Matthew Barney

Pamela Franks, Elisabeth Hodermarsky, Andre Lepecki, Gifford Pinchot, Molly Nesbit, Arthur Middleon, Jannifer Raab, John Rember, Matthew Barney, Redoubt. (London: Yale University Press, 2019)

Okwui Enwezor, Homi K. Bhabha, Matthew Barney: River of Fundament (New York: Skira Rizzoli, 2014)

Isabelle Dervaux, Roni Horn, Klauss Kertes, Adam Phillips, Matthew Barney: Subliming Vessel: The Drawings of Matthew Barney (Paris: Bilbiotheque Nationale de France; New York: Skira Rizzoli, 2013)

Matthew Barney: DJED (New York: Playbill; Gladstone Gallery, 2011)

Neville Wakefield, Isabel Friedli (ed.), Matthew Barney: Prayer Sheet with the Wound and the Nail (Basel: Schaulager Laurenz Foundation, 2010)

Matthew Barney, Matthew Barney: DRAWING RESTRAINT Volume 6 (Basel: Schaulager Laurenz Foundation, 2010)

Alberta Barbera, Olga Gambari, Guido Curto, Matthew Barney: Contemporary Mythologies (Torino: Fondazione Merz; Hopefulmonster Editore, 2009)

Neville Wakefield, Matthew Barney: DRAWING RESTRAINT Volume 5 (Cologne: Bucchandlung Walther Koenig, 2008)

Matthew Barney and Jerry Kelly, Matthew Barney: DRAWING RESTRAINT Volume 4 (New York: JMc & GHB Editions, 2007)

Brandon Stosuy and Domenika Szope, Matthew Barney: Sammlung Goetz (Munich:Sammlung Goetz, 2007)

Matthew Barney: DRAWING RESTRAINT Volume 3 (Seoul: Leeum, Samsung Museum of Art, 2006)

Itsuku Hasegawa, Matthew Barney: DRAWING RESTRAINT Volume 2 (Tokyo: Uplink Co., 2006)

Hans Ulrich Obrist, Matthew Barney: DRAWING RESTRAINT Volume 1 (Cologne: Bucchandlung Walther Koenig, 2006)

Matthew Barney: The Cremaster Cycle (Oslo: Astrup Fearnley Museet fur Moderne Kunst, 2003)

Nancy Spector and Neville Wakefield, Mathew Barney: The Cremaster Cycle (New York: Harry N. Abrams (now Abrams Books); Bilbao: Guggenheim Museum Publications, 2002)

Mathew Barney/ The Cremaster Cycle (Dublin: Meeting House Square; Temple Bar, 2002) 

Edward Weisberger, Matthew Barney: CREMASTER 3 (Bilbao: Guggenheim Museum Publications, 2002)

Richard Flood and Matthew Barney, Matthew Barney: CREMASTER 2 (Minneapolis MN: Walker Art Center, 1999)

Matthew Barney and Tony Morgan, Matthew Barney: CREMASTER 5 (Frankfurt: Portikus; New York:  Barbara Gladstone Gallery (now: Gladstone Gallery), 1997)

Matthew Barney, Tony Morgan, Lalena Fisher, Matthew Barney: CREMASTER 1 (Wien: Kunsthalle Wien; Basel: Museum für Gegenwartskunst Basel, 1997)

Klaus Kertess, Mattthew Barney: DRAWING RESTRAINT Volume 7 (Ostfildern: Hatje Cantz Verlag, 1996)

Neville Wakefield and Richard Flood, Matthew Barney: Pace Car for the Hubris Pill (Rotterdam: Museum Boymans-van Beuningen, 1996)

Matthew Barney, Matthew Barney: CREMASTER 4 (Paris: Fondation Cartier, Paris; New York: Barbara Gladstone Gallery (now: Gladstone Gallery), 1995)

Klaus Kertess, Matthew Barney: DRAWING RESTRAINT (Ostfildern: Hatje Cantz Verlag, 1995)

2021

Alan Licht, Common Tones (New York (NY): Blank Form Editions, 2021)

2019

Rachel Thomas and Yuko Hasegawa, Desire A Revision from the 20^th Century to the Digital Age (Dublin: Irish Museum of Modern Art, 2019)

2013

Hans Ulrich Obrist, Matthew Barney: The Conversation Series: Volume 27 (Cologne: Bucchandlung Walther Koenig, 2013)

2011

Michael Petry, The Art of Not Making (London: Thames & Hudson, 2011)

2010

Michael Spens, Studio International: Yearbook Special, Issue 2007, Vol. 206, No. 1029 (New York: The Studio Trust, 2010)

Angus Cook, Matthew Barney, Elizabeth Peyton: Blood of Two, 16 June 2009 (Athens: DESTE Foundation for Contemporary Art, 2010)

