| 2024 | Lin Lin, ‘Longlati Writing | Lin Lin: Asphalt Drips, Silence Is Better Than Sound’, Longlati, 10 January 2024 |
| 2023 |
Shi Jiayun, ‘Longlati Writing | Shi Jiayun: Undercurrent’, Longlati, 27 December 2023 Camila McHugh, ‘Wilhelm Sasnal’, Art Forum, November 2023 Magdalena Kicińska, ‘Wilhelm Sasnal. Trochę oddzielny’, Magazynpismo, 03 January 2023 |
| 2022 |
‘Art Basel Miami Beach 2022: Advisory Selections’, Ocula, 29 November 2022 Christopher Mason, ‘Keys to my Heart’, The World of Interiors, May 2022, cover, contents, pp. 204-215 Joseph Altuzarra, ‘Joseph Altuzarra's Top 5 Works from Frieze Viewing Room’, Frieze, 13 May 2022 Nobutaka Asanuma, ‘Review: Repetition and Difference | Repeater’, Far Tsushin, 04 April 2022 |
| 2021 |
Kevin Brazil, ‘When is a Painting?’, rt-Agenda, 10 September 2021 Camila McHugh, ‘Wilhelm Sasnal: POLIN MUSEUM OF THE HISTORY OF POLISH JEWS’, Artforum, December 2021 Thomas Lévy-Lasne, ‘Les Nouveaux Maîtres’, Citizen K Homme, No. 29, Printemps-Avril 2021, p. 30-31 Piotr Policht, ‘A paranoid landscape. Wilhelm Sasnal at the Polin Museum’, Culture.pl, 30 June 2021 Eva Fuchs and Rory Mitchell, ‘Art Basel: Advisory Selections’, Ocula Art Advisory, 21 September 2021 Rory Mitchell, ‘Art Basel, and we've selected the highlights’, Ocula, 23 September 2021 Katarzyna Janowska, ‘Let’s Remember until it’s too Late’, Onet Kultura, 19 June 2021 Piotr Sarzynski, ‘A Different Look’, Polityka, 22 June 2021 AP, ‘Museum exhibits works by Polish artist confronting Holocaust’, Taipei Times, 21 June 2021 Amanda Gluibizzi, ‘Wilhelm Sasnal: New Paintings and One Film’, The Brooklyn Rail, May 2021 Alex Webber, ‘Powerful Sasnal exhibition aims to create ‘dialogue and discussion’ that will draw people together’, The first News, 16 June 2021 ‘Museum Exhibits Works by Polish Artist Confronting Holocaust’, The National Herald, 18 June 2021 Vanessa Gera, ‘Polish artist confronts country’s Holocaust past in Jewish museum exhibit’, The Times of Israel, 17 June 2021 Anda Rottenberg, ‘Wilhelm Sasnal Przed Wystą w Museum Polin’, Vogue, 04 May 2021 Magdalena Dubrowska, ‘Dad asked him why he was Painting Auschwitz. What we will see at the Sasnal Exhibition in Polin’, wyborcza.pl, 18 June 2021 |
| 2020 |
Piortr Policht, ’10 questions for … Wilhelm Sasnal’, Culture.pl, 21 July 2020 Piortr Policht, ‘Wilhelm Sasnal: We are no longer afraid of the city [Interview]’, Culture.pl, 02 July 2020 Thibaut Wychowanok, ‘Wilhelm Sasnal at Sadie Coels HQ’, Numéro, No. 219, December 2020 – January 2021, pp. 82-85, 215 Honey Luard, ‘On Art: Private View / Books’, Vanity Fair, November 2020, pp. 20-21 Pawel Lukczak ‘Wilhelm Sasnal | Sadie Coles HQ’, Weekend Art Walks, 22 September 2020 Ewa Gorzadek,‘Wilhelm Sasnal’, Culture.pl, July 2020 Tomasz Urzykowski, ‘Wilhelm Sasnal paints Jacek Kuroń. A new museum in the center of Warsaw’, Wyborcza.pl, 25 June 2020 |
| 2019 |
