Raymond Pettibon

Raymond Pettibon and Jamie Brisick, Point Break: Raymond Pettibon, Surfers and Waves (New York (NY): David Zwirner Books, 2022) 

Raymond Pettibon, Tuff Luyv: The Raymond Pettibon Twitter Compilation (February 5, 2011 - December 20, 2019) (Los Angeles (CA): PCP Press, 2021)

Raymond Pettibon, Selected Works from 1982 to 2011 (Zürich: Nieves, 2020) 

Konrad Bitterli, David Schmidhauser, Andrea Lutz (eds.), Daumier – Pettibon (Winerthur: Kunst Museum Winterthur, 2019) (exh. cat.) 

Seth Cameron, Raymond Pettibon (New York (NY): David Zwirner Books, 2019) (exh. cat.)

Andrew Durbin, Spiyt th’words (New York (NY): David Zwirner Books, 2018) 

Massimiliano Gioni (ed.), Raymond Pettibon: A Pen of All Work (New York (NY): Phaidon, 2017) (exh. cat.)

Marcel Dzama and Raymond Pettibon, Dzama/Pettibon (2nd ed.) (New York (NY): David Zwirner Books, 2016) (exh. cat.) 

Ulrich Loock and Harald Falckenberg (eds.), Raymond Pettibon: Homo Americanus (New York (NY): David Zwirner Books; Hamburg: Sammlung Falckenberg, 2016) 

Marcel Dzama and Raymond Pettibon, Dzama/Pettibon (1st ed.) (New York (NY): David Zwirner Books, 2015) 

Carlo McCormick, Raymond Pettibon: Surfers 1985-2015 (New York (NY): David Zwirner, 2015) 

Lucas Zwirner and Kim Gordon, Raymond Pettibon: To Wit (New York (NY): Rizzoli, 2014) 

Ulrich Loock (ed.), Raymond Pettibon: Talking about Drawings, 1984-2011 (Bern: NOMEA, 2014)

Robert Storr, Jonathan Lethem, Kitty Scott, Byron Coley, and Ralph Rugoff (eds.), Raymond Pettibon (New York (NY): Rizzoli, 2013) 

Raymond Pettibon, Raymond Pettibon: Here’s Your Irony Back: Political Works 1975-2013 (Ostfildern: Hatje Cantz, 2013) 

Cary Levine, Mike Kelley, Paul McCarthy, Raymond Pettibon: Pay for Your Pleasures (Chicago (IL): University of Chicago Press, 2013)

Raymond Pettibon and Lynn Kost, Raymond Pettibon: Whuytuyp (Zurich: JRP Ringier, 2012)

Raymond Pettibon, Raymond Pettibon: Looker-Upper (Cologne: Verlag der Buchhandlung Walther Konig, 2011) 

Thruston Moore (ed.), Raymond Pettibon Front Row Center (New York (NY): Ecstatic Peace Library, 2011) 

Raymond Pettibon and Benjamin Buchloh, Raymond Pettibon: Here’s Your Irony Back (Göttingen: Gerhard Steidl Druckerei und Verlag, 2009)

Raymond Pettibon: Early Work (1978-1988) (Los Angeles (CA): Regen Projects, 2008) (exh. cat.) 

Raymond Pettibon: Punk Epocha – 70 Drawings from the Eighties (Geneva: Blondeau Fine Art Services, 2008) (exh. cat.) 

Fernando Frances, Raymond Pettibon (Malaga: CAC Malaga, 2007)

Raymond Pettibon, Aaron Rose, and Francisco Javier San Martin, Raymond Pettibon: V-Boom (Heidelberg: Kehrer Verlag, 2007) 

Thomas Meissagang, Gerland Matt, and Edward Dimendberg, Raymond Pettibon: Whatever It Is You’re Looking for You Won’t Find It Her (Nuremberg: Verlag Fur Moderne Kunst Nuremberg, 2007) 

Prophets of Deceit (San Francisco (CA): CCA Wattis Institute of Contemporary Art, 2006) 

Los Angeles 1955-1985 (Paris: Centre Pompidou; Panama Musées, 2006) 

Rebecca McGrew, Ed Ruscha/Raymond Pettibon: The Holy Bible and THE END (California (CA): Pomona College Museum of Art, 2006) 

Fernando Francés, Aaron Rose, Francisco Javier San Martín, and Benjamin Weissman, Raymond Pettibon (Malaga: Centro de Arte Contemporáneo de Málaga, 2006) (exh. cat.) 

