| 1976 |
Born Munich, Germany |
| 1998-99 | Foundation Studies, Chelsea College of Art and Design, London, England |
| 1999-2002 | BA Painting, Chelsea College of Art and Design, London, England |
| 2002-04 |
MA Painting, RCA Royal College of Art, London, England |
|
Lives and works in London, England |
Solo Exhibitions
| 2022 |
Sadie Coles HQ, Kingly Street, London, England |
| 2021 |
Untitled, Jason Haam, Seoul, Korea |
| 2019 |
Fortes D'Aloia & Gabriel, Sao Paulo, Brazil Office Baroque, Brussels, Belgium |
| 2018 | CONDO: Simone Subal Gallery, New York hosting Sadie Coles HQ, London, Simone Subal Gallery, New York NY, USA |
| 2016 |
Sadie Coles HQ, Davies Street, London, England Office Baroque, Brussels, Belgium |
| 2015 | Chicharrón, Casa Maauad, Cuauhtémoc, Mexico |
| 2013 |
Peles Empire, London, England DINGDONG, Galerie Micky Schubert, Berlin, Germany |
| 2012 |
Galleria Il Capricorno, Venice, Italy Sadie Coles HQ, South Audley Street, London, England |
| 2011 |
Office Baroque Gallery, Antwerp, Belgium Chisenhale Gallery, London, England |
| 2010 | Office Baroque Gallery, Antwerp, Belgium |
| 2009 |
Galerie Micky Schubert, Berlin, Germany Sadie Coles HQ, Balfour Mews, London, England |
| 2008 |
The Breeder, Athens, Greece Galleria Il Capricorno, Venice, Italy |
| 2007 |
Grete, erregt, Sadie Coles HQ, Heddon Street, London, England |
| 2006 | Luisa Strina, Sao Paulo, Brazil |
| 2005 | Sadie Coles HQ, Heddon Street, London, England |
Group Exhibitions
| 2021 |
Thanks for the apples, Falmouth Art Gallery, Falmouth, England Means of Escape, Kunsthaus Erfurt, Erfurt, Germany Mixing It Up: Painting Today, Hayward Gallery, London, England Romancing the Surface, Grimm Gallery, Amsterdam, The Netherlands, curated by Loie Hollowell La Boîte-en-Valise, Office Baroque, Antwerp [online] |
| 2019 |
Flora & Fauna, Sadie Coles HQ, Davies Street, London, England |
| 2018 |
Between The Lines, Peles Empire, Berlin, Germany |
| 2017 |
ISelf Collection: The Upset Bucket, Whitechapel Gallery, London, England Lisa Alvarado, Alex Olson, Daniel Sinsel, Mary Mary, Glasgow, Scotland Fleming Faloon, Office Baroque, Brussels, Belgium CAVES off-site: The Substation, Melbourne, Australia Disobedient Bodies: J.W. Anderson at the Hepworth Wakefield, The Hepworth Wakefield, Wakefield, England A Terceira Mão (The Third Hand), Fortes D'Aloia & Gabriel Galeria, Sao Paulo, Brazil Home is not a Place, German Embassy, London, England |
| 2016 | Hallstatt, Fortes D’Aloia & Gabriel Galeria, Sao Paulo, Brazil Anthea Hamilton Reimagines Kettle's Yard, Hepworth Wakefield, Wakefield, England Making & Unmaking: An exhibition curated by Duro Olowu, Camden Arts Centre, London, England British Art Show 8, Inverleith House, Edinburgh, Scotland, touring to: Norwich Castle Museum and Art Gallery, Norwich, England; John Hansard Gallery, Southampton, England Un certain regard, Dürst Britt & Mayhew, The Hague, The Netherlands |
| 2015 | British Art Show 8, Leeds Art Gallery, Leeds, England |
| 2014 |
hands on, Peles Empire, Istanbul, Turkey MIRRORCITY: 23 London Artists, Hayward Gallery, London, England Somewhat Abstract: Selections from the Arts Council Collection, Nottingham Contemporary, Nottingham, England Somos Libres II: Works from the Mario Testino Collection, Pinacoteca Giovanni e Marella Agnelli, Turin, Italy, curated by Neville Wakefield |
| 2013 | Notes on Neo-Camp, Office Baroque, Antwerp, Belgium; Studio Voltaire, London, England |
| 2012 |
Repeat to Fade, Mendes Wood, Sao Paulo, Brazil Construct, Mary Mary, Glasgow, Scotland Phases, Wallspace Gallery, New York NY, USA Glaze, Galerie Chez Valentin, Paris, France Ruby, Gallery Vela, London, England |
| 2011 |
CLOUD,Foxy Production, New York NY, USA The Horizon Behind Us, Kaleidoscope Project Space, Milan, Italy |
| 2010 |
SCREENING, 203-205 Brompton Road, London, England The Concrete Show, Galleria Franco Noero, Turin, Italy Jerwood Contemporary Painters, Jerwood Space, London, England woodman, woodman, spare that tree, Galerie Micky Schubert, Berlin, Germany Matthew Brannon / Mathew Cerletty / David Diao / Daniel Sinsel, Office Baroque Gallery, Antwerp, Belgium |
| 2009 |
Compass in Hand: Selections from the Judith Rothschild Foundation Collection of Contemporary Drawing, MoMA Museum of Modern Art, New York NY, USA Nus, Nudes, Galeria Fortes Vilaça, Sao Paulo, Brazil |
| 2007 | All Tomorrow’s Pictures, ICA Institute of Contemporary Arts, London, England Secret Flix, Neue Alte Brücke, Frankfurt, Germany |
| 2006 |
Beck’s Futures 2006, ICA Institute of Contemporary Arts, London, England I Codici della Pittura (Painting Codes), Galleria Comunale d’Arte Contemporanea di Monfalcone, Monfalcone, Italy |
| 2005 |
London in Zürich, Hauser & Wirth, Zurich, Switzerland Think & Wonder, Wonder & Think at the Museum of Childhood, London, England |
| 2004 |
Year Zero, Northern Gallery for Contemporary Art, Sunderland, England Now Is a Good Time, Andrea Rosen Gallery, New York NY, USA |
| 2003 |
Exploring Landscape: Eight Views from Britain, Andrea Rosen Gallery, New York NY, USA Dirty Pictures, The Approach, London, England Strange Messengers, The Breeder, Athens, Greece |
| 2002 | Bloomberg New Contemporaries, Barbican Art Centre, London, and Static, Liverpool Biennial, Liverpool, England |
Public Collections
|
Arts Council Collection, London, England MoMA Museum of Modern Art, New York NY, USA Tate Collection, London, England |
Residencies and Awards
| 2019 | Wilhelmina Barns-Graham Trust and Arts Council England residency at Porthmeor Studios, St Ives, England |
| 2015 |
Casa Maauad, Cuauhtémoc, Mexico Abbey Fellow in Painting, British School at Rome, Rome, Italy |
| 2001 |
Centre for Contemporary Arts, Prague, Czech Republic |