2022

Ryan Mcdonald, ‘The Infinite Series of the Sea: Raymond Pettibon, punk’s most celebrated artist, creates spellbinding works of surfers and waves’, Easy Reader News, 11 November 2022 

Alice Fisher, ‘Punk’s new wave: Raymond Pettibon’s surf paintings – in pictures’, The Guardian, 11 June 2022 

Madeleine Schulz, ‘Raymond Pettibon | 'Point Break' Taps Into The Motif Of The Surfer’, Flaunt, 24 May 2022 

2021

Alexandra Germer, ‘Waste Not, Want Not’, Spike Art Magazine, Sports, No.67, Spring 2021, pp.152- 153 

Rory Mitchell, ‘Advisory Highlights at Art Basel OVR: Pioneers’, Ocula, 23 March 2021

2020

Liz Hirsch, ‘Reviews: HANG TEN’, Art in America, 31 December 2020 

Sozita Goudouna, ‘Raymond Pettibon and The Soft Clay of our Generation’, GlobeNewswire, 14 November 2020 

Raymond Pettibon and The Skateroom Release Skateboard Editions Featuring Surfer-Themed Works, Hypebeast, 18 June 2020 

Caroline Goldstein, ‘The Work Is Alive’: Watch Artists Marcel Dzama and Raymond Pettibon Collaborate on Whimsical Large-Scale Drawings’, ArtNet News, 23 April 2020 ‘Sonic Truth: A Q&A With Raymond Pettibon’, Modern Matter, No. 17, March 2020, pp. 110-121 

2019

‘C’est si bon’, GARAGE, No. 17, October 2019, pp. 50-51 

Rachel Tashjian, ‘Raymond Pettibon on his Recent Work, Dior Collab, and Favorite Baseball Jerseys’, GQ, 26 February 2019 

Emma Elizabeth Davidson, ‘Dior teams up with Sonic Youth collaborator Raymond Pettibon for AW19’, DAZED, 18 January 2019 

2018

‘Los Angeles Underground: Raymond Pettibon’, Purple Los Angeles, September 2018, pp. 100-101 

2017

Wendy Barnes, ‘Raymond Pettibon: A Pen of All Work, The New Museum, New York’, Frog, No. 17, 2017 Fall / Winter 2017–2018, pp. 32–39 

Sergey Guskov, ‘A Conversation with Raymond Pettibon’, Ocula, 27 July 2017 

Robert Storr, ‘Pettibon’s World’, The New York Review of Books, 03 June 2017 

Evan Moffitt, ‘Before the Flood’, Frieze, May 2017 

Andrew Durbin, ‘Raymond Pettibon: New Museum’, Frieze, No. 187, May 2017, pp. 190–191 

Carter Ratcliff, ‘A California Romantic’, Art in America, May 2017, pp. 84–93 

Ben Diamond, ‘Everybody Loves Raymond: Pettibon at the New Museum’, Avenue Magazine, 03 April 2017 

Alan Licht, ‘Raymond Pettibon, New Museum, New York’, Artforum Vol. 55 No. 8, April 2017 

Jonathan Stevenson, ‘Raymond Pettibon: Long May he Buzz’, Two Coats of Paint, 22 March 2017 

Jason Diamond, ‘Living in Raymond Pettibon’s America’, Hyperallergic, 16 March 2017

Eli Diner, ‘Zines in Vitrines: Raymond Pettibon as an Outsider-as-Insider’, Flash Art, No. 313, March – April 2017 

Henri Neuendorf, ‘Taking a Look at Raymond Pettibon’s Potent Art Market’, Artnet News, 18 February 2017 

Peter Schjeldahl, ‘The Enigmatic Art of Raymond Pettibon’, The New Yorker, 13 February 2017 

Glen O‘Brien, ‘Raymond Pettibon: A Pen Of All Work’, Artforum, Vol. 55, No.5, January 2017, p. 88

2016

Eddy Frankel, ‘Raymond Pettibon: Bakersfield to Barstow to Cucamonga to Hollywood’, Time Out, 2016 no. 2389, 19 – 25 July 2016 

Jessica Klingelfuss, ‘California Calling: Raymond Pettibon Embraces Sex, Sports and Surfing’, Wallpaper*, 28 June 2016 

Alex Rayner, ‘Raymond Pettibon Goes Back to the Steam Age’, Phaidon, 23 June 2016 

Shana Nys Dambrot, ‘Book Review: Raymond Pettibon: Homo Americanus: Collected Works’, WhiteHot Magazine, June 2016 

Jack Bankowsky, ‘Painting 2.0: Expression in the Information Age’, Artforum, Summer 2016, p. 384-387 

Antonia Pocock, ‘Marcel Dzama and Raymond Pettibon: David Zwirner’, Art in America, April 2016, pp.112-113 

Lor Dethal, ‘Marcel Dzama and Raymond Pettibon Collaborative Works in Exhibition at David Zwirner’, Widewalls, 08 January 2016 

2014

Leah Singer, ‘I would Coach but I wouldn’t Kill the Umpire’, Apartamento, no. 14, November 2014 

