Monographs
2019 |
Udo Kittelmann, Rudolf Stingel: Fondation Beyeler (Berlin: Hatje Cantz; Fondation Beyeler, 2019) |
2018 |
Rudolf Stingel at Casa Malaparte (Capri: Gagosian; Casa Malaparte, 2018) |
2017 |
Rudolf Stingel Park & 75 (New York (NY): Gagosian, 2017) |
2015 |
Rudolf Stingel: 2000 – 2003 (New York (NY): Nahmad Contemporary, 2015) (exh. cat.) |
2013 |
Rudolf Stingel, Palazzo Grassi 2013 (Milan: Mondadori Electa, 2013) |
2012 |
Renier Settl, Rudolf Stingel: Secession (Vienna: Vereinigung Bildender Künstlerlnnen; Berlin: Revolver Publishing, 2012) |
2011 |
Francesco Bonami, Rudolf Stingel (Munich: Prestel Publishing; Gagosian, 2011) |
2010 |
Udo Kittelmann and Joachim Jäger (eds.) Rudolf Stingel: Neue Nationalgalerie Berlin (Cologne: Verlag der Buchhandlung Walther König, 2010) |
2008 |
Gary Carrion-Murayari, Rudolf Stingel at the Museum of Contemporary Art Chicago and the Whitney Museum of American Art New York (Ostfildern: Hatje Cantz Verlag, 2008) (exh. cat.) |
2007 |
Francesco Bonami, Chrissie Iles and Reiner Zettl, Rudolf Stingel (New Haven (CT): Yale University Press, 2007) |
2006 |
Sara Harrison, Rudolf Stingel- Louvre (after Sam) (Edinburgh: Inverleith House; London: Sadie Coles HQ, 2007) (exh. cat.) |
2003 |
Rudolf Stingel: 22 März bis 10 Mai 2003 (Dusseldorf: Galerie Ulrike Schmela, 2003) (exh. cat.) |
2001 |
Rudolf Stingel (Trento: Museo di Arte Moderna e Contemporeanea, 2001) |
1995 |
Bernhard Bürgi, Rudolf Stingel (Zürich: Kunsthalle Zürich, 1995) |
Selected Press
2023 |
Emma Lavigne and Bruno Racine, Icônes: Opere Della Pinault Collection, Oeuvres De La Pinault Collection (Venice: Marsilio Editori, 2023) (exh. cat.) |
2022 |
Emma Lavigne and Gregoire Robinne, Une Seconde D'éternité: La Collection Pinault À La Bourse De Commerce (Paris: Editions Dilecta, 2022) Jean-Jacques Aillagon, Ouverture: La Collection Pinault À La Bourse De Commerce (Paris: Editions Dilecta, 2022) Walter Vanhaerents and Lien Devriese, Vanhaerents Art Collection: Looking Ahead (Berlin: Hatje Cantz, 2022) |
2021 |
Jean-Jacques Aillagon, The Black and The White in The Pinault Collection (Paris: Editions Dilecta, 2021) |
2020 |
David Freedberg, Visions of The Self: Rembrandt and Now (London: Gagosian Gallery, 2020) Cristiano Raimondi and Francesco Bonami, Step by Step: Visions of An Art Dealer's Collection (Milan: Mousse Publishing, 2020) Francesco Bonami, Emanuela Mazzonis Di Prafera, Me, Family: Portrait of a Young Planet (Luxembourg: Mudam Luxembourg - Musee d'Art Moderne Grand-Duc Jean, 2020) |
2019 |
Emily LaBarge, L’Empreinte (London: Olivier Malingue, 2019) (exh. cat.) |
2018 |
Martin Bethenod and Florian Ebner (eds.), Dancing with Myself (Venice: Marsilio, 2018) |
2017 |
Emily Butler and Candy Stobbs (eds.), Creating Ourselves: The Self In Art: Works From The ISelf Collection (London: Whitechapel Gallery, 2017) (exh. cat.) Martin Clark and Steven Claydon, I Aint The Noing Uv It Im Jus Onle The Showing Uv It: An Exhibition In Two Parts (Bergen: Bergen Kunsthall, 2017) (exh. cat.) Monochrome: A Dialogue Between Burri, Fontana, Klein, Manzoni & Stingel (New York (NY): Nahmad Contemporary, 2017) (exh. cat.) |
2016 |
Seth Price, André. Viana, Rudolf Stingel, Henri Bergson, and Camila Jorquiera Stagno, Delay: Seth Price and Rudolf Stingel (New York (NY): Viana Art LLC, 2016) |
