Selected Press
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2023 |
‘The Defining Artworks of 2023’, Art News, 18 December 2023 Chris Doyen, ‘Matthew Barney’s REPRESSIA (Decline) At the Los Angeles County Museum of Art’, White Hot Magazine, 05 December 2023 Jerry Saltz, ‘The Best New York Art Shows Of 2023 Queer Cutouts, Portable Candies, And A Retrospective of An American Master’, Vulture, 07 December 2023 Anna-Katrin Titze, ‘The Roller-Coaster Life of A Man’, Eye for Film, 08 November 2023 Kate Guadagnino, ‘Alex Katz, Laurie Simmons and More on Their Favorite New York Exhibitions’, The New York Times Style Magazine, 25 September 2023 Samuel Fury Childs Daly, ‘The Quarterback at Twilight: On Matthew Barney’s “Secondary”’, LARB: Los Angeles Review of Books, 27 September 2023 Ross Simonini, ‘Matthew Barney: No Pain, No Gain?’, ArtReview, 01 September 2023 Dan Duray, ‘One Fine Show: Matthew Barney’s “Repressia (Decline)” At LACMA’, Observer, 18 August 2023 Jeffrey Kastner, ‘Matthew Barney: Secondary’, 4Columns, 23 June 2023 Brecht Wright Gander, ‘The Beauty and Hokiness of Sport in Matthew Barney’s ‘Secondary’, Frieze, 20 June 2023 Dan Duray, ‘Five Things to Do in New York’s Art Scene This Week’, Observer, 05 June 2023 Max Wiener, Mathew Barney: Secondary, MUSEE, 30 May 2023 Linda Yablonsky, ‘New York Art World Gathers in Matthew Barney’s Studio for Premiere of His New Video Installation’, The Art Newspaper, 25 May 2023 Sam Gaskin, ‘Matthew Barney’s ‘Secondary’ Called His Best Work in Years’, Ocula, 19 May 2023 Walter Chaw, The Transformative Power of Matthew Barney’s Cremaster Cycle, Roger Ebert, 17 May 2023 Shawn Ghassemitari, ‘Matthew Barney Returns with a Chilling Meditation on Football’, HypeArt, 16 May 2023 Siddhartha Mitter ‘Matthew Barney, Back in the Game’, The New York Times, 14 May 2023 Torey Akers, ‘Matthew Barney's Cremaster Cycle Returns to The Big Screen In New York’, The Art Newspaper, 10 May 2023 Alex Greenberger, ‘Matthew Barney to Debut New Video Installation about “Violence and Spectacle” in American Football’, Artnews, 04 May 2023 Emmanuel Olunkwa, Matthew Barney: The American Artist is Ready to Flex Again, PIN-UP, Spring/Summer 2023 |
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2022 |
Harriet Lloyd-Smith, ‘Major Contemporary Artists Sell Prints to Aid Artists at Risk in Ukraine’, Wallpaper, 09 October 2022 Alison Kubler, ‘The Mythology of Matthew Barney’, VAULT, Issue 37, February-April 2022, pp. 28-35 |
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2021 |
Adrian Searle, ‘Matthew Barney: Redoubt review- intriguing brew of sharpshooters, bears and strange goings on in the forest’, The Guardian, 21 May 2021 Rachel Campbell-Johnston, ‘Matthew Barney: Redoubt review — artist’s film will make you see things anew’, The Times, 17 May 2021 Ben Luke, ‘Matthew Barney Redoubt at Hayward Gallery Review: You need to be there’, Evening Standard, 17 May 2021 Alastair Sooke, ‘‘They represent a kind of evil’: Artist Matthew Barney on four years of filming wolves’, The Telegraph, 16 May 2021 Laura Cumming, ‘Matthew Barney: Redoubt; Igshaan Adams: Kicking Dust Review’, The Guardian, 16 May 2021 Jeppe Ugelvig, ‘One work: Matthew Barney’s, Drawing Restraint 2-6 (1987-89)’, Spike Magazine, Sports, No.67, Spring 2021, pp.32-35 Chris Waywell, ‘I haven’t been to an art gallery in ages: these are five shows I can’t wait to see’, Time Out, 30 April 2021 Mark Westall, ‘Matthew Barney: Redoubt’, FAD Magazine, 19 April 2021 Francesca Gavin, ‘Frame Academy’, How to Spend It, Financial Times, Spring Arts Special, 27 February 2021, pp. 32 -33 Rachel Corbett, ‘After Trump’s Inauguration, Matthew Barney Installed a Giant Clock Counting Down His Days in Office. Now It’s Finally Going Dark’, Artnet News, 19 January 2021 ‘New year arts: Observer critics pick the culture to get us through to spring’, The Observer, 03 January 2021 Pierre Huyghe, ‘Matthew Barney in conversation with Pierre Huyghe’, MARFA, issue#14, January 2021, pp. 254-268 |
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2020 |
Neville Wakefield, ‘Redoubt: Matthew Barney’, Kaleidoscope, Issue #37, Autumn/Winter 2020 Mark Westall, ‘Matthew Barney: Redoubt’, FAD Magazine, 16 November 2020 Barbara London, Skye Sherwin, Oliver Basciano, ‘From Warhol to Steve McQueen: a history of video art in 30 works’, The Guardian, 17 October 2020 Lise Hosein, ‘The divide between art and sports can be vast, but sometimes art and sports have been friends’, CBC, 23 September 2020 ‘Roni Horn and Matthew Barney in Conversation’, Hauser & Wirth, 14 May 2020 Travis Diehl, ‘Diana Get Your Gun’, X-TRA, 19 March 2020 Deborah Vankin, ‘Frieze Week L.A. 2020: Your guide to talks, screenings, performances and parties’, Los Angeles Times, 06 February 2020 Shana Nys Dambrot, ‘Matthew Barney’s Redoubt: As Much An Experience As A Film’, LA Weekly, 27 January 2020 Robert Abele, ‘Review: Matthew Barney takes to nature to ask his big questions in ’Redoubt’’, Los Angeles Times, 23 January 2020 |
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2019 |
Andy Battaglia, ‘ARTnews Monday’, ARTnews Today, 04 November 2019 [daily newsletter] David D’Arcy, ‘In Redoubt, Matthew Barney retells an ancient myth in a survivalist American landscape’, The Art Newspaper, 01 November 2019 Pat Brown, ‘Review: Redoubt Beautifully Stares at the Boundary Between Nature and Myth’, Slant Magazine, 01 November 2019 Peter Debruge, ‘Film Review: Matthew Barney’s ‘Redoubt’’, Variety, 30 October 2019 Dustin Chang, ‘Review: In REDOUBT, Artist Matthew Barney Continues His Modern Day Myth-Making’, Screen Anarchy, 29 October 2019 Glenn Kenny, ‘‘Redoubt’ Review: Diana the Huntress Manifests in Idaho’, The New York Times, 29 October 2019 Pamela Franks, ‘An Interview with Matthew Barney’, Yale University Art Gallery Magazine, Spring 2019 Carrie Zhou, ‘Redoubt at the YUAG’, Yale Daily News, 11 April 2019 Freya Savla, ‘Matthew Barney’s “Redoubt” on view in YUAG’, Yale Daily News, 28 