Solo Exhibitions
| 2024 |
House, Matthew Brown, Los Angeles CA, USA |
| 2023 |
I’m a Restaurant, Andrew Kreps, New York NY, USA |
| 2021 |
The Fastest Boy In The World, Andrew Kreps Gallery, New York NY, USA Eggs For Breakfast and Bird In A Blanket, The Club, Tokyo, Japan Oranges vs Them, HOMEWORK #6, Sadie Coles HQ online and Sadie Coles HQ, Kingly Street viewing room, London, England |
| 2020 |
House, Gavin Brown’s enterprise, New York NY, USA |
| 2019 |
Tenants Like These, Sadie Coles HQ, Davies Street, London, England |
| 2018 |
Nocturne, As Taught, The Shop at Sadie Coles HQ, London, England |
| 2017 |
Time for an Early Mark, Christine König Galerie, Vienna, Austria, curated by Moritz Wesseler as part of ‘curated by vienna 2017’ |
| 2016 |
Two Things About Suffering, Sadie Coles HQ, Kingly Street, London, England Mice, Kölnischer Kunstverein, Cologne, Germany |
| 2015 |
Tel Aviv Museum of Art, Tel Aviv, Israel Multi Colored Blue, Gavin Brown’s enterprise, Rome, Italy Ones, mother’s tankstation, Dublin, Ireland |
| 2014 |
Sensitivo, Kölnischer Kunstverein, Cologne, Germany Puddles, Peep-Hole, Milan, Italy mother’s tankstation, Dublin, Ireland Hat On Hook, Disjecta Contemporary Art Center, Portland OR, USA |
| 2013 |
Five Minutes Before, South London Gallery, London, England here, here and here, Kunsthalle Zürich, Zurich, Switzerland |
| 2012 |
Untitled (Ticket Shack), Frieze Projects, Frieze, New York NY, USA by foot, by car, by bus, Gavin Brown’s enterprise, New York NY, USA Untitled (Good & Bad), The High Line, New York NY, USA |
| 2011 | A To Z (that stops at Q), Art Statements, Art 42 Basel, Basel, Switzerland, with mother’s tankstation, Dublin, Ireland |
| 2010 |
Doctor, Dog, Sandwich, mother’s tankstation, Dublin, Ireland |
| 2008 | Geraniums, Rivington Arms, New York NY, USA |
Group Exhibitions
| 2024 |
PROGRAM, Matthew Brown, New York NY, USA Drawing Biennial 2024, Drawing Room/Tannery Arts, London, England |
| 2022 |
The Drawing Center 2024 Benefit Auction, The Drawing Center, New York NY, USA On The Nature of Things, Andrew Kreps Gallery, New York NY, USA Blade Memory II, Dortmunder Kunsteverein, Dortmund, Germany World(s), Wrocław 2022 Drawing Triennial, Wrocław Contemporary Museum, Wrocław, Poland REPEATER, Sadie Coles HQ, Kingly Street, London, England |
| 2021 |
The Still Point, kudan house, Tokyo, Japan Grouper, Broadway Gallery, New York NY, USA |
| 2020 |
Loving Art. Making Art, various sites, Tel Aviv, Israel 100 Drawings from Now, The Drawing Center, New York NY, USA There Will Come Soft Rains, Candice May, New York NY, USA Beauty Can Be the Opposite of a Number, Bureau Gallery, New York NY, USA |
| 2019 |
The Annotated Reader, The Fruitmarket Gallery, Edinburgh, Scotland (touring) Platforms: Commissions and Collection, Walker Art Center, Minneapolis MN, USA |
| 2018 |
Adam McEwen Selects: Exhibition and Sale to Benefit the Foundation for Contemporary Arts, Gladstone Gallery, New York NY, USA Annotated Sax Compendia, Great Yarmouth train station and town, Great Yarmouth, England do it, KIA Kalamazoo Institute of Arts, Kalamazoo MI, USA (touring) Lûd, Rijsterbos, Rijs, The Netherlands CONDO: Shanghart Gallery hosting Sadie Coles HQ, London, Shanghart Gallery, Shanghai, China do it, Clay Center for Arts and Sciences of West Virginia, Charleston WV, USA (touring) Unlimited, Art Basel, Basel, Switzerland do it, Mobile Museum of Art, Mobile AL, USA (touring) |
| 2017 |
Satellite TV, Tetsuo's Garage, 8-10 Yasukawa, Nikko, Japan made on the table, Sadie Coles HQ, Davies Street, London, England 99 Cents or Less, MOCAD Museum of Contemporary Art Detroit, Detroit MI, USA Off Road, Zeno X Gallery, Antwerp, Belgium Berlin Show #5: Collectors' Loop, Galeria Plan B, Berlin, Germany do it, Ilmin Museum of Art, Seoul, South Korea (touring) |