2015 |
Sprayed: Works From 1929 To 2015 (London: Gagosian Gallery, 2015) (exh. cat.) |
2014 |
25 Years of Andrea Rosen Gallery (New York (NY): Andrea Rosen Gallery, 2014) (exh. cat.) |
2013 |
Marina Pugliese and Barbara Ferriani, Ephemeral Monuments: History and Conservation of Installation Art (Los Angeles (CA): Getty Conservation Institute, 2013) Massimiliano Gioni, Gary Carrion-Murayari, Jenny Moore, and Margot Norton, NYC 1993: Experimental Jet Set, Trash and No Star (New York (NY): New Museum, 2013) (exh. cat.) Hans Werner Holzwarth, Art Now. Vol. 4 (Cologne: Taschen, 2013) Bert Kreuk and Hans Janssen, Grensverleggend = Transforming the Known, Collection Bert Kreuk (Den Haag: Gemeentemuseum, 2013) (exh. cat.) |
2012 |
Jeffrey Deitch and Nikki Columbus, The Painting Factory: Abstraction After Warhol (New York (NY): Skira Rizzoli; Los Angeles (CA): Museum of Contemporary Art Los Angeles, 2012) (exh. cat.) Siri Engberg, Lifelike (Minneapolis (MT): Walker Art Center, 2012) (exh. cat.) |
2011 |
David Moos, The Minimal Gesture (London: Timothy Taylor Gallery, 2011) Francesco Bonami, Spirit And Space: Colección Sandretto Re Rebaudengo (Madrid: Fundación Banco Santander; TF. Editores; Turin: Fondazione Sandretto Re Rebaudento, 2011) (exh. cat.) |
2009 |
Hans Werner Holzwarth (ed.), 100 Contemporary Artists (Cologne: Taschen, 2009) Francesco Bonami and Alison Gingeras (eds.), Mapping the Studio Artists from the François Pinault Collection (Milan: Electa, 2009) Jörg Schellmann, Forty Are Better Than One – Edition Schellmann 1969-2009 (Munich, Berlin and New York (NY): Schellmann Art Production, 2009) Jessica Stockholder, Swiss Cheese Field – And Sculpture Mingled (New Haven (CT): Yale University Art Gallery, 2009) Susan Tallman and Deborah Wye, 200 Artworks - 25 Years Artists, Editions for Parkett (Zurich and New York (NY): Parkett Publishers, 2009) Robert Nickas, Painting Abstraction: New Elements in Abstract Painting (London: Phaidon Press, 2009) |
2008 |
Jeremy Sigler and Paul Valery, Now You See It (Aspen (CO): Aspen Art Museum, 2008) Douglas Fogle, Life on Mars: 55th Carnegie International Exhibition Catalogue (Pittsburgh (PA): Carnegie Museum of Art, 2008) (exh. cat.) Amy Eshoo, 560 Broadway: A New York Drawing Collection at Work 1991-2006 (New Haven (CT): Yale University Press, 2008) Francesco Bonami, Arte Contemporanea (Milan: La Biblioteca di Repubblica-l’Espresso; Electa, 2008) Mary-Kay Lombino, Excerpt: Selections from the Jeanne Greenberg Rohatyn Collection (Poughskeepie (NY): The Frances Lehman Loeb Art Center, 2008) Hans Werner Holzwarth (ed.), Art Now. Vol. 3: A Cutting-Edge Selection Of Today's Most Exciting Artists (Cologne: Taschen, 2008) |
2007 |
Alison M. Gingeras (ed.), Sequence 1: Pittura e Scultura nella Collezione Francois Pinault (Milan: Skira Editore, 2007) (exh. cat.) |
2006 |
Infinite Painting (Codroipo: Villa Manin Centro D’Arte Contemporanea, 2006) (exh. cat.) Stephen J. Balsam, Urs Fischer / Rudolf Stingel (London: Galleria Massimo De Carlo, 2006) |
2005 |
Yvonne Hindley and Henry Rogers, The Nature of Things (Birmingham: Birmingham Museums and Art Galleries, 2005) Carol Becker and Alain de Boton, Universal Experience: Art, Life, and the Tourist’s Eye (Chicago (IL): MCA Museum of Contemporary Art, 2005) The New Encyclopedia Brittanica 2005 (New York (NY): Encyclopaedia Brittanica, 2005) |