March 2019 Jason Farago, ‘A Lighter Matthew Barney Goes Back to School, and Back Home’, The New York Times, 21 March 2019 Pem McNerney, ‘When the Pack Chases the Hunter, Cheered on by the Huntsmen’, Zip06, 20 March 2019 Murray Whyte, ‘With ‘Redoubt’, a cosmic reset button for Matthew Barney’, The Boston Globe, 14 March 2019 Brianna Wu, ‘Doubting Redoubt’, The Yale Herald, 08 March 2019 llan Schwartzman, ‘Transfromative Sculpture; The Visionary Work of Matthew Barney’, Art Agency Partners, 07 March 2019 Pac Pobric, ‘Matthew Barney’s First New Show in Years Suggests a Shocking Twist for the Iconoclastic Artist: He’s Becoming Conventional’, Artnet, 04 March 2019 ‘Matthew Barney Tells a Complex Narrative with an Idaho Wolf Hunt and a Copper Tree in ‘Redoubt at Yale’, Artfix Daily, 04 March 2019 Mike Cummings, ‘Artist Matthew Barney’s latest work enriched by Yale experience’, YaleNews, 01 March 2019 Catherine Taft, ‘Survivor Syndrome: Catherine Taft on Matthew Barney’s New Work’, Artforum, March 2019, pp. 194-203 Taylor Dafoe, ‘Matthew Barney’s New Film Stars an NRA Rifle Champ as a Mythological Huntress in Idaho’s Sawtooth Mountains’, Artnet, 19 February 2019 |
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2018 |
Felicia Feaster, ‘Art Review: Atlanta Drag Queens the Subject of Thoughtful “Reveal” Show’, AJC, 16 October 2018 [Extract] Susannah Breslin, ‘Port Rules the World in the Provocative New Art Installation’, Forbes, 07 August 2018 |
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2017 |
‘Art Industry News: Björk to Headline in Moscow Biennial (and Matthew Barney, Too) + More Must Read Stories’, ArtNet News, 23 August 2017 Maya Gurantz, ‘“Carl Broke Something”: On Carl Andre, Ana Mendieta, and the Cult of the Male Genius’, Los Angeles Review of Books, 10 July 2017 [Extract] Josh Chiaverina, ‘No Joke: Josh Fadem Takes Comedy to the Extreme at Long Island City Space REMAINS’, ArtNews, 12 July 2017 Laura Smith, ‘“The Body Extended: Sculpture & Prosthetics” & “Streams of Warm Impermanence”’, Frieze, no. 184, January – February 2017, pp. 142-143 |
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2016 |
Alex Kitnick, ‘Review: Matthew Barney, Gladstone Gallery’, Artforum International, December 2016, p.254 Thyrza Nichols Goodeve, ‘Matthew Barney’s “Facility of DECLINE”, Gladstone Gallery, New York’, Art Agenda, 14 October 2016 Stephanie Rafanelli, ‘Call Of The Wild’, ES Magazine, 07 October 2016, pp. 18-24 Sue Wang, ‘CAFA Lecture I Matthew Barney Symposium: “Insight into the Era of the Monster of Catabolic Civilization”, CAFA Art Info, 30 September Rain Embuscado, ‘Kanye West Compares Matthew Barney to Jesus’, ArtNet News, 27 June 2016 |
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2015 |
Sara Pepitone, ‘Barney’s Rubble: Sculpture and Films from Matthew Barney at Los Angeles’ MOCA’, Observer Culture, 21 September 2015 Jordan Hoffman, Alex Needham, ‘Matthew Barney’s Cremaster Cycle: Nine Hours of “Challenging” Art on Film’, The Guardian, 14 July 2015 Anthony Byrt, ‘Matthew Barney’, Artforum, vol. 53, no. 9, May 2015 Ashley Crawford, ‘Matthew Barney's River of Fundament,’ The Saturday Paper, 14 February 2015 Elizabeth Fortescue, ‘Matthew Barney: Exploding the Myths’, The Art Newspaper, no. 264, vol. XXIV, January 2015 p. 52 – 53 Lucy Rees, ‘Matthew Barney: MONA / Berriedale (Tasmania), Flash Art, vol. 48, no. 300, January – February 2015, pp. 100 – 101 John Buffalo Mailer, ‘Modern Myth,’ Wallpaper, January 2015 |
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2014 |
Ross Simonini, ‘Both and Neither: On Matthew Barney, Debbie Harry and the Uncanny,’ Artand, December 2014, pp. 78 – 89 Eddy Frankel, ‘Matthew Barney: Crown Zinc’, Time Out, 05 November 2014 Toby Skeggs, ‘Wagner had a Word for it: Gesamtkunstwerk. Matthew Barney’s Epic Film ‘River of Fundament’ Makes Its Swiss Debut at Art Basel, The Art Newspaper, 18 June 2014 Adrian Searle, ‘Matthew Barney: “My work is not for everyone,”’ The Guardian, 16 June 2014 Joshua Reiman, ‘The Drama of Proportion: A Conversation with Matthew Barney’, Sculpture, May 2014, pp. 30 – 37 Ross Simonini, ‘Black Water: Combustion and Digestion in Matthew Barney’s Latest Work’, Frieze, May 2014, pp. 29 – 30 Keven Greenberg, ‘Matthew Barney’, PIN-UP Magazine, Summer 2014, pp.129 – 133 David Ebony, ‘Matthew Barney: New York- Brooklyn Academy of Music’, Art in America, May 2014, pp. 169 – 170 ‘These Weary Territories: A Conversation between Matthew Barney and Okwui Enwezor’, Modern Painters, April 2014, pp. 64 – 73 ‘Matthew Barney and Gaspar Noé’, Bomb, Spring 2014, pp. 37 – 43 ‘Whitechapel Gallery and ENO Collaborate With Matthew Barney in New Exhibition’, Art.lyst, 29 March 2014 Nicola Ricciardi, ‘Matthew Barney & Jonathan Bepler “River of Fundament (2014)”’, The Brooklyn Rail, 04 March 2014 Alfred Hickling, ‘River of Fundament review – Matthew Barney’s magnum opus is calculated to divide opinion’, The Guardian, 03 March 2014 D. Creahan, ‘New York - The World Premiere of Matthew Barney and Jonathan Bepler's River of Fundament at BA’, Art Observed, 02 March 2014 Ross Scarano, "Sh*t Talking: A Conversation About Artist Matthew Barney's Epic Film 'River of Fundament,'" Complex Art + Design, 18 February 2014 Andy Battaglia, ‘River of Fundament’, Paris Review, 12 February 2014 Linda Yablonsky, ‘Art Matters | Sexy Beast’, T Magazine, 07 February 2014 Susan Cheng, ‘Matthew Barney Will Make His Debut at the Brooklyn Academy of Music With Another Stunning Film’, Complex, 04 February 2014 Matt Pieknik, ‘Crude Thoughts & Fierce Forces: Matthew Barney’s “River of Fundament”’, The American Reader, 2014 |
|
2013 |