“The Sign of Inequality’ by Wilhelm Sasanal and ‘Gestures’ by Artur Żmijewski at Foksal Gallery Foundation’, BlockMagazine.com, 13 October 2019 Aleksander Świeszewski, ‘An interview with Wilhelm Sasnal’, Polityka, 01 October 2019 ‘A world-famous artist in Radom. Meeting with Wilhelm Sasnal’, wyborcza.pl, 01 May 2019 Laura Staugaitis, ‘Swirling Gestural Marks Create Cinematic Scenes by Painter Wilhelm Sasnal’, Thisiscolossal.com, 03 January 2019 |
| 2018 |
“Hakgojae Collection” at Hakgojae Gallery, Seoul”, Blouin Artinfo, 21 November 2018 ‘Wilhelm Sasnal. Larger than Life’, Elephant, no. 35, Summer 2018 Aimee Dawson, ‘Surrealism in the Digital Age: Beirut Exhibition looks at New Wave of 20th-century Art Movement’, The Art Newspaper, 06 August 2018 Eddy Frankel, ‘Wilhelm Sasnal: Sleep’, Time Out, May 01-07 2018 ‘Augustin Macellari interviews Wilhelm Sasnal’, The Monocle Weekly, podcast episode 460, 29 April 2018 Eddy Frankel. ‘Wilhelm Sasnal: Sleep Review’, Time Out London, 27 April 2018 Mark Westall, ‘Wilhelm Sasnal Sleep’, FAD Magazine, 12 April 2018 |
| 2017 |
Rachel Wetzler, ‘Wilhelm Sasnal: Anton Kern Gallery, New York, 22 April – 20 May)’, ArtReview, 65: 5, Summer 2017, p. 133 Federico Rosa, ‘Wilhelm Sasnal: Exploring the Image Through Painting’, Culture Trip, 11 January 2017 Roberta Smith, ‘11 Galleries to Visit Now on the Upper East Side and in Harlem’, The New York Times, 27 April 2017 Pei-Ru Keh, ‘Rug trade: a new initiative by a duo of art rug champions is full of promise’, Wallpaper*, 12 May 2017 Natalie Hegert, ‘An Auction to Benefit Artists: Works From the APT Collection at Sotheby’s London’, Mutual Art, 29 March 2017 ‘Anton Kern, Wilhelm Sasnal’, Elephant, 30, Spring, p. 53 |
| 2016 |
David Hudson, ‘Daily, Locarno 2016, Anka and Wilhelm Sasnal, The Sun, The Sun Blinded Me’, Fandor, 13 August 2016 Jörg Scheller, ‘Wilhelm Sasnal, Hauser and Wirth’, Frieze DE, Summer 2016 Lucy Davies, ‘Wilhelm Sasnal: In the Studio’, The Telegraph, online, 17 May 2016 Jörg Scheller, ‘Wilhelm Sasnal’, Frieze.com (Nicholas Grindell trans.), 04 May 2016 ‘Wilhelm Sasnal on Migrants, Movies and The Cure’, Phaidon, 07 March 2016 |
| 2015 |
Ben Eastham, ‘Let it Be Painted’, Elephant, no. 22, Spring 2015, pp. 98 – 107 Marta Ravasi, ‘Expanded: Wilhelm Sasnal’, Art Text Pics, 17 February 2015 William Davie, ‘Wilhelm Sasnal’, Thisistomorrow.info, 17 February 2015 Julia Michalska, ‘Thirty years on, the great film that liberated artists to explore the Holocaust’ The Art Newspaper, no. 265, February 2015 Freire Barnes, ‘Wilhelm Sasnal’, Time Out London, 26 January – 01 February 2015, p. 74 Jackie Wullschlager, ‘The extensive and powerful show of new paintings is playful but serious in asking what painting can be in the 21st century’, Financial Times, 17 January 2015 Alex Rayner, ‘Wilhelm Sasnal’s Sinister Art Show’, Phaidon Online, January 2015 |
| 2014 |
Amy Sherlock ‘Wilhelm Sasnal: Lismore Castle Arts’, frieze, no. 165, September 2014, p. 156 Mikołaj Gliński, ‘I Exclude Exclusion – Artists Against Hate Speech’, Culture,pl, 14 July 2014 Gemma Tipton, ‘Fairy-Tale Ending’, Artforum online, 01 May 2014 Martin Herbert, ‘Wilhelm Sasnal’, Art Review, vol. 66, no. 3, April 2014, pp. cover, 72 -79 |