Edward Dimendberg, Gerald Matt, Thomas Mießgang and Hans Rudolf Reust, Raymond Pettibon: Whatever It Is You’re Looking for You Won’t Find It Here (Nuremberg: Verlag für moderne Kunst, 2006)

Raymond Pettibon, Turn to the Title Page (New York (NY): Whitney Museum of Art, 2005) 

Roberto Ohrt, Raymond Pettibon: No Title (Berlin: Contemporary Fine Art, 2005) (exh. cat.)

Raymond Pettibon, Greg Colson, Francesca Gabbiani, Dani Tull, Victor Gastelum, Scott Grieger, Todd Squires, and Eddie Ruscha, Faster Jim (Venice (CA): Hamilton Press, 2003) 

Raymond Pettibon, Peter Weiermair and Andreas Hapkemeyer; The Pages Which Contain Truth are Blank (Innsbruck: Museo d'arte moderna e contemporanea; Skarabæus: Galleria d'arte moderna, 2003) 

Raymond Pettibon, Bonnie Clearwater, and Saul Steinberg, American Short Stories (North Miami (FL): Museum of Contemporary Art, 2002) (exh. cat.)

Raymond Pettibon, Raymond Pettibon: Plots Laid Thick (Barcelona: ACTAR, 2002) (exh. cat.) 

Matsui Midori, Raymond Pettibon: Plots Laid Thick (Tokyo: Tokyo Opera City Cultural Foundation, 2002) (exh. cat.) 

Robert Storr, Raymond Pettibon (New York (NY): Phaidon Press, 2001) 

Raymond Pettibon, Judith Ivry, and Maurice Sanchez, Plots on Loan (New York (NY): Brooke Alexander; David Zwirner Books, 2001) (exh. cat.) 

Raymond Pettibon, Ulrich Loock and Robert Storr, Raymond Pettibon (London: Phaidon Press, 2001)

Roberto Ohrt (ed.), Raymond Pettibon: The Books 1978-1998 (New York (NY): D.A.P, 2000) 

Roberto Ohrt, Raymond Pettibon: Aus Dem Archiv der Hefte (Cologne: Verlag der Buchhandlung Walther Konig, 2000) 

Raymond Pettibon, Thinking of You (Chicago (IL): The Renaissance Society at the University of Chicago, 1999) 

Ann Temkin and Hamza Walker (eds.), Raymond Pettibon: A Reader (Philadelphia (PA): Philadelphia Museum of Art, 1998)

Raimund Stecker, Michael Craig-Martin and Raymond Pettibon: Wandzeichnungen (Düsseldorf: Verlag des Kunstvereins für die Rheinlande und Westfalen, 1997)

Raymond Pettibon: On the Scent (Vienna: Galerie Metropol, 1992)

Raymond Pettibon: Up the Threshold (Vienna: Galerie Krinzinger, 1992)

Raymond Pettibon, Meandering on a Riff (Beverly Hills (CA): Illiterati Press, 1988)

Raymond Pettibon, Captive Chains (Birmingham: SST Publications, 1978)

Steve Lafreniere, Hello, We Were Talking About Hudson (Chicago (IL): Soberscove Press, 2024) 

Evan Moffitt and Simon Hunegs, Vitamin Txt: Words In Contemporary Art (London: Phaidon Press, 2024)

Branden Wayne Joseph, Drew Sawyer, Gwen Allen, Julia Bryan-Wilson, Mimi Thi Nguyen, Tavia Amolo Ochieng' Nyongó, and Alexis Salas, Copy Machine Manifestos: Artists Who Make Zines (London: Phaidon Press; Brooklyn (NY): Brooklyn Museum, 2023) 

DB Burkeman, Art Sleeves: Album Covers by Artists (New York (NY): Rizzoli, 2021)

Laura Hoptman, Claire Gilman, Rosario Güiraldes, Isabella Kapur, 100 Drawings from Now (New York (NY): The Drawing Center, 2020) 