Travis Jeppesen, Artforum, October 2014, p.297 

‘Galleries – Uptown: Raymond Pettibon’, The New Yorker, 12 May 2014, p. 13

2011

‘Exhibitions: Guardian Guide’, Guardian, 12 December 2011 

‘Raymond Pettibon: A Portfolio for ArtForum’, ArtForum, September 2011

2010

Alvin Hall, ‘The Secret Letters’, Zing Magazine, # 22, 2010

2009

‘Exhibitions: Raymond Pettibon’, The Guardian Guide, 12-18 December 2009 

Hardeep Phull, ‘Eternal Youth’, The Saatchi Gallery Magazine Art & Music, Summer 2009 

Ed Schad, ‘Review: Raymond Pettibon Part II: Cutting-Room Floor Show’, Art Review, Issue 30, March 2009

2008

John Quinn, ‘Review: Raymond Pettibon, Berlin’, MAP, Issue 14, Summer 2008 

Mark Beasley, ‘Raymond Pettibon’, frieze, Issue 112, January – February 2008

2007

‘California Dreamin’, Modern Painters, May 2007 

Neal Brown, ‘Boldly Drawn Boy’, The First Post, 12 January 2007 

Joshua Decemberter, ‘Raymond Pettibon, David Zwirner Gallery’, ArtReview, January 2007

2006

Jens Asthoff, ‘Was Kommt, PreView:’, Monopol, December 2006 

Carol Vogel, ‘Gift to the Whitney’, The New York Times, 10 November 2006 

Rob Storr, ‘Dumb and Dumber’, Frieze, November/December 2006 

Frédéric Marchtin- Bernard, ‘La Déferlante Pettibon’, L’Officiel Hommes, Spring/Summer 2006

Shana Nys Dambrot, ‘Ed Rusha/Raymond Pettibon’, Modern Painters, April 2006 

Doug Harvey, ‘I ART the 80s’, LA Weekly, 24 – 30 March 2006 

Damien Sausset, ‘Vivre l’art á L.A.’, connaissance des Arts, March 2006 

Gabriel Coxhead, ‘Crossing the Line’, FTMagazine, March 2006 

Ken Johnson, ‘Raymond Pettibon’, The New York Times, 06 January 2006 

Barbara Pollack, ‘Raymond Pettibon’, ARTNews, January 2006 

Hilarie M. Sheets, ‘The Big Draw’, ARTNews, 2006 

Melissa Lo, ‘Raymond Pettibon’, Contemporary, no. 84 2006

2005

Benjamin Weissman, ‘Dark Silent Type’, Modern Painters, November 2005 

Meghan Dailey, ‘Portfolio: Contemporary Drawings’, Art + Auction, November 2005 

Michael Kimmelman, ‘The Underbelly Artist’, The New York Times, 09 October 2005 

Dan Duane, ‘Drafting Pettibon’, The Surfer’s Journal, Vol. 14, Winter 2005 

Sarah Milroy, ‘A Wallwork in Progress’, Globe and Mail, 01 July 2005 

Ed Templeton, ‘Raymond Pettibon’, ANP Quarterly No. 2, Summer 2005 

Hommes International, Spring / Summer 2005 

Marchcel Krenz, ‘Raymond Pettibon’, Flash Art, March-April 2005 

Brice Tol, ‘Raymond Pettibon is the master of the visual one-liner’, Vogue Paris, Spring/Summer 2005 

Mike Rogers, ‘Raymond Pettibon’, ArtUS, March/April 2005 

Chloe Kinsman, ‘Raymond Pettibon’, Frieze, March 2005 

Brice Tol, ‘Raymond Pettibon, The Master of the Visual One-Liner’, Vogue 2005

2004

Raymond Petibon, ‘Interview’, the Believer, December/January 2004 

Karen Rosenberg, ‘Raymond Pettibon at David Zwirner’, New York Magazine, 13 December 2004 

Erin Aubry Kaplan, ‘Invasion of the Hiperati’, LA Weekly, 01-07 October 2004 

Eleanor Heartney, ‘The Well-Tempered Biennial’, Art in America, June/July 2004 

Sarah S. King, ‘SITE Santa Fe’, Art in America, June/July 2004 

‘The Glittering prizes’, The Art Newspaper, No. 148, June 2004 

Pablo Lafuente, ‘What’s happening?’, Art Review, Vol. LIV, June 2004 

Lawrence van Gelder, ‘Raymond Pettibon’, The New York Times, 05 May 

Peter Eleey, ‘Fifth International SITE Santa Fe Biennial’, Frieze, October 2004 

Malik Gaines, ‘2004 Whitney Biennial’, ArtUS, October 2004 

‘Pop After Pop: A Roundtable’, Artforum, October 2004 

Jordan Kantor, ‘Raymond Pettibon’, Artforum, October 2004 

Nicole Scheyerer, ‘Ulysses’, Frieze, Issue 86, October 2004 

Ossian Ward, ‘And the Winner is…’, Art + Auction, October 2004 

Mark Prince, ‘Pop / Art’, Art Monthly, May 2004 

Jeffrey Kastner, ‘Deviation Standard’, Artforum, May 2004 

David Joselit, ‘Apocalypse Not’, Artforum, May 2004

Scott Rothkopf, ‘Subject Matters’, Artforum, May 2004 

Robert L. Pincus, ‘Art House’, the San Diego Union-Tribune, 18 April 2004 

Renato Diez, ‘Alla Biennale de Whitney, Torna la Pittura’, Arte, April 2004 

Susen Freudenheim, ‘Their Own Little MOCA’, Los Angeles Times, 25 March 2004 

Jerry Saltz, ‘The OK Corral’, the Village Voice, 15 March 2004 

Michael Kimmelman, ‘Touching All Bases at the Biennial’, the New York Times, 11 March 2004 

