| 2024 |
‘Mudam Luxembourg Hosts Monster Chetwynd’s Innovative “Xanti Shenanigans”’, Travel and Tour World, 01 July 2024 Monster Chetwynd. ‘Flashes of Inspiration’, Tate Etc, Summer 2024, pp. 18-19 Laura May Todd, ‘Monteverdi hotel in Tuscany unveils a new contemporary art gallery by Foster + Partners’, Wallpaper*, 08 May 2024 Jessica Ramm, ‘Monster Chetwynd’, CURA, Issue 42, May 2024 ‘Monster Chetwynd by Sofia Hallström’, BOMB, 06 March 2024 |
| 2023 |
Manu Sharma, ‘‘Pond Life: Albertopolis and The Lily’: Public Art at The Gloucester Road Tube Station’, Stir World, 12 August 2023 Susan Mansfield, ‘Art Reviews: Monster Chetwynd | Pinkie Maclure | Nicolas Party | Cathy Wilkes | Jala Wahid’, The Scotsman, 18 July 2023 ‘Zurich Art Weekend’s Creative Ecosystem’, ArtReview, 27 June 2023 Ashley Davies, ‘Scotland’s Most Unusual Exhibition — Plus Three More Events for Your Diary’, The Times, 03 June 2023 Samuel Reilly, ‘Have You Been to Britain’s Most-Visited Art Gallery Without Even Noticing?’, The Telegraph, 28 May 2023 Sarah Cascone, ‘In Pictures: Toads, Lizards, and Tadpoles Take Over the London Underground in Monster Chetwynd’s Quirky Gloucester Road Installation’, Artnet News, 26 May 2023 Sam Gaskin, ‘Monster Chetwynd Unveils Underground Commission’, Ocula, 19 May 2023 ‘Monster Chetwyind, Pond Life: Albertopolis and the Lily at Gloucester Road Station’ Re-Edition, May 2023 Helen Barrett, ‘Monster Chetwynd: “I Enjoy the Mischief”’, Financial Times, 05 April 2023 Lisa Berins, ‘Die wollen nur spielen!’, Frankfurter Rundschau, Nr. 53, 03 March 2023, p, 29 Mark Westall, ‘Monster Chetwynd Announced for Mount Stuart 2023 Summer Commission’, FAD Magazine, 19 February 2023 |
| 2022 |
Anadolu Agency, ‘Contributors of 17th Istanbul Biennial announced’, Daily Sabah, 08 July 2022 ‘See exciting new glass art throughout the North East’, Sunderland Echo, 27 April 2022 Laura Gascoigne, ‘Exquisite and Deranged: two glass exhibitions reviewed’, The Spectator, 16 April 2022 Andrew White, ‘Sunderland is a world-leading centre for artistic glasswork’, The Northern Echo, 03 April 2022 Will Jennings, ‘Heart Of Glass: Contemporary Art Gets Vitreous’, The Quietus, 02 April 2022 Katy Wheeler, ‘Betting shop made entirely from glass to form part of Sunderland and Durham ‘Glass Exchange’ art trail by National Glass Centre’, Sunderland Echo, 29 March 2022 Louisa Buck, ‘Giant worms and a tribute to money laundering: how 47 artists are rethinking the monument at Goldsmith’s CCA in London’, The Art Newspaper, 03 February 2022 En Liang Khong, ‘The public sculpture debate — 47 potential ways forward’, Financial Times, Life & Arts, 29 January 2022 Alastair Sooke, ‘Britain’s public monuments are about to get bright and rowdy (so says Goldsmiths)’, The Telegraph, 21 January 2022 |
| 2021 |
Nadine Khalil, ‘The Future is Bright?’, Pioneer Works, 29 October 2021 Leila Peacock, ‘Basel Views: Weeping For Joy’, Spike Art Magazine, Issue #69, Autumn 2021, pp. 148-149 Kito Nedo, ‘Die Basis bleibt Europa’, Süddeutsche Zeitung, 23 September 2021 Sebastian Frenzel, ‘Wahnsinn und Ekstase’, monopol, Special Issue ART BASEL 2021, September 2021, pp. 3, 20-22 Susanna Keoberle, ‘This woman is a shaman – her element is performance art’ [English Translation], Neue Zürcher Zeitung, 04 March 2021 Samuel Anderson, ‘Tracing Studio Ghibli’s Hayao Miyazaki’s Influence on Contemporary Art’, AnOther, 17 February 2021 |
| 2020 |
