Simon Periton

Simon Periton, Pollinator (Oxford: Radcliffe Observatory Quarter, 2015)

Stephen Feeke and Sophie Raikes, UNDONE: Making and Unmaking in Contemporary Sculpture (Leeds: Henry Moore Foundation, 2010)

Penelope Curtis, What is Sculpture (London: Scala Publishers; Henry Moore Institute, 2010)

Michael Bracewell, Martin Clark and Alun Rowlands (eds.), The Dark Monarch: Magic and Modernity in British Art (London: Tate Publishing, 2009)

Francesca Richer and Matthew Rosenzweig, No. 1: First Works by 362 Artists (London: Thames & Hudson, 2006)

Max Hollein and Martina Weinhart (ed.), Ideal Worlds: New Romanticism in Contemporary Art (Frankfurt: Schirn Kunsthalle Frankfurt; Berlin: Hatje Cantz, 2006)

Home, Home Office Project (London: AGP and Home Office Bouyues, 2006)

Sabine Schaschl-Cooper and Alexander Zigo, Strategies of Desire (Basel: Kunsthaus Baselland, 2004) (exh. cat.)

Simon Periton and Will Bradley, Simon Periton (London: Sadie Coles HQ; Walther Koenig Books; Edinburgh: Inverleith House, Royal Botanic Garden; Glasgow: The Modern Institute, 2003)

Rob Tufnell, The Unhomely (Cambridge: Kettle’s Yard, 2003)

Alison Wilding (ed.), Royal Academy Illustrated 2002 (London: Royal Academy of Arts, 2002)      

Will Bradley, My head is on fire but my heart is full of love (Copenhagen: Charlottenborg Udstillingsbygning, 2002)

Patterns of Life (Velbert: Museum Schloss Hardenberg, 2001)

Stephen Hepworth, Tailsliding (London: British Council, 2001)

Isabella Blow and Adam McEwen, Simon Periton (London: Camden Arts Centre, 1998)

Melissa E. Feldman and Ingrid Schaffner, Secret Victorians: Contemporary Artists and a 19^th Century Vision (London: Hayward Gallery, 1998)

Fish & Chips (Houston (TX): Diverse Works Artspace, 1997)

David Bussel, Simon Periton: Target Doilies (Prague: British Council Window Gallery, 1997)

Karaoke (Frankfurt am Main, Germany: Portikus, 1997)

Modern Art (London: Seven Sisters, 1992)

Stuart Morgan, A Summerplace (London: Salamo Caro, 1990)

Louisa Buck, ‘London's Elizabeth Line finally opens—we take a look at the ambitious art commissions across the train stations of the £19bn project’, The Art Newspaper, 24 May 2022     

Elizabeth Gregory, ‘Art on the Elizabeth Line: travel through London’s newest (and most spread-out) public gallery’, Evening Standard, 27 May 2022

William Mata, ‘New art unveiled at Farringdon ahead of Elizabeth Line’, Islington Gazette, 04 April 2022

Callum Marius, ‘Crossrail: Inside the new Elizabeth line station that 'looks like diamonds' with the artist who designed it’, My London, 29 March 2022

Chloe White, ‘Acclaimed artists commissioned work on show across London’s Elizabeth Line’, Rail Advent, 28 May 2022

‘Diamonds are Forever at New Crossrail Station’, fm, 03 July 2018

Peter Lewis, ‘Goldman Sachs and City of London Corporation funding artwork by Simon Periton at Farringdon Elizabeth line station’, RTube, 30 May 2017

‘Pollinator by Simon Periton at the Radcliffe Observatory Quarter’, Torch, November 2015

Louisa Buck, ‘Simon Periton’s Celestial Agriculture’, The Telegraph, 10 April 2015

‘Simon Periton: Bodypopper and Shed. Public Art Commissions 2015’, Art and Architecture Journal, 26 February 2015

Kerry Shaw, Simon Periton, artist, on the Buzzcocks’ Spiral Scratch EP’, Gilded Birds, 07 July 2014

Louisa Buck, ‘The Chav Olympics’, The Art Newspaper, Issue 224, May

ThePop.com, 11 April 2011

Paul Carey Kent, ‘2011 in Review’, paulsartworld.blogspot.com, 29 December 2011

Michael Bracewell, ‘Something Supernatural this Way Comes’, Tate etc., Issue 17, pp. 62 – 68, Autumn 2009

Skye Sherwin, ‘Simon Periton’, Art Review, Issue no 30, March 2009
Jessica Lack, ‘Artist of the Week 32: Simon Periton’, The Guardian, 11 March 2009