Chloe Kinsman, ‘Raymond Pettibon at Sadie Coles HQ’, tema celeste, 01-02 March 2004 

Paul Young, ‘Money, Power and Picasso’s Bathroom’, V Life, February/March 2004 

Gilda Williams, ‘Raymond Pettibon Sadie Coles HQ’, Art Monthly, February 2004 

Charles Darwent, ‘It’s America, Flaws and All’, The Independent, 11 January 2004 

Rachel Taylor, ‘London: Hauser & Wirth’, Contemporary, No. 63, 2004

2003

Fisun Guner, ‘Raymond Pettibon’, Metro, 18 December 2003 

Jessica Lack, ‘Raymond Pettibon: London’, The Guardian Guide, 13-19 December 2003 

Louise Roug, ‘Book as Art Medium: Here’s a New Chapter’, Los Angeles Times, 31 October 2003 

Holly Myers, ‘Pettibon’s Results Still Seem to Overpower’, Los Angeles Times, 10 October 2003 

Ken Johnson, ‘American Short Stories: Saul Steinberg/Raymond Pettibon’, New York Times, 07 September 2003 

Steven Lemons, ‘The Devil’s Advocates’, LA Weekly, 5-11 September 2003 

Julyie Ryan, ‘Raymond Pettibon: Meyer Kainer’, ARTnews, September 2003 

Ross Garrett, ‘State of the Art’, Surfer Magazine, August 2003 

Suzanne Muchnic, ‘Watch your Step’, ARTnews, Summer 2003 

Cary Levine, ‘Raymond Pettibon at Zwirner & Wirth and David Zwirner’, Art in America, June 2003 

Cristiana Perella, ‘Visioni dark dal sottosuolo americano’, Il Manifesto, 18 March 2003 

Raymond Pettibon, ‘Time Capsule: A Project for Artforum’, Artforum International, March 2003 

Neville Wakefield, ‘The American Dollar Bill’, Another Magazine, Spring/Summer 2003 

Michael Kimmelman, ‘A Poetic Underground-Comic Vision’, the New York Times, 31 January 2003 

Charles Darwent, ‘It’s America, flaws and all’, The Independent on Sunday, 11 January 2003 

Domenick Ammirati, ‘New York, Critics’ Picks: Raymond Pettibon’, Artforum, 2003

2002

Eleanor Heartney, ‘A 600-Hour Documenta’, Art in America, September 2002 

‘Raymond Pettibon’, V Magazine, Issue 19, September/October 2002 

Christopher Knight, ‘All Politics, Little Art’, Los Angeles Times Sunday Calendar, 07 July 2002 

Massimiliano Gioni, ‘Reentering Art, Reentering Politics’, Flash Art, July-September 2002 

Michael Kimmelman, ‘Global Art Show with an Agenda: the Biggest Documenta Ever’, The New York Times, 18 June 2002

2001

Stuart Comer, Untitled, Autumn/Winter, No.26, 2001 

Skye Sherwin, ‘Exhibit D: Raymond Pettibon’, Dazed & Confused, November 2001 

John McEwen, Sunday Telegraph, 14 October 2001

Matthew Dunning, ‘Raymond Pettibon’, Time Out, 03-10 October 2001 

Ayuka Mizoguchi, London Zok, 01 October 2001 

Richard Dorment, ‘Storytellers in the studio’, The Daily Telegraph, 03 October 2001 

Clare Manchester, Art Monthly, October 2001 

Susan Coring, ID, 24 September 2001 

Sandra Smallenburg, ‘Elvis aan het kruis’, NRC Handelsblad, 21 September 2001

The Diary, Legal Week, 27 September 2001 

Anil Bawa, London Student, 21 September 2001 

Morgan Falconer, What’s on in London, 19 September 2001 

Claire Bishop, ‘Too much of good thing’, Evening Standard, 18 September 2001 

Living Abroad Magazine, 17 September 2001 

Peter Chapman, The Independent, 15 September 2001 

This is London, 14 September 2001 

‘Sound and Vision’, Sunday Express, 09 September 2001 

‘America’s foremost contemporary artist’, The News Line, 07 September 2001 

Laura Cumming, ‘Doubles all round’, The Observer Review, 09 September 2001 

Adrian Searle, ‘American Graffiti’, The Guardian, 08 September 2001 

Stephen Mitchell, Evening Standard, 05 September 

Jessica Lack, ‘Review’, The Guide, 01-07 September 2001 

Richard Cork, The Times, 01 September 2001 

Jessica Lack, The Guardian, 01 September 2001 

Neal Brown, ‘A punk’s habit’, Tate, Summer 2001 

Charles Darwent, ‘Art Review, Toba Khedoori/Raymond Pettibon: LA stories’, The Art Quarterly of the National Collections Fund, September 2001 

