2023 |
‘News in Pictures: Monday July 10, 2023’, The Times, 10 July 2023 |
2022 |
Chloe White, ‘Acclaimed artists commissioned work on show across London’s Elizabeth Line’, Rail Advent, 28 May 2022 Elizabeth Gregory, ‘Art on the Elizabeth Line: travel through London’s newest (and most spread-out) public gallery’, Evening Standard, 27 May 2022 Louisa Buck, ‘London's Elizabeth Line finally opens—we take a look at the ambitious art commissions across the train stations of the £19bn project’, The Art Newspaper, 24 May 2022 Callum Marius, ‘Crossrail: Inside the new Elizabeth line station that 'looks like diamonds' with the artist who designed it’, My London, 29 March 2022 |
2018 |
‘Diamonds are Forever at New Crossrail Station’, fm, 03 July 2018 |
2017 |
Peter Lewis, ‘Goldman Sachs and City of London Corporation funding artwork by Simon Periton at Farringdon Elizabeth line station’, RTube, 30 May 2017 |
2015 |
‘Pollinator by Simon Periton at the Radcliffe Observatory Quarter’, Torch, November 2015 Louisa Buck, ‘Simon Periton’s Celestial Agriculture’, The Telegraph, 10 April 2015 ‘Simon Periton: Bodypopper and Shed. Public Art Commissions 2015’, Art and Architecture Journal, 26 February 2015 |
2014 |
Kerry Shaw, Simon Periton, artist, on the Buzzcocks’ Spiral Scratch EP’, Gilded Birds, 07 July 2014 |
2012 |
Jes Fernie, ‘Simon Periton: Bombyx Mori’, Firstsite, 2012 Michael Bracewell, ‘Into the Shadowland: Ultra-Vivid Ornamentalism’ The Space Between: Selected Writings on Art, 2012 |
2011 |
Paul Carey Kent, ‘2011 in Review’, paulsartworld.blogspot.com, 29 December 2011 Louisa Buck, ‘The Chav Olympics’, The Art Newspaper, Issue 224, May ThePop.com, 11 April 2011 |
2009 |
Michael Bracewell, ‘Something Supernatural this Way Comes’, Tate etc., Issue 17, pp. 62 – 68, Autumn 2009 Skye Sherwin, ‘Simon Periton’, Art Review, Issue no 30, March 2009 Jessica Lack, ‘Artist of the Week 32: Simon Periton’, The Guardian, 11 March 2009 Ossian Ward, ‘In the studio: Simon Periton’, Timeout, 19 – 25 February 2009 |
2008 |
Idil Alter, ‘Simon Periton Bir Anarko-Punk’in Bilinçaltimiza Etkisi’, Mayadrom, Summer 2008 Yeşim Çobankent, ‘Simon Periton Harikalar Dünyasinda, Elle Turkey, June 2008 |
2007 |
Barry Schwabsky, ‘Simon Periton’ Artforum, December 2007 Murray Healey, ‘Glossy Glassy Graffiti’, POP, Issue no. 16, Autumn 2007 Penny Martin, ‘Dress Art’ Another Magazine, Spring/Summer 2007 Jessica Lack, ‘Serious Simon’, V&A Magazine, Issue no. 12, Spring 2007 |
2006 |
Georgina Adam, Ossain Ward & Gareth Harris, ‘First Night Report on Frieze’, The Art Newspaper, 12 October 2007 Jessica Morgan, ‘Blind Date’, Visuell, Deutsche Bank 2006 ‘Work in Progress: Italian Graffiti’, V Magazine, Spring Preview 2006 |
2005 |
‘”Wunschwelten” Schirn Prasentiert neue Romantik’, Salzwedeler Volkstimme, May 2005 |
2004 |
