to it”: artist Martine Syms on her exhibition Grande Calme’, It’s Nice That, 20 September 2018 Ian Caldwell, ‘Grande Calme or Grande Dame: Martine Syms at Sadie Coles HQ’, Ian The Architect, 06 September Dylan Jones, ‘Martine Syms: “Don’t be afraid to be narcissistic”’, GQ, 09 September 2018 Chris Fite-Wassilak, ‘The Best of London’s September Exhibitions’, Frieze, 05 September 2018 Charlotte Jansen, ‘Martine Syms’s Lessons on Black Radicalism’, Elephant, 02 September 2018 Cara, ‘Martine Syms: Grand Calme’, Boundary, 18 September 2018 B. Ingrid Olson, ‘The Global Beat: B Ingrid Olson on Martine Syms’, Art in America, August 2018 |
| 2017 |
Amy Kazymerchyk, ‘Borrowed Lady Martine Syms in Conversation with Amy Kazymerchyk’, C Magazine, Issue 132: Force, Winter 2017 Jocelyn Miller, ‘Martine Syms: One Woman Show’, Osmos Magazine, No. 11, Winter 2017, pp. 41-43 Helen Longstreth, Melissa Ray, Louise Benson, ‘Top Ten Artists of 2016’, POSTmatter, 19 December 2017 Jennifer Kabat, ‘2016 Highlights: Jennifer Kabat’, Frieze, 09 December 2017 Amanda Hunt, ‘Martine Syms’, Aperture Magazine #225, Winter 2017, pp. 132–137 Zoë Chan, ‘Acting Out: The Visibility of Blackness in the Work of Martine Syms’, Momus, 30 November 2017 Isobel Harbison ‘The Body is a Technology’, Frieze, 13 November 2017 Steven Cairns, ‘An Interview with Martine Syms: Incense Sweaters & Ice’, ICA London, November 2017 Victoria L. Valentine, ‘Retrospective: The Latest News in Black Art - Black Panthers at 50, Museums Respond to Charges of Racism and Historical Inaccuracy’, Culture Type, 15 October 2017 Amy Sherlock, ‘25 Artworks: Martine Syms ‘Notes on Gesture’’, Frieze, September 2017 Antwaun Sargent, ‘Memes Mediate an Artist’s Trip to the Dentist’, The Creators Project, 27 August 2017 Steven Cairns, ‘An Interview with Martine Syms: Incense Sweaters & Ice’, ICA London, November 2017 Oscar Garza and James Kim, ‘‘Made in LA’ artist, Martine Syms on how entertainment industry constructs identities’, 89.3 KPCC: The Frame, 30 June 2017 Gracie Linden, ‘Deconstructing African American Identity into Axioms, Photos, and Colors’, Hyperallergic, 15 June 2017 Carol Cooper, ‘Martine Syms’s Interactive MoMA Installation Explores The Tyranny Of Screens’, The Village Voice, 14 June 2017 Deborah Vankin, ‘At Hammer Museum’s ‘Made in L.A.’ biennial, Martine Syms makes her moment,’ Los Angeles Times, 11 June 2017 Antwaun Sargent, ‘At MoMA, Martine Syms Puts Black Female Identity under the Lens’, Artsy, 31 May 2017 Alex Fialho, ‘Interviews: Martine Syms’, ARTFORUM, 22 May 2017 Ananda Pellerin, ‘Martine Syms: Fact & Trouble’, Time Out, 17 May 2017 ‘An Interview with Martine Syms’, AQNB, 10 May 2017 Eliza Anyangwe, ‘Martine Syms at the ICA: ‘people act like art is a white thing’’, The Guardian, 09 May 2017 Eli Diner, ‘The Most Relative Media’, Flash Art, 308: 49, May 2017, pp. 72–79 Dayla Benor, ‘Martine Syms on LA, coming offline, and the language of pop’, Dazed, 20 April 2017 Terence Trouillot, ‘‘Conceptual Entrepreneur’ Martine Syms Will Bring Augmented Reality Storytelling to MoMA’, Artnet News, 12 April 2017 Lauren Mackler, ‘Introduction: Martine Syms, A Pilot for a Show About Nowhere’, Vdrome, 2017 Martine Syms, ‘Portfolio: Martine Syms’, Frieze, 11 April 2017 Rizvana Bradley, ‘INCENSE SWEATERS & ICE’, Kaleidescope, Spring 2017 Essence Harden, ‘Edification of the Box: Martine Syms at Human Resources LA’, SFAQ, 23 February 2017 Carolina A. Miranda, ‘Datebook: Shaping wood into abstraction, a group show about race, life lessons in 30-second videos’, Los Angeles Times, 20 February 2017 Hanne Mugaas and Martine Syms, ‘Martine Syms’, Kaleidoscope, no. 26, February 2017 Catherine Damman, ‘Syms’s City’, Artforum, 09 February 2017 Morgan Quaintance, ‘Martine Syms’s ‘The Easy Demands’’, Art Agenda, 07 February 2017 Laura McLean-Ferris, ‘Language, gesture and black identity’, Frieze, no. 176, Jan / Feb 2017 Carolina A. Miranda, ‘White suitor, black maid: Martine Syms takes on black women Silvia Sgualdini, ‘Condo/London’, Flash Art, 27 January 2017 D. Creahan, ‘New York - ‘The Love Object’ Curated by Tom Brewer at Team Gallery Through February 18th, 2017’, Art Observed, 25 January 2017 representations in ‘Misdirected Kiss’’, Los Angeles Times, 21 January 2017 Lorena Muñoz-Alonso, ‘Condo 2017 Proves That Sharing Resources in the Art World Is Possible - and Necessary’, Artnet News, 16 January 2017 Colby Chamberlain, ‘Martine Syms’, Artforum, January 2017, pp. 242 – 243 |