‘Mathew Barney’, Modern Painters, October 2013, p. 107 Dan Duray, ‘Barney and Friends: My Day as an Extra on the New Matthew Barney Movie’, New York Observer, 09 September 2013 Joseph Akel, ‘Subliming Vessel: The Drawings of Matthew Barney’, Art Review, September 2013, p. 158 Brooke Chroman, ‘A Conversation With Matthew Barney’, The Travel Almanac, Autumn 2013, p. 44 – 53 Museum, through September 2nd,” Art Observed, 13 August 2013 M. Bushman, “‘Subliming Vessel: The Drawings of Mathew Barney’ at Morgan Library & Britany Salsburg, ‘Mathew Barney: the Morgan Library & Museum’, Artforum, August 2013 Ann McCoy, ‘Subliming Vessel: The Drawings of Matthew Barney’, The Brooklyn Rail, 15 July 2013 Thyrza Nichols Goodeve, ‘The Library For Non-Amnesiacs: A Possible Reading of Matthew Barney’s Drawings’, The Brooklyn Rail, 15 July 2013 Hermione Hoby, “Matthew Barney Interview: ‘It’s what’s outside the frame that’s scary,’” The Telegraph, 13 July 2013 Elena Tavecchia, ‘Subliming Vessel: The Drawings of Matthew Barney’, Mousse, issue 39, Summer 2013, pp. 188 – 190 Maika Pollack, “‘Subliming Vessel: The Drawings of Mathew Barney’ at the Morgan Library & Museum,” Gallerist NY, 18 June 2013 Lance Esplund, ‘Barney Incest, Messy Remnant; Met’s Boxer: Lance Esplund’, Bloomberg.com, 15 June 2013 Thomas Micchelli, ‘Bridge to Nowhere: Matthew Barney’s Drawings’, Hyperallergic.com, 15 June 2013 Edward M Epstein, ‘Mythology, Mortality, Mailer, and Vaseline: Matthew Barney at the Morgan’, Artcritical, 12 June 2013 Priscilla Frank, ‘Matthew Barney’s New York Summer: Avant-Garde Art Darling Talks New Projects’, The Huffington Post, 24 May 2013 Holland Cotter, ‘Fixations of a Fabulist, Hermetic and Mystical,’ The New York Times, 09 May 2013 Coline Milliard, ‘From Death to Death and Other Small Tales’, Modern Painters, Vol. XXV No. 3, March 2013, p. 95 Carol Vogel, ‘Matthew Barney Heads to the Morgan Library’, The New York Times, 01 March 2013 Mitch Cope and Gina Reichert. ‘Lance Mountain and Matthew Barney’, Juxtapoz, February 2013, pp. 38 – 47 Kelsey Campbell-Dollaghan, ‘Matthew Barney Creates A Skateboard That Doubles as a Pencil’, Fast Company, February 2013 ‘Updated: Matthew Barney, The Cremaster and the Markers of an Invisible Masculinity’, Seattle Post Intelligencer, February 2013 |
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2012 |
Museum Says Doomsday is not Here, Matthew Barney’s Norman Mailer Barge, and More’, Artinfo.com, 29 October 2012 Andy Battaglia, ‘An Artist’s River Journey Into a Writer’s World’, The Wall Street Journal, 27 October 2012, p. A22 Liz Smith, ‘My ‘Ancient Evenings’ with Norman Mailer’, Chicago Tribune, 07September 2012 ‘Cotter, Holland, “Here’s Looking at You, Conceptualism,” New York Times, 06 September 2012 Simon Romero, ‘A Keeper of a Vast Garden of Art in the Hills of Brazil’, The New York Times, 09 March 2012 |
|
2011 |
Jeffrey Kastner, ‘Matthew Barney: Gladstone Gallery’, Artforum, December 2012, p. 250. ‘Matthew Barney, DJED, Ancient Evenings, Detroit, and a 1967 Chrysler Crown Imperial’, Juxtapoz, 24 October 2011 Kate Prengel ‘Junkyard of the Future’, CityArts, 12 October 2011 Tamara Warren, ‘DJED: Matthew Barney x The Remains Of A 1967 Chrysler Imperial’, Forbes, 05 October 2011 James Gaddy, ‘For New Sculpture, Matthew Barney Dredges Up A Drowned 1967 Chrysler’, Fast Co. Design, October 2011 Linda Yablonsky, ‘Artifacts: Matthew Barney’, New York Times Style Magazine, 26 September 2011 Jerry Saltz, ‘Imported From Detroit’, New York Magazine, 23 September 2011 Will Heinrich, ‘Richard Serra’s Junction/Cycle at Gagosian Gallery and Matthew ‘Barney’s DJED at Gladstone Gallery’, New York Observer, 20 September 2011 Julie Belcove, ‘Forged in Myth’, Financial Times, 03 - 04 September 2011 Fabiana Fierotti, ‘Matthew Barney and Piombo’, Italian Vogue, 16 June 2011 Tess Thackara, ‘Drawing Restraint 17’, Art Practical, 30 April 2011 |
|
2010 |
‘Khu & The Gang’, Interview Magazine, December 2010 Joshua Mack, ‘Matthew Barney + Jonathon Bepler’, Art Review, #46, December 2010 Jenny Schlenzka, ‘Matthew Barney’, Monopol, November 2010, p. 108 Vince Carducci, ‘Matthew Barney’s Heart of Darkness’, Brooklyn Rail, 02 October 2010, p.30. Quinn Latimer, ‘Matthew Barney’, Frieze. September 2010, Issue 133, p.138-9. Rose, Zak and Barney, Matthew, ‘Khu’, 032c, 19th Issue Berlin, Summer 2010 Keith Uhlich, ‘The Cremaster Cycle’, Time Out New York, 28 July 2010, Issue 764, p. 76 Lindemann, Adam, ‘The Grand Tourist’, The New York Observer, 12 July 2010, p. 42 Brett Littman, ‘Executive Director Brett Littman on Matthew Barney’s Prayer Sheet with the Wound and the Nail at Schaulager’, The Drawing Center, 06 July 2010 ‘Barney shared over the ocean’, The Art Newspaper, July/August 2010, p. 18 James Nicholas, ‘Insight: Matthew Barney’, Art in America, June/July 2010, p. 30 David Velasco, ‘Matthew Barney: Prayer Sheet with the Wound and the Nail’, Artforum, May 2010, p. 147 ‘Ancient Evenings, Ancient Rituals’, ArtSlant, 14 February 2010 Anthony Byrt, ‘Matthew Barney’, Artforum, February 2010 |
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2009 |
David Velasco, ‘Matthew Barney and Elizabeth Peyton: Deste Foundation Project Space’, Artforum, November 2009 Chris Wiley, ‘No Man’s Land’, KALEIDOSCOPE, Issue 03, September – October 2009 Chris Bors, ‘Matthew Barney and Elizabeth Peyton’, Art Review, September 2009, p. 137 |
|
2008 |
Francesco Bonami, ‘Matthew Barney: The Artist as a Young Athlete’, Flash Art, vol. XLI, no. 261, July – September 2008 (reprint from Flash Art, vol. XXV, no. 162, January/February 2008) ‘Top 100: Mathew Barney, no. 58’, Monopol, no.7-8, 2008, p. 58 Christopher Knight, ‘Matthew Barney’s ‘Ren’’, LA Times, 20 May 2008 Maggie Rosen, ‘The Art of Solipsism’, Hong Kong Tatler, April 2008 |
|
2007 |