Anya Harrison, Cranford Collection: the 2000s (Montpellier: Mo.Co Montpellier Contemporain, 2020) 

Naomi Beckwith, Valerie Steele, Ekow Eshun, Valerie Steele, Lynette Yiadom-Boakye, and Thelma Golden, Duro Olowu: Seeing (Chicago (IL): Museum of Contemporary Art Chicago; New York (NY) DelMonico Books, 2020) 

Craig Burnett and Martin Herbert, My Cartography: The Erling Kagge Collection (Madrid: Fundación Banco Santander, 2020)

Luiza Teixeira de Freitas (ed.), There’ll Never Be A Door. You’re Inside: Works from the Coleção Teixeira de Freitas (Madrid: Fundaçion Banco Santander, 2019) (exh. cat.) 

René Lüchinger, Ringen um Ringier: über die kunst der digitalisierung in einem schweizer medienkonzern (Göttingen: Steidl, 2019) 

Jhim Lamoree and Sacha Bronwasser, Trouble in Paradise: Collection Rattan Chadha (Rotterdam: nai010, 2019)

David Zwirner, Ricahard Shiff and Robert Storr, David Zwirner: 25 Years (New York (NY): David Zwirner Books, 2018) 

Mela Dévila and Maite Muñoz, Legible - Visible: Between the Film Frame and the Page (Chicago (IL): University of Chicago Press, 2018) 

Marcia Reed and Glenn Phillips, Artists and Their Books / Books and Their Artists (Los Angeles (CA): Getty Research Institute, 2018) 

Douglas Eklund and Ian Alteveer (eds.) Everything Is Connected: Art and Conspiracy (New York (NY): The Metropolitan Museum of Art; New Haven (CT): Yale University Press, 2018) 

Jeffrey Fraenkel and Antoine de Beaupré (eds.), Art & Vinyl (San Francisco (CA): Fraenkel Gallery; Paris: Editions Antoine de Beaupré, 2018) 

Landscapes After Ruskin: Redefining The Sublime (Munich: Hirmer Publishers, 2018)

Alastair Hicks, Doublethink: Double Vision (Istanbul: Pera Museum, 2017)

Dani Castillejo, Gloria Guso, Iván López Munuera, Eloy Fernández Port, Servando Rocha, and David G. Torres, PUNK. It’s Traces in Contemporary Art (Barcelona: Museu d’Art Contemporani de Barcelona, 2016) 

Emma Dexter, Vitamin D: New Perspectives in Drawing (London: Phaidon Press, 2016)

Dani Castillejo, Gloria Guso, Iván López Munuera, Eloy Fernández Port, Servando Rocha, and David G. Torres, PUNK. It’s Traces in Contemporary (Madrid: CA2M Centro de Arte Dos de Mayo, 2015) 

Diedrich Diederichsen and Robert Nickas, No Problem: Cologne/New York 1984-1989 (New York (NY): David Zwirner, 2015) 

Ralf Beil & Holger Broeker (eds.), Walk the Line: New Ways of Drawing (Wolfsburg: Kunstmuseum Wolfsburg, 2015) 

Danas Miller, Whitney Museum of American Art: Handbook of the Collection (New York (NY): Whitney Museum of American Art, 2015)

Severin Dünser, Harald Krejci and Marcus Steinweg, Franz Graf – See What Sees You (Vienna: 21er Haus, 2014) 

Claire Bishop, Okwui Enwezor, Christine Macel and Dieter Roelstræte, A History. Art, architecture, design from the 1980s until today (Paris: Centre Georges Pompidou, 2014) 

Allan Antliff, Adrian Blackwell, Josh MacPhee, Ernest Millner-Larsen, Nadja Millner-Larsen and Natalie Musteata, if I can’t dance to it, its not my revolution (Haverford (PA): Cantor Fitzgerald Gallery, 2014) 

Dodie Kazanjian, Imaginary Portraits: Prince Igor (New York (NY): Prince Igor, 2014) 

Neville Wakefield, Somos Libres II: Works from the Mario Testino Collection (New York (NY): Rizzoli, 2014)

Erick Beltrán, Felisberto Hernández, Friedhelm Hütte, Victoria Noorthoorn and Daniela Thomas, The Cirlce Walked Casually (Dortmund: Kettler Verlag, 2013) 

