2024 |
Phoebe Bradford, ‘Five Artists Debuting During Frieze London’, OCULA, 03 October 2024 ‘Geopoetics regarding a waterless sea’, Meer, 16 September 2024 Aina Bhargava, ‘These are the Hong Kong exhibitions Tatler’s art editor can’t wait to check out this autumn’, Tatler Asia, 09 September 2024 |
2023 |
Mariane Perez, ‘Inside What’s Happening Now at Art Basel Hong Kong’, Vogue, 24 March 2023 Cathryn Drake, ‘Curator Alexie Glass-Kantor on learning from artists’, Art Basel, 06 March 2023 ‘Gagosian Group Exhibition: Uncanny Valley’, Ocula, 31 January 2023 |
2022 |
Ida Panicelli, ‘“Mirror Image: A Transformation of Chinese Identity”’, Artforum, October 2022 ’40 Under 40 Asia Pacific 2022’, Apollo, 22 September 2022 Elvis Irizarry, ‘A transformation of mirror images and Chinese identities’, International Examiner, 22 July 2022 ‘Mirror Image: A Transformation of Chinese Identity, Asia Society, 15 June 2022 |
2021 |
Lisac Movius, ‘Andy Warhol, Shara Hughes and Chinese artists Chen Wei, Nabuqi among highlights of Shanghai’s November art season, but shadow of censorship looms’ , SCMP, 21 November 2021 Sam Gaskin, ‘Diriyah Biennale Announces Artists for First Saudi Art Biennial’, Ocula, 14 October 2021 Ophelia Lai, ‘Nabuqi: Now You See It’, ArtAsiaPacific, 01 September 2021 ‘Nabuqi’, Meer, 26 May 2021 |
2020 |
Melanie Gerlis, ‘Condo’s grassroots collaborative spirit is infectious’, The Art Newspaper, 05 February 2020 |
2019 |
‘Chinese Artists at Venice Art Biennale: Liu Wei, Nabuqi, Yin Xiuzhen, Yu Ji, Sun Yuan and Peng Yu’, Designboom, 19 May 2019 |
2018 |
‘The Legacy of Architectonic Futurism’, e-flux, 17 August 2018 |
2016 |
Frances Arnold, ‘20 Chinese Emerging Artists You Should Know’, Artsy, 30 July 2016 |