2022 |
Ryan Mcdonald, ‘The Infinite Series of the Sea: Raymond Pettibon, punk’s most celebrated artist, creates spellbinding works of surfers and waves’, Easy Reader News, 11 November 2022 Alice Fisher, ‘Punk’s new wave: Raymond Pettibon’s surf paintings – in pictures’, The Guardian, 11 June 2022 Madeleine Schulz, ‘Raymond Pettibon | 'Point Break' Taps Into The Motif Of The Surfer’, Flaunt, 24 May 2022 |
2021 |
Alexandra Germer, ‘Waste Not, Want Not’, Spike Art Magazine, Sports, No.67, Spring 2021, pp.152- 153 Rory Mitchell, ‘Advisory Highlights at Art Basel OVR: Pioneers’, Ocula, 23 March 2021 |
2020 |
Liz Hirsch, ‘Reviews: HANG TEN’, Art in America, 31 December 2020 Sozita Goudouna, ‘Raymond Pettibon and The Soft Clay of our Generation’, GlobeNewswire, 14 November 2020 Raymond Pettibon and The Skateroom Release Skateboard Editions Featuring Surfer-Themed Works, Hypebeast, 18 June 2020 Caroline Goldstein, ‘The Work Is Alive’: Watch Artists Marcel Dzama and Raymond Pettibon Collaborate on Whimsical Large-Scale Drawings’, ArtNet News, 23 April 2020 ‘Sonic Truth: A Q&A With Raymond Pettibon’, Modern Matter, No. 17, March 2020, pp. 110-121 |
2019 |
‘C’est si bon’, GARAGE, No. 17, October 2019, pp. 50-51 Rachel Tashjian, ‘Raymond Pettibon on his Recent Work, Dior Collab, and Favorite Baseball Jerseys’, GQ, 26 February 2019 Emma Elizabeth Davidson, ‘Dior teams up with Sonic Youth collaborator Raymond Pettibon for AW19’, DAZED, 18 January 2019 |
2018 |
‘Los Angeles Underground: Raymond Pettibon’, Purple Los Angeles, September 2018, pp. 100-101 |
2017 |
Wendy Barnes, ‘Raymond Pettibon: A Pen of All Work, The New Museum, New York’, Frog, No. 17, 2017 Fall / Winter 2017–2018, pp. 32–39 Sergey Guskov, ‘A Conversation with Raymond Pettibon’, Ocula, 27 July 2017 Robert Storr, ‘Pettibon’s World’, The New York Review of Books, 03 June 2017 Evan Moffitt, ‘Before the Flood’, Frieze, May 2017 Andrew Durbin, ‘Raymond Pettibon: New Museum’, Frieze, No. 187, May 2017, pp. 190–191 Carter Ratcliff, ‘A California Romantic’, Art in America, May 2017, pp. 84–93 Ben Diamond, ‘Everybody Loves Raymond: Pettibon at the New Museum’, Avenue Magazine, 03 April 2017 Alan Licht, ‘Raymond Pettibon, New Museum, New York’, Artforum Vol. 55 No. 8, April 2017 Jonathan Stevenson, ‘Raymond Pettibon: Long May he Buzz’, Two Coats of Paint, 22 March 2017 Jason Diamond, ‘Living in Raymond Pettibon’s America’, Hyperallergic, 16 March 2017 Eli Diner, ‘Zines in Vitrines: Raymond Pettibon as an Outsider-as-Insider’, Flash Art, No. 313, March – April 2017 Henri Neuendorf, ‘Taking a Look at Raymond Pettibon’s Potent Art Market’, Artnet News, 18 February 2017 Peter Schjeldahl, ‘The Enigmatic Art of Raymond Pettibon’, The New Yorker, 13 February 2017 Glen O‘Brien, ‘Raymond Pettibon: A Pen Of All Work’, Artforum, Vol. 55, No.5, January 2017, p. 88 |
2016 |
Eddy Frankel, ‘Raymond Pettibon: Bakersfield to Barstow to Cucamonga to Hollywood’, Time Out, 2016 no. 2389, 19 – 25 July 2016 Jessica Klingelfuss, ‘California Calling: Raymond Pettibon Embraces Sex, Sports and Surfing’, Wallpaper*, 28 June 2016 Alex Rayner, ‘Raymond Pettibon Goes Back to the Steam Age’, Phaidon, 23 June 2016 Shana Nys Dambrot, ‘Book Review: Raymond Pettibon: Homo Americanus: Collected Works’, WhiteHot Magazine, June 2016 Jack Bankowsky, ‘Painting 2.0: Expression in the Information Age’, Artforum, Summer 2016, p. 384-387 Antonia Pocock, ‘Marcel Dzama and Raymond Pettibon: David Zwirner’, Art in America, April 2016, pp.112-113 Lor Dethal, ‘Marcel Dzama and Raymond Pettibon Collaborative Works in Exhibition at David Zwirner’, Widewalls, 08 January 2016 |
2014 |