Cary Levine, Pay for Your Pleasures: Mike Kelley, Paul McCarthy, Raymond Pettibon (Chicago (IL): University of Chicago Press, 2013)

Iván López Munuera and José Manuel Costa, Pop Politics: Activisms at 33 Revolutions (Madrid: CA2M Centro de Arte Dos de Mayo, 2012) 

Johanna Burton, Bill Horrigan, Elisabeth Lebovici and Helen Molesworth, This Will Have Been: Art, Love & Politics in the 1980s (New Haven (CT): Yale University Press; Chicago (IL): Museum of Contemporary Art Chicago, 2012) 

Art Works: Deutsche Bank Collection (Frankfurt am Main: Hatje Cantz Verlag, 2011) 

Anne Vieth, Addicted to Walls (Munich: Verlag Silke Schreiber, 2011) 

Peter Weiermair, In the End was the Word: Language as Medium of the Contemporary Visual Arts (Kraichtal: Ursula Blickle Stiftung, 2011) 

Paul Domela. Texts by Franco 'Bifo' Berardi, Lewis Biggs, Tony Chakar, Steven Connor, Coco Fusco, Lorenzo Fusi, Alphonso Lingis, Nina Power, Ziauddin Sardar, and Abdou Maliq Simone, Liverpool Biennial, International 10: Touched (Milan: Silvana Editoriale, 2011) (exh. cat.)

Rainald Schumacher (cur.), Curious? Art in the 21st Century from Private Collections (Bonn: Kunst-und Ausstellungshalle der Bundesrepublik, 2010) 

Mathieu Copeland, Marie Cozette, Christian Debize, Béatrice Josse, Olivier Nottelet, Didier Semin, and Claire Stoullig, Drawing Time/Le temps du dessin (Nancy: Musée des beaux-arts de Nancy, 2010) 

Peter Noever (ed.), Fractional Systems: Garage Project II (Los Angeles (CA): MAK Center for Art + Architecture, 2010) 

Alan Brinkley, Hasia R. Diner, Brooke Kamin Rapaport, and Kenneth Silverman, Houdini: Art and Magic (New York (NY): The Jewish Museum; New Haven (CT): Yale University Press, 2010) 

Daniel Belasco and Sarah Lewis, SITE Santa Fe Eighth International Biennial: The Dissolve (Santa Fe (NM): SITE Santa F, 2010) 

Julie Sasse, Thanks for Being with Us: Contemporary Art from the Douglas Nielsen Collection (Tuscon (AR): Tuscon Museum of Art, 2010)

Christian Rattemeyer, The Judith Rothschild Foundation Contemporary Drawings Collection - Catalogue Raisonné (New York (NY): Museum of Modern Art, 2009) 

Max Hollein and Martina Weinhart, The Making of Art (Cologne: Buchhandlung Walter Konig, 2009) 

Francesco Bonami and Alison Gingeras, Mapping the Studio: Artists from the Collection of Francois Pinault (Milan: Electa; Venice: Palazzo Grassi, 2009) 

Jon Counoyer, Rock, Paper, Scissors (Santa Monica (CA): Robert Berman Gallery, 2009) 

Charlotte Bonham-Carter and David Hodge, The Contemporary Art Book (London: Goodman Books, 2009)

Andrew Renton, Cranford Collection 01 (Guernsey: Cranford Collection, 2008) 

Silke Hohmann, Stations: 100 Meisterwerke Zeitgenössischer Kunst (Cologne: Dumont Buchverlag, 2008) 

Beatrice Ruf, Blasted Allegories: Works from the Ringier Collection (Zürich: JPR Ringier, 2008) 

Chris Bedford, Walead Beshty, Juli Carson, Charlotte Cotton, Joshua Decter, Hou Hanru, Jens Hoffmann, René Peralta and Jan Tumlir, 2008 California Biennial (Newport Beach (CA): Orange Country Museum of Art, 2008) 

Dominic Eichler, Sarah Lewis, Collier Schorr and Nancy Spector, Freeway Balconies (Berlin: Deutsche Guggenheim, 2008) 

Paolo Colombo, Enrique Juncosa and Catherine Lampert, Order. Desire. Light. An Exhibition of Contemporary Drawings (Dublin: Irish Museum of Modern Art, 2008) 