Dennis Cooper, ‘Between the Lines: An Interview with Raymond Pettibon’, LA Weekly, 18-24 May 2001 

Jim Lewis, ‘Blue Notes’, Frieze UK, Issue 59, May 2001

2000

Bruce Hainley, ‘Raymond Pettibon’, Artforum, November 2000 

Marchtin Herbert, ‘Raymond Pettibon’, Tema Celeste, October-December 2000 

Hilarie Sheets, ‘Baffled, Bewildered and Smitten’, ARTnews, September 2000 

Martin Herbert, ‘Raymond Pettibon’, Time Out, 12-19 July 2000 

Samantha Ellis, ‘Raymond Pettibon’, ES (Going Out), 19 June 2000 

Justin Quirk ‘Raymond Pettibon’ Sleazenation, June 2000 

‘Born to Draw’, BT Magazine, April 2000 

Carmine Iannaccone, ‘Raymond Pettibon’, Art issues, March/April 2000

Hope Urban, ‘Raymond Pettibon: The Thin Black Line’, Juxtapoz, January/February 2000 

Ken Johnson, ‘Raymond Pettibon’, The New York Times, 28 January 2000 

David Larsen, ‘An Interview with Raymond Pettibon’, San Jose Manual of Style, No. 03, 2000

1999

Juan Vincente Aliaga, ‘Hypertronix’, Frieze, November/December 1999 

Robert Pincus, ‘Life Lines’, San Diego Union Tribune, 24 October 1999 

Neil Kendricks, ‘A man of few words has a few choice words to share’, San Diego Union Tribune, 24 October 1999 

Leah Ollman, ‘Connections’, Los Angeles Times, 01 October 1999 

Dennis Cooper, ‘Dead Again’, Bookforum, Autumn 1999 

Grady Turner, ‘Raymond Pettibon’, Bomb, Autumn 1999 

Anne Temkin, ‘Raymond Pettibon’, The Contemporary, Autumn 1999 

Hunter Drohojowska-Philp, ‘A Creative Churning Within’, Los Angeles Times, 26 September 1999 

‘Best Bets: Art’, Los Angeles Times, 23 September 1999 

Paul Young, ‘Picturing Pettibon’, Angeleno, September/October 1999 

Frank-Alexander Hettig, ‘Life/Boat’, Artforum International, September-November 1999 

‘Carolyn in the City’, Allure, June 1999 

Steven Vincent, ‘Impact Players’, Art & Auction, 15 May 1999 

Collin Keefe, ‘Hard Lines’, Philadelphia Weekly, 28 April 1999 

‘Raymond Pettibon’, compiled by Laura Mauk, ‘Horse's Mouth’, Bookforum, Spring 1999 

Jerry Saltz, ‘A Pettibon Primer’, Village Voice, 23 March 1999 

’Raymond Pettibon: Watch’, Der Standard, 19 March 1999 

Howard Halle, ‘Out of Sight’, Time Out, 11-18 March 1999 

‘Self-Portrait by Raymond Pettibon (The Drawing Center)’, The New Yorker, 08 March 1999 

‘Pettibon Retrospective at Drawing Center’, Flash Art, March/April 1999 

Michael Duncan, ‘Pettibon's Talking Pictures’, Art in America, March 1999 

Holland Cotter, ‘Elvis, Vixens and Gumby Converge in Subversive Visual Poetry’, The New York Times, 26 February 1999 

Alex Neel, ‘In your face’, Time Out (New York), 18-25 February 1999 

Roberto Ohrt, ‘Otto Dix, Raymond Pettibon’, Frieze, Issue 44, January/February 1999 

Alexander Bradley, ‘Read This!’ Dutch, Issue #22, 1999

1998

Christopher Knight, ‘A Changing Picture’, Los Angeles Times, 07 October 1998 

Brian Baltin, ‘Raymond Pettibon at Regen Projects’, LA Weekly, 02-08 October 1998 

Phyllis Braff, ‘A Most Appropriate Place to Celebrate the Sea’, The New York Times, October 1998 

Jeff Rian, ‘Sunshine & Noir and L.A. Times’, Flash Art, October 1998 

Claudine Ise, Los Angeles Times, 18 September 1998 

Peter Marchgasak, ‘Art is Not a Four-Letter Word...’ The Chicago Reader, 11 September 1998 

Christine Mehring, ‘Raymond Pettibon’, Art On Paper, September/October 1998 

‘Raymond Pettibon’, Los Angeles Times, 30 August 1998

Christopher Knight, ‘A Show with a Smirk on Its Face’, Los Angeles Times, 09 August 1998 

Gunnar Lutzow, ‘Der Alltag ist nur noch eine groBe Zirkusnummer: Irritierend: Stars und Stripes von 