Ossian Ward, ‘In the studio: Simon Periton’, Timeout, 19 – 25 February 2009

Idil Alter, ‘Simon Periton Bir Anarko-Punk’in Bilinçaltimiza Etkisi’, Mayadrom, Summer 2008

Yeşim Çobankent, ‘Simon Periton Harikalar Dünyasinda, Elle Turkey, June 2008

Barry Schwabsky, ‘Simon Periton’ Artforum, December 2007

Murray Healey, ‘Glossy Glassy Graffiti’, POP, Issue no. 16, Autumn 2007

Penny Martin, ‘Dress Art’ Another Magazine, Spring/Summer 2007

Jessica Lack, ‘Serious Simon’, V&A Magazine, Issue no. 12, Spring 2007

Georgina Adam, Ossain Ward & Gareth Harris, ‘First Night Report on Frieze’, The Art Newspaper, 12 October 2007

Jessica Morgan, ‘Blind Date’, Visuell, Deutsche Bank 2006

‘Work in Progress: Italian Graffiti’, V Magazine, Spring Preview 2006

‘”Wunschwelten” Schirn Prasentiert neue Romantik’, Salzwedeler Volkstimme, May 2005

Bill Roberts, ‘Simon Periton’, Art Review, December – January 2004

Russell Thoburn, ‘Frieze! You’re Alive’, The New Statesman, November 2004

Hannah Shuckburgh, ‘Wheeler-Dealers’, Art Review, November 2004

Sean O’Grady, ‘Britart Gets on its Scooter’, The Independent, 09 November 2004

Fisun Guner, ‘Scalpel Carves a Riot of Colour’, Metro, 27 October 2004

Mariuccuia Casadio, ‘Not Allowed’, Vogue Italia, no. 649, September 2004

Robert Clark, ‘Faces and Diamond Dust Volume One’, The Guide, 28 August – 03 September 2004

Reena Jana, ‘Four-Ply’, Time Out NY, no. 465, August 2004

Ken Johnson, ‘Four-Ply’, The New York Times, 06 August 2004

Len Horsey, ‘Strange Attractor’, Flux, May/June 2004

Jo-Ann Furniss, ‘Pop! And the art of Simon Periton’, Show, Issue 2, Spring / Summer 2004

Junya Watanabe’s man, ‘COMME des GARCONS, X Simon Periton’, Huge, no. 006, May 2004

Pablo Lafuente, ‘Sample Simon’, Art Review, vol. LIV, April 2004

Art project, Numero 50, February 2004

Moira Jeffrey, ‘Simon Periton’, Contemporary, no. 50, 2003

Christopher Bollen, ‘Simon Periton, “Premonitions”’, Time Out, New York, 06 – 13 March 2003

Mark Wilsher, ‘Wittgenstein: Family Likenesses/The Unhomely’, Art Monthly, December -January 2003

Ann Fielding, ‘Oh, the Unhomely’, Varsity, 14 November 2003

Edith Newhall, ‘Novel Gothic’, New York Magazine, 03 March 2003

Michael Kimmelman, ‘Simon Periton: Premonitions’, The New York Times, 07 March 2003

Alex Mar, ‘Review: Gallery Going’, The New York Sun, 27 February 2003

Stuart Comer, ‘Teenage Fan Club’, Art Review, September 2003

Moira Jeffrey. ‘Looking for Trouble in Paradise’, The Herald, 06 July 2003

Iain Gale, ‘Getting back to Nature’, Scotland on Sunday Review, 13 July 2003

Sue Wilson, ‘The Eyes nearly have it’, The Metro, 25 June 2003

‘Nationwide Art: Simon Periton’, The Times, Play, 11 January 2003

Carol Kino, ‘Report from London: Life after YBA-mania’, Art in America, October 2003

Jonathan Wingfield, ‘Backstage’, Numéro Homme, Autumn-Winter 2002

‘The Multiple Store: three dimensions’, The Art Newspaper, No.121, January 2003

Ellie Rees, Fabric, May 2002

Peter de Potter, ‘The things we do for art: Simon Periton’, i-D, No.220 (spectator issue), May 2002

Time Out, 15-22 May 2002

Richard Dorment, ‘Academy of cool’, The Daily Telegraph, 05 June 2002 

Dutch Magazine, 2004 [illus.]