Leah Singer, ‘I would Coach but I wouldn’t Kill the Umpire’, Apartamento, no. 14, November 2014 Travis Jeppesen, Artforum, October 2014, p.297 ‘Galleries – Uptown: Raymond Pettibon’, The New Yorker, 12 May 2014, p. 13 |
2011 |
‘Exhibitions: Guardian Guide’, Guardian, 12 December 2011 ‘Raymond Pettibon: A Portfolio for ArtForum’, ArtForum, September 2011 |
2010 |
Alvin Hall, ‘The Secret Letters’, Zing Magazine, # 22, 2010 |
2009 |
‘Exhibitions: Raymond Pettibon’, The Guardian Guide, 12-18 December 2009 Hardeep Phull, ‘Eternal Youth’, The Saatchi Gallery Magazine Art & Music, Summer 2009 Ed Schad, ‘Review: Raymond Pettibon Part II: Cutting-Room Floor Show’, Art Review, Issue 30, March 2009 |
2008 |
John Quinn, ‘Review: Raymond Pettibon, Berlin’, MAP, Issue 14, Summer 2008 Mark Beasley, ‘Raymond Pettibon’, frieze, Issue 112, January – February 2008 |
2007 |
‘California Dreamin’, Modern Painters, May 2007 Neal Brown, ‘Boldly Drawn Boy’, The First Post, 12 January 2007 Joshua Decemberter, ‘Raymond Pettibon, David Zwirner Gallery’, ArtReview, January 2007 |
2006 |
Jens Asthoff, ‘Was Kommt, PreView:’, Monopol, December 2006 Carol Vogel, ‘Gift to the Whitney’, The New York Times, 10 November 2006 Rob Storr, ‘Dumb and Dumber’, Frieze, November/December 2006 Frédéric Marchtin- Bernard, ‘La Déferlante Pettibon’, L’Officiel Hommes, Spring/Summer 2006 Shana Nys Dambrot, ‘Ed Rusha/Raymond Pettibon’, Modern Painters, April 2006 Doug Harvey, ‘I ART the 80s’, LA Weekly, 24 – 30 March 2006 Damien Sausset, ‘Vivre l’art á L.A.’, connaissance des Arts, March 2006 Gabriel Coxhead, ‘Crossing the Line’, FTMagazine, March 2006 Ken Johnson, ‘Raymond Pettibon’, The New York Times, 06 January 2006 Barbara Pollack, ‘Raymond Pettibon’, ARTNews, January 2006 Hilarie M. Sheets, ‘The Big Draw’, ARTNews, 2006 Melissa Lo, ‘Raymond Pettibon’, Contemporary, no. 84 2006 |
2005 |
Benjamin Weissman, ‘Dark Silent Type’, Modern Painters, November 2005 Meghan Dailey, ‘Portfolio: Contemporary Drawings’, Art + Auction, November 2005 Michael Kimmelman, ‘The Underbelly Artist’, The New York Times, 09 October 2005 Dan Duane, ‘Drafting Pettibon’, The Surfer’s Journal, Vol. 14, Winter 2005 Sarah Milroy, ‘A Wallwork in Progress’, Globe and Mail, 01 July 2005 Ed Templeton, ‘Raymond Pettibon’, ANP Quarterly No. 2, Summer 2005 Hommes International, Spring / Summer 2005 Marchcel Krenz, ‘Raymond Pettibon’, Flash Art, March-April 2005 Brice Tol, ‘Raymond Pettibon is the master of the visual one-liner’, Vogue Paris, Spring/Summer 2005 Mike Rogers, ‘Raymond Pettibon’, ArtUS, March/April 2005 Chloe Kinsman, ‘Raymond Pettibon’, Frieze, March 2005 Brice Tol, ‘Raymond Pettibon, The Master of the Visual One-Liner’, Vogue 2005 |
2004 |
Raymond Petibon, ‘Interview’, the Believer, December/January 2004 Karen Rosenberg, ‘Raymond Pettibon at David Zwirner’, New York Magazine, 13 December 2004 Erin Aubry Kaplan, ‘Invasion of the Hiperati’, LA Weekly, 01-07 October 2004 Eleanor Heartney, ‘The Well-Tempered Biennial’, Art in America, June/July 2004 Sarah S. King, ‘SITE Santa Fe’, Art in America, June/July 2004 ‘The Glittering prizes’, The Art Newspaper, No. 148, June 2004 Pablo Lafuente, ‘What’s happening?’, Art Review, Vol. LIV, June 2004 Lawrence van Gelder, ‘Raymond Pettibon’, The New York Times, 05 May Peter Eleey, ‘Fifth International SITE Santa Fe Biennial’, Frieze, October 2004 Malik Gaines, ‘2004 Whitney Biennial’, ArtUS, October 2004 ‘Pop After Pop: A Roundtable’, Artforum, October 2004 Jordan Kantor, ‘Raymond Pettibon’, Artforum, October 2004 Nicole Scheyerer, ‘Ulysses’, Frieze, Issue 86, October 2004 Ossian Ward, ‘And the Winner is…’, Art + Auction, October 2004 Mark Prince, ‘Pop / Art’, Art Monthly, May 2004 Jeffrey Kastner, ‘Deviation