| 2013 |
‘Anton Kern Gallery; Wilhelm Sasnal’, Art + Auction, May 2013, p.164 |
| 2012 | Elizabeth Gumport, ‘Wilhelm Sasnal’, Bookforum, April/May 2012 |
| 2011 |
Iwona Blazwick, ‘Frieze Special: The World of Art, ‘Life Classes’’, Time Out London, 13 – 19 October 2011, p. 22-24 Adrian Searle, ‘Wilhelm Sasnal – Review’, The Guardian, 18 October 2011 Jackie Wullschlager, ‘Poles apart’, The Financial Times, 24 June 2011 Hans Rudolf Ruest, ‘Reviews: Wilhelm Sasnal’ Artforum, February 2011, p. 216 |
| 2010 |
‘Wilhelm Sasnal’, New Yorker, 10 May 2010, p. 13 Valery Gladstone, ‘Wilhelm Sasnal’, CityArts, 04 May 2010, p. 10-11 Vittorio Colaizzi, ‘Wilhelm Sasnal’, Art Papers, May-June 2010 Steve Pulimood, ‘Reviews: Wilhelm Sasnal’, ArtReview, May 2010 Jörg Heiser, ‘What is Appropriate?’, frieze, April 2010, p. 92-97 Hans Rudolf Ruest, ‘Wilhelm Sasnal’, Artforum, February 2010, p. 216 Quinn Latimer, ‘Wilhelm Sasnal’, Frieze, January-February 2010 |
| 2009 |
Wilhelm Sasnal’, Artforum, December 2009 ‘Wilhelm Sasnal’, Monopol, December 2009, p. 125 JS Marcus, ‘Polish art, on tour’, The Wall Street Journal, 13 November 2009, p. 6-7 Georg Imdahl, ‘Wenn es Tag wird in Krakau’, Kölner Stadt-Anzeiger, 30 October 2009 Anny Shaw, Rob Curran, ‘Wilhelm Sasnal: sleep well, my love’, The Art Newspaper, October 2009 Rainer Marx, ‘Das Private ist das Politische’, Hör Zu, December 2009 Petra Kuiper, ‘Malen wie besessen’, WAZ, 05 September 2009 Helga Meister, ‘Flüchtiger Blick auf das Unheil’, Westdeutsche Zeitung, 04 September 2009 Bertram Müller, ‘Polnischer Malerstar’, Rheinsche Post, 03 September 2009 Jordan Kantor, ‘Previews: Wilhelm Sasnal’, Artforum, September 2009, p. 151 Olivier Basciano, ‘Reviews: Wilhelm Sasnal’, Modern Painters, September 2009, p. 71 Susanne Altmann, ‘Ikonen der Banalität’, art, Hamburg, September 2009, p. 92 ‘Wilhelm Sasnal, Kunstsammlung Nordheim-Westfalen K21 , Düsseldorf’, The Art Newspaper, September 2009 Skye Sherwin, ‘Ten painters you should meet: Wilhelm Sasnal’, 10 Men, Autumn 2009 Jessica Lack, ‘Artist of the week 48: Wilhelm Sasnal’, www.guardian.co.uk, 08 July 2009 Laura McLean-Ferris, ‘Exhibitionist: the best art shows to see this week’, www.guardian.co.uk, June 2009 Susanne Altmann, ‘Made in Poland’, Art das Kunstmagazin, January 2009, pp. 18-29 ‘You’re telling me that, but what do you want with it, what are you aiming at?’, Video Zone, The 4th International Video Art Biennial in Israel 2009, pp. 186-178 |
| 2008 |