Bill Roberts, ‘Simon Periton’, Art Review, December – January 2004 Russell Thoburn, ‘Frieze! You’re Alive’, The New Statesman, November 2004 Hannah Shuckburgh, ‘Wheeler-Dealers’, Art Review, November 2004 Sean O’Grady, ‘Britart Gets on its Scooter’, The Independent, 09 November 2004 Fisun Guner, ‘Scalpel Carves a Riot of Colour’, Metro, 27 October 2004 Mariuccuia Casadio, ‘Not Allowed’, Vogue Italia, no. 649, September 2004 Robert Clark, ‘Faces and Diamond Dust Volume One’, The Guide, 28 August – 03 September 2004 Reena Jana, ‘Four-Ply’, Time Out NY, no. 465, August 2004 Ken Johnson, ‘Four-Ply’, The New York Times, 06 August 2004 Len Horsey, ‘Strange Attractor’, Flux, May/June 2004 Jo-Ann Furniss, ‘Pop! And the art of Simon Periton’, Show, Issue 2, Spring / Summer 2004 Junya Watanabe’s man, ‘COMME des GARCONS, X Simon Periton’, Huge, no. 006, May 2004 Pablo Lafuente, ‘Sample Simon’, Art Review, vol. LIV, April 2004 Art project, Numero 50, February 2004 |
2003 |
Mark Wilsher, ‘Wittgenstein: Family Likenesses/The Unhomely’, Art Monthly, December -January 2003 Ann Fielding, ‘Oh, the Unhomely’, Varsity, 14 November 2003 Stuart Comer, ‘Teenage Fan Club’, Art Review, September 2003 Iain Gale, ‘Getting back to Nature’, Scotland on Sunday Review, 13 July 2003 Moira Jeffrey. ‘Looking for Trouble in Paradise’, The Herald, 06 July 2003 Sue Wilson, ‘The Eyes nearly have it’, The Metro, 25 June 2003 Christopher Bollen, ‘Simon Periton, “Premonitions”’, Time Out, New York, 06 – 13 March 2003 Michael Kimmelman, ‘Simon Periton: Premonitions’, The New York Times, 07 March 2003 Edith Newhall, ‘Novel Gothic’, New York Magazine, 03 March 2003 Alex Mar, ‘Review: Gallery Going’, The New York Sun, 27 February 2003 ‘Nationwide Art: Simon Periton’, The Times, Play, 11 January 2003 Moira Jeffrey, ‘Simon Periton’, Contemporary, no. 50, 2003 |
2002 |
Carol Kino, ‘Report from London: Life after YBA-mania’, Art in America, October 2003 Jonathan Wingfield, ‘Backstage’, Numéro Homme, Autumn-Winter 2002 Jonathan Wingfield, ‘Cutting Edge’, Numéro, July-August 2002 Richard Dorment, ‘Academy of cool’, The Daily Telegraph, 05 June 2002 Ellie Rees, Fabric, May 2002 Peter de Potter, ‘The things we do for art: Simon Periton’, i-D, No.220 (spectator issue), May 2002 Time Out, 15-22 May 2002 ‘The Multiple Store: three dimensions’, The Art Newspaper, No.121, January 2003 |
2001 |
‘Photographs & styling by Simon Periton’, POP, No.3, Autumn-Winter 2001 ‘Testino’, Dutch Magazine, No.34, July-August 2001 Louisa Buck, The Art Newspaper, No.115, June 2001 Paul Clark, ‘Simon Periton’, Evening Standard, 31 May 2001 Fisun Güner, ‘Simon Periton: Cold warmed up’, Metro Life, 30 May 2001 Jessica Lack, ‘Review: Cold warmed up’, The Guardian Guide, 26 May - 01 June 2001 Helen Sumpter, Review, Evening Standard, Hot Tickets, 25-31 May 2001 ‘Loose’, Arena Homme Plus, Spring-Summer 2001 ‘Young Guns’, i-D Magazine, No.208 (gallery issue), April 2001 ‘Artist’s Portfolio’, POP, No. 2, Spring-Summer 2001 Lauris Morgan-Griffiths, ‘The Last Round-Up’, Evening Standard, 02 March 2001 |