Elein Fleiss, Kim Gordon, and Roland Groenenboom, Sonic Youth Etc: Sensational Fix (Cologne: Walther Konig, 2008) 

Rachel Kent, Southern Exposure: Works form the Collection of the Museum of Contemporary Art (Sydney: Museum of Contemporary Art, 2008) 

Gesine Borcherdt, Barbara Gärtner, Uta Grosenick, Amélie von Heydebreck, Silke Hohmann, Ingolf Kern, Daniel Völzke, and Brigitte Werneburg, Stations. 100 Meisterwerke zeitgenössischer Kunst (Cologne: DuMont, 2008)

Ann Goldstein, Rebecca Morse and Paul Schimmel, This is Not to be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art (Los Angeles (LA): Museum of Contemporary Art, Los Angeles, 2008)

Franz West, Soufflé, eine Massenausstellung (Innsbruck: Kunstraum, 2007) 

Robert Storr, 52nd Venice Biennale: Think with the Senses – Feel with the Mind: Art in the Present Tense (Venice: Marsilio Editori, 2007) 

Susan Davidson (ed.), America Today: 300 Years of Innovation (London: Merrell Publishers, 2007) 

Dan Cameron, Peter B. Lewis, Toby Devan Lewis and Toni Morrison, Artworks: The Progrssive Collection (New York (NY): D.A.P, 2007) 

Alfred Pacquement and Sophie Duplaix, Collection Art Contemporain (Paris: Centre Georges Pompidou, 2007) 

Paul Gravett, Cult Fiction: Art and Comics (London: Hayward Gallery Publishing, 2007) 

Jennifer Cawley, Jordan Kantor and Elizabeth Wyckoff, Don’t Look: Contemporary Drawings from an Alumna’s Collection (Martina Yamin, Class of 1958) (Wellesley (MA): Davis Museum and Cultural Center, 2007) 

Matthew Higgs, Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection (Annadale-on-Hudson (NY): CCS Bard Hessel Museum of Art, 2007) 

Juan Antonio Álvarez Reyes, Esther Leslie and Paul Wells, Fantasmagoria: Dibujo en movimiento (Madrid: Fundacion ICO, 2007) 

María de Corral and John R. Lane. Texts by Frances Colpitt, María de Corral, John R. Lane, Mark Rosenthal, Allan Schwartzman and Charles Wylie, Fast Forward: Collections for the Dallas Musuem of Art (Dallas (TX): Dallas Museum of Art, 2007) 

Eric Mangion, Vincent Pécoil, Lili Reynaud-Dewar and Elisabeth Wetterwald, Half Square Half Crazy (Nice: Villa Arson; Zurich, JRP Ringier, 2007) 

Alex Farquharson, Hans Ulrich Obrist and David Toop, If Everyone Had an Ocean: Brian Wilson, an Art Exhibition (St Ives: Tate St. Ives, 2007) 

Gottfried Boehm, Hans Belting and Paul Virilio, Imagination Becomes Reality: Part VI (Karlsruhe: Sammlung Goetz, 2007) 

Klaus Biesenbach (ed.), Into Me/Out of Me (Ostfildern: Hatje Cantz, 2007) 

Karola Grässlin (ed.), Kunst aus Los Angeles der 60er bis 90er Jahre (Braunschweig: Kunsteverein Brauschweig, 2007) 

Roland Spiegel, Paint It Blue: ACT Art Collection Siegfried Loch (Bremen: Weserburg Museum für Moderne Kunst, 2007) 

Mark Sladen and Ariella Yedgar (eds.), Panic Attack! Art in the Punk Years (London: Merrell Publishers, 2007) 

Mark Coetzee, Red Eye: L.A. Artists from the Rubell Family Collection (Miami (FL): Rubell Family Collection, 2007) 

Craig Adcock, Running Around the Pool: Contemporary Drawing (Tallahassee (FL): Florida State University Museum of Fine Art, 2007)

Dan Graham, Richard Hell, Mike Kelley, Dominic Molon and Jan Tumlir Sympathy for the Devil: Art and Rock and Roll (Chicago (IL): Museum of Contemporary Art Chicago, 2007) 