Standard’, Artforum, May 2004 David Joselit, ‘Apocalypse Not’, Artforum, May 2004 Scott Rothkopf, ‘Subject Matters’, Artforum, May 2004 Robert L. Pincus, ‘Art House’, the San Diego Union-Tribune, 18 April 2004 Renato Diez, ‘Alla Biennale de Whitney, Torna la Pittura’, Arte, April 2004 Susen Freudenheim, ‘Their Own Little MOCA’, Los Angeles Times, 25 March 2004 Jerry Saltz, ‘The OK Corral’, the Village Voice, 15 March 2004 Michael Kimmelman, ‘Touching All Bases at the Biennial’, the New York Times, 11 March 2004 Chloe Kinsman, ‘Raymond Pettibon at Sadie Coles HQ’, tema celeste, 01-02 March 2004 Paul Young, ‘Money, Power and Picasso’s Bathroom’, V Life, February/March 2004 Gilda Williams, ‘Raymond Pettibon Sadie Coles HQ’, Art Monthly, February 2004 Charles Darwent, ‘It’s America, Flaws and All’, The Independent, 11 January 2004 Rachel Taylor, ‘London: Hauser & Wirth’, Contemporary, No. 63, 2004 |
2003 |
Fisun Guner, ‘Raymond Pettibon’, Metro, 18 December 2003 Jessica Lack, ‘Raymond Pettibon: London’, The Guardian Guide, 13-19 December 2003 Louise Roug, ‘Book as Art Medium: Here’s a New Chapter’, Los Angeles Times, 31 October 2003 Holly Myers, ‘Pettibon’s Results Still Seem to Overpower’, Los Angeles Times, 10 October 2003 Ken Johnson, ‘American Short Stories: Saul Steinberg/Raymond Pettibon’, New York Times, 07 September 2003 Steven Lemons, ‘The Devil’s Advocates’, LA Weekly, 5-11 September 2003 Julyie Ryan, ‘Raymond Pettibon: Meyer Kainer’, ARTnews, September 2003 Ross Garrett, ‘State of the Art’, Surfer Magazine, August 2003 Suzanne Muchnic, ‘Watch your Step’, ARTnews, Summer 2003 Cary Levine, ‘Raymond Pettibon at Zwirner & Wirth and David Zwirner’, Art in America, June 2003 Cristiana Perella, ‘Visioni dark dal sottosuolo americano’, Il Manifesto, 18 March 2003 Raymond Pettibon, ‘Time Capsule: A Project for Artforum’, Artforum International, March 2003 Neville Wakefield, ‘The American Dollar Bill’, Another Magazine, Spring/Summer 2003 Michael Kimmelman, ‘A Poetic Underground-Comic Vision’, the New York Times, 31 January 2003 Charles Darwent, ‘It’s America, flaws and all’, The Independent on Sunday, 11 January 2003 Domenick Ammirati, ‘New York, Critics’ Picks: Raymond Pettibon’, Artforum, 2003 |
2002 |
Eleanor Heartney, ‘A 600-Hour Documenta’, Art in America, September 2002 ‘Raymond Pettibon’, V Magazine, Issue 19, September/October 2002 Christopher Knight, ‘All Politics, Little Art’, Los Angeles Times Sunday Calendar, 07 July 2002 Massimiliano Gioni, ‘Reentering Art, Reentering Politics’, Flash Art, July-September 2002 Michael Kimmelman, ‘Global Art Show with an Agenda: the Biggest Documenta Ever’, The New York Times, 18 June 2002 |
2001 |
Stuart Comer, Untitled, Autumn/Winter, No.26, 2001 Skye Sherwin, ‘Exhibit D: Raymond Pettibon’, Dazed & Confused, November 2001 John McEwen, Sunday Telegraph, 14 October 2001 Matthew Dunning, ‘Raymond Pettibon’, Time Out, 03-10 October 2001 Ayuka Mizoguchi, London Zok, 01 October 2001 Richard Dorment, ‘Storytellers in the studio’, The Daily Telegraph, 03 October 2001 Clare Manchester, Art Monthly, October 2001 Susan Coring, ID, 24 September 2001 Sandra Smallenburg, ‘Elvis aan het kruis’, NRC Handelsblad, 21 September 2001 The Diary, Legal Week, 27 September 2001 Anil Bawa, London Student, 21 September 2001 Morgan Falconer, What’s on in London, 19 September 2001 Claire Bishop, ‘Too much of good thing’, Evening Standard, 18 September 2001 Living Abroad Magazine, 17 September 2001 Peter Chapman, The Independent, 15 September 2001 This is London, 14 September 2001 ‘Sound and Vision’, Sunday Express, 09 September 2001 ‘America’s foremost contemporary artist’, The News Line, 07 September 2001 Laura Cumming, ‘Doubles