Richard Prince

Richard Prince, The Entertainers 1982-1983 (New York (NY): Fulton Ryder, 2023)

Laura Lord, Sam Will and Rose Eastwood (eds.), Richard Prince: Everyday (London: Sadie Coles HQ, 2023) (exh. cat.)

Richard Prince, Christophe Daviet-Thery, and Jérôme Saint-Loubert Bié (eds.), Bibliotheque d’un Amateur: Richard Prince’s Publications (Geneva: Viaindustriae Publishing; Éditions Centre de la Photographie Genève; Paris: Christophe Daviet-Thery, 2022)

Richard Prince: Same Man (Humblebaek: Louisiana Museum of Modern Art, 2022) (exh. cat.)

Richard Prince: New Paintings (New York (NY): Fulton Ryder, 2022) Richard Prince: Hoods: 1988–2013 (New York (NY): Fulton Ryder, 2022)

Richard Prince: Just My Luck (New York (NY): Nahmad Contemporary, 2022)

Richard Prince: Gangs (New York (NY): Gladstone Gallery, 2021) (exh. cat.)

Richard Prince: Family Tweets (New York (NY): Fulton Ryder, 2021) (exh. cat.)

Richard Prince: Cartoon Jokes (New York (NY): Nahmad Contemporary, 2021) (exh. cat.)

Richard Prince, Saim Demircan, and Cooke Maroney, Richard Prince: Blasting Mats (New York (NY): Gladstone Gallery, 2021) (exh. cat.)

Robert M. Rubin, Richard Prince: Cowboy (New York (NY): Fulton Ryder; Munich: Prestel, 2020)

Richard Prince: Respect (New York (NY): Fulton Ryder, 2020)

Rachel Kushner, Richard Prince: High Times (New York (NY): Gagosian, 2018) (exh. cat.)

Richard Prince: Free Love (London: Sadie Coles HQ, 2018) (exh. cat.)

Richard Prince: 90 Jokes (New York (NY): Fulton Ryder, 2017)

Richard Prince: 136 Nurses (New York (NY): Karma, 2017)

Richard Prince: Super Group (Berlin: Galerie Max Hetzler; Paris: Holzwarth, 2017)

Richard Prince: New Cowboys (New York (NY): Karma, 2017)

Richard Prince: New Portraits (Los Angeles (CA): Blum & Poe, 2016) (exh. cat.)

Richard Prince: Cowboy (New York (NY):Gladstone Gallery 2016) (exh. cat.)

Richard Prince and Roe Ethridge, Special Guest (New York (NY): Karma, 2015)

Richard Prince: Fashion (New York (NY): Nahmad Contemporary, 2015) (exh. cat.)

Richard Prince: The Figures (New York (NY): Luxembourg + Co., 2015)(exh. cat.)

Richard Prince: Monochromatic Jokes (New York (NY): Nahmad Contemporary, 2014)

Richard Prince: New Portraits (New York (NY): Gagosian, 2014) (exh. cat.)

Yilmaz Dziewio (ed.), Richard Prince: It´s a free concert (Bregenz: Kunsthaus Bregenz, 2014) (exh. cat.)

Richard Prince: Protest Paintings (New York (NY): Skarstedt, 2014)

Richard Prince, Kaliflower (New York (NY): Fulton Ryder, 2014)

Jeff Rian, Richard Prince: New Figures (Paris: Almine Rech Editions, 2014) (exh. cat.)

Richard Prince: Untitled (Band) (Milan: Le Case d'Arte, 2014) (exh. cat.)

Richard Prince: Magic Castle (Dijon: Les Presses Du Reel, 2013) (exh. cat.)

Richard Prince: John Duke (New York (NY): Fulton Ryder, 2013)

Richard Prince: Cowboys (Los Angeles (CA): Gagosian, 2013)

Richard Prince: White Paintings (New York (NY): Skarstedt Gallery, 2012) (exh. cat.)

Richard Prince: 14 Paintings (New York (NY): 303 Gallery, 2012) (exh. cat.)