Dirk Dobke, Knut Ebeling, Melanie Franke, Joachim Jäger, Gabriele Knapstein, Thomas Mießgang, Robert Ohrt, Thomas Pynchon and Björn Roth, There is never a stop and never a finish: In memoriam Jason Rhoades (Berlin: Hamburger Bahnhof – Museum Fur Genewart, 2007) 

Belinda Grace Gardner, Michael Glasmeier, Eva Illouz, True Romance: Allegories of Love from the Renaissance to the Present (Vienna: Kunsthalle Wien; Cologne: DuMont, 2007) 

Ingried Brugger and Gerald Matt (eds.), Superstars: Das Prinzip Porminenz Von Warhol bis Madonna (Ostfildern: Hatje Cantz, 2006) 

Adriano Pedrosa, Romance (a Novel) (Lisbon: Cristina Guerra Contemporary Art, 2006) 

Ariane Grigoteit (ed.), All the Best: The Deutsche Bank Collection & Zaha Hadid (Frankfurt: Deutsche Bank Art, 2006) 

Joshua Decter, Dark Places (Santa Monica (CA): Santa Monica Museum of Art, 2006) 

Ariane Grigoteit and Jessica Morgan (eds.), Visuell/Blind Date (Frankfurt: Deutsche Bank Art, 2006) 

Adriano Pedrosa, Desenhos [drawing]: A-Z (Lisbon: Colecção Madeira Corporate Services, 2006) 

Ariane Grigoteit, Toshio Hara, Christiane Meixner, Jonathan Napack, Mark Rappolt and Tessen von Heydebreck, Tokyo Blossoms: Deutsche Bank Collection Meets Zaha Hadid (Frankfurt: Deutsche Bank, 2006) 

Magali Arriola, Prophets of Deceit (San Francisco (CA): CCA Wattis Institute for Contemporary Arts, 2006) 

Francesca Richer and Matthew Rosenzweig (eds.), No. 1: First Works by 362 Artists (London: Thames & Hudson, 2006) 

The 1980s: A Topology (Lisbon: Serralves Contemporary Museum of Art, 2006)

Chris Kraus, January Tumlir, Januarye McFadden, LA Artland: Contemporary Art from Los Angeles (London: Black Dog Publishing, 2005) 

Jordan Kantor and Igor Zabel, Vitamin D: New Perspectives in Drawing (London: Phaidon Press, 2005) 

John Carlin, Paul Karasik, Brian Walker, Master’s of 20th Century American Comics (New Haven (CT): Yale University Press, 2005) 

pressPLAY: contemporary artists in conversation (New York (NY): Phaidon Press, 2005) 

Jean Robertson and Craig McDaniel, Themes of Contemporary Art: Visual Art After 1980 (New York (NY): Oxford University Press, 2005) 

Uta Grosenick, Art Now: Volume 2 (Cologne: Taschen, 2005) 

Mario Testino, Visionaire 46: Uncensored (New York (NY): Visionaire Publishing, 2005) 

Jordan Kantor (cur.) Drawing from the Modern, 1975-2005 (New York (NY): Museum of Modern Art, 2005) 

Marta Herford and Han Hoet, My Private Heroes (Bielefeld: Kerber, 2004) 

Ariane Grigoteit and Britta Färber, 25 Deutsche Bank Collection (Berlin: Deutsche Guggenheim, 2005)

Francesco Bonami, Bidibidobidiboo: Works from the Sandretto Re Rebaudengo Collection (Milan: Skira, 2005) 

Gary Garrels and Jordan Kantor, Drawing from the Modern, 1975-2005 (New York (NY): The Museum of Modern Art, 2005) 

Eugen Blume, Hannes Böhringer, Gabriele Knapstein, Catherine Nichols and Susan Sontag, Fast Nichts: Minimalistische Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof (Cologne: DuMont, 2005) 

Zdenek Felix and Ludwig Seyfarth, Goetz Meets Falckenberg: Works from the Goetz Collection and the Falckenberg Collection (Hamburg: Sammlung Falckenberg, 2005)

Sophie Delpeux, Laurence Dreyfus and Hans-Ulrich Obrist, Central Station: la collection Harold Falckenberg (Paris: Fondation Antoine de Galbert; Lyon: Fage Editions, 2004) 