all round’, The Observer Review, 09 September 2001 Adrian Searle, ‘American Graffiti’, The Guardian, 08 September 2001 Stephen Mitchell, Evening Standard, 05 September Jessica Lack, ‘Review’, The Guide, 01-07 September 2001 Richard Cork, The Times, 01 September 2001 Jessica Lack, The Guardian, 01 September 2001 Neal Brown, ‘A punk’s habit’, Tate, Summer 2001 Charles Darwent, ‘Art Review, Toba Khedoori/Raymond Pettibon: LA stories’, The Art Quarterly of the National Collections Fund, September 2001 Dennis Cooper, ‘Between the Lines: An Interview with Raymond Pettibon’, LA Weekly, 18-24 May 2001 Jim Lewis, ‘Blue Notes’, Frieze UK, Issue 59, May 2001 |
2000 |
Bruce Hainley, ‘Raymond Pettibon’, Artforum, November 2000 Marchtin Herbert, ‘Raymond Pettibon’, Tema Celeste, October-December 2000 Hilarie Sheets, ‘Baffled, Bewildered and Smitten’, ARTnews, September 2000 Martin Herbert, ‘Raymond Pettibon’, Time Out, 12-19 July 2000 Samantha Ellis, ‘Raymond Pettibon’, ES (Going Out), 19 June 2000 Justin Quirk ‘Raymond Pettibon’ Sleazenation, June 2000 ‘Born to Draw’, BT Magazine, April 2000 Carmine Iannaccone, ‘Raymond Pettibon’, Art issues, March/April 2000 Hope Urban, ‘Raymond Pettibon: The Thin Black Line’, Juxtapoz, January/February 2000 Ken Johnson, ‘Raymond Pettibon’, The New York Times, 28 January 2000 David Larsen, ‘An Interview with Raymond Pettibon’, San Jose Manual of Style, No. 03, 2000 |
1999 |
Juan Vincente Aliaga, ‘Hypertronix’, Frieze, November/December 1999 Robert Pincus, ‘Life Lines’, San Diego Union Tribune, 24 October 1999 Neil Kendricks, ‘A man of few words has a few choice words to share’, San Diego Union Tribune, 24 October 1999 Leah Ollman, ‘Connections’, Los Angeles Times, 01 October 1999 Dennis Cooper, ‘Dead Again’, Bookforum, Autumn 1999 Grady Turner, ‘Raymond Pettibon’, Bomb, Autumn 1999 Anne Temkin, ‘Raymond Pettibon’, The Contemporary, Autumn 1999 Hunter Drohojowska-Philp, ‘A Creative Churning Within’, Los Angeles Times, 26 September 1999 ‘Best Bets: Art’, Los Angeles Times, 23 September 1999 Paul Young, ‘Picturing Pettibon’, Angeleno, September/October 1999 Frank-Alexander Hettig, ‘Life/Boat’, Artforum International, September-November 1999 ‘Carolyn in the City’, Allure, June 1999 Steven Vincent, ‘Impact Players’, Art & Auction, 15 May 1999 Collin Keefe, ‘Hard Lines’, Philadelphia Weekly, 28 April 1999 ‘Raymond Pettibon’, compiled by Laura Mauk, ‘Horse's Mouth’, Bookforum, Spring 1999 Jerry Saltz, ‘A Pettibon Primer’, Village Voice, 23 March 1999 ’Raymond Pettibon: Watch’, Der Standard, 19 March 1999 Howard Halle, ‘Out of Sight’, Time Out, 11-18 March 1999 ‘Self-Portrait by Raymond Pettibon (The Drawing Center)’, The New Yorker, 08 March 1999 ‘Pettibon Retrospective at Drawing Center’, Flash Art, March/April 1999 Michael Duncan, ‘Pettibon's Talking Pictures’, Art in America, March 1999 Holland Cotter, ‘Elvis, Vixens and Gumby Converge in Subversive Visual Poetry’, The New York Times, 26 February 1999 Alex Neel, ‘In your face’, Time Out (New York), 18-25 February 1999 Roberto Ohrt, ‘Otto Dix, Raymond Pettibon’, Frieze, Issue 44, January/February 1999 Alexander Bradley, ‘Read This!’ Dutch, Issue #22, 1999 |
1998 |