Hans Ulrich Orbist, ‘Matthew Barney’s stunning British debut’, Art World, October/November 2007, p. 20 Richard Pinsent, ‘Gallery News’, Pluk, Spring/Summer 2007 ‘American Evolution’, The Financial Times, 08 June 2007 Jody Shields, ‘Matthew Barney’, L’uomo Vogue, May/June 2007 Jess Holl, ‘Generally Speaking: with a new book, Matthew Barney’, Black Book, April/May 2007, p. 148 Jerry Saltz, ‘Matthew Barney, the Bull, and the Chrysler’, New York Magazine, 17 April 2007 David Ebony, ‘Report from Lisbon: Sailing into the 21st Century’, Art in America, April 2007, pp. 52-57 Francesca Martin, ‘Serpentine gets ready for Matthew Barney and his Vaseline extravaganza’, The Guardian, 28 March 2007, p. 27 Bill Powers, ‘He Shall Perform’, New York Post, 25 March 2007, p. 49 Sophia Kishkovsky, ‘Moscow biennale pokes fun at consumers and politicians’, International Herald Tribune, 10-11 March 2007 Peter Plagens, ‘Contemporary Art, Uncovered’, Art in America, February 2007, pp. 45-51 Mike Rogers, ‘Matthew Barney's Drawing Restraint’, artUS, February 2007, pp. 20-23 Amrei Hofstatter, ‘Matthew Barney’, Bello 022, February 2007, pp. 41-46 Brandon Stosuy, ‘An Interview with Matthew Barney’, The Believer, 01 January 2007, pp. 51-64 Katrin Wittneven, ‘Entlarvend: Matthew Barney und Joseph Beuys im Deutschen Guggenheim Berlin’, Monopol, January 2007, p. 116 Alena Williams & Stefan Heidenreich, ‘Broadcast yourself!’, Monopol, January 2007, pp. 34-37 Chia-Ling Lee, ‘The Cremaster Cycle by Matthew Barney’, Fantasy, Vol. 1, 2007, pp. 54-56 Stephane Zawadzki, ‘The Cinema Otherwise’, Canal Studio, no.8, 2007, p. 20 |
|
2006 |
Jeannette Catsoulis, ‘An Artist Shows His Process by Way of a Film Within a Film’, The New York Times, 20 December 2006 Jorg Albig, ‘Into Me/Out of Me’, Texte Zur Kunst, December 2006, pp. 173-175 Tom Morton, ‘Destricted’ Round Table’, Frieze, November/December 2006, p. 53 Jeffrey Ryan, ‘Matthew Barney’, Frieze, November/December 2006 ‘The Power 100: 90 Matthew Barney’, Art Review, November 2006, p. 132 Adam Mendelsohn, ‘Dark Star’, The London Magazine, October/November 2006, p. 30 Chris Cobb, ‘Review - Matthew Barney: SF MoMA’, Flash Art, October 2006, p. 118 Joyce Korotkin, ‘Matthew Barney’, Tema Celeste, September/October 2006, p. 77 David Joselit, ‘Matthew Barney: San Francisco Museum of Modern Art’, Artforum, September 2006, p. 365 Kevin Maher, ‘The Old In Out: Destricted’, Art Review, September 2006, p. 99 ‘A Dialogue on Blood & Iron: Matthew Barney and Arthur C. Danto on Joseph Beuys’, Modern Painters, September 2006, p. 62 ‘Bazaar’, Art Review, Issue 02, August 2006, p. 29 Christopher Miles, ‘Proving himself a master of multiplicity’, Los Angeles Times, 31 July 2006 David Littlejohn, ‘Immersed in the Goo: The Surreal World of Matthew Barney’, The Wall Street Journal Online, 27 July 2006 Shiriagari Kotobuki, ‘Matthew Barney Drawing Restraint 9’, ArtIt, Spring/Summer 2006, p. 26-27 Linda Yablonsky, 'A Satyr Wrapped In an Enigma', Artnews, June 2006 Neva Chonin, ‘Barney, Bjork, and Blubber’, SFGate, 21 May 2006 Aric Chen, ‘Five ‘Don’t Miss’ Exhibitions This Summer’, The New York Times, 07 May 2006 Mia Fineman, ‘Looks Brilliant on Paper. But Who, Exactly, Is Going to Make It?’, The New York Times, 07 May 2006 Jerry Saltz, ‘Leviathan: Drawing Restraint 9 is a story that takes place nowhere but that touches on everything’, The Village Voice, 05 May 2006 Peter Schjeldahl, ‘Post-Barney’, The New Yorker, 01 May 2006, p. 26 'Der Bilder Sturmer’, German Elle, May 2006, p 24-30 Neville Wakefield, 'Drawing Restraint 9; Matthew Barney' Art Review, May 2006 Chris Lee, 'Master of all he surveys' Art Review, May 2006 Amy Taubin, ‘Backdoor Man: On Larry Clark and Destricted’, Artforum, May 2006, p. 67 Julie L.Belcove, ‘Barney’s Voyage’, W Magazine, May 2006, p. 190-199 Eva Karcher, ‘Der Klang der Perlenfischerinnen beim Auftauchen’, Monopol, April/May 2006, p. 58-68 Bob Strauss, ‘Bjork, Please use more ‘restraint’, LA Daily News, 21 April 2006 David Cohen, ‘A Control Freak’s Prodigious Passion’, The New York Sun, 13 April 2006 Linda Yablonsky, ‘Whale Meat, Plastic, Erotic Nerve Create Barney’s Cinematic Art’, Bloomberg.com, 11 April 2006 Randy Kennedy, ‘The Bjork-Barney Enigma Machine’, The New York Times, 09 April 2006 Ben Davis, ‘The Unbearable Lightness of Barney’, artnet.com, April 2006 Alex Zafiris, ‘Slime Time’, Paper, April 2006, p. 34 Jeff Craig, ‘DRAWING RESTRAINT 9’, 60 Sixty Second Preview, April 2006 Jean-Pierre Frimbois and Aude de Bourbon, ‘Bjork & Matthew Barney: Saga Drawing Restraint 9’, Art Actuel, March – April 2006, Issue #43, p. 74-77. Campbell Robertson, ‘Boldface’, The New York Times, 30 March 2006, B2 Bridget L.Goodbody, ‘Sea change’, Timeout New York, 30 March – 05 April 2006, p. 64 David Fear, Reviews: Drawing Restraint 9, Timeout New York, 29 March 2006 Jan Stuart, ‘Tea for 2 may not be your cup’, Newsday, 29 March 2006 Vincent Musetto, ‘It’s not your typical whaling trip’, New York Post, 29 March 2006 Stephen Holden, ‘Adrift in Japanese Waters with Whales and a Wedding’, The New York Times, 29 March 2006, E5 Ed Halter, ‘Barney’s Rubble’, The Village Voice, 28 March 2006 Eugene Hernandez, ‘A Natural Love Story: Matthew Barney Talks About ‘Drawing Restraint 9’’ indieWIRE, 27 March 2006 Karen Rosenberg, ‘Influences: Matthew Barney’, New York Magazine, 27 March 2006 Danielle O’Steen, ‘Matthew Barney and Wife Bjork Make Feature-Length Film’, ArtInfo, 16 March 2006 Ed Gonzalez, ‘Drawing Restraint 9’, Slantmagazine.com, February 2006 Gregg Goldstein, ‘IFC Films nabs experimental ‘Restraint’’, Reuters, 17 January 2006 Antonella Crippa, 'Patrizia Sandretto Re Rebaudengo', Contemporary 21, issue 80, 2006, p. 114 Glen Helfland, 'The Occidental Tourist: Matthew Barney in Foreign Territory’, Res, vol. 9, NO. 3 2006 Shonquis Moreno, ‘Cult Classic’, Pol Oxygen, Issue 18, 2006, p. 30-38 Oliver Koerner von Gustorf, ‘All in the Present Must Be Transformed: Nancy Spector on Matthew Barney and Joseph Beuys at the Deutsche Guggenheim’, Special Print, Issue No. 1, 2006, pp. 22- 23. |
|
2005 |
