Monographs
2019 |
Gerry Bibby, Klara Lidén, GTG TTYL (Vienna: Secession, 2019) |
2013 |
John Kelsey, Hans Ulrich Obrist, Letizia Ragaglia (ed), Invalidenstrasse (Bolzano: Museion Bozen-Bolzano, 2013) |
2012 | Massimiliamo Gioni and Jenny Moore (eds.), Bodies of Society (New York: New Museum, 2012) |
2010 |
Sophie O’Brien, Teresa Hahr, Melissa Larner (eds.), Klara Lidén (London: Serpentine Gallery, Koenig Books; Stockholm: Moderna Musset, 2010) Uwe Fröhlich and John Kelsey, Rumpfflachen und Plundererbanden (Berlin: Kerber Verlag; Bonn: Bonner Kunstverein; Bundesverband der Deutschen Volksbanken und Raiffeisenbanken, 2010) Ei Arakawa, Nikolas Gambaroff, Nick Mauss, Nora Schultz (eds.), Klara (Zürich: Kunsthalle Zürich; Berlin: Galerie Neu, 2010) |
2009 | Klara Lidén (Zürich: Kunsthalle Zürich, 2009) |
Exhibition Catalogues
2020 |
Thomas D. Trummer, Bilder in der Pandemie (Bregenz: Kunsthaus Bregenz, 2020), colour illus., p. 106-108 |
2019 |
Gullringsbo Konstsamling Vol. 1 2019 (Stockholm: Svenska Hus AB, 2019), colour illus. pp. 8-10 |
2015 |
Vera Celander (ed.), Powerful Babies: Keith Haring’s Impact on Artists Today (Stockholm: Art and Theory, 2015) |
2014 |
Freiheit (Cologne: Kunstpalais Erlangen, Snoeck, 2014) |
2013 |
Prize for Sculpture (Stockholm: Moderna Museet, 2013) |
2012 |
Rein Wolfs (ed.), The New Public (Cologne: Verlag der Buchhandlung Walter Koenig; Bolzano: Museion Bozen-Bolzano, 2012) |
2011 |
Valerie Smith, Susanne Stemmler and Cordula Hamschmidt (eds.), Uber Wut - On Rage (Berlin: Haus der Kulturen der Welt, 2011) Heike Munder and Thomas Trummer (eds.), Displaced Fractures. On the Break Lines of Architecture and its Bodies (Zürich: Migros Museum; Siemens Kulturstiftung, 2011) |
2006 |
Maurizio Cattelan, Massimiliano Gioni, Ali Subotnick, Berlin Biennale (Berlin: KW Institute for Contemporary Art, 2006) |
2004 |
Jan Åman (ed.), Handbok om Stockhoms Famtid (Stockholm: Färgfabriken, 2004) |
Articles
2020 |
Luisa Lorenza Corna, ‘Review: The Street and The Gallery’, Texte Zur Kunst, ‘The Feminist’, issue no. 120, December 2020, pp. 164-166 D. Creahan, ‘Klara Liden: Turn Me On’, Art Observed, 28 October 2020 Eddy Frankel, ‘Klara Liden. Turn Me On’, ArtReview, Vol. 72, No. 6, October 2020, p. 100 John Quin, ‘Studio Berlin’, ArtReview, Vol. 72, No. 6, October 2020, pp. 110 - 111 Philomena Epps, ‘When Was the Last Time You Did Nothing?’, Frieze, 08 October 2020 Aida Amoako, ‘Light And The City: Klara Lidén's Guerrilla Urbanism’, The Quietus, 12 September 2020 Francesca Gavin, ‘The Artemisia Gentileschi effect: a surge of IRL art openings by women’ Financial Times: How To Spend It, 03 September 2020 |
2019 |
Armstrong, Annie, ‘What’s the Craziest Experience You’ve Ever Had at an Art Opening? We Asked Partygoers at Pace’s New HQ’, September 2019 Goldstein, Caroline, ‘13 Must-See Museum and Gallery Exhibitions in Basel to Catch When You’re Done With the Fairs’, Artnet, June 2019 Kari Rittenbach, ‘Artist Klara Lidén Inverts the Relationship Between Private Spaces and the Street’, Frieze, 11 February Smith, Roberta, ‘White Cube? These 3 Art Shows Buck Convention’, New York Times, 03 January 2019 |
2018 |