Christopher Knight, ‘A Changing Picture’, Los Angeles Times, 07 October 1998 Brian Baltin, ‘Raymond Pettibon at Regen Projects’, LA Weekly, 02-08 October 1998 Phyllis Braff, ‘A Most Appropriate Place to Celebrate the Sea’, The New York Times, October 1998 Jeff Rian, ‘Sunshine & Noir and L.A. Times’, Flash Art, October 1998 Claudine Ise, Los Angeles Times, 18 September 1998 Peter Marchgasak, ‘Art is Not a Four-Letter Word...’ The Chicago Reader, 11 September 1998 Christine Mehring, ‘Raymond Pettibon’, Art On Paper, September/October 1998 ‘Raymond Pettibon’, Los Angeles Times, 30 August 1998 Christopher Knight, ‘A Show with a Smirk on Its Face’, Los Angeles Times, 09 August 1998 Gunnar Lutzow, ‘Der Alltag ist nur noch eine groBe Zirkusnummer: Irritierend: Stars und Stripes von Stuart Morgan, ‘Andy Warhol and Raymond Pettibon’, Frieze, May 1998 Ronald Berg, ‘Totenschadel mit Baskenmutze’, Sonnabend, 25 April 1998 ‘Kunst: Alptraum’, Berliner Zeitung, Number 88, 16 April 1998 Raymond Pettibon’, Sonnabend, 11 April 1998 Lars Nittve, ‘Kunst in L.A.’, Merian, April 1998 Christoph Bannat, ‘Heimliches Haus’, Vogue (Germany), April 1998 Alexander Alberro, ‘Raymond Pettibon’, Artforum, March 1998 ‘Faces to Watch 1999’, Los Angeles Times (calendar), 03 January 1998 Faye Hirsch, ‘Raymond Pettibon’, On Paper, January/February 1998 Elizabeth Januaryus, ‘Swiss Switch’, Artforum, January 1998 Pascaline Cuvelier, ‘Tell Me a Story: Narration in Contemporary Painting and Photography’, Artforum, January 1998 Diedrich Diederichsen, ‘Company Man’, Artforum, January 1998 Oyvind Fahlstrom, ‘Muuum and the Megaphones’, Zing Magazine, 1998 |
1997 |
Holland Cotter, ‘Ideas From the Air, Wrapped in Paper’, New York Times, 19 December 1997 ‘Szene Los Angeles: Raymond Pettibon’, Art das Kunstmagazin, December 1997 Hakan Nilsson, ‘Art Review: Sunshine and Noir, Louisiana, Humlebaek, DenMark’, Flash Art, November/December 1997 Simon Sheikh, ‘Art Reviews: Sunshine & Noir’, art/text, November 1997 Robert Storr, ‘Just Exquisite?: The Art of Richard Tuttle’, Artforum, November 1997 Peter Schjeldahl, ‘L.A. Influential: Raymond Pettibon’, The Village Voice, Vol.XL11, No.45, 11 November 1997 Ulrika Kiby, ‘Reviews: Wes Mills, Raymond Pettibon’, Flash Art, October 1997 Mogens Damgaard, ‘Den iscenesatte by’, Fyns Stiftidende, 07 July 1997 ‘Artist's Project: Raymond Pettibon’, Dazed & Confused, July 1997 Marchina De Vries, ‘Zwevend hoofd met lege blik’, Het Parool, 06 June 1997 Lars O Ericsson, ‘Ljus och svarta fran L.A.’, Dagens Nyhoter, 23 May 1997 ‘Konsten och varldsstadens sjal’, Arbetet Nyheterna, 18 May 1997 Lars Movin, ‘California dreamin'‘, Information, 17 May 1997 Ineke Schwartz, ‘Westkustkunst zo van de straat’, De Volkskrant, 14 May 1997 Mark Peeter, ‘Tekeningen’, IVRC Handelsblad, May 1997 ‘LA Artists’, BT, 09 February 1997 The New York Times, 03 January 1997 Holland Cotter, ‘Art Review: Raymond Pettibon’, New York Times, 1997 Christopher Knight, ‘Lots of 'Sunshine, Little Light’, Los Angeles Times, 1997 Kristine McKenna, ‘It Happens Every Two Years’, Los Angeles Times, 1997 |
1996 |
Marchtha Schwendener, ‘Catch my drift?’ Time Out (New York), 12-19 December 1996 Harald Fricke, ‘Nowhere’, Artforum, November 1996 Sander L Gilman, ‘Judge Dread’, Artforum, November 1996 Thyrza Nichols Goodeve, ‘Lipschtick Traces: Q. & A.’ Artforum, October 1996 Thyrza Nichols Goodeve, ‘Raymond Pettibon Reads Henry James’, Parkett, No.47, September 1996 Boris Groys, ‘The Drawing Rescues Poetry’, Parkett, No. 47, September 1996 Jim Lewis, ‘A Conversation with Raymond Pettibon’, Parkett, No.47, September 1996 Ulrich Loock, ‘Raymond Pettibon: Das musikalische Element in meiner Arbeit hat nichts mit Rock- Raymond Pettibon, ‘Untitled (Justly felt and brilliantly said)’, edition for Parkett, No.47, September 1996 Ralph Rugoff, ‘Surfing with Raymond Nobody Rides for Free’, Parkett, No.47, September 1996 Stefan Romer, ‘Sex & Crime’, Kunstforum, Bd. 134, May-September 1996 Sean Kennerly, ‘Raymond Pettibon’, Juxtapoz, Summer 1996 Musik zu Tun’, Kunstforum, Bd. 134, May-September 1996 Duncan Bock, ‘Pettibon Junection’, Vanity Fair, April 1996 Brigitte Werneburg, ‘Kunst Macht Mich Nervos’, die Ingeszeitung, 02 February 1996 Richard Flood, ‘Real Life Rock, Richard Flood's Top Ten’, Artforum, February 1996 Vincent Katz, Art in America, February 1996 Marchtha Schwendener, ‘Sampler 2’, Time Out (New York), 31 January – 07 February 1996 ‘Goings on About Town’, The New Yorker, 29 January 1996 Roberta Smith, ‘Sampler 2’, The New York Times, 26 January 1996 Roberta Smith, ‘Finding Art in the Artefacts of the Masses’, The New York Times, 1996 |