Stuart Morgan, ‘Andy Warhol and Raymond Pettibon’, Frieze, May 1998 

Ronald Berg, ‘Totenschadel mit Baskenmutze’, Sonnabend, 25 April 1998 

‘Kunst: Alptraum’, Berliner Zeitung, Number 88, 16 April 1998 

Raymond Pettibon’, Sonnabend, 11 April 1998 

Lars Nittve, ‘Kunst in L.A.’, Merian, April 1998 

Christoph Bannat, ‘Heimliches Haus’, Vogue (Germany), April 1998 

Alexander Alberro, ‘Raymond Pettibon’, Artforum, March 1998 

‘Faces to Watch 1999’, Los Angeles Times (calendar), 03 January 1998

Faye Hirsch, ‘Raymond Pettibon’, On Paper, January/February 1998 

Elizabeth Januaryus, ‘Swiss Switch’, Artforum, January 1998 

Pascaline Cuvelier, ‘Tell Me a Story: Narration in Contemporary Painting and Photography’, Artforum, January 1998 

Diedrich Diederichsen, ‘Company Man’, Artforum, January 1998 

Oyvind Fahlstrom, ‘Muuum and the Megaphones’, Zing Magazine, 1998

1997

Holland Cotter, ‘Ideas From the Air, Wrapped in Paper’, New York Times, 19 December 1997 

‘Szene Los Angeles: Raymond Pettibon’, Art das Kunstmagazin, December 1997 

Hakan Nilsson, ‘Art Review: Sunshine and Noir, Louisiana, Humlebaek, DenMark’, Flash Art, November/December 1997 

Simon Sheikh, ‘Art Reviews: Sunshine & Noir’, art/text, November 1997 

Robert Storr, ‘Just Exquisite?: The Art of Richard Tuttle’, Artforum, November 1997 

Peter Schjeldahl, ‘L.A. Influential: Raymond Pettibon’, The Village Voice, Vol.XL11, No.45, 11 November 1997 

Ulrika Kiby, ‘Reviews: Wes Mills, Raymond Pettibon’, Flash Art, October 1997 

Mogens Damgaard, ‘Den iscenesatte by’, Fyns Stiftidende, 07 July 1997 

‘Artist's Project: Raymond Pettibon’, Dazed & Confused, July 1997 

Marchina De Vries, ‘Zwevend hoofd met lege blik’, Het Parool, 06 June 1997 

Lars O Ericsson, ‘Ljus och svarta fran L.A.’, Dagens Nyhoter, 23 May 1997 

‘Konsten och varldsstadens sjal’, Arbetet Nyheterna, 18 May 1997 

Lars Movin, ‘California dreamin'‘, Information, 17 May 1997 

Ineke Schwartz, ‘Westkustkunst zo van de straat’, De Volkskrant, 14 May 1997 

Mark Peeter, ‘Tekeningen’, IVRC Handelsblad, May 1997 

‘LA Artists’, BT, 09 February 1997 

The New York Times, 03 January 1997 

Holland Cotter, ‘Art Review: Raymond Pettibon’, New York Times, 1997 

Christopher Knight, ‘Lots of 'Sunshine, Little Light’, Los Angeles Times, 1997

Kristine McKenna, ‘It Happens Every Two Years’, Los Angeles Times, 1997

1996

Marchtha Schwendener, ‘Catch my drift?’ Time Out (New York), 12-19 December 1996 

Harald Fricke, ‘Nowhere’, Artforum, November 1996 

Sander L Gilman, ‘Judge Dread’, Artforum, November 1996 

Thyrza Nichols Goodeve, ‘Lipschtick Traces: Q. & A.’ Artforum, October 1996 

Thyrza Nichols Goodeve, ‘Raymond Pettibon Reads Henry James’, Parkett, No.47, September 1996 

Boris Groys, ‘The Drawing Rescues Poetry’, Parkett, No. 47, September 1996 

Jim Lewis, ‘A Conversation with Raymond Pettibon’, Parkett, No.47, September 1996 

Ulrich Loock, ‘Raymond Pettibon: Das musikalische Element in meiner Arbeit hat nichts mit Rock- 

Raymond Pettibon, ‘Untitled (Justly felt and brilliantly said)’, edition for Parkett, No.47, September 1996 

Ralph Rugoff, ‘Surfing with Raymond Nobody Rides for Free’, Parkett, No.47, September 1996 

Stefan Romer, ‘Sex & Crime’, Kunstforum, Bd. 134, May-September 1996 

Sean Kennerly, ‘Raymond Pettibon’, Juxtapoz, Summer 1996 

Musik zu Tun’, Kunstforum, Bd. 134, May-September 1996 

Duncan Bock, ‘Pettibon Junection’, Vanity Fair, April 1996 

Brigitte Werneburg, ‘Kunst Macht Mich Nervos’, die Ingeszeitung, 02 February 1996 

Richard Flood, ‘Real Life Rock, Richard Flood's Top Ten’, Artforum, February 1996 

Vincent Katz, Art in America, February 1996 

Marchtha Schwendener, ‘Sampler 2’, Time Out (New York), 31 January – 07 February 1996 