Laura van Grinsven, ‘Heroverweging Van Het Oeuvre’, Metropolis M, No.6, December 2020, pp. 64-71 Elda Oreto, ‘Monster Chetwynd, if spirits and demons become reality’, Xibt Magazine, November 2020 Limited Editions’, Tate Etc, Autumn 2020, Issue 50, p.107 Lara Johnson-Wheeler, ‘A Monstrous Orchard of Earthly Delights’, Buffalo Earth, Buffalo Zine, Issue 11, Spring-Summer 2020, cover, pp. 382-391 Emily Gosling, ‘Investigation: Is There an Ideal Age to Be an Artist?’, Elephant, 08 April 2020 Hannah Shadock, ‘Today’s Choices’, Radio Times, 25 February 2020, p. 130 Gillian Reynolds, ‘Pick of the Day’, The Sunday Times, 25 February 2020, pp. 48-49 ‘Today’s Pick’, Total TV Guide, 25 February 2020, p. 114 ‘Radio Leap’, The Daily Mail, 23 February 2020, pp. 38-39 Joe Clay, ‘Today’s Pick’, The Times, 22 February 2020, pp. 38-39 Silja Ylitalo, ‘British artists Monster Chetwynd educates her students through fascinating discussions’, University of the Arts Helsinki, 09 January 2020 Vincent Honoré, ‘Monster Chetwynd on Conscious Provocations, Sexy Slugs and the Dildo See-Saw’, Extra Extra, Issue no. 14, 2020, pp. 68-83 |
| 2019 |
Alice Barnett, ‘Contemporary Art and The Climate Crisis How the 16th Istanbul Biennial hopes to inform, educate ad inspire’, FAD Magazine, 01 November 2019 Mary Pelletier, ‘At the Istanbul Biennial, Pondering Just How Scared We All Are — or Should Be’, Hyperallergic, 29 October 2019 Nicholas Danforth, ‘Monsters, mirrors and ruined mansions – on Büyükada island at the Istanbul Biennial’, Apollo, 04 October 2019 Angela Blanc, ‘Monster Chetwynd: Monster Rebellion’, This is tomorrow, 01 October 2019 Jennider Higgie ‘‘The seventh Continent’: 16th Istanbul Biennial’, Frieze, October 2019, p. 158 Pablo Bronstein, ‘A Role to Play’, Frieze Magazine, October 2019 Judicaël Lavrador, ‘Monster Chewtynd, L’avide des Animaux’, Libération, 09 September 2019 Gareth Harris, ‘Monster Chetwynd’s monstrous children’s playground to open in Istanbul’, The Art Newspaper, 03 September 2019 Matthieu Jacquet, ‘Les flamboyants’, Jalouse magazine, September-October 2019, pp. 189-193 Michel Gathier, ‘Monster Chetwynd sublimates Monster Rebellion at Villa Arson’, Smarty Magazine, 08 August Ben Beaumont-Jones, ‘Supersonic review – giant monsters and ghoul-sponge at UK’s best small festival’, The Guardian, 23 July 2019 Emily Gosling, ‘Observations: The Art of Dressing for Performance Art’, Elephant, 30 May 2019 Adrian Searle, ‘Sixty Years review – Tate’s all-female rehang pulls its punches’ The Guardian, 23 April 2019 ‘Monster Chetwynd’, WSI Magazine, 20 March 2019 |
| 2018 |
Emily May, ‘Women artists set to takeover Tate in 2019’, SLEEK, 19 December 2018 Vanessa Thorpe, ‘Interview, Monster Chetwynd: ‘I believe in keeping morale high. Depressing people stops them taking action’, The Guardian, 16 December 2018 Eddy Frankel, ‘There are two giant slugs outside of Tate Britain’, Time Out London, 4 December 2018 ‘Winter Commission 2018: Monster Chetwynd’, Webwire, 03 December 2018 Georgie Hoole, ‘A Pair Of Illuminated Slugs Have Appeared Outside The Tate Britain’, Secret London, 03 December 2018 Samantha de Martin, ‘The Slugs of Monster Chetwynd Light Up Christmas at The Tate’, Bulgari London, December 2018 Robert Dex, ‘Artist Monster Chetwynd lets ‘sexy slugs’ run riot in new Tate Britain installation’, London Evening Standard, 30 November 2018 Mark Brown, ‘The most wonderful slime of the year: Tate Britain’s giant Christmas slugs’, The Guardian, 30 November 2018 ‘Artist Monster Chetwynd’s giant slugs ‘slime’ Tate Britain’, BBC NEWS, 30 November 2018 Lucy Scovell, ‘Outdoor art: The best London art exhibitions in the open air’ [extract], Culture Whisper, 30 November 2018 Monster Chetwynd with Olu Odukoya, ‘Modern Matter presents: Dragan and Monster’, Modern Matter, Spring/Summer 2018 Louise Benson, ‘Marvin Gaye Chetwynd, In Her Own Words’, Elephant, 27 March 2018 Philomena Epps, ‘Marvin Gaye Chetwynd’s “Ze & Per”’, e-flux, 21 March 2018 Paul Carey-Kent, ‘Marvin Gaye Chetwynd: After Performance’, FAD magazine, 18 March 2018 Tabish Khan, ‘The Best Exhibitions To See To Mark International Women’s Day’, Londonist, 08 March 2018 Louisa Buck, ‘Bravado, Bats and Giant Bugs as Marvin Gaye Chetwynd takes over Sadie Coles’, The Art Newspaper, 22 February 2018 Hettie Judah, ‘Trois femmes puissantes’, Numéro Art, no. 3, September 2018 - February 2019, pp. 176 – 181 |
| 2017 |
Adam Jasper, ‘Marvin Gaye Chetwynd’, Artforum, October 2017, p. 263 Philip Monk, ‘Nonsense! She Said: Marvin Gaye Chetwynd Pantomimes Politics in Paris’, MOMUS, 27 June 2017 Andrew Russeth, ‘It’s a Mad, Mad, Mad World: Marvin Gaye Chetwynd in the Science Lab in Basel’, Art News, 13 June 2017 ‘Diary: Parcours Pussy Riot’, The Art Newspaper: Art Basel Daily Edition, 13 June 2017, p. 06 Cristina Ruiz, ‘In the Studio: Marvin Gaye Chetwynd’, The Art Newspaper: Sculpture 2017, pp. 32 – 36 ‘Marvin Gaye Chetwynd’ Coming out: Sexuality, Gender and Identity, 2017 |
| 2016 |
Catherine Wood, ‘What is Performance Art Now?’ Tate Etc., No. 38, Autumn 2016, pp. 54 – 59 Andrew Nunes, ‘Jabba the Hutt (Finally) Strikes Back in an Immersive Performance, The Creators Project, 30 November 2016 Nadja Sayej, ‘At Bergen Assembly, A Return to the Visceral Art Experience’, V Magazine, 07 September 2016 Helen Sumpter, ‘Liverpool Biennial 2016’, ArtReview, Vol. 68, No. 6, September 2016, pp. 130–131 Noemi Smolik, ‘Bonner Kunstverein’, Artforum, vol. 55 no. 1, September 2016, pp. 376 – 377 Lorena Munoz-Alonso, ‘Liverpool Biennial 2016 Hits the Spot Between Eccentric and Politically Engaged’, Artnet, 12 July 2016 Hannah McGivern, ‘Liverpool Biennial: Isil Iconoclasm, a Scouse Musical and a Laser Show in a Reservoir’, The Art Newspaper, 11 July 2016 Steff Cain, ‘Featured Artist: Marvin Gaye Chetwynd for Liverpool Biennial 2016’, Art in Liverpool, 09 July 2016 Louisa Buck, ‘Marvin Gaye Chetwynd: What’s Going On’, The Art Newspaper, no. 280, June 2016, pp. 58 – 59 Natalia Rachlin, ‘Northern Lights: Liverpool’s Biennal Promises Creative Illumination’, Wallpaper*, 30 June 2016 ‘Liverpool Biennial 2016’, Aesthetica Magazine, 28 June 2016 Valentina Sansone, ‘Bergen’s Assembly’s Second Triennial’, Frieze, online, 14 April 2016 Adrian Searle, ‘Glasgow International Rules the Waves’, The Guardian, 11 April 2016 Louisa Buck, ‘Marvin Gaye Chetwynd’s Glasgow International Extravaganza Leaves London in the Dust’, The Art Newspaper, 8 April 2016 |
| 2015 |
Zing Tsjeng, ‘What Happens When a Turner Prize–Nominated Artist Leads an Insanity Workout’, Vice Channel: Broadly, 25 September 2015 Oliver Basciano, ‘This Week’s New Talks: Marvin Gaye Chetwynd, Edinburgh’, Guardian, Online, 21 August 2015 Karen Wright, ‘In the Studio: Marvin Gaye Chetwynd’, The Independent, Radar, 15 August 2015, p. 20 Barry Didcock, ‘Turner Prize Nominee Marvin Gaye Chetwynd Has Serious Fun with Art’, Herald Scotland, Online, 26 July 2015 Martin Clark, ‘On the Copy: Remake/Remodel’, Mousse, no. 49, Summer 2015, pp. 110 – 113 Lily Silverton, ’Marvin Gaye Chetwynd’, HUNGER, guest editor Marvin Gaye Chetwynd, no. 8, Spring Summer 2015 Anna Richardson Taylor, ‘Chic, Bling, Pimp My Ride, Pearl, Silver, Black and White’, ICON, 31 