| 2016 |
Question the Wall Itself, Walker Art Center, Minneapolis MN, USA Take Me (I'm Yours), Jewish Museum, New York NY, USA solo: a group show, Nuovo Spazio di Casso, dolomiti contontemporanee, Casso, Italy finding Ling-Ling’s head: Verhaegen family collection – Part II, Cookie Butcher, Antwerp, Belgium FACE TO FACE, Palazzo Fruscione, Salerno, Italy The Mud of Compound Experience, with mother’s tankstation and Leo Xu Projects, Hong Kong
THE PAGAD, Massimo De Carlo, Milan, Italy |
| 2015 |
Walter Benjamin: Exilic Archive, Tel Aviv Museum of Art, Tel Aviv, Israel Pestilent Unground; Epidemic Openness, STATION, South Yarra, Australia Chapter 2: Collecting Lines, Drawings from the Ringier Collection, Villa Flora, Winterthur, Switzerland Chapter 1: Collecting Lines, Drawings from the Ringier Collection, Villa Flora, Winterthur, Switzerland Possible Collection, Hono lulu, Zurich, Switzerland A Sentimental Education, Galerie Andreas Huber, Vienna, Austria Call and Response, Gavin Brown’s enterprise, New York NY, USA |
| 2014 |
Theater Objects: A Stage for Architecture and Art, LUMA Westbau, Zurich, Switzerland I bought a hyacinth flower with lots of leaves, just to make me feel like spring, Karma International, Zurich, Switzerland Rockaway!, Fort Tilden and Rockaway Beach, New York NY, USA, curated by MoMA PS1 A Needle Walks into a Haystack, Liverpool Biennial 2014, Liverpool, England Apparition, Sommer Contemporary Art, Tel Aviv, Israel Another, Once Again, Many Times More, Martos Gallery, East Marion NY, USA Ambulance Blues, Basilica Hudson, Hudson NY, USA Glass Puzzle, Simone Subal Gallery, New York NY, USA …/ Forever Young, Galerie Catherine Bastide, Brussels, Belgium Never Enough: Recent Acquisitions of Contemporary Art, Barrel Vault and Hanley, Lamont, Rachofsky, and Stoffel Galleries, DMA Dallas Museum of Art, Dallas TX, USA 2014 Whitney Biennial, Whitney Museum of American Art, New York NY, USA (cat.) Work Order, Change Order, Mitchell-Innes & Nash, New York NY, USA video screening 25, Galleria Zero, Milan, Italy Listen up!, New Delhi, India, curated by Diana Campbell Betancourt and Tim Goossens do it, Crawford Campus Center Gallery, Episcopal Academy, Delaware County PA, USA (touring) do it, Anne & Gordon Samstag Museum of Art, Adelaide, Australia (touring) do it, Michaelis School of Fine Art, University of Cape Town, Cape Town, South Africa (touring) do it, The Galleries at Moore College of Art & Design, Philadelphia PA, USA Park, Krymskaya Embankment, Moscow, Russia (touring) do it Moscow, Garage Centre for Contemporary Arts, Moscow, Russia (touring) do it, UMOCA Utah Museum of Contemporary Art, Salt Lake City UT, USA (touring) |
| 2013 |
Trust (A Mi Izquierda), Balice Hertling, Paris, France PIZZA TIME!, Marlborough Broome Street, New York NY, USA Empire State, New York Art Now, Galerie Thaddaeus Ropac, Paris, France An-Americana, co-organized by the American Academy in Rome and Depart Foundation, American Academy in Rome, Rome, Italy The Encyclopedic Palace, 55th International Art Exhibition, Venice Biennale, Venice, Italy do it, Stacion-Center for Contemporary Art Prishtina, Prishtina, Kosovo (touring) do it, Samek Art Gallery, Bucknell University, Lewisberg PA, USA (touring) do it, Manchester International Festival, Manchester Art Gallery, Manchester, England (touring) do it (party), transit, Budapest, Hungary (touring) do it, MU Artspace, Eindhoven, The Netherlands (touring) do it, Socrates Sculpture Park, New York NY, USA (touring exhibition until 2019) Empire State: New York Art Now, Palazzo delle Esposizioni, Rome, Italy Commercial Break Anonymous Gallery / Garage Projects, Mexico City, Mexico The Assistants, David Kordansky Gallery, Los Angeles CA, USA (cat.) Ground Control to Major Tom, Cookie Butcher, Verhaegen Collection, Antwerp, Belgium Rothfeld Collection of Contemporary Israeli Art, Katzen Arts Center American University Museum, Washington DC, USA Desert Plains and Internet Memes, Art:Concept, Paris, France Yes I will Yes, Matthew Dipple, American Contemporary, New York NY, USA None of This Was Supposed to Happen, Viafarini, Milan, Italy |