Stephan Bidner and Thomas Feuerstein (eds.), Sample Minds: Materials on Sampling Culture (Cologne: Verlag der Buchhandlung Walther Konig, 2004) 

Robert Storr, Disparities & Deformations: Our Grotesque (Santa Fe (NM): Site Santa Fe, 2004) 

Mark Coetzee, Not Afraid: The Rubell Family Collection, (London: Phaidon Press, 2004) 

Kunstverein, Kunstmuseum St.Gallen, Global World / Private Universe (Nuremberg: Verlag für moderne Kunst, 2004) 

Chrissie Iles, Shamim M. Momin, and Debra Singer (cur.), Whitney Biennial 2004 (New York (NY): Whitney Museum of American Art, 2004) 

Michael Juul Holm and Anders Kold, I Hate You – The Falckenberg Collection Meets Louisiana (Humlebæk: Louisiana Museum of Modern Art, 2004) 

Carlo McCormick and Thomas Solomon, Subway Series: The New York Yankees And The American Dream, The New York Mets And Our National Pastime (New York (NY): zingmagazine books, 2004) 

Brandon Taylor, Art Today (London: Laurence King Publishing Ltd., 2004) 

Christa-Maria Lerm Hayes, Joyce in Art (Dublin: Lilliput Press, 2004) 

Andreas Hapkemeyer, Language in Art (Regensburg: Lindinger + Schmid, 2004) 

Aron Rose & Christian Strike, Beautiful Losers: Contemporary Art and Street Culture (San Francisco (CA): Iconoclast Productions, 2004)

Michaela Unterdörfer & Matthias Winzen (eds.), (In Search of) the Perfect Lover (Ostfildern: Hatje Cantz, 2003) 

Christophe Cherix and Madeleine Goodrich Noble, 25th International Biennial of Graphic Arts (Ljubljana: International Centre of Graphic Arts, 2003) 

Bernhard Balkenhol, Heiner Goergsdorf and Pierangelo Maset, XXD11 Über Kunst und Künstler der Gegenwart: ein NachLesebuch zur Documenta 11 (Kassel: Kassel University Press GmbH, 2003) 

Ingvild Goetz and Stephan Urbaschek, Fast Forward: Media Art Sammlung Goetz, (Karlsruhe: Kunstverl Goetz, 2003) (exh. cat.) 

Thelma Golden & Robert Storr (eds.), Art: 21: Art in the 21st Century (New York (NY): Harry N. Abrams (now Abrams Books), 2003) 

Francesco Bonami and Raf Simons (eds.), The Fourth Sex (Florence: Fondazione Pitti Immagine Discovery, 2003)

H.H. Arnason and Peter Kalb, History of Modern Art (5th ed) (New York (NY): Harry N. Abrams Books), 2003) 

Wayne Enstice and Melody Peters, Drawing: Space, Form and Expression (Upper Saddle River (NJ): Prentice Hall, 2003)

Michaela Unterdörfer (ed.), The House of Fiction (Nürnberg: Verlag für moderne Kunst, 2002) (exh. cat.) 

Ariane Grigoteit, Man in the Middle: Sammlung Deutsche Bank (Mainz: Schmidt, 2002) 

Werner Maschmann and Heike Ander, Documenta 11: Platform 5: Exhibition (Ostfildern: Hatje Cantz, 2002) 

Maxwell Lincoln Anderson (ed.), American Visionaries: Selections from the Whitney Museum of American Art (New York (NY): Harry N. Abrams Books, 2002) 

Hans-Werner Schmidt, Ingeborg Kahler, Roberto Ohrt, Ulrike Rudiger, Raymond Pettibon Otto Dix: Trust (Bielefeld: Kerber Verlag, 2002) 

Edward Lucie-Smith, Art Tomorrow (Paris: Editions Pierre Terrail, 2002) 

Patrik Andersson and Judith Steedman (eds.), Inside Magazines: Independent Pop Culture Magazines (Amsterdam: BIS Publishers, 2002)

Christa Häusler and Elisabeth Schweeger, L.A.-ex Performances: salons art-science (Ostfildern: Hatje Cantz, 2001) 