| 2016 |
Emily Spivack, ‘The Phrase One Artist Lives (and Works) By’, T Magazine, 06 December 2016 Kate Brettkelly-Chalmers, ‘Martine Syms’, Ocula Conversations, 15 December 2016 Zoe Chan, ‘Acting Out: The Visibility of Blackness in the Work of Martine Syms’, MoMus, 30 November 2016 Anna McNay, ‘Martine Syms: “I am interested in the idea of the gulf between your lived experience and its representation”’, Studio International, 05 September 2016 Catherine Damman, ‘Syms’s City’, Art Forum, 02 September 2016 Antwaun Sargent, ‘Memes Mediate an Artist’s Trip to the Dentist’, Creators, 27 August 2016 Dalya Benor, ‘Martine Syms on LA, coming offline and the language of pop’, Dazed, July 2016 Jori Finkel, ‘Made in L.A. at the Hammer, Excavates Hollywood’s Past’, The New York Times, 19 June 2016 ‘An Interview with Martine Syms’, Scarab, 10 May 2016 Eliza Anyangwe, ‘Martine Syms at the ICA: “People act like art is a white thing’, The Guardian, 09 May 2016 Martine Syms, ‘Portfolio’, Frieze, 11 April 2016 Essence Harden, ‘Edification of the Box: Martine Syms at Human Resources LA’, NYAQ / LXAQ / SFAQ, 23 February 2016 |
| 2015 |
Scott Indrisek, ‘What Did Artists Love In 2015? A Survey’, Blouin Artinfo, 31 December 2015 Emily McDermott, ‘The Conceptual Entrepreneur’, Interview Magazine, 29 December 2015 Catherine Wagley, ‘8 L.A. Artists and Art-World Figures to Watch in 2016’, LA Weekly, 28 December 2015 ‘Martine Syms’, Modern Painters, December 2015, p. 108 Gillian Young, ‘Martine Syms’, Art in America, 11 December 2015, p. 137 Lauren Palmer, ‘20 Emerging Female Artists to Keep on Your Radar’, Artnet News, 09 December 2015 Carolina A. Miranda, ‘KCET kicks off 7th season of ‘Artbound’ with hourlong special on contemporary black artists’, Los Angeles Times, 17 November 2015 ‘Solitude’, Triple Canopy (online), Issue 21, November 2015 ‘Of Note: Martine Syms’, The New Yorker, 26 October 2015, p. 08 Freda Nada, ‘Marine Syms: Vertical Elevated Oblique’, Topical Cream, 21 October 2015 Marialuisa Pasto, ‘Martine Syms - Vertical Elevated Oblique, Bridget Donahue’, Aujourd’hui, 14 October 2015 Scott Indrisek, ‘5 Must-See Gallery Shows in New York: Sarah Sze, Julia Bland, and More’, Modern Painters, 09 October 2015 Karen Rosenberg, ‘Critic’s Choice: Martine Syms’s Master Class in Micro-Acting for the YouTube Age’, Artspace, 06 October 2015 Johanna Fateman, ‘Critics’ Pick: Martine Syms’, Artforum, 02 October 2015 Jessica Lynne, ‘Black Womanhood and the Language of the Hand’, ArtSlant, 02 October 2015 ‘Notes on Gesture: Martine Syms’, Dis Magazine, 17 September 2015 Thea Ballard, ‘Screen Time: An artist plumbs media, past and present’, Modern Painters, September 2015, pp. 48–50 ‘The Unreliable Narrator’, interview with Aram Moshayedi, Mousse #49, Summer 2015, pp. 62–69 ‘Stages of Laughter 3 - Martine Syms’, Art in America, June 2015 Kate Berlant, Aki Sasamoto, Amy Sillman, and Martine Syms, ‘Stages of Laughter Original: I Am A Meme’, Art in America, June 2015 ‘A Pilot For A Show About Nowhere’, Art Papers, May / June 2015, pp. 24–28 ‘Problems of Representation: Martine Syms in conversation with Charles Gaines’, Flash Art, 48: 302, May / June 2015. pp. 65–71 Saul Austerlitz, ‘Look MoMA, I’m on TV!’, The New Republic, 06 March 2015 Emily Manning, ‘Let Martine Syms And Kahlil Joseph Unlock Your Mind’, Vice Magazine: i-D, May 2015 |
| 2014 |
‘The Future of Money and the Techonology of Capitalism’, Omni Reboot, 17 July 2014 |
| 2013 |
‘The Mundane Afrofuturist Manifesto’, rhizome.org, 17 December 2013 ‘Is Good Business Bad Art (Publishing)?’, Paperweight, 09 October 2013 |
| 2011 |
Britt Julious, ‘Black by Distribution: A Conversation with Martine Syms’, rhizome.org, 31 August 2011 |