‘Goings on About Town’, The New Yorker, 29 January 1996 

Roberta Smith, ‘Sampler 2’, The New York Times, 26 January 1996 

Roberta Smith, ‘Finding Art in the Artefacts of the Masses’, The New York Times, 1996

1995

Charles Wylie, ‘Raymond Pettibon’, The Saint Louis Art Museum Winter Bulletin, 1995 

Steven Cerio, ‘Raymond Pettibon’, Seconds, Autumn 1995 

Boris Groys, ‘Best & Worst 1995’, Artforum, December 1995 

Howard Halle, ‘Raymond Pettibon’, Time Out (New York), 27 September - 04 October 1995 

Sean Kennerly, ‘Raymond Pettibon’, Juxtapoz, Summer 1995 

Jorg Lau, ‘Ein hermeneutischer Wegelagerer’, die tageszeitung, 28 May 1995 

David Lillington, ‘This Will Hurt Me More Than You’, The Independent 1995 

David Pagel, ‘Raymond Pettibon at Regen Projects’, Los Angeles Times, 21 September 1995 

Katja Reissner, ‘Leeres Blatt-ein Nirwana’, Zitty, 13-26 April 1995 

Rudolf Schmitz, ‘Geschichte von Blut und Tinte: Rettungsanker einer flatternden Psyche: Raymond 

Roberta Smith, ‘Raymond Pettibon’, New York Times, 06 October 1995 

‘Raymond Pettibon / SigMarch Polke’, The New Yorker, 16 October 1995 

Yvonne Volkart, ‘Spotlight: Raymond Pettibon’, Flash Art, Summer 1995 

Elke Von Bruns, ‘Ein Fisch braucht ein Mountainbike’, Die Tageszeitung, 28 May 1995

Rolf Von Spinnler, ‘Gestohlene Kusse’, Die Tageszeitung, 28 May 1995 

Peter Von Unfried, ‘Weltmeister unter Fahrkartenverkaufern’, Die Tageszeitung, 28 May 1995 

Brigitte Werneburg, ‘Vorschlag: Raymond Pettibon bei Contemporary FineArts’, Taz Berlin, 19 April 

Peter Von Herstreuth, ‘Im Bestfall ein Sekundengluck’, Der Tagesspiegel, 01 April 1995 

Pettibon in der Kunsthalle Bern’, Frankfurter Allgemeine Zeiturng, 25 February 1995 

Jost Marchtin Imbach, ‘Du wirst es hier nicht finden: Der amerkanische Zeichner Raymond Pettibon in der Kunsthalle Bern’, Luzerner Neuste Nachrichten, 25 February 1995 

C.Dioda, ‘Welt zeischen Wort und Bild: Ein Amerikaner in Bern Einzelausstellung des Comic-Kunstlers Raymond Pettibon’, Schweizer Illustrierte, 20 February 1995 

Richter Verlag, ‘Zeichnungen von Raymond Pettibon in der Kunsthalle Bern’, Der Murtenbieter, 11 February 1995 

Yvonne Volkart, ‘Kunst: Verzettelung der Welt’, Annabelle, 10 February 1995 

‘Ausstellung Raymond Pettibon’, Urner Zeitung, Zuger Zeitung & Luzerner Zeitung, 10 February 1995 

Niklaus Oberholzer, ‘Zeichnend den Gang der Dinge suchen: Der amerikanische Kunstler Raymond Pettibon in der Kunsthalle Bern’, Nidwaldner Zeitung, Luzerner Zeitung, and Obwaldner Zeitung, 10 February 1995 

‘Durch Poesie den Alltag neu erkennen’, Burgdorfer Tagblatt, 09 February 1995 

Jean-Damien Fleury, ‘L'humeur noir de Pettibon’, La Liberte, 04 February 1995 

Walo von Fellenberg, ‘Poesie als Comics getarnt’, Blick Zurich, 04 February 1995 

Yvonne Volkart, ‘Vavoom’, WOZ, 03 February 1995 

Simon Maurer, ‘Von Schrei, Licht, Surfen und von Gott: Raymond Pettibon in der Kunsthalle Bern’, Tages-Anzeiger, 03 February 1995 

‘Raymond Pettibon’, L'Hebdo Lausanne, 02 February 1995 

Klaus Schadeli, ‘Tone als Klang-Skulpturen’, Berner Zietung, 31 January 1995 

Verio Dante Pini, ‘Raymond Pettibon alla Kunsthalle di Berna’, Dalla Redazione Di Stoccarda E Berna, 29 January 1995 

‘Schau des amerikanischen Alptraums’, Berner Taeglich, 28 January 1995 

Brigitta Niederhauser, “Wenn 'The End' seine finale Bedeutung verliert,” Der Bund, 27 January 1995 

Konrad Tobler, ‘Surfen zu metaphysischen Leerstellen’, Berner Zietung, 27 January 1995 