‘Klara Liden at Reena Spaulings’, Contemporary Art Daily, 07 December 2018 Sophie Kovel, ‘Klara Liden’, Artforum, 30 November 2018 Andrew Russeth, ‘Open Secrets: The Hidden Passages of Klara Lidén and Bruce Nauman’, ARTnews, 29 November 2018 |
2017 |
Sharon Mizota, ‘Review: Near downtown L.A., an oddly entrancing art installation, at once beautiful and troubling’, Los Angeles Times, 01 May 2017 |
2014 |
Roberta Smith, ‘Klara Liden Unveils ‘It’s Complicated’’, The New York Times, 27 November 2014 Hans Ulrich Obrich, ‘Purple Column: introducing Klara Lidén’, purple MAGAZINE, Issue 21, Spring-Summer 2014 Alicia Eler, ‘An Androgynous Suffragette Portrait, Rediscovered’, Hyperallergic, 11 April 2014 Norman McLaren, ‘Klara Lidén “Invalidenstraße” at Museion, Bolzano’, Mousse Magazine Online, 2014 |
2013 |
Darran Anderson, ‘Klara Lidén: The Myth of Progress’, Studio International, 18 November 2013 |
2012 |
Jerry Saltz, ‘After-Christmas Inventory’, New York Magazine, 02 February 2012 |
2011 |
Kito Nedo, ‘Die Angesagten’, Art, September, pp. 70-75 Helen Molesworth, ‘In Memory of Static’, Artforum, 07 March 2011, pp. 214-223, Cover |
2010 |
Kito Nedo, ‘Moonwalk über die Bühne des Augenblicks’, Berliner Zeitung, 30 December 2010 Alexandra Watch, ‘Aktion frisst Stadtrau’, monopol-magazin.de, 23 November 2010 Ingeborg Wiensowski, ‘Strip-Tanz in der U-Bahn’, KulturSPIEGEL, November 2010 Victoria Camblin, ‘Klara Liden’, Artforum, 28 October 2010 Skye Sherwin, ‘Artist of the week 111: Klara Lidén’, The Guardian, 27 October 2010 Rein Wolfs, ‘Critics pics: Klara Lidén’, art-magazin.de, 17 April 2010 Vivian Ziherl, ‘Klara Lidén London; Stockholm’, Eyeline, 2010 |
2009 |
Carolyn Christov-Bakargiev, ‘The Best of 2009 – Klara Liden: Never Come Back’, Artforum, December 2009 Rachel Campbell Johnson, ‘A Spectre of Death in Venice’, The Times, 09 June 2009 Carol Vogel, ‘A More Serene Biennale’, The New York Times, 08 June 2009 Elmgreen and Dragset, ‘500 Words’, Artforum, June 2009 Holland Cotter, ‘Cutting Modernism’s Big Cube Down to Size’, The New York Times, 20 March 2009 |
2008 |
Massimiliano Gioni, ‘Welcome to the Jungle: Klara Liden’, Mousse Magazine, October 2008 Jerry Saltz, ‘Let’s get Serious for a Moment’, New York Magazine, 22 September 2008, p. 65 Sam Thorne, ‘Klara Liden, Anarchic Urbanism..’, Frieze Magazine, Issue 116, Summer 2008 Andrea Scott, ‘Klara Liden’, The New Yorker, 02 March 2008 Roberta Smith, ‘Klara Liden’, The New York Times, 22 February 2008 |
2007 | Ronald Jones, ‘Klara Liden, Moderna Museet’, Artforum, September 2007 |
2006 |
Julia Bryan-Wilson, ‘Repetition and Difference, on LTTR’, Artforum, Summer 2006 Jerry Saltz, ‘The Sublime is Us’, Village Voice, 29 June 2006 ‘Best of the Year’, New York Magazine, January 2006 |
2005 |
Matt Wolf, ‘Klara Liden’, Flash Art, March/April 2005 Sarina Basta, ‘Strategie der Taktik’, Texte Zur Kunst, March 2005 Nick Stillman, ‘Klara Liden’, Brooklyn Rail, February 2005 Roberta Smith, ‘Klara Liden’, The New York Times, 14 January 2005 Holland Cotter, ‘Reena Spaulings’, The New York Times, 12 January 2005 |
2004 |
Holland Cotter, ‘The Year This City Could Have Had’, The New York Times, December 2004 Holland Cotter, ‘LTTR Explosion’, The New York Times, 06 August 2004 |
2002 |
Situation Stockholm, September 2002 Dagens Nyheter, DN på Stan, April 2002 Fabrik, 2002 |