Shigeo Goto, ‘Painting, Wilhelm Sasnal’, Esquire, vol. 22, no. 11, November 2008, p. 199 ‘Wilhelm Sasnal’, Beaux Arts Magazine, November 2008, p. 152-155 Judicael Lavrador, ‘sonic art’, bc 05, Winter 2008, p. 24-27 Andrea Bellini, ‘There Are No Rules: An Interview with Wilhelm Sasnal’, Flash Art,vol. XLI, no. 261, July – September 2008 (reprint from Flash Art,no. 243,July-September, 2005) Laura McLean-Ferris, ‘Glasgow International Festival’, ArtReview, 13, June 2008, p. 140 Łukasz Ronduda, ‘Deluxe Punk’, MAP, Issue 13, Spring 2008, p. 26-31 Maria Brewinska, Fabio Cavallucci, ‘Wilhelm Sasnal. Anni di lotta’, Work.Art in Progress, Spring 2008, p. 7-22 Christopher Knight, ‘Carnegie Museum of Art’s ‘Life on Mars’’, Los Angeles Times, 07 May 2008 Laura Cumming, ‘Glasgow makes a show of itself’, The Observer, 20 April 2008, p. 18 Adrian Searle, ‘What a riot’, The Guardian, 15 April 2008, p. 23-35 ‘Schlafen kannst du, wenn du tot bist’, Monopol, No. 4, April 2008, p. 48 Adriano Sack, ‘American Beauty’, Monopol, March 2008, p. 58-67 Jane Morris, ‘Wilhelm Sasnal: Rodchenko opens up possibilities for interpretation’, Art World, issue 3, February-March 2008, pp. 122-123 Maria Brewinska, ‘Wilhelm Sasnal. Dipingere è qualcosa di ordinario’, Flash Art Italia, February-March 2008, p. 64-69 ‘Roman Signer: force of nature’, Art World, issue 3, February-March 2008, p. 122-123 Monika Małkowska, ‘Respekt dla krasnala’, Gazeta Atykwaryczna, No. 2, February 2008, p. 74-75 Christopher Mooney, ‘When Luc Tuymans met Wilhelm Sasnal’, ArtReview, February 2008, p. 42-49 Jakub Banasiak, ‘Coś się kończy, coś się zaczyna’, Art & Business, January – February 2008, p. 156-60 David Coggins, ‘Wilhelm Sasnal at Anton Kern’, Art in America, January 2008, p. 128 Violetta Sajkiewicz, ‘Czas Kultury’, Triumf malarstwa, January 2008, pp. 141-149 |
| 2007 |
Wilhelm Sasnal’, Work. Art in Progress, Winter 2007, p. 62 JJ Charlesworth, ‘The Painting of Modern Life’, Art Monthly, November 2007, p. 28-29 Nicole Büsing, Heiko Klaas, ‘Gesellschaftsbilder. Zeitgenössische Malerei’, Artist, Bremen, issue 73, 2007, p. 48-55 Charlotte Higgins, ‘Artist’s striking reworking of crash photo’, www.guardian.co.uk, 05 October 2007 ‘Wilhelm Sasnal’, Monopol, no. 10, October 2007, p. 141 Patrycja Musiał, ‘Nuda dopadła Sasnala’, Obieg Internetowy Magazyn, 27 September 2007 Piotr Kosiewski, Agnieszka Sabor, ‘Kumulacja energii’, Tygodnik Powszechny, no. 36, 09 September 2007 Natalia Kalis, ‘Boje sie określenia malarz’, A4, 01 September 2007 Maciej Mazurek, ‘Jestem pewien, że kultura potrzebuje takiego Sasnala’, Dziennik, 02 August 2007, n.p. ‘Die teuerste Woche aller Zeiten’, Monopol, no. 7, July 2007, p. 104-107 Hanna Halek, ‘Tarnów Wilhelma Sasnal’, Zwierciadło, no. 7, July 2007, p. 44-49 Claire Gilman, ‘Wilhelm Sasnal’, Frieze, June-August 2007, p. 243 Sascha Renner, '“Art”-iger Glanz', Züritipp, 14 June 2007, p. 35 ‘Neues aus den Galerien’, Informationsdienst Kunst, no. 378, 31 May 2007, p. 20 Sławomir Sierakowski, ‘Odwołujemy to pokolenie’, Dziennik, 21 May 2007, p. 26 Roberta Smith, ‘Wilhelm Sasnal – Anton Kern Gallery’, The New York Times, 06 April 2007 ‘Wilhelm Sasnal – Anton Kern Gallery’, The New Yorker, 06 April 2007, p. 24 ‘art & market. Wilhelm Sasnal’, tema celeste, March-April 2007, p. 95 Andrew Boncina, ‘Image/Text’, Frieze, March 2007 Sebastian Cichocki, ‘Fabryka z widokiem na przeszłość’, Opcje, no. 1, March 2007, p. 90-93 ‘Nie pcham sie nigdzie, by być bardziej znanym (1-3)’, Artblox, 16 March 2007 ‘Amsterdam: Vincent van Gogh Preis an Wilhelm Sasnal’, Kunstbulletin, January-February 2007, p. 86 Cristin Leach, ‘Wilhelm Sasnal’, The Sunday Times, January 2007 Aidan Dunne, ‘No Fooling the Skeptical Artist’, The Irish Times, 01 January 2007 ‘Artworld’, Art in America, January 2007, p. 174 |