2009

Charlotte Bonham-Carter and David Hodge, The Contemporary Art Book (London: Goodman, 2009)

Hans Werner Holzwarth (ed.), ‘100’, Contemporary Artists (New York: Taschen, 2009)

2007

Gunna B. Kyaran (et al.), Not all is Visible, (Oslo: Astrup Fearnley Museet fur Moderne Kunst, 2007)

Maria De Corral and John R. Lane, Fast Forward: Contemporary Collections for the Dallas Museum of Art (London: Yale University Press, 2007)

Jason Schmidt(ed.), Artists II (Paris: Edition 7L, 2007)

Nancy Spector and Mark Taylor, Matthew Barney & Joseph Beuys: All in the Present Must Be Transformed (Bilbao:Guggenheim Museum Publications, 2007)

Esquiador en el fondo de un pozo (Ecatepec de Morelos: La Fondacion Jumex, 2006)

Henry Rogers and Aaron Williamson (eds.), Art Becomes You (Birmingham: Article Press, 2006)

Francesca Richer and Matthew Rosenzweig, No. 1: First Works by 362 Artists (New York: DAP Distributed Art Publishing, 2006)

The Eighth Square: Gender, Life and Desire in the Arts since 1960 (Ostfildern: Hatje Cantz Verlag, 2006)

Doug Aitken, Broken Screen: 26 Conversations with Doug Aitken (New York: DAP Distributed Art Publishing, 2006)

Laurie Schneider Adams, Exploring the Humanities: Creativity and Culture in the West Vol. 2 (Upper Saddle River NJ: Pearson Prentice Hall, 2006)

Dark Places (Santa Monica CA: Santa Monica Museum of Art, 2006)

Steven Higgins, Still Moving The Film and Media Collections of the Museum of Modern Art (New York: MoMA The Museum of Modern Art, 2006)

Demetrio Paparoni, L’arte contemporanea e il suo metodo (Venice: Grafica Veneta S.p.A di Trebaseleghe, 2005)

Margaret Marsh, Michelle Watts, Craig Malyon (eds.), Art 2: Practise (New York: Oxford University Press, 2005) p. 257

Art Now Vol. 2 (New York: Taschen, 2005)

Les Grand Spectacles: 120 Jahre Kunst und Massenkulture (Salzburg: Museum der Moderne Salzburg, 2005)

L’art du Xxe Siecle: De l’art Moderne a l’art Contemporian 1939- 2002 (Paris: Citadelles and Mazenod, 2005) Alyce Mahon, Eroticism & art (New York: Oxford University Press, 2005)

Christoph Grunenberg and Jonathan Harris (eds.), Summer of Love (London: Liverpool University Press, 2005)

Uberschonheit: About Beauty (Berlin: Haus der Kulturen der Welt, 2005)

Francesco Bonam (ed.), Bidibidobidiboo: Works from the Collezione Sandretto Re Rebaudengo

(Milan: Skira Editore S.p.A, 2005)

Il Bello e le Bestie: Metamorfosi Artifici e ibridi dal Mito all’Immaginario Scientifico (Trento: MARTA Museo di Arte Moderne e Contemporanea di Trento e Rovereto; Milan: Skira Ginevra, 2005)

Fondation Cartier pour l’art contemporain (Paris: Cariter Foundation, 2004)

Jeffrey Deitch (ed.), Monument to No: The Dakis Joannou Collection (Athens: DESTE Foundation for Contemporary Art, 2004)

Mark Coetzee, Not Afraid: Rubell Family Collection (New York: Phaidon Press, 2004)

Ursula Sinnereich, ‘Uber die poetische Hydraulik des Wagenhebers oder wie Matthew Barney’, Alois M. Miller (ed.), Kurt 1: Jahrbuch Der Hochschule Fa1/4r (Basel: Birkhäuser Verlag, 2004)

Luca Beatrice, L’arte in testa. Storia di un’ossessione de Picasso ai giorni nostri (Isernia: MACI, Museo Arte Contemporanea Isernia, 2004)

Rotterdam 33^rd International Film Festival(Rotterdam: Rotterdam Internaitonal Film Festival, 2004)

Margot Lovejoy, Digital Currents: Art in the Electronic Age (New York: Routledge, 2004)

Suzanne Anker and Dorothy Nelkin, The Molecular Gaze: Art in The Genetic Age (New York: Cold Spring Harbor Laboratory Press, 2004)

Video 25 Jahre Videoästhetik (Dusseldorf: Hatje Cantz, 2004)

Heinz Peter Schwerfel, Kinoundkunst: Eine Liebesgeschichte (Cologne: Dumont, 2003)

Saul Anton, Black Box Illuminated (Lund: Propexus, 2003), pp. 9-24

Fast Forward: Media Art Sammlung Goetz (Munich: Kunstverlag Ingvild Goetz, 2003)