Jose Lebrero Stals and Richard Prince, Prince/Picasso (Malaga: Museo Picasso Malaga, 2012) (exh. cat.)

John Mcwhinnie and Richard Prince, The Fug (Brussels: Almine Rech Gallery Editions, 2011) (exh. cat.)

Richard Prince: Covering Pollack (New York (NY): Fulton Ryder, 2011)

Kristine McKenna (ed.), Richard Prince: Collected Writings (New York (NY) / Los Angeles (CA): Foggy Notion Books, 2011)

Robert Rubin (ed.), Richard Prince: American Prayer (New York (NY): Rizzoli; Gagosian, 2011)

Richard Prince: De Kooning (New York (NY): Gagosian, 2011) (exh. cat.)

Jeanne Greenberg Rohatyn, T-Shirt Paintings: Hippie Punk (Geneva: JRP Ringier, 2011) (exh. cat.)

Kristine McKenna (ed.), She: Works by Wallace Berman & Richard Prince (Los Angeles (CA): Michael Kohn Gallery, 2009) (exh. cat.)

Richard Prince: Bettie Kline (New York (NY): Gagosian, 2009) (exh. cat.)

Kathryn Rattee, Melissa Larner and Sam Phillips (ed.), Richard Prince, America Goes to War… Swimming in the Afternoon (London: Serpentine Gallery; Koenig Books, 2008) (exh. cat.)

Richard Prince, 3rd Place: A Children's Colouring Book (London: Serpentine Gallery, Koenig Books, 2008) (exh. cat.)

Gunnar B. Kvaran and Hanne Beate Ueland (eds.), Richard Prince: Canaries In The Coal Mine (Oslo: Astrup Museum of Modern Art, 2006) (exh. cat.)

Lynn Valley: Richard Prince (Vancouver (BC): Presentation House Gallery; Toronto (ON): Bywater Bros. Editions, 2006)

Richard Prince: Naked Nurses (New York (NY): JMc & GHB Editions, 2006)

Michael Newman, Richard Prince: Untitled (Couple) (London: Afterall Books, 2006)

Lorraine Wild (ed.), Richard Prince: Hippy Drawings (London: Sadie Coles HQ, 2005) (exh. cat.)

Richard Prince: Second House (New York (NY): Gladstone Gallery, 2005) (exh. cat.)

Richard Prince: Check Paintings (Los Angeles (LA): Gagosian, 2005) (exh. cat.)

Richard Prince (Munich: Sammlung Goetz, 2004) (exh. cat.)

Richard Prince: Women (Ostfildern: Hatje Cantz Verlag, 2004) (exh. cat.)

Richard Prince: Man (Zürich: JRP | Ringier Kunstverlag AG, 2004) (exh. cat.)

Mark Coetzee, American Dream: Collecting Richard Prince for 27 Years (Miami (FL): Rubell Family Collection, 2004) (exh. cat.)

Richard Prince: American English (London: Sadie Coles HQ; Cologne: Walther Koenig, 2003) (exh. cat.)

Richard Prince and John McWhinnie, Good Life (East Hampton (NY): Glen Horowitz Booksellers, 2003)

Richard Prince, Tama Janowitz and Harriet Quick, Richard Prince: Publicities Publicities / Hydra Workshop 2003 (London: Sadie Coles HQ, 2003)

Richard Prince, Rosetta Brooks, Jeff Rian, Luc Sante, Sheila Nicolls, Richard Prince (New York (NY): Phaidon, 2003)

Richard Prince: Nurse Paintings (New York (NY): Barbara Gladstone Gallery, 2003) (exh. cat.)

Richard Prince: It’s A Free Concert from Now On (New York (NY): Barbara Gladstone Gallery, 2002) (exh. cat.)