| 2006 |
Dorota Jarecka in Gazeta Wyborcza, 9, 10 December 2006 Daniella Luxembourg, ‘Polens junge Neugier’, ARTinvestor, 01 December 2006, no. 6, p. 54 Martin Herbert, ‘Spot the Difference’, ArtReview, December 2006 Hans-Jürgen Hafner, ‘Ist das Leben nicht schön? Kapitel 2: Wilhelm Sasnal’, Kunstforum International, October-November 2006, p. 349 Martin Coomer, ‘Not Being Boring: Wilhelm Sasnal’, ArtReview, 4, October 2006, p. 36 Wilhelm Sasnal, ‘October Manifesto’, ArtReview, October 2006, p. 16 Stach Szabłowski, ‘Malarze robia filmy’, Dziennik, 14 July 2006, p. 91-93 Roberta Smith, ‘Art in Review: Grey Flags’, The New York Times, July 14 2006 Jacek Staniszewski, ‘Hiroł’, Exklusiv, no. 42, July 2006 ‘Ist das Leben nicht schön?’, Artist Kunstmagazin 67, July 2006, p. 11 Sandra Danicke, ‘Der Besessene’, Art, Hamburg, no. 7, July 2006, p. 82 ‘Ausstellungen: Wilhelm Sasnal’ Monopol, June-July 2006, p. 134 Katarzyna Ruchel-Stockmans, ‘Wilhelm Sasnal, Van Abbemuseum’ Flash Art, vol. XXXIX, no. 248, May-June, p. 130 Dorota Jarecka, ‘Obrazy z nieświeżej rzeczywistości’, Gazeta Wyborcza, 31 May 2006, p. 16 Dorota Jarecka, ‘Wilhelm Sasnal na wystawie w Van Abbemuseum w Eindhoven’, Gazeta Wyborcza, 23 February 2006 Chus Martinez, ‘Looking Forward’, frieze, no. 96, January-February 2006, p. 124-125 ‘United States. Our selection A-Z: New York’, insert in The Art Newspaper, vol. XV, no. 165, January 2006, p. 2-3 Emil C. Marino, ‘Wilhelm Sasnal: próba syntezy. Rodzynki unurzane w błocie’, Fluid, no. 7, 2006, p. 58-61 Zuzanna Kisielewska in Wysokie obcasy, no. 31, 2006 Paweł Dunin-Wasowicz, Marcin Świetlicki, Maciej Piotr Prus, Lampa, no. 7-8, 2006, p. 19-23 |
| 2005 |
Wilhelm Sasnal’, interview with Craig Garrett, Purple Magazine, no. 4, Autumn / Winter 2005 Lilly Wei, ‘Report from Iceland. Nordic Odyssey’, Art in America, November 2005, p. 72-77 ‘Tauschgeschäft: Raster nach Berlin, Johnen nach Warschau’, Monopol, October-November 2005, p. 18 Andreas Leventis, ‘The Triumph of Painting (Part Two)’, Modern Painters, October 2005 Simon Neuenschwander, ‘Wilhelm Sasnal: New Ruins’, Flash Art, July-September 2005, p. 85-87 Andrea Bellini, ‘There Are No Rules: An Interview with Wilhelm Sasnal’, Flash Art, vol. XXXVIII, no. 243, July-September 2005, p.88-90 Simone Neuenschwander, ‘Wilhelm Sasnal. New Ruins’, Flash Art International, vol XXXVIII, no. 243, July-September 2005, p. 134 Gea Politi, ‘Reykjavik Arts Festival’, Flash Art International, vol XXXVIII, no. 243, July-September 2005, p. 117 ‘What’s On: Our Selection A-Z: London: The Triumph of Painting: Part