‘Ten Years of the Hugo Boss Prize’ Guggenheim Magazine, Winter 2005, p. 18-21 Luke Crissell, ‘New Bjork’, New York Magazine, 28 November 2005, p.121-2 ‘Guggenheim International Gala’, New York Magazine, 21 November 2005, p. 20 Neville Wakefield, ‘For the Sceptic’, I-D, November 2005, p. 124-135 Bill Cunningham, ‘A Royal Night’, The New York Times, 13 November 2005 Christopher Mason, ‘Ephemeral Art, Eternal Maintenance’, New York Times, 10 November 2005 ‘Tokion's Hereos’, Tokion, November/December 2005, p. 44 Ken Miller, ‘Bjork’, Tokion, November/December 2005, p.54-57 David D’Arcy, ‘Matthew Barney confounds the critics’, The Art Newspaper, 05 October 2005 Leslie Felperin, ‘Drawing Restraint 9’, Variety, 03-09 October 2005, p. 56 Stephen Sarrazin, ‘Jack London dans le ventre de la baleine’, Turbulences video, October 2005, p. 8-12 Midori Matsui, ‘Matthew Barney’, Flash Art, October 2005, p. 123 ‘Matthew Barney’, Tema Celeste, September/October 2005, p. 110 ‘Art Shows That Made Big Waves’, TimeOut NY, 29 September 2005, p. 32 Michael Althen, ‘Tausend Tonnen Walpett’, F.A.Z., 05 September 2005, p. 33 Leslie Felperin, ‘Drawing Restraint 9’, Variety, 01 September 2005 Jeremy Heilman, ‘Drawing Restraint 9’, Moviemartyr, September 2005 Geoffrey Macnab, ‘Drawing Restraint 9’, Screen International, September 2005 Marie Darrieussecq, ‘Bjork & Barney’ Beaux Arts, September 2005, p. 44-49. YuKo Hasegawa, ‘Matthew Barney: Drawing Restraint 1-9’, High Fashion, August 2005, p. 88-95 Tomo Suzuki, ‘Where is Drawing Restraint heading?’ ArtIt, Summer/Fall 2005, p. 10-15 Chikashi Kasai, ‘Matthew Barney’s Crazy Fantasy’, Studio Voice, August 2005, p. 28-61 Banno Yuriko, ‘Matthew Barney’, Switch, August 2005, p. 18-69, cover ‘Cremaster: Matthew Barney’, Art Actuel, July – August 2005 David D’Arcy, ‘Roth and Other Riches’, Modern Painters, July/August 2005, p. 43 W. Robinson, ‘Matthew Barney’s Drawing Restraint 9 Premieres’, Artnet News, 28 July 2005 Marcus Field, ‘The Iceberg Cometh’ Modern Painters, June 2005, p. 40 Elaine Louie, ‘How it Sparkled in the Skyline’, New York Times, 26 May 2005, p. F8-F9 Francesco Bonami, ‘The Legacy of the Myth Maker’, Tate Etc., London, Spring 2005, p. 75-6, illus. ‘Blitzlichter’, Monopol, February/March 2005, p. 74 Helen Kirwan-Taylor, ‘Living off the Wall’, ArtReview, International Edition, V3N2, 2005 p. 63 Studiovoice multi-media mix magazine (Japanese), cover, 2005, p. 13, p. 28-61 |
|
2004 |
Camila Belchior, ‘Metamorfose’, Vogue Brazil, December 2004, p.140 ‘Release’, 032c, 6th issue, Berlin, Winter 2004, p. 68-80 ‘Matthew Barney vs. Jeff Koons’, Black Book. October/November 2004, No. 35, p. 82-87 ‘De Lama Lâmina.’, Domus, 870, May 2004 ‘1000 Words: Matthew Barney talks about DE LAMA LÂMINA’ Artforum, May 2004, p. 190-191 Liz Braun, ‘Sex Unappeal’, Toronto Sun, 23 April 2004, p. E11 Liam Lacey, ‘The Cremaster Cycle’, Globe and Mail. 23 April 2004, p. R3 J. Kelly Nestruck, ‘Barney’s Rubble’, National Post (Canada), Friday 23 April 2004, p. PM5 Cameron Bailey, ‘Cremaster’s Cream’, NOW, 22-28 April 2004 Fernanda Ezabella, ‘Bienal descarta trator de Matthew Barney; tenta trazer video’, Yahoo Notícias Brasil and UOL Diversão & Arte, 22 April 2004 Fernanda Ezabella, ‘ENTREVISTA – Matthew Barney se rende à magia do Candomblé’, Yahoo Notícias Brasil, 22 April 2004 Jason Anderson, ‘Cremastery for the beginner’, Eye Weekly, 22 April 2004 Sarah Milroy, ‘The Art of the male mystique’, Globe and Mail, 21 April 2004 Demetrio Paparoni, ‘Così barocco, così perverso’Panorama’, 01 April 2004, p. 214-216 P Goddard, ‘Master of his freaky domain’, Toronto Star, April 2004 Helen Stoilas, ‘Contemporary art leads museum acquisitions in 2003’, The Art Newspaper, No. 146, April 2004, p. 22-26 Hasegawa Yuko, ‘Interview with Matthew Barney’, R. issue 03/2004, March 2004, p. 22-35 Richard Woodward, ‘Home Team Advantage’, The New York Times, 15 February 2004 ‘Matthew Barney’, Tokion: Creativity Now, No. 39, January/February 2004, p. 70-73 ‘Numéro Scope: Les 30 Artistes Vivants les Plus Importants au Monde’, Beaux Arts Magazine, No. 236, January 2004 ‘Cremaster 3, 2003’, WA: World Architecture, issue 166, 2004, p. 56-59 |
|
2003 |
MAINICHI Daily News, 19 December 2003 Matthew Barney, ‘Release’, 032c magazine, December 2003, p. 68-80 Mark Cousins, ‘The White Stuff’, Sight and Sound., December 2003 Halldór Björn Runólfsson, ‘Matthew Barney: The Living Art Museum’, FlashArt, November/December 2003 Allen Anderson, ‘Escape Artistry and Entrapment’, Art Papers, November/December 2003 Ian White, ‘Roll Up!’, ArtReview, December/January 2003 Jeff Gibson, ‘SMITHSON! SMITHSON! SMITHSON!’, Visit, no. 6 Winter/Spring 2003 David Pagel, ‘Old haunts rethought, reinstalle: A timidly haunted house’, Los Angeles Times, 31 October 2003 John Monaghan, ‘Cremaster Review’, Detroit Free Press, 29 October 2003 Christopher French, ‘Matthew Barney: Cremaster 3’, Glass Tire, October 2003 Kåre Bulie, ‘Kroppsspråk’, DN Magasinet, 06 - 07 September 2003 (Norway) Chris Schnoor, ‘Back in Boise’, Artweek, September 2003 Susan Boettger, ‘Artistic Rivalry: An Ongoing Story or So Past-Century?’ NYFA Quarterly, Fall 2003 Chris Schnoor, ‘The Unauthorized Biography’, Ohio Arts Quarterly, Fall 2003 Troy Schulze, ‘Big Balls’, Houston Press, 28August 2003 Patricia Johnson, ‘Dream Weaver’, Houston Chronicle, 24 August 2003 Greg Allen, ‘When Fans of Pricey Video Art Can Get it Free’, The New York Times, 17 August 2003 Katerina Gregos, ‘Dakis Joannou Collection, Athens’, ARCO: Contemporary Art, Number 29, Autumn 2003, p.38–41 Current Biography, Vol. 64, No. 8. August 2003, p. 7-13 Betsy Ennis, ‘Barney Show Hits the Mark’, Guggenheim Magazine, Summer 2003, p 5-9 Chris Schnoor, ‘Matthew Barney Comes Home’, Boise Weekly, 23-29 July 2003, p.15-18 Dana Oland, ‘Matthew Barney ‘Cremaster’, The Ohio Statesman, 18 July 2003 Dana Oland, ‘Matthew Barney Comes Home’, The Ohio Statesman, 17 July 2003 David Finkelstein, ‘Review of Cremaster 3’, Filmthreat.com, 02 July 2003 ‘Cremaster a Blockbuster’, Art in American, Issue 7, July 2003, p. 112 Lauren O’Neal, ‘Denatured Beauty: Matthew Barney’s Cremaster Cycle’, Art New England, June/July 2003 Owen Gleiberman, ‘The Cremaster Cycle: A Sculptor turns director with a surreal film series Matthew Barney’ Palm Pictures News, 13 June 2003 Roz Chast, ‘The Back Page: The Cremaster Cycle’, The New York Times, 02 June 2003 Berenice Reynaud, ‘Sundance