Monographs
2023 |
Evidence of Theatre (New York (NY): Greene Naftali limited edition booklet, 2023) |
2022 |
Third Moment Profile | The Almost Horse (London: Sadie Coles HQ limited edition booklet, 2022) |
2021 |
Therefore, An Ogre (New York NY: Greene Naftali limited edition booklet, 2021) Sparrows On the Stone (London: Sadie Coles HQ limited edition booklet, 2021) |
2016 |
Travis Jeppesen, Eileen Myles, and Brian Dillon, Helen Marten: Drunk Brown House (Koln: Walther Koenig, 2016) Susanne Pfeffer (ed.), Diedrich Diederichsen, Johanna Burton, Helen Marten: Parrot Problems (Cologne: Koenig Books) |
2015 |
Helen Marten, Ringier: A Work by Helen Marten (Zurich: JRP Ringier, 2015) |
2013 |
Tom Eccles, Beatrix Ruf, and Polly Staple, Helen Marten: Olive (Zurich: JRP Ringier, 2013) |
2012 |
Helen Marten, Helen Marten: Plank Salad (London: Chisenhale Gallery, 2012) |
Selected Publications
2023 |
Roger Malbert and Claire Gilman, Drawing in the Present Tense (London: Thames and Hudson, 2023) Mark Godfrey and Katy Siegal, Making Their Mark: Art by Women in the Shah Garg Collection (New York (NY): Gregory R. Miller & Co., 2023) |
2022 |
Rosario Guiraldes, Drawing in The Continuous Present (New York (NY): The Drawing Center, 2022) (exh. cat.) Joseph Constable and Elizabeth de Bertier, Hervé Télémaque: A Hopscotch of The Mind (Cologne: Walther und Franz König; Aspen Art Museum; London: Serpentine Gallery, 2022) |
2021 |
Roberta Tenconi, Vicente Todoli and Fiammetta Griccioli (eds), INDEX Maurizio Cattelan (Milan: Pirelli HangarBicocca; Marsilio Editore) |
2020 |
Dakis Joannou (ed.), An Album: Lietta & Dakis Joannou Home Installations 1998-2019 (Athens: Deste Foundation for Contemporary Art, 2020) (exh. cat.) Breaking The Mould – Sculpture by Women Since 1945 (London: Hayward Gallery Publishing, 2020) |
2019 |
Helene Studievic, Valerie Meetias, Marie-Mathilde Bortolotti, and Laruence Goupille (eds.), ‘You’ Collection Lafayette Anticipations (Paris: Musee D’Art Moderne De Paris, 2019) Rebecca Morrill et. al. (eds.), Great Women Artists (London/New York (NY): Phaidon Press, 2019) Luiza Teixeira de Freitas (ed.), There’ll Never Be A Door. You’re Inside: Works from the Coleção Teixeira de Freitas (Madrid: Fundaçion Banco Santander, 2019) (exh. cat.) Daniel Slater, Objects of Wonder: British Sculpture from the Tate Collection 1950s–Present (Berlin: Palais Populaire, 2019) (exh. cat.) Ed Atkins, Ed Atkins : Essays by Thomas Oberender, Helen Marten, Contemporary Art Writing Daily, Steven Zultanski, and Thomas D. Trummer (Bregenz: Kunsthaus Bregenz, 2019) |
2018 |
Staffan Ahrenberg and Miquel Barcelo, Joan Miro (Paris: Cahiers d’Art, 2018) Elsy Lahner, The World on Paper: Deutsche Bank Collection (Franfurt am Main: Deutsche Bank AG, 2018) (exh. cat.) |
2017 |
Judith Blackall (ed.) EuroVisions: Contemporary Art from the Goldberg Collection (Sydney: National Art School, 2017) Louisa Elderton and Rebecca Morrill, Vitamin C: Clay + Ceramic (London: Phaidon Press, 2017) |
2016 |
Tom Eccles and Lauren Cornell, Invisible Adversaries (Annandale-on-Hudson (NY): CCS Bard Hessel Museum, 2016) (exh. cat.) Laura Smith and Linsey Young, Turner Prize 2016: Michael Dean, Anthea Hamilton, Helen Marten, and Josephine Pryde (London: Tate Publishing, 2016) (exh. cat.) Stephanie Rosenthal, The Future Is Already Here: It's Just Not Evenly Distributed (Sydney: Biennale of Sydney Ltd., 2016) (exh. cat.) |
2015 |
Helen Marten and James Cahill, June: A Painting Show (London: Sadie Coles HQ, 2015) (exh. cat.) Fredi Fischliand Niels Olsen, Theater Objects – A Stage for Architecture and Art (Zurich: GTA Verlag, 2015) (exh. cat.) |
2014 |
Mirrorcity: London Artists On Fiction And Reality (London: Hayward Gallery Publishing, 2014) (exh. cat.) |
Artist Writings
2024 |
Hey Frances! A Children’s Book Published By JRP Ringier (Zurich: JRP Ringier) [forthcoming] |
2020 |
Helen Marten, The Boiled in Between (London: Prototype, 2020) |