Jonathan Wingfield, ‘Cutting Edge’, Numéro, July-August 2002

Lauris Morgan-Griffiths, ‘The Last Round-Up’, Evening Standard,02 March 2001

‘Loose’, Arena Homme Plus, Spring-Summer 2001

‘Young Guns’, i-D Magazine, No.208 (gallery issue), April 2001

Helen Sumpter, Review, Evening Standard, Hot Tickets, 25-31 May 2001

Jessica Lack, ‘Review: Cold warmed up’, The Guardian Guide, 26 May - 01 June 2001

Fisun Güner, ‘Simon Periton: Cold warmed up’, Metro Life, 30 May 2001

Paul Clark, ‘Simon Periton’, Evening Standard, 31 May 2001

Louisa Buck, The Art Newspaper, No.115, June 2001

'Artist’s Portfolio', POP, No. 2,Spring-Summer 2001

'Photographs & styling by Simon Periton', POP, No.3, Autumn-Winter 2001

'Testino', Dutch Magazine, No.34, July-August 2001

BT, 2001

Mark von Schlegell, ‘Simon Periton: Argy Bharji - Karyn Lovegrove Gallery’, zingmagazine, No.12, Spring-Summer 2000

‘Where the art world meets,’ Crosstalk, June 2000 [illus.]

Giovanni Intra, ‘Simon Periton, Karyn Lovegrove Gallery,’ artext, No.69, May – July 2000, [illus.]

Pierre Leonforte, ‘The New Maestros of Murano’, Vogues Hommes International, Spring-Summer 2000

Photographs & cut-out by Simon Periton, POP, no.1, Autumn – Winter 2000

The Independent Magazine, 01 January 2000

Robert Clark, ‘The art of repetition’, The Guide, 24 – 30 April 1999

The Face, April 1999, [illus.]

Tania Guha, ‘Simon Periton: Camden Arts Centre’, Time Out, 20 – 27 January 1999

‘Art Star Wars’, Interview, May 1999

Kirsty McGee, ’The doilies of war: in the studio’, The Big Issue in the North, 24 – 30May 1999

‘See This!’ The Guardian Guide, 01 – 07 May 1999

Robert Clark, ‘Riddles wrapped in enigma’, The Guardian, 24 – 30 April 1999

‘Regional round-up’, The Big Issue, 19 – 25 April 1999

Neville Wakefield, ‘Three to watch’, Elle Décor, August - September 1999

Robin Muir, ‘No frills: The humble doily, beloved of the Victorians, is transformed in the subversive, satirical art of Simon Periton’, The Independent, 1999

Adrian Searle, ‘Come on, act your age’, The Guardian, 15 December 1998

‘1998 Calendar’, Habitat, December 1998

Simon Grant, ‘Simon Periton’, The Guide, 05 – 11 December 1998

Michelle Grabner, ‘Cut Out and Keep’, frieze, September 1998

Laurie Attais, ‘619 KBB 75’, frieze, April 1998

Elizabeth Mahoney, ‘Inbreeder’, Art Monthly, April 1998

Roy Exley, ‘Raids on the Beautiful’, Contemporary Visual Arts, no.17, February 1998

Louisa Buck, Interview, The Art Newspaper, January 1998

John Windsor, ‘Dramatic ceramics reveal potted histories’, The Independent, 21 April 1998

Adam McEwen, ‘Simon Periton: Sadie Coles’, zingmagazine, no.2, Winter 1997

David Lillington, ‘Simon Periton’, Metropolis M, no.5, October-November 1997

Sacha Craddock, ‘Around the London Galleries’, The Times, 15 July 1997

Words and Pictures, Issue 10 (artist’s edition), November 1997

Padraig Timoney, Review, Art Monthly, July-August 1997

Kate Bernard, Evening Standard, Hot Tickets, 10 July 1997

Kate Bernard, Evening Standard, Hot Tickets, 15 May 1997

David Burrows, ‘Popocultural’, Art Monthly, December 1996

Melissa E. Feldman, ‘21 Days of Darkness’, Art Monthly, April 1996

David Barrett, ‘Kiss This’, Art Monthly, April 1996

Simon Grant, ‘World Cup Karaoke’, Art Monthly, September 1994

J.Marchant, ‘Das ist Gell!’, G Spot magazine, August 1994

Conor Joyce, ‘Modern Art’, Art Monthly, February 1993

Michael Corris, ‘Simon Periton’, Artforum, December 1992

Michael Corris, ‘Invisible/w.Attitude’, Artforum, May 1992

‘Hope Project’, Frieze, October 1991

D. Lillington, Time Out, April 1991

Artforum, November 1990

A. Festive, Artscribe, November 1990

Andrew Renton, Blitz, October 1990

J. Hall, ‘Brash escape from dreary inertia’, The Sunday Correspondent, August 1990

D. Lillington, Time Out, July 1990