2004 |
Stephen Pentak and Richard Roth, Colour Basics (Belmont (CA): Wadsworth Publishing, 2004) Lisa Dennison and Nancy Spector, Singular Forms (Sometimes Repeated): Art from 1951 to the Present (New York (NY): The Solomon R. Guggenheim Foundation, 2004) |
2002 |
Ali Subotnick, Massimiliano Gioni and Maurizio Cattelan (eds.), Shimmering Substance/View Finder (Bristol: Arnolfini, 2002) Stephen Robert Frankel (ed.), Walk Ways (New York (NY): Independent Curators International, 2002) (exh. cat.) |
2001 |
Douglas Fogel, Kathy Halbreich and Midori Matsui, Painting at The Edge of The World (Minneapolis: (MN): Walker Art Center, 2001) |
2000 |
Carlos Basualdo, Ellen Tepfer and Judith Richards, Painting Zero Degree (New York (NY): Independent Curators International, 2000) Century Of Innocence: The History of the White Monochrome (Malmo: Rooseum Center for Contemporary Art, 2000) |
1999 |
Two by Two for AIDS and Art (Dallas (TX): American Foundation for AIDS Research and The Dallas Museum of Art, 1999) Francesco Bonami and Judith Nesbitt (eds.), Examining Pictures: Exhibiting Paintings (London: Whitechapel Art Gallery; Chicago (IL): Museum of Contemporary Art, 1999) Francesco Bonami and Hans Ulrich Obrist (eds.), Dreams (Turin: Fondazione Sandretto Re Rebaudengo, 1999) Jörg Schellman (ed.), Wall Works: Site-Specific Wall Installations (New York (NY): Edition Schellman, 1999) |
1998 |
Due O Tre Cose Che So Di Loro (Milan: PAC Padiglione d’Arte Contemporanea, 1998) |
1997 |
Frank Olinsky and Robert A.F Thurman, A Meeting of Images (San Francisco (CA): Chronicle Books, 1997) Janine Sieja (ed.), TRUCE: Echoes of Art in an Age of Endless Conclusions (Santa Fe (NM): 1997) |
1996 |
Ulrika Leven and Evalina Lidman (eds.), Painting - The Extended Field (Malmo: Rooseum Center for Contemporary Art, 1996) Takayo Iida (ed.), Art at Home: Ideal Standard Life (Tokyo: Art at Home Executive Committee, 1996) (exh. cat.) |
1995 |
Jeanne Greenberg and Robert Nickas, Altered States: American Art in the 90’s (St Louis (MO): Forum for Contemporary Art, 1995) Helena Papadopoulous (ed.), Space Odyssey (Athens: Eleni Koroneou Gallery, 1995) Peter Weibel (ed.), Pittura/Immedia: Malerei in den 90er Jahren (Painting in the 90s) (Graz: Neue Galerie am Landesmuseum Joanneum, 1995) |
1994 |
Nicolas De Oliveira, Installation Art (London: Thames and Hudson, 1994) Peter Weibel, Felix Gonzalez-Torres / Rudolf Stingel (Graz: Neue Galerie am Landesmuseum Joanneum, 1994) Peter Weibel, Kontext Kunst (Graz: Neue Galerie am Landesmuseum Joanneum, 1994) |
1993 |
Jackie McAllister, Travelogue – Reisetagebuch (Vienna: Hochschule für Angewandte Kunst, 1993) Veit Loers, Nachtschattengewaechse/The Nightshade Family (Kassel: Museum Fridericianum, 1993) |
1991 |
Robert Nickas, The Painted Desert (Paris: Galerie Renos Xippas, 1991) (exh. cat.) |
1989 |
Istruzioni/Instructions (Milan: Massimo De Carlo,1989) |
1896 |
Matière Première: Arcangelo, Georges Autard, Herbert Brandl, Eric Dalbis, Pietro Fortuna, Michel Haas, Jean-Louis Kolb, Christopher Lebrun, Nino Longobardi, William Mackendree, Jean-Luc Poivret, Susan Rothenberg, Hubert Scheibl, Jose-Maria Sicilia, Rudolf Stingel, Jean Zuber (Calais: Association Des Amis Du Musée Des Beaux-Arts, 1986) (exh. cat.) |