Bernard Mendes Bürgi (ed.), Richard Prince: Paintings, Richard Prince Photographs (Basel: Hatje Cantz and Museum für Gegenwartskunst; Zurich: Kunsthalle Zurich; Wolfsburg: Kunstmuseum Wolfsburg, 2002)

Glenn O'Brien, Human Nature (dub version) (Los Angeles (CA): Grey Bull Press, 2001)

Richard Prince: Early Photographs 1977-1979 (New York (NY): Skarstedt Gallery, 2001) (exh. cat.)

Richard Prince: Girlfriends (Rotterdam: Boymans-van Beuningen, 1993) (exh. cat.)

Richard Prince: Spiritual America (Artist's book/cat.) (IVAM, Valencia, Spain and Aperture Books, New York (NY), 1989)

Richard Prince: Inside World (New York (NY): Kent Fine Art and Thea Westreich, 1988)

Richard Prince (New York (NY): Barbara Gladstone Gallery, 1988) (artist book)

Richard Prince (Grenoble: Magasin – Centre national d’art contemporain, 1988)

René Lüchinger, Ringen um Ringier: über die kunst der digitalisierung in einem schweizer medienkonzern (Göttingen: Steidl, 2019)

Richard Prince and Zach Sebastian, They Started it… and We’ll Finish It (Zurich: Innen, 2018)

Jack Bankowsky, Annabellle Gorgen, Catherine Wood, Daniel Koep, Scott Rothkopf, Nicholas Cullinan, and Allison M. Gingeras, Poplife (London: Tate Publishing, 2010)

Hans Werner Holzwarth (ed.), 100 ‘Contemporary Artists’ (Munich: Taschen, 2009)

Cranford Collection 01 (Guernsey: Cranford Collection, 2008)

Mary-Kay Lombino, Excerpt: Selections from the Jeanne Greenberg Rohatyn Collection (Poughskeepie (NY): The Frances Lehman Loeb Art Center, 2008)

Francesco Bonami, Arte Contemporanea - Volume 6. Duemila (Milan: La Biblioteca di Repubblica- l’Espresso / Electa, 2008)

Francesco Bonami (ed.), God & Goods: Spirituality and Mass Confusion (Codroipo: Villa Manin Centro d’Arte Contemporanea, 2008)

Silke Hohmann, Stations: 100 Meisterwerke Zeitgenössischer Kunst (Cologne: Dumont Buchverlag, 2008)

Beatrix Ruf, Blasted Allegories: Works from the Ringier Collection (Zurich: JRP Ringier, 2008)

Franz West, Soufflé - eine Massenausstellung (Innsbruck: Kunstraum, 2007)

In the Darkest Hour There May Be Light: Works From Damien Hirst’s Murderme Collection (London: Serpentine Gallery; Other Criteria, 2006)

David Hopkins, Dada’s Boys (Edinburgh: The Fruitmarket Gallery, 2006)

Superstars: From Warhol to Madonna (Vienna: Kunsthalle Wien; BA-CA Kunstforum and Hatje Cantz, 2005)

Francesco Bonami (ed.), Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo (Milan: Skira Editore S.p.A, 2005)

Nir Hod, Forever: Tel Aviv Museum of Art (Tel Aviv: Tel Aviv Museum of Art, 2005)

Visionaire 46: Uncensored by Mario Testino (New York (NY): Visionaire Publishing, 2005)

Jeffrey Deitch (ed.), Monument to Now, the Dakis Joannou Collection (Athens: Deste Collection of Art, 2004)

Central Station: la collection Harold Falckenberg (Paris: La Maison Rouge; Fage Editions, 2004)

100 Artists See God (New York (NY): Independent Curators International, 2004)

Skulptur. Prekarer Realismus zwischen Melancholie und Komik (Vienna: Kunstalle Wien, 2004)

Playlist (Paris: Palais de Tokyo, 2004)

Mark Coetzee, Not Afraid: Rubell Family Collection (New York (NY): Phaidon Press, 2004)

Likeness:  Portraits of Artists by Other Artists (San Francisco (CA): CCA Wattis Institute for Contemporary Arts, 2004)

Whitney Biennial (New York (NY): Whitney Museum of American Art; Harry N. Abrams Inc, 2004)

