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Helen MartenGood Judges: four beer, two cocktail (thinnest lines), 2023nylon paint on fabric, stained ash, powder coated aluminiumscreenprint: 290 x 230 x 8.5 cm / 114 ⅛ x 90 ½ x 3 ⅜ in.© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.Photo: Katie Morrison -
Helen MartenWriting A Play (dark blue orchard), 2023CGI animation, sounddur: 27 min, 50 secInstallation view, Writing a Play (dark blue orchard), Curzon Cinema Bloomsbury, London, 12 October 2023
© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.
Photo: Arthur Gray
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Helen MartenThird Moment Profile, 2022welded steel, stitched fabric, wire cable, reinforcement couplers551.6 x 2529.1 x 1187.5 cm / 217 ⅛ x 995 ¾ x 467 ½ in.© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.Photo: Eva Herzog
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Helen MartenThe Melancholy of Resistance, 2022cast resin with marble dust, cast painted pewter, eye hooks, string, cotton, tea bag labels, gemstones, wooden fruit box, dry transfers, cellophane candy wrappers, mixed hardwoods, cast plaster, foil, glass beads, paper, fabric, embroidery, steel58 x 211 x 131 cm / 22 ⅞ x 83 ⅛ x 51 ⅝ in.© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.Photo: Eva Herzog -
Helen MartenThe Almost Horse (U), 2022cellulose paint on aluminium, epoxy resin on maple, aluminium, cast chemically patinated bronze, lampwork glass58.3 x 101.3 x 4.2 cm / 23 x 39 ⅞ x 1 ⅝ in© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.Photo: Eva Herzog -
Helen MartenTwo Regimes of Madness (Professor Lichen), 2021nylon paint on fabric, aluminium, ash frame, steel, maple, fabric, zips, cross-stitch embroidery, mixed hardwood, cast Jesmonite, cotton spools, watercolour on paper, curved needles, dried orange peel, stainless pins, glass beads, clay marbles, purple sand, paper, dry transfers, bottle caps, dyed chamois leather, sponges, plastic bowl, steel buttons, steel rebarsite size: 300 x 240 cm / 118 ⅛ x 94 ½ in.© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.Photo: Eva Herzog
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Helen MartenUntitled, 2021watercolour and nylon ink on papersite size: 20.5 x 24.2 cm / 8 ⅛ x 9 ½ in.© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.Photo: Eva Herzog -
Helen MartenThe Age in which we Love (bulging the house), 2021nylon paint on fabric, aluminium, ash frame, MDF, steel, plywood, dry transfers, silkscreened MDF, milled modelboard, embroidered fabricsite size: 300 x 240 cm / 118 ⅛ x 94 ½ in.© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.Photo: Eva Herzog -
Helen Marten1094 bones, 2018nylon paint on fabric, stained ash, cast jesmonite, pencil, enameloverall size: 310.3 x 264 x 9.5 cm122 1/8 x 104 x 3 3/4 in.© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London
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Helen MartenUntitled, 2017coloured pencil, graphite, enamel and pressed leaves/flowers on papersite size: 21 x 29.7 cm / 8 1/4 x 11 3/4 in
frame size: 26.6 x35.3 x 3.2 cm / 10 1/2 x 13 7/8 x 1 1/4 in.© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.Photo: Robert Glowacki -
Helen MartenAir rights (Weatherology), 2016mixed media420.0 x 520.0 x 70.0 cm
165 1/4 x 204 5/8 x 27 1/2 in.© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.Photo: Annik Wetter -
Helen MartenWax rehearsal, 2016mixed media262.0 x 382.0 x 57.0 cm
103 1/8 x 150 3/8 x 22 3/8 in.© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.Photo: Annik Wetter
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Helen MartenExfoliating curve lines (total cushioning), 2014Glazed ceramic; cast rubber; yoghurt pot; cross stitch; fabric; swim caps; fimo; copper wire; sugar shaker; sawdust; saw blade; zip pull; welded steel; sponges; red balloon; black sand; tap measure ribbon154.0 x 102.0 x 99.0 cm
60 5/8 x 40 1/8 x 38 15/16 in.© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.Photo: Annik Wetter -
Helen MartenUnder blossom: C. is the master, 2014screen printed suede, leather and waxed cotton, pressed Formica, ash, cherry, walnut, welded galvanised steel, glazed ceramic, strings, cast bronze and aluminium, coloured pencil drawing under resin269.0 x 334.0 x 8.0 cm
105 7/8 x 131 7/16 x 3 1/8 in.© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.Photo: Annik Wetter -
Helen MartenPart offering (hit the mahogany), 2014acrylic silk-screen and hand painting on punched and textured leather in stained ash frame; powder coated cast aluminium; black fluff278.0 x 210.0 x 12.5 cm
109 7/16 x 82 5/8 x 4 7/8 in.© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.Photo: Annik Wetter
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Helen MartenFull of frozen food, 2014Welded, bent and powder coated stainless steel; hardwood; tray; leaves; perfume bottle; printed Tyvek; ballchain; dried flowers; sandblasted aluminium; oyster shells; beetles; vinyl; stitched fabric; zips; welded chromed nuts and bolts; eggs; latex; water302.5 x 273.0 x 210.0 cm
119 1/16 x 107 7/16 x 82 5/8 in.© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.Photo: Annik Wetter -
Helen MartenAlive at five, 2012digitally printed wallpaper from Illustrator drawing; cans of olive oildimensions variable:500 x 104 x 12 cm196 ¾ x 41 x 4 ¾ in.© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London -
Helen MartenEvian Disease, 2012 (film still)digital video fileduration: 28 min, 45 secInstallation view, Helen Marten, Evian Disease, Palais de Tokyo, Paris, 17 October 2012 – 7 January 2013© Helen Marten. Courtesy the Artist and Sadie Coles HQ, London.Photo: Jean-Philippe Humbert