Film Festival 2003 - The Independent Body’, Senses of Cinema, 02 June 2003 Gian Emilio Mazzoleni, ‘Matthew Barney’, Carnet, June 2003 Stephen Garrett, ‘Cremaster’, IFCRant Magazine, May/June 2003 ‘Matthew Barney’, Tokion, May /June 2003 Jonathon Rosenbaum, ‘Cremaster: Capsule’, The Chicago Reader Guide to Movies, 30 May 2003 Wesley Morris, ‘Completed film Cycle is the odyssey of a mind’, Boston Globe Online, 30 May 2003 Ted Shen, ‘Cremaster 2: Capsule’, The Chicago Reader Guide to Movies’, 30 May 2003 Fred Camper, ‘Cremaster 3: Capsule’, The Chicago Reader guide to Movies, 30 May 2003 Michael Workman, ‘Eye Exam’, New City Chicago, 30 May 2003 Christine Temin, ‘Cremaster feasts on imagery, architecture’, The Boston Globe Online, 30 May 2003 Peter Keough, ‘Pop Art’, The Boston Phoenix Online, 29 May 2003 Robert Elder, ‘Movie Review: Cremaster cycle’, The Chicago Tribune, 29 May 2003 Bill Stamets, ‘Spectacle, not plot, defines Cremaster Cycle’, The Chicago Sun Times, 23 May 2003 Patrick McGavin, ‘Bold, beautiful Cremaster 3 Conjures mesmerizing world’ The Chicago Tribune, 23 May 2003 ‘Matthew Barney versus Donkey Kong’, Game Girl Advance Online, 23May 2003, p. 1-11 Ray Pride, ‘Review Cremaster 3’, Chicago Reader, 23 May 2003 Doug Harvey, ‘Review of Cremaster 1-2 and 4-5’, LA Weekly, 22-29 May 2003 Steven Winn, ‘Hot Artist Barney exists in a ‘Zone’ all his own’, San Francisco Chronicle, 22 May 2003 Andy Klein, ‘A Long, Strange Trip’, The San Francisco Weekly, 21 May 2003 Chuck Stephens, ‘Thigh High Art’, The Guardian, 21 May 2003 Doug Harvey, ‘Willful Perversity’ LA Weekly’, 16-22May 2003 Bob Strauss, ‘Cremaster 3’: arty, edgy, repetitive, silly, draining’, LA Daily News, 16 May 2003 Charles Britton, ‘Cremaster 3’ for surrealism lovers only’, Daily Breeze, 16 May 2003 Scott Foundas, ‘Self-Portraiture Meets Mythology: Matthew Barney Talks About His Cremaster Cycle’, IndieWire, 15 May 2003 Christopher Knight, ‘Creation Commotion’, The New York Times, 11 May 2003 Peter Ritter, ‘Body of Evidence’, City Pages Online, 07 May 2003 Rob Nelson, ‘Cremaster 2’, City Pages, 07 May 2003 Christopher Reynolds, ‘An Artist’s bold statements of ambiguity’, The Los Angeles Times, 07 May 2003 Christopher Knight, ‘An Artists’ bold statements of ambiguity’, Calendar Live Online, 07 May 2003 John Habich, ‘Matthew Barney’s Whole Sensational Cremaster Film Series comes to town’, Star Tribune, 04 May 2003 ‘Matthew Barney, The Cremaster Cycle’, Pioneer Press, 04 May 2003 John Habich, ‘Crash of Symbols’, Star Tribune, 04May 2003 Allison Baumgartner, ‘Cremaster of the Universe’, Surface No. 40, May 2003 Tim Griffin, ‘Matthew Barney: The Cremaster Cycle’, Artforum, May 2003, p. 162 ‘Matthew Barney: The Cremaster Cycle’, Walker Art Center May 2003 Calendar, May 2003 Tim Griffin, ‘Creature Feature’, Time Out NY, 24 April – 01 May 2003 BijutsuTecho, Vol.55, No.833, May 2003 Daniel Baird, ‘Matthew Barney: The Cremaster Cycle’, The Brooklyn Rail, April/May 2003 ‘Matthew Barney’, ING Hair Magazine, Page 86, Issue 6, Spring 2003 Jeanne Darst, ‘A Little Like Everest, Only Greasy and Illegal’, The New York Times, Spring 2003 Brian Brooks, ‘iPOP on the Scene at the party for Matthew Barney’s Cremaster Cycle’, Indiewire.com, 28 April 2003 Sara Bonisteel, ‘Art-House Flicks’, The New York Resident, 28 April 2003 Frank Scheck, ‘Cremaster 3’, Palm Pictures Online, 25 April 2003 Charles Britton, Daily Breeze Review, 25 April 2003 Jeff Craig, ‘Cremaster 3’, 60 Second Preview, 23 April 2003 Deborah Solomon, ‘Seeking a Cure for Art Anxiety’, The New York Times, 23 April 2003 Deborah Schoeneman, ‘Invisible Woman’, New York, 21 April 2003 Deborah Schoeneman, ‘Scene’, New York Magazine, 21 April 2003 David Rooney, ‘Forum Slots ‘Cremaster’ Series’, Variety.com, 21 April 2003 Variety Staff, ‘Artsy Crowd on ‘Cycle’ Ride’, Variety.com, 16 April 2003 Wendy Mitchell, ‘Gen Art and ‘Cremaster’ Parties’, Indiewire.com, 11 April 2003 Jeremy Heilman, ‘Cremaster 2, 1999’, Movie martyr.com, 10 April 2003 Jeremy Heilman, ‘Cremaster 2’, Movie Martyr.com, 07 April 2003 Brian Brooks, ‘Cremaster Muscles Its Way To Box Office Successes Amid Many Openers’, Indiewire.com, 02 April 2003 ‘On With the Show’, ArtReview, April 2003 BijutsuTecho, Vol. 55, No.832, April 2003 Lawrence Chua, ‘Hideous Kinky’, Black Book, March/April 2003 Armond White, ‘Double X: Bryan Singer’s complex comic book’, The New York Press, Volume 16, Issue 18, 30 March 2003 Peter Schjeldahl, ‘The Art World’, The New Yorker, 24 March 2003 Edward J Sozanski, ‘Fertile brew in film cycle at Guggenheim’, Philadelphia Enquirer, 23 March 2003 William Fong, ‘Eye Spy’, Miami Sun Post, 20 March 2003 J Hoberman, ‘Cults of Personality’, Village Voice, 12-18 March 2003 Howard Haller, ‘Dead Man Walking’, The New Yorker, 06-13 March 2003 Mark Stevens, ‘Master of His Domain’, New York Magazine, 10 March 2003 Dana Oland, ‘Matthew Barney’, The Ohio Statesman, 09 March 2003 Marlowe Fawcett, ‘Sex, Life and Video Games’, The Economist, 08 March 2003 ‘Guggenheim Art Oozes Petroleum Jelly’, The New York Times, 05 March 2003 Jerry Saltz, ‘Swept Away’, Village Voice, 26 February – 04 March 2003 Sarah Milroy, ‘Come into His Parlor’, Globe Review, 04 March 2003 Whitney Mcnally, ‘Life Imitates Art’, Details, March 2003 Shari Roman, ‘Matthew Barney’, Surface Magazine, March 2003 BijutsuTecho, Vol.55, No. 831, March 2003 Michael Wilson, ‘Caves of New York’, Artforum, February 2003 Steven Henry Madoff, ‘Bewildering, Bewitching, Above All Strange’, The New York Times, Sunday 16 February 2003 BijutsuTecho, Vol. 55, No. 830, February 2003 Michael Kimmelman, ‘Free to Play and be Gooey’, New York Times, 21 February 2003 ROADSHOW, February 2003 ‘Matthew Barney’, Flash Art, January/February 2003 Steven Kinzer, ‘Deep in the Heart of Modernity’ The New York Times’, Wednesday 29 January 2003 Calvin Tomkins, ‘His Body, Himself’, The New Yorker’, 27 January 2003 Lily Oei, ‘Blackwell’s Palm Pix up Cremaster’, Daily Variety, 14 January 