Friedrich Christian Flick Collection (Hamburg: Hamburger Bahnhof, 2004)

Michael Juul Holm, I Hate You – The Falckenberg Collection Meets Louisiana (Humblæk: Louisiana Museum of Modern Art, 2004)

Laurence Dreyfus, Central Station: La collection Harald Falckenberg (Lyon: Fage Editions, 2004)

Journey to Now: John Kaldor Art Projects and Collection (Adelaide: Art Gallery of South Australia, 2003)

Douglas Fogle, The Last Picture Show: Artists Using Photography 1960-1982 (New York (NY): New York Distributed Art Publishers, 2003)

Only Skin Deep: Changing Visions of the American Self (New York (NY): Harry N. Abrams Inc, 2003)

Ferdinand Protzman, Landscape:  Photographs of Times and Place (Washington (DC): National Geographic Society, 2003)

Francesco Bonami and Raf Simons (ed.), The Fourth Sex: Adolescent Extremes (Milan: Edizioni Charta, 2003)

Subjective Realities (New York (NY); Chicago (IL): The Refco Group, Ltd., 2003)

Himmel & Helvete: Amerikanskog tysk samtidsfotografi. Kistefos Museet (Oslo: Labyrinth Press, 2003)

Ariane Grigotei and Friedhelm Hütte (eds.), Man in the Middle (Berlin: Sammlung Deutsche Bank, 2002)

Philip Ursprung (ed.), Herzog & De Meuron, Natural History (Baden: Lars Müller Publishers, 2002)

Chic Clicks (Boston (MA): Institute of Contemporary Art, 2002)

Klaus Kertess, Photography Transformed: The Metropolitan Bank & Trust Collection (New York (NY): Harry N. Abrams Inc, 2002)

Burkhard Riemschneider and Uta Grosenick, Art Now (Cologne: Taschen, 2001)

Gabrielle Mackert, Joshua Dector, Robert Riley and Justin Hoffman, Televisions (Vienna: Kunsthalle Wien, 2001)

Burkhard Riemschneider and Uta Grosenick, ART NOW (Cologne: Taschen, 2001)

Harry Philbruck and Lawrence Russ, Art at the Edge of the Law (Ridgefield (CT): The Aldrich Museum of Contemporary Art, 2001)

Deborah Wye and Susan Tallman, Parkett, Colaborations and Editions since 1984 (Zurich / New York (NY): Parkett Publishers, 2001)

Nicola Leonardi and Agora Editrice, L’altra Metá dello Sguardo (Rome: Cinema Studio, 2001)

Abigail Solomon-Godeau, Jan Zita Grover, Kobena Mercer, Deborah Bright and Carol Squiers, Over Exposed: Essays on Contemporary Photography (Kyoto: Tankosha Publishing Co, 2001)

Louise Neri and Ilaria Bonacossa, Settings and Players: Theatrical Ambiguity in American Photography (London: White Cube, 2001)

Kirk Varnedoe, Paola Antonelli, and Joshua Siegel, Art at MoMA since 1980 (New York (NY): Museum of Modern Art, 2000)
Art at Work: Forty Years of the JP Morgan Chase Collection (New York (NY): The Chase Manhattan Corporation, 2000)
Brenda Jo Bright (ed.), Customized: Art Inspired by Hot Rods, Low Riders and American Car Culture (Boston (MA): The Institute of Contemporary Art, 2000)
Apocalypse, Beauty and Horror in Contemporary Art (London: Royal Academy of Arts, 2000)

Francesco Bonami and Judith Nesbitt, Examining Pictures (London: Whitechapel Art Gallery,1999)

American Playhouse: The Theatre of Self-Presentation (Toronto (ON): The Power Plant, Contemporary Art Gallery at Harbourfront Center, 1998)

Walter F. Ingo, Art of the 20th Century (Cologne: Taschen Verlag, 1998)

Peter Weibel, Pittura / Immedia, Malerei in den 90er Jahren (Graz: Neue Galerie am Landesmuseum Joanneum und Künstlerhaus Graz, 1995)