Miachaela Unterdorfer, Wechselstrom/Alternating Current (St Gallen: Hauser and Wirth, 2001) 

Carsten Ahrens and Carl Haenlein (eds.), Ziviler Ungehorsam: Die Sammlung Falckenberg (Hanover: Kestner 2001) 

Steven Blush and George Petros, American Hardcore A Tribal History (Los Angeles (CA): Feral House, 2001)

Staci Boris (ed.), Drawing on the Figure: Works on Paper of the 1990's from the Manilow Collection (Chicago (IL): Museum of Contemporary Art, 2000) 

Klaus Kertess, 00: drawings 2000 at Barbara Gladstone Gallery (New York (NY): The Gallery, 2000) 

Hans-Werner Schmidt, Otto Dix/Raymond Pettibon: Traue deinen Augen (Kiel: Kunsthalle zu Kiel; Bielefeld: Kerber Verlag, 2000) (exh. cat.)

Raymond Pettibon, Jason Rhoades, Hans Weigand: LIFE/BOAT (Los Angeles (CA): MAK Center for Art + Architecture, 1999) 

Francesco Bonami and Hans Ulrich Obrist, Sogni/Dreams: 48th Venice Biennale (Turin: Fondazione Sandretto Re Rebaudengo per l’Arte) 

Jay Tobler & Jennifer Borum, The American Art Book (London: Phaidon Press, 1999) 

Peter Noever & Carl Pruscha (eds.) Stop the Violence: Posters by Artists (Vienna: MAK Center, 1999) 

Burkhard Riemschneider and Uta Grosenick (eds.), Art at the Turn of the Millennium (Cologne: Taschen, 1999)

New Langton Arts 1991-1997 (San Francisco (CA): New Langton Arts 1998) (exh. cat.) 

Klaus Kertess, Sea Change (Southampton (NY): The Parrish Art Museum, 1998)

Ulrike Groos and Markus Müller, Make It Funky: Crossover Zwischen Musik, Pop, Avantgarde Und Kunst (Cologne: Oktagon Verlag, 1998) 

L.A. Times: Arte da Los Angeles nella Collezione Rebaudengo Sandretto (Turin: Fondazione Sandretto Re Rebaudengo per L'Arte, 1998) 

Joshua Decter, a/drift (Annandale-on-Hudson (NY): Center for Curatorial Studies, 1997)

Stephan Schmidt-Wulffen, Kunst..Arbeit: Aus der Sammlung Sudwest LB (Ostfildern: Cantz, 1997) 

Lars Nittve and Helle Crenzien, Sunshine & Noir: Art in L.A 1960-1997 (Humlebaek: Louisiana Museum of Modern Art, 1997) (exh. cat.) 

Louise Neri and Lisa Phillips, 1997 Biennial Exhibition (New York (NY): Whitney Museum of American Art, 1997) 

Herbert Brandl and Toni Stooss, 10 Jahre Stiftung Kunsthalle Bern (Bern: Kunsthalle Bern, 1997) 

Lewis Manilow, A Birthday Book (Chicago (IL): New Art Examiner Press, 1997)

Reiner Speck, Julia Kristeva, Dieter Koepplin et al. Sammlung Speck (Cologne: Museum Ludwig; Cologne: Oktgagon Verlag, 1996) 

NowHere (Humlebaek: Louisiana Museum of Modern Art, 1996) (exh. cat.)

Ulrich Loock (ed.), Raymond Pettibon (Bern: Kunsthalle Bern, 1995) (exh. cat.) 

Pae White, Katharina Hegewisch and Wilhelm Schürmann, Das Ende Der Avant Garde: Kunst als Dienstleistung (Sammlung Schurmann) (Munich: Kunsthalle der Hypo-Kulturstiftung, 1995) 

Zdenek Felix, Temporary Translation(s): Sammlung Schürmann: Kunst der Gegenwart und Fotografie (Hamburg: Deichtorhallen Hamburg, 1995)

David Rubin, It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art (New York (NY): Prestel, 1995) 

Elisabeth Sussman, Homi K Bhabha, and Anglist Kunsthistoriker,1993 Biennial Exhibition (New York (NY): Whitney Museum of American Art, 1993) 

DIRTY DADA (Zurich: Sammlung Schurmann, 1993)