March 2015 Federico Florian, ‘Marvin Gaye Chetwynd at Massimo De Carlo’, Art in America, 26 March 2015 Eliza Williams, ‘A New Kind of Play Centre by Marvin Gaye Chetwynd’, Creative Review, 26 March 2015 Oliver Wainwright, ‘Outrageous Turner Nominee Goes from Orgasm Art to Designing a Kid’s Playspace’, The Guardian, 19 March 2015 Nick Duerden, ‘Marvin Gaye Chetwynd Interview’, The Independent, 15 March 2015 Alastair Sooke, ‘It’s Playtime!’, The Daily Telegraph, 07 March 2015, pp. 10-11 Lily Silverton, ‘Marvin Gaye Chetwyd’ (guest editor slot), Hunger, issue 8, February 2015 Nick Clark, ‘Art Installation based on Science Fiction Film Starship Troopers goes on Display at Leicester Gallery’, The Independent, 08 February 2015 Barbara Casavecchia, ‘Marvin Gaye Chetwynd’s “Bat Opera 2”’, Art Agenda, 12 January 2015 |
| 2014 |
‘Performance Insert’, Parkett, no. 95, November 2014, pp. 213 – 224 Adam Jacques, ‘Joe Scotland & Marvin Gaye Chetwynd: How We Met’, The Independent, 05 October 2014 Alex Clark, ‘But is it Art’, Evening Standard, 03 October 2014, pp. 33 – 35 Martin Coomer, ‘I Was Spartacus’, Time Out, 14 October 2014, pp.25 – 26 Agnieszka Gratza, ‘Days of Future Pasta’, Artforum, online, September 2014 Gilda Williams, Artforum, Summer 2014, pp. 376 – 377 Chris Waywell, TimeOut, 25 March 2014, p. 80 Louisa Buck, ‘Running riot with Marvin Gaye Chetwynd’, The Daily Telegraph, 14 March 2014 |
| 2013 |
Bean Eastham, ‘Interview with Marvin Gaye Chetwynd’, The White Review, online exclusive, August 2013 Estelle Lovatt, Hundrum Turner Prize, Art of England, Issue 98, January 2013 |
| 2012 |
Ben Hoyle, ‘I am Spartacus…and you’re in for a talking to at this year’s Turner Prize’, The Times, 02 October 2012, p. 3 Jackie Wullschlager, ‘Turner Prize 2012’, The Financial Times, 01 October 2012 Lynn Barber, ‘I am Spartacus’, Sunday Times Magazine, 25 November 2012, pp.25 – 33 Catherine Wood, ‘Re - make, Re – model’, Frieze Masters, 2012, p. 38 Barbara Preisig, ‘Spartacus Chetwynd’, frieze, April 2012, p. 146 Ben Hoyle, ‘I am Spartacus…and you’re in for a talking to at this year’s Turner Prize’, The Times, 02 October 2012, p. 3 Echt Gebeurd, Mister Motley, Issue 31, October 2012, pp. 60 – 61 Spartacus Chetwynd ‘Spartacus Chetwynd on Pirro Ligorio’, In My View, edited by Simon Grant, 2012 |
| 2011 |
Walter Robinson, ‘Weekend Update’, Artnet.com, 22 November 2011 (extract) Alexis Clements, ‘Performa 11: If You’re Afraid of New Experiences, Why Are You Here?’, TheLMagazine.com, 07 November 2011 Linda Yablonsky, ‘Artifacts: Spartacus Chetwynd’s Monster Divas’, The New York Times blog, 02 November 2011 Louisa Buck, ‘London Diary: First Past the Post’, The Art Newspaper,no. 225, June 2011 Juliet Helmke, ‘Private View: London; Wild Bunch, Spartacus Chetwynd Shakes Up London’, Modern Painters, May 2011 |
| 2010 |
David Lillington, ‘New Ways to Go Forward You Never Dreamed Existed: David Lillington interviews Spartacus Chetwynd’, C Magazine, Issue 108, Winter 2010 Adrian Searle, ‘Splash, Bang, Wallop’, The Guardian, October 2010 Helen Sumpter, ‘Spartacus Chetwynd’, Time Out, October 2010 Ben Luke, ‘Lali Chetwynd: I am Spartacus’, Evening Standard, 14 October 2010 Florence Waters, ‘Performance Art: A Renaissance at Le Printemps de Septembre?’, The Daily Telegraph, 04 October 2010 |
| 2009 |
Michael Bracewell, ‘Something Supernatural this Way Comes’, Tate etc., Issue 17, Autumn 2009, pp. 62 – 68 |
| 2008 |
Marco Tagliafierro, Mousse, March 2008 |
| 2007 |
Tom Morton, ‘Focus: Spartacus Chetwynd’, frieze, May 2007 |