Gija van Tuyl and Uta Grosenick, Tuning Up (Wolfsburg: Kunstmuseum Wolfsburg, 1994)

Frans Kotterer, Unholy Alliance/NYC 1994 (Rotterdam: Museum Boymans-van Beuningen, 1994)

Chris Bruce and Andt Grundberg, After Art:Selections from the Monsen Collection (Seattle (WA): Henry Art Gallery, 1994)

Franklin Hill Perrell, Image Makers (Roslyn (NY): Nassau County Museum of Art, 1993)

Marcia Tucker, Jan Riley and Elaine A. King, Mettlesome Meddlesome. Selection from the collection of Robert J. Shiffler (Cincinnati (OH): The Contemporary Arts Center, 1993)

Jan Brand, Nicolette Gast and Robert-Jan Muller, The Words and the Images (Utrecht: Centraal Museum, 1991)

Claude Gintz, Art et Publicité (Paris: Centre Georges Pompidou, 1990)

Andy Grundberg, The Crisis of the Real (New York (NY): Aperture Books, 1990)

New Art (New York (NY): Harry N. Abrams, Inc., 1990)

Ann Goldstein, Mary Jane Jacob and Catherine Gudis (eds.), A Forest of Signs: Art in the Crisis of Representation (Los Angeles (CA): MoCA Museum of Contemporary Art, 1989)

Mark Haworth-Booth, Photography Now (London: Dirk Nishen Publishing; V&A Museum, 1989)

Marvin Heiferman, Gary Indiana, Joseph Masheck, Brian Wallis et al., Re-Presenting the '80s (New York (NY): Simon Watson, 1989)

John G. Hanhardt, Marvin Heiferman, and Lisa Phillips, Image World. Art and Media Culture (New York (NY): Whitney Museum of American Art, 1989)

Nelson Brissac Peixoto, America Imagens (Sao Paulo: Companhia das Letras, 1989)

Thomas Crow, David Ross, and Elisabeth Sussman, et al., American Art of the Late 80s, The BiNATIONAL: German Art of the late 80s (Boston (MA): The Institute of Contemporary Art and Museum of Fine Arts; DuMont Buchverlag USA, 1988)

Frederic Jameson, Alice Jardine, David Joselit, Eric Michaud, Abigail Solomon-Godeau, and Elisabeth Sussman, Utopia Post Utopia: Configurations of Nature and Culture in Recent Sculpture and Photography (Boston (MA): ICA Institute of Contemporary Art, 1988)

William Olander, Holzer, Kruger, Prince (Charlotte (NC): Knight Gallery/Spirit Square Art Center, 1984)

Douglas Crimp and Paula Marincola, Image Scavengers: Photography (Philadelphia (PA): ICA Institute of Contemporary Art, 1982)

‘Bomb Dream Enameled’, Bald Ego (New York (NY): Bald Ego Publishing, 2006)

Untitled text, Artists (Paris: Edition 7L, 2006)

‘Bird Talk’, Purple Fashion (Autumn/Winter, 2005)

Introduction, Pam: An American Icon (Munich: Shirmer / Mosel, 2005)

‘The Perfect Tense’, Blasted Allegories (New York (NY): New Museum of Contemporary Art, 1987)

‘The Perfect Joke’, Wien Fluss (Vienna: Wiener Festwochen, 1986) (exh. cat.)

‘The Velvet Beach’, The 6th Biennale of Sydney (Sydney: 1986)

‘Jokes’, Top Stories (New York (NY): #23-24, 1986)

‘The Bela Lugosi Law’, Wild History (New York (NY): Tanam Press, 1985)

‘Da Perche Vado Al Cinema Da Solo’, Postmoderno E Letteratura (Milan: Bompiani, 1984)

‘Why I Go to the Movies Alone’ (New York (NY): Tanam Press, 1983)

War Pictures (New York (NY): Artists Space, 1980)                          Menthol Pictures (New York (NY): CEPA, 1980)