2000 |
Photographs & cut-out by Simon Periton, POP, no.1, Autumn – Winter 2000 Giovanni Intra, ‘Simon Periton, Karyn Lovegrove Gallery,’ artext, No.69, May – July 2000, [illus.] Pierre Leonforte, ‘The New Maestros of Murano’, Vogues Hommes International, Spring-Summer 2000 The Independent Magazine, 01 January 2000 |
1999 |
Neville Wakefield, ‘Three to watch’, Elle Décor, August - September 1999 Kirsty McGee, ’The doilies of war: in the studio’, The Big Issue in the North, 24 – 30 May 1999 ‘See This!’ The Guardian Guide, 01 – 07 May 1999 ‘Art Star Wars’, Interview, May 1999 Robert Clark, ‘The art of repetition’, The Guide, 24 – 30 April 1999 Robert Clark, ‘Riddles wrapped in enigma’, The Guardian, 24 – 30 April 1999 ‘Regional round-up’, The Big Issue, 19 – 25 April 1999 Tania Guha, ‘Simon Periton: Camden Arts Centre’, Time Out, 20 – 27 January 1999 Robin Muir, ‘No frills: The humble doily, beloved of the Victorians, is transformed in the subversive, satirical art of Simon Periton’, The Independent, 1999 |
1998 |
Adrian Searle, ‘Come on, act your age’, The Guardian, 15 December 1998 Simon Grant, ‘Simon Periton’, The Guide, 05 – 11 December 1998 ‘1998 Calendar’, Habitat, December 1998 Michelle Grabner, ‘Cut Out and Keep’, frieze, September 1998 John Windsor, ‘Dramatic ceramics reveal potted histories’, The Independent, 21 April 1998 Laurie Attais, ‘619 KBB 75’, frieze, April 1998 Elizabeth Mahoney, ‘Inbreeder’, Art Monthly, April 1998 Roy Exley, ‘Raids on the Beautiful’, Contemporary Visual Arts, no.17, February 1998 Louisa Buck, Interview, The Art Newspaper, January 1998 |
1997 |
Adam McEwen, ‘Simon Periton: Sadie Coles’, zingmagazine, no.2, Winter 1997 David Lillington, ‘Simon Periton’, Metropolis M, no.5, October-November 1997 Words and Pictures, Issue 10 (artist’s edition), November 1997 Padraig Timoney, Review, Art Monthly, July-August 1997 Sacha Craddock, ‘Around the London Galleries’, The Times, 15 July 1997 Kate Bernard, Evening Standard, Hot Tickets, 10 July 1997 Kate Bernard, Evening Standard, Hot Tickets, 15 May 1997 |
1996 |
David Burrows, ‘Popocultural’, Art Monthly, December 1996 Melissa E. Feldman, ‘21 Days of Darkness’, Art Monthly, April 1996 David Barrett, ‘Kiss This’, Art Monthly, April 1996 |
1994 |
Simon Grant, ‘World Cup Karaoke’, Art Monthly, September 1994 J.Marchant, ‘Das ist Gell!’, G Spot magazine, August 1994 |
1993 |
Conor Joyce, ‘Modern Art’, Art Monthly, February 1993 |
1992 |
Michael Corris, ‘Simon Periton’, Artforum, December 1992 Michael Corris, ‘Invisible/w.Attitude’, Artforum, May 1992 |
1991 |
‘Hope Project’, Frieze, October 1991 D. Lillington, Time Out, April 1991 |
1990 |
Artforum, November 1990 A. Festive, Artscribe, November 1990 Andrew Renton, Blitz, October 1990 J. Hall, ‘Brash escape from dreary inertia’, The Sunday Correspondent, August 1990 D. Lillington, Time Out, July 1990 |