1995 |
Charles Wylie, ‘Raymond Pettibon’, The Saint Louis Art Museum Winter Bulletin, 1995 Steven Cerio, ‘Raymond Pettibon’, Seconds, Autumn 1995 Boris Groys, ‘Best & Worst 1995’, Artforum, December 1995 Howard Halle, ‘Raymond Pettibon’, Time Out (New York), 27 September - 04 October 1995 Sean Kennerly, ‘Raymond Pettibon’, Juxtapoz, Summer 1995 Jorg Lau, ‘Ein hermeneutischer Wegelagerer’, die tageszeitung, 28 May 1995 David Lillington, ‘This Will Hurt Me More Than You’, The Independent 1995 David Pagel, ‘Raymond Pettibon at Regen Projects’, Los Angeles Times, 21 September 1995 Katja Reissner, ‘Leeres Blatt-ein Nirwana’, Zitty, 13-26 April 1995 Rudolf Schmitz, ‘Geschichte von Blut und Tinte: Rettungsanker einer flatternden Psyche: Raymond Roberta Smith, ‘Raymond Pettibon’, New York Times, 06 October 1995 ‘Raymond Pettibon / SigMarch Polke’, The New Yorker, 16 October 1995 Yvonne Volkart, ‘Spotlight: Raymond Pettibon’, Flash Art, Summer 1995 Elke Von Bruns, ‘Ein Fisch braucht ein Mountainbike’, Die Tageszeitung, 28 May 1995 Rolf Von Spinnler, ‘Gestohlene Kusse’, Die Tageszeitung, 28 May 1995 Peter Von Unfried, ‘Weltmeister unter Fahrkartenverkaufern’, Die Tageszeitung, 28 May 1995 Brigitte Werneburg, ‘Vorschlag: Raymond Pettibon bei Contemporary FineArts’, Taz Berlin, 19 April Peter Von Herstreuth, ‘Im Bestfall ein Sekundengluck’, Der Tagesspiegel, 01 April 1995 Pettibon in der Kunsthalle Bern’, Frankfurter Allgemeine Zeiturng, 25 February 1995 Jost Marchtin Imbach, ‘Du wirst es hier nicht finden: Der amerkanische Zeichner Raymond Pettibon in der Kunsthalle Bern’, Luzerner Neuste Nachrichten, 25 February 1995 C.Dioda, ‘Welt zeischen Wort und Bild: Ein Amerikaner in Bern Einzelausstellung des Comic-Kunstlers Raymond Pettibon’, Schweizer Illustrierte, 20 February 1995 Richter Verlag, ‘Zeichnungen von Raymond Pettibon in der Kunsthalle Bern’, Der Murtenbieter, 11 February 1995 Yvonne Volkart, ‘Kunst: Verzettelung der Welt’, Annabelle, 10 February 1995 ‘Ausstellung Raymond Pettibon’, Urner Zeitung, Zuger Zeitung & Luzerner Zeitung, 10 February 1995 Niklaus Oberholzer, ‘Zeichnend den Gang der Dinge suchen: Der amerikanische Kunstler Raymond Pettibon in der Kunsthalle Bern’, Nidwaldner Zeitung, Luzerner Zeitung, and Obwaldner Zeitung, 10 February 1995 ‘Durch Poesie den Alltag neu erkennen’, Burgdorfer Tagblatt, 09 February 1995 Jean-Damien Fleury, ‘L'humeur noir de Pettibon’, La Liberte, 04 February 1995 Walo von Fellenberg, ‘Poesie als Comics getarnt’, Blick Zurich, 04 February 1995 Yvonne Volkart, ‘Vavoom’, WOZ, 03 February 1995 Simon Maurer, ‘Von Schrei, Licht, Surfen und von Gott: Raymond Pettibon in der Kunsthalle Bern’, Tages-Anzeiger, 03 February 1995 ‘Raymond Pettibon’, L'Hebdo Lausanne, 02 February 1995 Klaus Schadeli, ‘Tone als Klang-Skulpturen’, Berner Zietung, 31 January 1995 Verio Dante Pini, ‘Raymond Pettibon alla Kunsthalle di Berna’, Dalla Redazione Di Stoccarda E Berna, 29 January 1995 ‘Schau des amerikanischen Alptraums’, Berner Taeglich, 28 January 1995 Brigitta Niederhauser, “Wenn 'The End' seine finale Bedeutung verliert,” Der Bund, 27 January 1995 Konrad Tobler, ‘Surfen zu metaphysischen Leerstellen’, Berner Zietung, 27 January 1995 Ulrich Loock, ‘Raymond Pettibon’, Artis, 1995 |