Two’, The Art Newspaper, no.160, July-August 2005 Sarah Kent, ‘Paint it back’, Time Out, London, 13-20 July 2005, p. 64 Adam Soboczynski, ‘Anatomie eines Aufstiegs’, Monopol, no. 3, June/July 2005, p. 64-66 Judith Benhamou-Huet, ‘Boom sur l’art contemporain à Bâle’, Les Echos, 24 June 2005, p. 6 ‘Bâle, la frénésie acheteuse’, Le Figaro, Paris, 17 June 2005, p. 29 ‘Wilhelm Sasnal / Jörg Immendorff’, The New Yorker, 13-20 June 2005, p. 36 Francesco Manacorda, ‘Reykjavik Arts Festival’, Artforum International, vol. XLIII, no. 9, May 2005, p. 88-93 ‘Poland to California’, Absolute, May 2005 ‘M Stadt. Europäische Stadtlandschaften’, Joanneum Aktuell, no. 3, 2005, p.2-3 Marcel Andinio Velez, ‘Sasnal na Dźikim Zachodzie’, Przekrój, no. 16, 14 April 2005, p. 88-93 Verena Kuni, ‘Funny Cuts in der Staatsgalerie’, Kunst-Bulletin, Zürich, vol. 3, March 2005, p. 54 Marc Spiegler, ‘L’ere de la spéculation est arivée’, Le Journal des Arts, Paris, no. 208, 4-17 February 2005, p. 26 Georgina Adam, ‘Welcome back to the mainstream’, The Art Newspaper, no. 154, January 2005, p. 46 Karlheinz Schmid, ‘Die Aufsteigerinnen. Die nächste Künstler-Generation tritt an’, Kunstzeitung, no. 101, January 2005, p. 8 |
| 2004 |
Colin Gleadell, ‘Fertile Ground’, Art Review, December-January 2004-2005 ‘Wilhelm Sasnal’, NZZ Ticket (insert in Neue Zürcher Zeitung), 09 December 2004, p. 33 Marc Spiegler, ‘Ein Boom, aber noch kein Markt’, The Art Newspaper, 05 December 2004, p. 5 ‘Wilhelm Sasnal. Ein Augenmensch’, Schwizer Illustrierte, Zürich, 29 November 2004, p. 97 ‘Time and Again’, Stedelijk Museum Bulletin, 2004 Matt Price, ‘Mixed Paint’, Flash Art, November-December 2004 Jordan Kantor, ‘The Tuymans Effect’, Artforum International, November 2004, p. 164-171 Craig Burnett, ‘Wilhelm Sasnal’, Art Review, vol. LIV, October 2004 Nicolas Kulish, ‘A New Frontier: Polish Works Take Off’, The Wall Street Journal Europe, September 2004, pp. 24-26 J.J. Charlesworth, ‘On Art’s Permissive Society’, Modern Painters, Autumn 2004 Matthew Collings, ‘The Difference Between Wilhelm Sasnal and Luc Tymans’, Modern Painters, Autumn 2004, p. 26-29 Christiane Hoffmans, ‘Ein Boom, aber noch kein Markt’, Welt am Sonntag, 15 August 2004, p. 57 Amélie von Heydebreck, ‘Hundert winzige Revolutionen, dann wären wir zufrieden’, Monopol, June-July 2004, p. 24-27 ‘Basel on my Mind’, Monopol, June-July 2004, p. 14-21 Adam Szymczyk, ‘Sludge’, Parkett, no. 70, May 2004, p. 71-80 Gregor Jansen, ‘Petite Sensation’, Parkett, no. 70, May 2004, p. 82-93 Meghan Dailey, ‘Painting Recording / Malerei als Aufzeichnung’, Parkett, no. 70, May 2004, p. 60-69 ‘Wilhelm Sasnal ist der polnische Roy Lichtenstein’, Die Welt am Sonntag, 25 April 2004 Hans Rudolf Reust, ‘Wihelm Sasnal at Kunsthalle Zürich’, Artforum, February 2004 Tomasz Plata, ‘Jest wiosna, jest wojna’, city magazine, no. 5, 2004, n.p. Oliv Freia, ‘Leidenschaft fürs Schlichte’, Münchner Merkur, no. 116, 2004, p. 7 |
| 2003 |