Subjective Realities (New York: The Refco Group, 2003)

Helen Molesworth, Image Stream (Columbus OH: Wexner Center for the Arts, 2003)

Himmel & Helvete: Amerikansk og tysk samtidsfotografi (New York: Labyrinth Press Company; Jevnaker: Kistefos Museum, 2003)

Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections (New York: The Solomon R. Guggenheim Foundation, 2003)

Ein / Blicke in Privat / Sammlungen. Zeitgenössische / Fotografie (Essen: Museum Folkwang Essen, 2003)

Linda Weintraub, In the Making: Creative Options for Contemporary Art (New York: DAP Distributed Art Publishing, 2003)

Fabiola Naldi, I'll Be Your Mirror. Travestimenti fotografici (Rome: Castelvecchi, 2003)

Karin Andersen and Roberto Marchesini, Animal Appeal: Uno Studio sul Teriomorfismo (Bologna:Hybris, 2003)

Thomas Boutoux (ed.), Hans Ulrich Obrist Interviews: Volume 1 (Milan: Edizioni Charta, 2003)

Michael Onfray and Adam Biro, Archéologie du Présent: Manifesto pour une esthétique cynique (Paris: Biro Editeur, 2003)

Edward Lucie-Smith, Art Tomorrow (Paris: Editions Pierre Terrail, 2002)

‘Interview between Matthew Barney and Thyrza Nichols’, HAUTNAH (Munich: Goodeve, 2002)

Susan Sollins, Thelma Golden, Lynn Herbert, Robert Storr, Katy Siegel, Art:21, Art for the Twenty First Century (New York: Harry N. Abrams (now Abrams Books), 2002)

Klaus Kertess, Photography Transformed: The Metropolitan Bank & Trust Collection (New York: Harry N. Abrams (now Abrams Books), 2002)

Karen J.Sparks, ‘Redefining Art’, Encyclopedia Britannica: 2002-03 Year in Review (Encyclopedia Britannica, 2002)

Wendy Steiner, The Trouble with Beauty (London: William Heinemann, 2001)

Burkhard Riemschneider and Uta Grosenick, ART NOW (New York: Taschen, 2001)

Wolfgand Schoppman, Die Samlung Olbricht Teil 2, Firtst View (Bremen: Neues Museum Weserburg, Bremen; Essen: Samllung Olbrecht, 2001)

Caoimhin Mac Giolla Léith and Annie Fletcher, The Glen Dimplex Artists Award Exhibition 2001 (Dublin: Irish Museum of Modern Art, 2001)

Deborah Wye and Susan Tallman, Parkett, Colaborations and Editions since 1984 (New York: Parkett, 2001)

Mark Getlein, Living with Art (New York: McGraw-Hill Education, 2001)

Art at Work:  Forty Years of the JP Morgan Chase Collection (New York: The Chase Manhattan Corporation, 2000)

Saul Anton, Fiction or Other Accounts of Photography (Montreal: Dazibao, 2000)

Bice Curiger and Christoph Henrich, Hyper Mental (Zurich: Kunsthaus Zurich, 2000)

Kirk Varnedoe, Paola Antonelli, Joshua Siegel, Art At MoMA Since 1980 (New York: MoMA The Museum of Modern Art, 2000)

Tracey Warr and Amelia Jones, The Artists Body (London: Phaidon Press, 2000)

Robert Storr, Modern Art Despite Modernism (New York: MoMA The Museum of Modern Art, 2000)

Voilà, le monde dans la tête (Paris: Musée d’art moderne de la ville de Paris, June – October 2000)

H. H. Arnason and Marla F. Prather, History of Modern Art (New York: Harry N. Abrams (now Abrams Books), 1998)

Solomon R, Gender Performance In Photography (New York: Solomon R Guggenheim Museum, 1997)

Faustrecht der Freiheit (Gera: Kunstsammlung Gera; Bremen: Neues Museum Weserburg, 1997)

Altered states: American Art in the 90's (St Louis MO: Forum for Contemporary Art, 1997), p.24

Witte de With - Cahier #1 (Rotterdam: Witte de With, Rotterdam, October 1993), colour illus.

Aperto '93 Emergency, XLV Biennale de Venezia (Milan: Giancarlo Politi Editore, May 1993), colour illus., pp. 236-7

Biennial Exhibition (New York:Whitney Museum of American Art, 1993)

Documenta IX: Kassel Vol. 2 (Stuttgart: Edition Cantz; New York: Harry N. Abrams (now: Abrams Books), 1992), pp. 32-35

Documenta IX: Kassel Vol. 1 (Stuttgart: Edition Cantz; New York: Harry N. Abrams (now: Abrams Books), 1992), p. 115