2003 ‘Barney hands ‘Cremaster 3’ to Palm’, The Hollywood Reporter, 13 January 2003 Mike Goodridge, ‘Palm buys North America and UK rights to entire Cremaster Cycle’, Screendaily.com, 13 January 2003 Brian Brooks, ‘Palm Acquires Matthew Barney’s ‘Cremaster Cycle: Company Will Release Cremaster 3 This Spring’, Indie Wire, 13 January 2003 Peter Ritter, ‘Cremaster 3’, City Pages, 08 January 2003 ‘Cremaster 3’, Pioneer Press, 05 January 2003 Stephen Holden, ‘Cremaster 3’, Star Tribute, 03 January 2003 BijutsuTecho, Vol. 55, No.829, January 2003 TOMOTOMO, January 2003 Erwan Vincent, ‘Le Marché S’Emballe’, BeauxArts, January 2003 SEDA, January 2003 Javier Hernando, ‘Spaces for Art and Photography. Appropriation and Updating of a Traditional Pictorial Genre’, EXIT 9, 2003 Trevor Groth, ‘Cremaster III’, Sundance Film Festival,2003 Arthur Danto, ‘The Anatomy Lesson’, Books and the Arts,2003 Allison Baumgartner, ‘Cremaster of the Universe’, Surplus,2003 Erin Torneo, ‘Barneyland’, Soma Magazine,2003 Anthony Kaufman, ‘Sundance On The Edge’, Indiewire, 2003, p. 2 ‘Barney’s Cremaster 4’, Statens Museum for Kunst, Journal Vol. 6, 2003, p. 139-155 Christain Viveros-Faune, ‘Art: Post Boredom’, New York Press, Volume 16, 2003, Issue 14 ‘Cremaster 3’, ING hair magazine, issue 6, 2003, p. 84 Charmaine Picard. ‘The Eternal Return: Mathew barney Zone of Potential’, Art Nexus, No. 49, 2003, Volume 2 Christina Rogers, ‘The Chrysler Building’s strange role in Cremaster 3’, Architectural Record, Volume 7, 2003, p. 65 Gil Blank and Louise Ner, ‘How can the artist isolate those ideas?’, (discussion), Influence, Issue 01, 2003, p.19-23 |
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2002 |
The Asahi Shimbun, 01 December 2002 ‘Matthew Barney: Delirious Dreamer’, UTNE, December 2002 BijutsuTecho. Vol.54, No. 822, December 2002 X-Knowledge Home, Vol. 11,December 2002 Tokai Walker, 26 November 2002 The Kochi Shimbun, 20 November 2002 Stephaine Stadel, Auf- und Abstract, Kunstjahr, Time Out, 06-13 November 2002 Philippe Dagen, ‘Le Big Bang de Matthew Barney’, Le Monde, 02 November 2002 BijutsuTecho, Vol.54, No. 821, November 2002 Leaf, November 2002 L Magazine, November 2002 Sukhdev Sandhu, ‘Very weird – and totally wonderful’, The Daily Telegraph, 31 October 2002 The Kochi Shimbun, 28 October 2002 Richard Cork, ‘Appetizingly Destructive’, The Times, 28 October 2002 Jonathan Romney, ‘You've Not Seen Anything Like It (Unless You've Seen 1, 2, 4, 5)’, The Independent, 27 October 2002 Lynn MacRitchie, ‘Manly Mysteries Of A Golden Boy’, Financial Times, 25 October 2002 Andrew Renton, ‘A Series of Remarkable Films Made by Artists is Redefining the Genre’, Evening Standard, 22 October 2002 Sebastian Smee, The Daily Telegraph, 19 October 2002 Jonathan Jones, ‘The Myth Maker’, The Guardian, 16 October 2002 Michel Guerrin, ‘Matthew Barney: Le Corps de L''imaginaire’, Le Monde, 13-14 October 2002 Philippe Dagen, ‘L'art Total de Matthew Barney’, Le Monde, 13-14 October 2002 Jean-Michel Frodon, ‘Sur Grand Ecran, de Grandes Oevres Non Cinematographics’, Le Monde, 13-14 October 2002 ‘Exposition: ‘Matthew Barney, Artists Total, Investit Le Musee D'art Moderne’’, Le Monde, 13-14 October 2002 Weekly Pia (Kansai), 07October 2002 CUT, October 2002 SPUR, October 2002 Jalouse, No.54, October 2002 Bien, September/October 2002 Louis Templado, ‘Puzzling Journey Through Space, Time, and the Male Anatomy’, The Asahi Shimbun Kunst Bulletin, October 2002 Fabrice Bousteau, ‘Matthew Barney: Sculpteur D'outre Monde’, Beaux Arts, October 2002 David Rimanelli, ‘Matthew Barney, Artiste and Superstar’, Paris Vogue, October 2002 Carlo McCormick, ‘Dazzled & Confused’, Paper, October 2002 Pernilla Holmes, ‘Can Contemporary Art Cut it?’, Art Review, October 2002 Annette Tietenburg, ‘Bodies of Evidence’, Form, September/October 2002 HEADLINE TODAY, 25 September 2002 Weekly Pia (Kansai), 24 September 2002 PADO, 24 September 2002 THE DAILY YOMIURI, 20 September 2002 Patrick Z.McGavin, ‘Cremaster 3 offers a stunning concept’, Chicago Tribune, 13 September 2002 THE KYOTO SHIMBUN NEWS, 12 September 2002 Weekly Pia, 09 September 2002 The Kobe Shimbun, 07 September 2002 MAINICHI Daily News, 06 September 2002 SPA!, 3 September 2002 MAINICHI Daily News, 02 September 2002 Daniel Birnbaum, ‘Master of Ceremony’, Artforum, September 2002, p. 181 Denis Gielen, ‘Le Cycle Cremaster’, DITS, September 2002 Tomo Suzuki, ‘The Cremaster Film Cycle’, So-En, September 2002 Toshio Shimizu, Cut, September 2002 Toshio Shimizu, ‘Ultimate Mathew Barney’, Vogue Japan, September 2002 Daniel Birnbaum, ‘Master of Ceremony’, Artforum, September 2002 ‘Sub-Culture is Super-Culture: SUBCULTURE’, Hanatsubaki, Shiseido, September 2002 Tokyo BROS, September 2002 Htwi, September 2002 Vogue Nippon, September 2002 RyukoTsushin, No.471, September 2002 Hanatsubaki, September 2002 PLUS ING, Autumn 2002 Vladimir Bulat, ‘Barney: pariuri fortate’ Balkon’, Autumn 2002 Martha Schwendener, ‘From Art to Film and Back’, Art Index, Fall 2002 The Asahi Shimbu, 27 August 2002 FIGARO Japon, 20August 2002 Casa BRUTUS, Vol 29. Issue 8, 01 August 2002 Metropolis, 16 August 2002 Weekly Pia, 05August 2002 DAZED & CONFUSED JAPAN, August 2002 High Fashion, August 2002 Studio Voice, August 2002 Bijutsu Techo, Vol. 54, issue 804, August 2002 X-knowledge Home, August 2002 S0-EN, August 2002 Bijutsu Techo. Vol. 54, issue 803, July 2002 Stephen Vincent, ‘The Producers’, Art & Auction, June 2002 ‘Barocka Orgier sa att man Storknar’, Dagens Nyheter, June 2002 Frank Frangenberg, ‘Barney's Cremaster-Zyklus’, Kolner Stadt-Anzeiger, June 2002 Matthiais Weif, ‘Schwitzende Vaseline’, Westphalischer Anzeiger, June 2002 Holger Liebs, ‘Manns Genug’, Suddeutsche Zeitung, June 2002 Daniel Kothenschulte, ‘Wagner Aus Vaseline’, Frankfurter Rundschau, June 2002 Roberta De Righi, ‘Kopfuber in die Unsterblichkeit’, Munchner Abendzeitung, June 2002 Amine Haase, ‘Der Entfesselte Satyr’, Kolner Stadt-Anzeiger, June 2002 ‘Muskelspiel des