| 2012 |
Programme video quotidian: Uri Aran, E’cole de Recherche Graphique, Brussels, Belgium You Should’ve Heard Just What I Seen: Selections from the collection of Martin and Rebecca Eisenberg, Riverview School, Cape Cod MA, USA THE LOG-O-RITHMIC, GAMeC Galleria d’Arte Moderna e Contemporanea di Bergamo, Bergamo, Italy with Elizabeth Neel, I mean orange, STUDIOLO, Zurich, Switzerland (cat.) Vers la lune en passant par la plage (To the Moon via the Beach), Amphitheatre of Arles, Arles, France MARCH, Sadie Coles HQ, South Audley Street, London, England Beautiful Potential, mother’s tankstation, Dublin, Ireland Tommy Hartung & Uri Aran, White Flags Projects, St. Louis MO, USA Untitled (Good & Bad), Friends of the Highline, New York NY, USA |
| 2011 |
Screening Room: Cologne, Kölnischer Kunstverein, Cologne, Germany Heads with Tails, Harris Lieberman, New York NY, USA, curated by West Street Gallery Commercial Break, Garage Projects, 54th International Art Exhibition, Venice Biennale, Venice, Italy After images, Jewish Museum of Belgium, Brussels, Belgium A Hole Is To Dig, Office Baroque Gallery, Antwerp, Belgium Partoftheprocess4, Galleria Zero, Milan, Italy with Liam Gillick, No More Presence 2, The Artist's Institute, New York NY, USA Numerator and Denominator, Herzliya Museum of Contemporary Art, Herzliya, Israel |
| 2010 |
Painting and Sculpture: To Benefit the Foundation for Contemporary Arts, Lehmann Maupin, New York NY, USA It’s All American, NJMoCA New Jersey Museum of Contemporary Art, Asbury Park NJ, USA Wait For Me at the Bottom of the Pool, Matos Gallery – Summer Location, Bridgehampton NY, USA, organised by Bob Nickas The Coke Factory, Ritter/Zamet, London, England with Liam Gillick, 1848!!!, Esther Schipper, Berlin, Germany with Tommy Hartung, Greater New York, MoMA PS1, New York NY, USA Knight’s Move, Sculpture Center, New York NY, USA 5 Videos, West Street Gallery, New York NY, USA with Liam Gillick, No More Presence, Gresham’s Ghost, New York NY, USA Gr0up Sh0w, Taxter & Spengemann, New York NY, USA Manamal, Herzliya Museum of Contemporary Art, Herzliya, Israel |
| 2009 |
The Living And The Dead, Gavin Brown’s enterprise, New York NY, USA The Kings County Biennial, Kidd Yellin Gallery, Brooklyn NY, USA TIME – LIFE 2, Taxter & Spengemann, New York NY, USA The Fuzzy Set, LA><ART, Los Angeles CA, USA Odeon, Ritter/Zamet, London, England |
| 2008 |
Closer Now, Rivington Arms, New York NY, USA Controversy of The Common Experience, SOIL, Seattle WA, USA SINGULAR FRIENDS, 41 Wooster, New York NY, USA FRIENDLY, CRG Gallery, New York NY, USA New Work, Mesler & Hug, Los Angeles CA, USA YES, AR/Contemporary, Milan, Italy PRUESSPRESS 1, Rental, New York NY, USA Sunshine, Ritter/Zamet Gallery at Rental, New York NY, USA CRG Open Video Series, CRG Gallery, New York NY, USA On Paper, Moti Hasson Gallery, New York NY, USA |
| 2007 |
Loot from Wars of Nationalist Aggression, Passerby, Gavin Brown’s enterprise, New York NY, USA Wu tang/Googolplex show, Passerby, Gavin Brown’s enterprise, New York NY, USA Dutch Elm Disease, Passerby, Gavin Brown’s enterprise, New York NY, USA Artists' Cinema, Henry Art Gallery, Seattle WA, USA with Jeremy Eilers, New Misunderstandings: Return of the Same, Moti Hasson Gallery, New York NY, USA Beyond the Pale, Moti Hasson Gallery, New York NY, USA |