1994 |
Michael Duncan, ‘L.A. Rising’, Art in America, December 1994 Robert Storr, ‘Mapping’, MoMA Magazine, Fall/Winter 1994 Rob Perree, ‘De Pretentieloze Plaatjes van Pettibon’, Kunstbeeld, September 1994 Francesco Poli, ‘Impotenza Creativa’, Il Manifesto, 02 July 1994 GiuSeptemberpe Misuraca, ’Una Donna al Castello’, Luna Nuova, 24 June 1994 GiuSeptemberpe Misuraca, ‘I 24 Giovanni Artisti’, Luna Nuova, 24 June 1994 Paolo Levi, ’Le Astrazioni de Carla’, La Reppublica, 24 June 1994 Roberto Vidali, ‘Ma....Castello’, La Chronica Nord-Est, 11 June 1994 Luk Lambrecht, ‘de Grafische Bespiegelingen van Raymond Pettibon’, De Morgen, 09 June 1994 Enrico Lunghi, ’Eclatement de la Poesie’, Luxemburger Wort, 27 May 1994 Angelika Thome, ‘Die Summe der Fragmente’, Tageblatt, 25 May 1994 Ina Nottrot, ‘Have a Break, Have a Pettibon’, Letzeburger Land, May 1994 Robert W Duffy, ‘Tears and Smiles: Intimately Linked’, St. Louis Post-Dispatch, 14 April 1994 Glen Helfand, ‘Sympathy for the Devil’, SF Weekly, 06 April 1994 James Scarborough, ‘Raymond Pettibon’, Flash Art, March/April 1994 Helena Papadopoulos, review (Koroneou), Arti, March/April 1994 Jim Lewis, ‘The Writings on the Wall’, Harper’s Bazaar, March 1994 Ole Bouman, ‘Soms Begreep hij er Niets van’, De Groene Amsterdammer, 16 February 1994 Laura Cottingham, ‘Post-'68’, Flash Art, January/February 1994 Cathy Curtis, ‘Freeing Words From Their Life Sentence’, Orange County Times, 1994 Henry Rollins, ‘Get in the Van: On the Road with Black Flag’, 1994 |
1993 |
David Pagel, ‘The News’, Galleries Magazine, December-January 1993 David Bonetti, ‘Gallery Watch’, San Francisco Examiner, 03 December 1993 Sean Kennerly, ‘Bleeding Marchgins’, San Francisco Bay Guardian, 01 December 1993 Sean Kennerly, ‘Critic’s Choice: Raymond Pettibon’, San Francisco Bay Guardian, 24 November 1993 ‘Warum geht man dahin, wo alle hingehen?’, Berlin-Kultur, 24 October 1993 Ralph Rugoff, L.A. Weekly, 18-24 November 1993 David Pagel, ‘A Trip Into the Mind of Raymond Pettibon’, Los Angeles Times, 18 November 1993 Andrew Renton, Flash Art, October 1993 ‘News of the Print World’, Print Collector’s Newsletter, September/October 1993 ‘Goings on About Town’, The New Yorker, 27 September 1993 Kim Levin, ‘Listings’, The Village Voice, 21 September 1993 Roberta Smith, ‘Art in Review’, The New York Times, 17 September 1993 ‘Og Fornemt’, Det fri Aktuelt, 09 September 1993 ‘Mongrel Muse - hvad er det?’, Ekstra Posten Silkeborg, 11 August 1993 Marchc Weidenbaum, ‘More Pictures + Music’, Pulse!, August 1993 Stephan Sarrazin, ‘Star Power’, Andere Sinema, July/August 1993 Jeff Rian, ‘The 1993 Whitney Biennial’, Flash Art, June 1993 Eric Troncy, ‘Ou sont les Toilettes?’ documents, June 1993 Liz Kotz, ‘Video Drone’, Artforum, May 1993 Johanna Hofleitner, Artforum, Summer, 1993 Scott Cunningham, ‘From Pop Back to Popular’, Poliester, Summer 1993 Eric Troncy, ‘Naakt en Kneedbaar’, Metropolis M, Summer 1993 Greg Sharpless, ‘Annual Reports With a Fine Arts Edge’, Step-By-Step Graphics, Spring 1993 ‘Art’, The New Yorker, 27 April 1993 Peter Schjeldahl, ‘Missing: The Pleasure Principle’, The Village Voice, 16 March 1993 Christopher Knight, ‘Crushed by its Good Intentions’, The Los Angeles Times, 10 March 1993 Richard Flood, ‘Rosebud, Anyone?’, Frieze, March/April 1993 Gianni Romano, ‘Raymond Pettibon’, Zoom, March/April 1993 Nancy Princenthal, ‘Artist’s Book Beat’, The Print Collector’s Newsletter, March/April 1993 Michael Duncan, ‘L.A.: The Dark Side’, Art in America, March 1993 Stephan Sarrazin, ‘Raymond Pettibon: Le Cowboy Desabuse’, Art Press, February 1993 Marchissa Fox, ‘Rock Kulture’, 1993 |
1992 |