Lebens’, Suddeutsche Zeitung, June 2002 Ulf Poschardt, ‘Wegbereiter der Evolution’, Welt am Sonntag, June 2002 Sabine Blebmann, ‘Groteske Filmskulpturen’, Ticket, June 2002 Thomas Linden, ‘Wo ein Maurer Morbides treibt’, Kolnische Rundschau, June 2002 ‘Spektakularer Irrsinn’, Ausstellungen des Monats, June 2002 ‘Ausstellungen’, GQ (Gentelman's Quarterly), June 2002 Tom Holert, ‘Schottenrock Aus Menschenfleischer’, Stadtrevue, June 2002 ‘The Cremaster Cycle’, Kultur News, June 2002 Roland Grob, ‘Albtraum-Produzent, Narziss und sterbender Schwan’, Mannheimer Morgen, June 2002 Sigrid Nebelung, ‘Bodykult und Horrotrip’, Handelsblatt, June 2002 Peter Von Kummel, ‘Die Verruckte Suchmaschine’, Suddeutsche Zeitung, June 2002 Dritter Proektteil, ‘Puppenspieler Libet Mutationen’, Saarbrucker Zeitung, June 2002 Marion Leske, ‘Eros und Ekel’, Kunstzeitung, #70, June 2002 Karin Schulze, ‘Der Kunstler als Action-Held’, Financial Times Deutschland, June 2002 Stefanie Stadel, ‘Das Auf Ab Im Hodenmuskel-Spiel’, Die Rheinpflaz, June 2002 Jurgen Schon, ‘Bizarre Visionen’, Aachener Nachrichten, June 2002 Ingeborg Wiensowski, ‘Klettern im Aufzugschacht’, Kultur SPIEGEL, June 2002 Marion Leske, ‘Kraftakt im Museum Ludwig: Matthew Barney's Kunst so viel Aufmerksamkeit erregt’, DIE WELT, June 2002 Ed Halter, ‘Going To Extreme’, Village Voice, 21 May 2002 Tim Griffin, ‘Cremaster 3’, Time Out New York, 16-23 May 2002 John Anderson, ‘Welcome to the Chrysler: Going Up!’, Newsday, 15 May 2002 Nathan Lee, ‘The Apotheosis of the 'Art Film’’, The New York Sun, 15 May 2002 Elizabeth Weltzman, ‘Double Vision’, Daily News, 15 May 2002 Megan Turner, ‘Cremaster-full’, New York Post, 15 May 2002 Scott Foundas, ‘Cremaster 3’, Variety.com, 15 May 2002 Blake Gopnik, ‘The Anti-Modern Film: Stopping at Nothing’, Washington Post, 14 May 2002 Rebecca Mead, ‘Opening Night, An Art-House Epic’, The New Yorker, 13 May 2002 Peter Plagens, ‘Films Extreme Art House’, Newsweek, 13 May 2002 Ed Gonzalez, ‘Cremaster 3’, Slant Magazine, 13 May 2002 ‘Cremaster 3’, Newyorkmetro.com, 13 May 2002 Dave Kehr, ‘'Cremaster' Is a Wrap’, NY Times, Friday, 10 May 2002 Megan Turner, ‘Visually Stunning Oddity’, NYPost, 01 May 2002 Neville Wakefield, ‘The Passenger’, Frieze, Issue 67, May 2002 ‘Mit Horror in die Hochsaison’, Der Spiegel, May 2002 Jordan Mejias, ‘Kletterpartie in den Weltuntergang’, Feuilleton, May 2002 ‘Ludwig’, Stern extra, May 2002 ‘Der Korper-Mythen-Inszenator’, Dbmobil, May 2002 Stephen Holden, ‘Racing Dead Horses. Dental Torture. The Usual’, The New York Times, May 2002 David Rimanelli, ‘Matthew Barney: The CREMASTER Cycle at Museum Ludwig, Cologne’, Artforum, May 2002, p.64-65 Ute Von Thon, ‘Der Alptraum-Fabrikant’, Art das Kunstmagazin, May 2002, p.62-71 ‘Narziss am Abgrund’, Focus, May 2002 Peter Richter, ‘Hoden runter!’, Frankfurter Allgemeine Sonntagszeitung, May 2002 ‘Barocke Exzesse oder der Ennui des Informations Zeitalters?’, Apart, May 2002 ‘Matthew Barney: The Cremaster Cycle’, Flash Art, March-April 2002 Shari Roman, ‘The Genius of the System’, Filmmaker, Vol. 10, #3, Spring 2002 Chunichi Shimbun, 09 March 2002 The Asahi Shimbun, 09 March 2002 Verena Lueken, ‘Kartenhaus’, Frankfurter Allgemeine Zeitung, February 2002 ‘Cremaster 3’, The Rake, 01 January 2002 Madelynn Amalfitano, ‘Matthew Barney’, SOMA, December /January 2002, Vol.15.10, p.16 Anke Manigold, ‘Deutschland-Premiere Fur Einen Super-star aus New York’, Kunst- Kultur Magazin, 2002 Maria Gadegaard, ‘Gender Displacement: A queer-theoretical reading of Matthew Barney’s “Cremaster 4”, Journal, 2002 Uta Grosenick and Burkhard Riemschneider, ‘Art Now: 137 Artists at the Rise of the New Millennium’, The Art Newspaper, 2002 David Frankel, ‘Engine’, 2wice, Vol. 5 No. 2, p.38-45, 2000 Tokyo Walker, No. 18, 2002 Chiba Walker, No. 18, 2002 Yokohama Walker, No. 18, 2002 Chou Chou, No. 19, 2002 ‘Tickets fur Film-Epos’, Kolner Stadtanzeiger, 2002 ‘Matthew Barney: The Cremaster Cycle’, Kollefornia nr. 63, 2002 |
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2001 |
Jonathan Keats, ‘Shelf Life’, Art&Auction, December 2001, p. 115 Jan-Willem Poels, ‘Master, Let Me Enter’, Frame, November – December 2001, p.78-85 Celestine Bohlen, ‘The Guggenheim's Scaled-Back Ambition’, NY Times, 20 November 2001 Celestine Bohlen, ‘Suffering After Attack, Guggenheim Announces Plans for Layoffs’, New York Times, 09 November 2001 Marjory Jacobson, ‘Art in Transition: At the Threshold of the New Media’, ARCO, October 2001, p.61 Niru Ratnam, ‘Please Let it All Mean Something’, The Face, October 2001 Nico Israel, ‘Public Offerings’, Artforum, September 2001 Aidan Dunne, ‘Glen Dimplex Award Goes to US Artist for Muscular Films’, The Irish Times, 26 May 2001 Aidan Dunne, ‘Nominees for the Glen Dimplex Award are a Typical Mix of the Well and not so Well Known’, The Irish Times, 24 May 2001 The Event Guide, ‘Happy Birthday, IMMA!’, 16-29 May 2001 Jane Tynan, ‘The Lovable Matthew Barney’, The Irish Times, 16 May 2001 Suzanne Muchnic, ‘Ascent of the Early Risers’, Los Angeles Times Sunday Calendar, 01 April 2001 Mic Moroney, ‘Who will win the Glen Dimplex’, iVenus.com, 05 January 2001 Sarah Douglas, ‘Contemporary Art Exhibitions in 2001’, The Art Newspaper, January 2001 Ulf Poschardt, ‘Blows to the ‘Menschenpark’, Kunste Werke Yearbook, 2001 Arthur C. Danto, ‘L’Idee de-Chef-D’Ouevre dans L’Art Contemporain’, Art et Artistes, 2001 |
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2000 |
Erika Biddle, ‘Book Report’, artnet.com, 19 December 2000 ‘Barbara Gladstone:3’, The New York Observer, 18 December 2000 Glen Dimplex, ‘shortlist, despite everything’, Circa.com, 14 December 2000 Aidan Dunne, ‘Four Artists on Glen Dimplex List’, The Irish Times, 14 December 2000 Ray Johnson, ‘Matthew Barney, Jennifer Pastor, Charles Ray’, The New York Times, 08 December 2000 Daniel Birnbaum, ‘top 10’, Artforum, December 2000 Helmut Ploeebst, ‘The Artist As Film-Maker as Choreographer’, Ballet Tanz Aktuell, December 2000 |