Ulrich Loock, ‘Raymond Pettibon’, Artis, 1995

1994

Michael Duncan, ‘L.A. Rising’, Art in America, December 1994 

Robert Storr, ‘Mapping’, MoMA Magazine, Fall/Winter 1994 

Rob Perree, ‘De Pretentieloze Plaatjes van Pettibon’, Kunstbeeld, September 1994 

Francesco Poli, ‘Impotenza Creativa’, Il Manifesto, 02 July 1994 

GiuSeptemberpe Misuraca, ’Una Donna al Castello’, Luna Nuova, 24 June 1994 

GiuSeptemberpe Misuraca, ‘I 24 Giovanni Artisti’, Luna Nuova, 24 June 1994

Paolo Levi, ’Le Astrazioni de Carla’, La Reppublica, 24 June 1994 

Roberto Vidali, ‘Ma....Castello’, La Chronica Nord-Est, 11 June 1994 

Luk Lambrecht, ‘de Grafische Bespiegelingen van Raymond Pettibon’, De Morgen, 09 June 1994

Enrico Lunghi, ’Eclatement de la Poesie’, Luxemburger Wort, 27 May 1994 

Angelika Thome, ‘Die Summe der Fragmente’, Tageblatt, 25 May 1994 

Ina Nottrot, ‘Have a Break, Have a Pettibon’, Letzeburger Land, May 1994 

Robert W Duffy, ‘Tears and Smiles: Intimately Linked’, St. Louis Post-Dispatch, 14 April 1994 

Glen Helfand, ‘Sympathy for the Devil’, SF Weekly, 06 April 1994 

James Scarborough, ‘Raymond Pettibon’, Flash Art, March/April 1994 

Helena Papadopoulos, review (Koroneou), Arti, March/April 1994 

Jim Lewis, ‘The Writings on the Wall’, Harper’s Bazaar, March 1994 

Ole Bouman, ‘Soms Begreep hij er Niets van’, De Groene Amsterdammer, 16 February 1994 

Laura Cottingham, ‘Post-'68’, Flash Art, January/February 1994 

Cathy Curtis, ‘Freeing Words From Their Life Sentence’, Orange County Times, 1994 

Henry Rollins, ‘Get in the Van: On the Road with Black Flag’, 1994

1993

David Pagel, ‘The News’, Galleries Magazine, December-January 1993 

David Bonetti, ‘Gallery Watch’, San Francisco Examiner, 03 December 1993 

Sean Kennerly, ‘Bleeding Marchgins’, San Francisco Bay Guardian, 01 December 1993 

Sean Kennerly, ‘Critic’s Choice: Raymond Pettibon’, San Francisco Bay Guardian, 24 November 1993 

‘Warum geht man dahin, wo alle hingehen?’, Berlin-Kultur, 24 October 1993 

Ralph Rugoff, L.A. Weekly, 18-24 November 1993 

David Pagel, ‘A Trip Into the Mind of Raymond Pettibon’, Los Angeles Times, 18 November 1993 

Andrew Renton, Flash Art, October 1993 

‘News of the Print World’, Print Collector’s Newsletter, September/October 1993 

‘Goings on About Town’, The New Yorker, 27 September 1993 

Kim Levin, ‘Listings’, The Village Voice, 21 September 1993 

Roberta Smith, ‘Art in Review’, The New York Times, 17 September 1993 

‘Og Fornemt’, Det fri Aktuelt, 09 September 1993 

‘Mongrel Muse - hvad er det?’, Ekstra Posten Silkeborg, 11 August 1993 

Marchc Weidenbaum, ‘More Pictures + Music’, Pulse!, August 1993 

Stephan Sarrazin, ‘Star Power’, Andere Sinema, July/August 1993 

Jeff Rian, ‘The 1993 Whitney Biennial’, Flash Art, June 1993 

Eric Troncy, ‘Ou sont les Toilettes?’ documents, June 1993 

Liz Kotz, ‘Video Drone’, Artforum, May 1993 

Johanna Hofleitner, Artforum, Summer, 1993 

Scott Cunningham, ‘From Pop Back to Popular’, Poliester, Summer 1993

Eric Troncy, ‘Naakt en Kneedbaar’, Metropolis M, Summer 1993 

Greg Sharpless, ‘Annual Reports With a Fine Arts Edge’, Step-By-Step Graphics, Spring 1993 

‘Art’, The New Yorker, 27 April 1993

Peter Schjeldahl, ‘Missing: The Pleasure Principle’, The Village Voice, 16 March 1993 

Christopher Knight, ‘Crushed by its Good Intentions’, The Los Angeles Times, 10 March 1993 

Richard Flood, ‘Rosebud, Anyone?’, Frieze, March/April 1993 

Gianni Romano, ‘Raymond Pettibon’, Zoom, March/April 1993 

Nancy Princenthal, ‘Artist’s Book Beat’, The Print Collector’s Newsletter, March/April 1993 

Michael Duncan, ‘L.A.: The Dark Side’, Art in America, March 1993 

Stephan Sarrazin, ‘Raymond Pettibon: Le Cowboy Desabuse’, Art Press, February 1993 

Marchissa Fox, ‘Rock Kulture’, 1993

1992

Elke Merkus, ‘Hilft de ‘New Deal’ wirklich weiter?’, Berliner Zeitung, 29 October 1992 

