Martine Syms

Martine Syms, Jadine Collingwood, William Pym, and Axel Wieder (eds.), Martine Syms: She Mad (London: Sternberg Press, 2023) 

Martine Syms, Irene Calderoni and Amanda Sroka (eds.), Neural Swamp. The Future Fields Commission in Time-Based Media (New Heaven (CT): Yale University Press, 2022) 

Martine Syms, Martine Syms - STRAIT: Études Books N°23 (Paris: Études Books, 2021) 

Martine Syms, Martine Syms: BOON. (Berlin: Revolver Publishing, 2019) 

Ringier Annual Report 2018: Martine Syms (Zurich: Corporate Communications, Ringier AG, 2019) 

Amy Kazymerchyk, Christina Sharpe and Diamond Stingily, Borrowed Lady: Martine Syms (exh. Cat.) (Burnaby: SFU Gallery, 2017) 

Sandrine Alexandre, K Allado-Mcdowell, Ama Josephine Budge Johnson, Kara Keeling, Rebecca Lamarche-Vadel, Olivier Zeitoun, and Antonine Scali Ringwald (ed.), Coming Soon (Paris: Lafayette Anticipations, 2024) 

Michelle Kuo, Stuart Comer (eds.), Signals: How Video Transformed the World (New York (NY): The Museum of Modern Art, 2023) 

Dara Jaffe & Stacey Allan (eds.) Spike Lee: Director’s Inspiration (New York (NY): Delmonico Books; Los Angeles (CA): Academy Museum of Motion Pictures, 2022) 

Francesca Gavin, Rough Version, The NTS Interviews With Francesca Gavin, 2016-2021 (London: At Last Books, 2022) 

Margot Norton, Lynn Hershman Leeson: Twisted (New York (NY): New Museum, 2021) 

Kayla Romberger, Ulises (eds.) Publishing as Practice: Hardworking Goodlooking, Martine Syms/Dominica Bidoun (Los Angeles (CA): Inventory Press LLC, 2021) 

Roberta Tenconi, Vicente Todoli and Fiammetta Griccioli (eds.), INDEX Maurizio Cattelan (Milan: Pirelli HangarBicocca / Marsilio Editore, 2021) 

Yilmaz Dziewior, Gregor Muir (eds.) Andy Warhol Now (Cologne: Walther Koenig Books, 2020) 

Meg Onli & Amber Rose Johnson (eds.), Colored People Time (Philadelphia (PA): Institute of Contemporary Art; Philadelphia (PA): University of Pennsylvania, 2020) 

Martine Syms, Paul Chan and Giampaolo Bianconi, Petra Cortright (Milan: Skira Editore, 2020) 

Alex Da Corte, Claus Due, William Pym (eds.), Hilton Als, Charlie Fox, Martine Syms, Moritz Wesseler, TRUE LIFE (London: Sadie Coles HQ; Cologne: Walther Koenig Books, 2020) 

Stuart Comer (ed.), member: Pope.L, 1978-2001 (New York (NY): The Museum of Modern Art, 2019) 

Anna Briz, Yishun Li, Seymour Polatin, Wenzhou Wu, Emilia Huiqian Yin, Out of Character: Self-Imaging through narratives (Los Angeles (CA): University of California, 2019) 

Isobel Harbison, Performing Image (Cambridge (MA): MIT Press, 2019)

Sheila Majumdar (ed.), I WAS RAISED ON THE INTERNET (Chicago (IL): MCA Museum of Contemporary Art Chicago, 2018) 

Omar Kholeif, Sarah Perks (eds.) Fear Eats the Soul (Manchester: HOME Publications, 2016) 

Omar Kholeif (ed.) Electronic Superhighway: From Experiments in Art and Technology to Art After the Internet (exh. cat.) (London: Whitechapel Gallery, 2016)

Brian Droitcour (ed.), The Animated Reader (New York (NY): New Museum, 2015) 

Lauren Cornell and Ed Halter (eds.), Mass Effect: Art and the Internet in the Twenty-First Century (New York (NY): New Museum; Cambridge (MA): The MIT Press, 2015) 

A Thread or Line That Holds Things Together: 99 Subtle Maneuvers (Oakland (CA): Publication Studio Oakland, 2015)

041 Book of Fate (New York (NY): Miniature Garden, 2013) 

135 Showpaper cover (New York (NY): SHOWPAPER, 2013)

Fools (Los Angeles (CA): Dominica Publishing, 2012) 

Why You Watch What You Watch When You Watch (New York (NY): Bodega Press, 2012)

Marco Kane Braunschweiler and Martine Syms, Reference Work (Chicago (IL): Golden Age; MCA Museum of Contemporary Art Chicago, 2011)

Martine Syms & Rocket Caleshu, The African Desperate (New York (NY): Nightboat Books, 2022)

Martine Syms, Shame Space (New York (NY): Primary Information, 2020)

Martine Syms, The Mundane Afrofuturist Manifesto (Rhizome, 2013) 

Martine Syms, Implications and Distinctions: Format, Content and Context in Contemporary Race Film (New York (NY): Future Plan and Program, 2011)

Most Days (New York: Mixed Media Recordings, 2014)