Christoph Tannert, ‘Künstler als Detektive der Fremde’, KunstZeitung, no. 88, December 2003 Renate Puvogel, ‘Wilhelm Sasnal’, Kunstforum International, no. 167, November-December 2003, p.338-340 ‘Wilhelm Sasnal in der Kunsthalle und im Westfälischen Kunstverein’, Kunst-Bulletin, no. 11, November 2003, p. 74 ‘Wilhelm Sasnals eigenwillige Befragung der Medienrealität’, in Schweizer Illustrierte, 29 October 2003 Alexia Sailer, ‘Bis zur Atombombe’, Südkurier, 24 October 2003 Dominique Von Burg, ‘Wenn Lautsprecher malen können’, Zürichsee Zeitung, 14 October 2003 ‘Erste Einzelausstellung’, Zürichsee Zeitung, 14 October 2003 ‘Pinselsurfer durch Stilwelten’, Annabelle, 8 October 2003 Florian Illies, ‘Die jungen Polen kommen!’, Monopol. Das für Leben und Kunst, October 2003, p. 45-52 Niklaus Oberholzer, ‘In der Malerei der Welt der Bilder begegnen’, Neue Luzerner Zeitung, 01 October 2003 Giovanni Carmine, ‘Wilhelm Sasnal’, Flash Art, October 2003 Harald Suerland, Räder ohne Flugzeug. Gemälde von Wilhelm Sasnal’, Westfälische Nachrichten, no. 218, September 2003, pp. 20-21 ‘Wilhelm Sasnal’, NZZ am Sonntag, Zürich, 14 September 2003 ‘Sasnal’, Edelweiss, September 2003 Désirée Zappa, ‘Ein Memory-Spiel mit gefälschten Karten’, Tages Anzeiger, Zürich, 28 August 2003 Susanne Neubauer, ‘Videoarbeiten von ‘malerischer’ Qualität’, Aargauer Zeitung, 27 August 2003 Karl Wüst, ‘Eine bunte Kunstreise’, Bieler Tagblatt, 25 August 2003 Tristan Cerf, ‘A Zürich, 42 galeries jusqu’ au bout de la nuit’, Le Temps, 25 August 2003 Angelika Affentranger-Kirchrath, ‘Blick aus dem Fenster’, Neue Zürcher Zeitung, 23-24 August 2003 ‘Wilhelm Sasnal’, Basler Zeitung, 23 August 2003 ‘Wilhelm Sasnal’, Praxis… Schweizerische Rundschau für Medizin, 20 August 2003 Martin Herbert, ‘Wilhelm Sasnal’, Time Out, 6-13 August 2003 Jessica Lack, ‘Wilhelm Sasnal’, The Guardian Guide, 5-11 July 2003 Mark Landsman, ‘For your pleasure’, frieze, no. 75, May 2003, p. 80-84 |
| 2002 |
Helen Kontova, ‘Curating Painting: A Panel Discussion with Peter Pakesch, Douglas Fogle, and Lauri Firstenberg’, Flash Art, November–December 2002, p. 59-61. Adam Szymczyk, ‘Wilhelm Sasnal’, Flash Art, vol. XXXIV, no. 226, October 2002, p. 95 Ralf Christofori, ‘Wilhelm Sasnals Realismus’, Kunst-Bulletin, no. 9, September 2002, p. 14-19 Maja Naef, ‘Zwischenbilder. Painting on the move – das Zusammenspiel der Malerei’, Kunst-Bulletin, no.7/8, July-August 2002, p. 46-51 Hans Peter Koerver, ‘Bomben aus dem Ballon’, Kölner Stadt-Anzeiger, no. 114, 18-19 May 2002 Violetta Sajkiewicz, ‘Granica (nie) widzialności’, Opcje, no. 2, April 2002, p. 62ff Christiane Vielhaber, ‘Künstlerische Welterkundung’, Handelsblatt, no. 30, 12 February 2002 Marek Bartelik, ‘Import/Export. The Place ‘In Between’’, Art in America, vol. 90, no. 1, January 2002, p. 40-47 Bogusław Deptuła, ‘Obrazki z wystawy’, Tygodnik Powszechny, no. 18, 2002 |
| 2001 |
Stach Szabłowski, ‘Kontemplacyjne wybuchy’, Przekŕoj, no. 8, 2001, p. 35 Michał Woliński, ‘Fajne życie, ładna śmierć’, Fluid, March 2001, p. 62-66 |