Rhonda Lieberman, ‘Draw the Soul Out’, Artforum, October 1992 

David Deitcher, ‘The Library in Your Good Hands: Raymond Pettibon’, Artforum, October 1992 

Renate Puvogel, ‘Wilhelm Schurmann: Dauer Im Wechsel’, Artis, July/August 1992 

David Pagel, ‘Getty’s ‘Connection’: An Insightful Study’, The Los Angeles Times, 16 July 1992 

Georg Schollhammer, ‘Bilder aus Kalifornien: Eine Lyrik der Verlorenen’, Standard, 13 July 1992 

Kristian Sotriffer, ‘Fromen und zerstoren’, Die Presse, 09 July 1992 

‘Goings on About Town’, The New Yorker, 08 July 1992 

Glen Helfand, ‘Dark Shadows’, SF Weekly, 01 July 1992 

Ulli Moser, ‘Stichwort ‘Vavoom’, Kurier, 28 June 1992 

Markus Wailand, ‘Schusse aus dem Handgelenk’, Falter, 25 June 1992 

Stella Rollig, ‘Heldensagen der Subkulture uber den Amerikanischen Kunstler Raymond Pettibon’, Kunstpresse, June 1992 

Diederichsen, Diederich, ‘Archaologie amerikanischer Anarchismen’, Texte zur Kunst, Spring 1992 

Francesco Bonami, ‘U.S. Pain’, Flash Art, May/June 1992 

Ralph Rugoff, ‘Spotlight’, Flash Art, May/June 1992 

Karinn Krawczik, ‘Platz genug fur Aberwitz’, Kieler Zeitung, 05 May 1992 

Hunter Drohojowska, ‘Going to a-Gogh-Gogh’, The Los Angeles Times, 01 March 1992 

Mike McGonigal, ‘Pettibon With Strings’, Chemical Imbalance, Spring 1992 

Susan Kandel, ‘L.A. in Review’, Arts, April 1992 

Charles Wylie, ‘It's a Touch World Out There: Drawings by Mike Kelley, Zellen, Jody, Raymond Pettibon’, Arts, April 1992 

Hunter Drohojowska, ‘L.A. Raw’, Artnews, April 1992 

Michael Anderson, Art Issues, March/April 1992 

Rainer Metzger, Flash Art, March/April 1992 

Eric Troncy, ‘Punk’s Not Dead’, Documents, March 1992

Amy Gerstler, Artforum, March 1992 

Peter Frank, ‘Art Pick of the Week’, L.A. Weekly, 28 February - 05 March 1992 

Michelle Plochere, ‘A Conversation with Raymond Pettibon’, Artweek, 06 February 1992 

Daniel G Veneciano, ‘Writing on the Wall’, Artweek, 06 February 1992 

Christopher Knight, ‘An Art of Darkness at MOCA’, The Los Angeles Times, 28 January 1992 

Susan Kandel, ‘Banal, Profound, and Absurd’, Los Angeles Times, 24 January 1992 

Hunter Drohojowska, ‘Artists in Search of Teen Spirit’, Parkett, No. 34 1992

1991

Eric Troncy, ‘No Man’s Time’, Flash Art, November/December 1991 

Terry R.Myers, Art Issues, November/December 1991 

Raymond Pettibon, ‘It’s Like History Being Made For Your Very Eyes’, Gazette, 16-17 November 1991 

Kathryn Hixson, ‘New Reviews’, Flash Art, October 1991 

David McCracken, The Chicago Tribune, 27 September 1991 

Charles Hagen, The New York Times, 23 August 1991 

Roberta Smith, ‘Art in Review’, The New York Times, 05 July 1991 

‘Goings on About Town’, The New Yorker, 02 July 1991 

Koether, Jutta, ‘Billy, Mike, Jim, und Ray’, Kolner Illustrierte, July 1991 

Hunter Drohojowska, ‘Drawn to Words’, Los Angeles Times, 16 June 1991 

Mike McGonigal, Spex, May 1991 

Eileen Myles, Art in America, March 1991 

Cathy Curtis, Los Angeles Times, 11 January 1991

1990

Sue Spaid, Art Issues, Summer 1990 

Benjamin Weissman, Artforum, May 1990 

Judith Spiegel, ‘Encounters with a Visionary’, Artweek, 22 March 1990 

Cathy Curtis, ‘The Galleries’, The Los Angeles Times, 09 March 1990 

Ray Zone, Artscene, March 1990 

The Paris Review, (table of contents illustration), no.115, 1990

1989

Joshua Decemberter, ‘New York in Review’, Arts, Summer 1989 

Mrs.Benway, ‘Guston, Warhol, Pettibon’, Spex, May 1989 

Jody Zellen, Art Issues, May 1989

1988

Brian Coley, ‘Dreams Not Sprung From the Bush of Madonna’, Forced Exposure, Winter 1988 

David McCracken, ‘Gallery Scene’, The Chicago Tribune, 24 June 1988

1987

Alan Artner, ‘The Subject is Sex and the Style is Cerebral’, The Chicago Tribune 1987