Elke Merkus, ‘Hilft de ‘New Deal’ wirklich weiter?’, Berliner Zeitung, 29 October 1992 Rhonda Lieberman, ‘Draw the Soul Out’, Artforum, October 1992 David Deitcher, ‘The Library in Your Good Hands: Raymond Pettibon’, Artforum, October 1992 Renate Puvogel, ‘Wilhelm Schurmann: Dauer Im Wechsel’, Artis, July/August 1992 David Pagel, ‘Getty’s ‘Connection’: An Insightful Study’, The Los Angeles Times, 16 July 1992 Georg Schollhammer, ‘Bilder aus Kalifornien: Eine Lyrik der Verlorenen’, Standard, 13 July 1992 Kristian Sotriffer, ‘Fromen und zerstoren’, Die Presse, 09 July 1992 ‘Goings on About Town’, The New Yorker, 08 July 1992 Glen Helfand, ‘Dark Shadows’, SF Weekly, 01 July 1992 Ulli Moser, ‘Stichwort ‘Vavoom’, Kurier, 28 June 1992 Markus Wailand, ‘Schusse aus dem Handgelenk’, Falter, 25 June 1992 Stella Rollig, ‘Heldensagen der Subkulture uber den Amerikanischen Kunstler Raymond Pettibon’, Kunstpresse, June 1992 Diederichsen, Diederich, ‘Archaologie amerikanischer Anarchismen’, Texte zur Kunst, Spring 1992 Francesco Bonami, ‘U.S. Pain’, Flash Art, May/June 1992 Ralph Rugoff, ‘Spotlight’, Flash Art, May/June 1992 Karinn Krawczik, ‘Platz genug fur Aberwitz’, Kieler Zeitung, 05 May 1992 Hunter Drohojowska, ‘Going to a-Gogh-Gogh’, The Los Angeles Times, 01 March 1992 Mike McGonigal, ‘Pettibon With Strings’, Chemical Imbalance, Spring 1992 Susan Kandel, ‘L.A. in Review’, Arts, April 1992 Charles Wylie, ‘It's a Touch World Out There: Drawings by Mike Kelley, Zellen, Jody, Raymond Pettibon’, Arts, April 1992 Hunter Drohojowska, ‘L.A. Raw’, Artnews, April 1992 Michael Anderson, Art Issues, March/April 1992 Rainer Metzger, Flash Art, March/April 1992 Eric Troncy, ‘Punk’s Not Dead’, Documents, March 1992 Amy Gerstler, Artforum, March 1992 Peter Frank, ‘Art Pick of the Week’, L.A. Weekly, 28 February - 05 March 1992 Michelle Plochere, ‘A Conversation with Raymond Pettibon’, Artweek, 06 February 1992 Daniel G Veneciano, ‘Writing on the Wall’, Artweek, 06 February 1992 Christopher Knight, ‘An Art of Darkness at MOCA’, The Los Angeles Times, 28 January 1992 Susan Kandel, ‘Banal, Profound, and Absurd’, Los Angeles Times, 24 January 1992 Hunter Drohojowska, ‘Artists in Search of Teen Spirit’, Parkett, No. 34 1992 |
1991 |
Eric Troncy, ‘No Man’s Time’, Flash Art, November/December 1991 Terry R.Myers, Art Issues, November/December 1991 Raymond Pettibon, ‘It’s Like History Being Made For Your Very Eyes’, Gazette, 16-17 November 1991 Kathryn Hixson, ‘New Reviews’, Flash Art, October 1991 David McCracken, The Chicago Tribune, 27 September 1991 Charles Hagen, The New York Times, 23 August 1991 Roberta Smith, ‘Art in Review’, The New York Times, 05 July 1991 ‘Goings on About Town’, The New Yorker, 02 July 1991 Koether, Jutta, ‘Billy, Mike, Jim, und Ray’, Kolner Illustrierte, July 1991 Hunter Drohojowska, ‘Drawn to Words’, Los Angeles Times, 16 June 1991 Mike McGonigal, Spex, May 1991 Eileen Myles, Art in America, March 1991 Cathy Curtis, Los Angeles Times, 11 January 1991 |
1990 |
Sue Spaid, Art Issues, Summer 1990 Benjamin Weissman, Artforum, May 1990 Judith Spiegel, ‘Encounters with a Visionary’, Artweek, 22 March 1990 Cathy Curtis, ‘The Galleries’, The Los Angeles Times, 09 March 1990 Ray Zone, Artscene, March 1990 The Paris Review, (table of contents illustration), no.115, 1990 |
1989 |
Joshua Decemberter, ‘New York in Review’, Arts, Summer 1989 Mrs.Benway, ‘Guston, Warhol, Pettibon’, Spex, May 1989 Jody Zellen, Art Issues, May 1989 |
1988 |
Brian Coley, ‘Dreams Not Sprung From the Bush of Madonna’, Forced Exposure, Winter 1988 David McCracken, ‘Gallery Scene’, The Chicago Tribune, 24 June 1988 |
1987 |
Alan Artner, ‘The Subject is Sex and the Style is Cerebral’, The Chicago Tribune 1987 |