Hilary Lloyd

Ok darling, show’s over!, Roland Ross, Kent, England 
You want it to be art and I want it to be a magazine, a conversation between HILARY LLOYD AND MANY OF THEM,International Centre for Contemporary Culture, San Sebastian, Spain 

Dog bEar Scarf, Josey, Norwich, England

Chance Encounters V, LOEWE FOUNDATION, Miami FL, USA

Car Park, Sadie Coles HQ, Davies Street, London, England

Bar, BAR, Turin, Italy

Theatre, Focal Point Gallery, Southend-on-Sea, England

Dock Lands, Greene Naftali, New York NY, USA

Awful Girls, Dorich House Museum, Dorich House Fellowship & Dora Volume 1, Kingston, England
Woodall, Temple Bar Gallery & Studios, Dublin, Ireland

Movie, Wilsey Court, de Young Museum, San Francisco CA, USA

Robot, Sadie Coles HQ, London, England

Balfour, Sadie Coles HQ, London, England

Sadie Coles HQ, London, England

Artists Space, New York NY, USA

Raven Row, London, England

Galerie Neu, Berlin, Germany

Tramway, Glasgow, Scotland

Studio #2, Frieze Art Fair, London, England

Le Consortium, Dijon, France

Sadie Coles HQ, London, England

Catch This 2008: New Works from the Arts Council Collection, Longside Gallery, Yorkshire Sculpture Park, Wakefield, England

Waiters, Henry Moore Foundation Contemporary Projects, Venice Biennale, Venice, Italy

Superficial Authenticity: Politics at the Surface, Filet, London, England

REPEATER, Sadie Coles HQ, Kingly Street, London, England

Unhappiness is Treason I, Show me Yours (The Politics of Aesthetics), Filet, London, England

Masculinities: Liberation through Photography, Barbican Centre, London, England; Martin-Gropius-Bau, Berlin, Germany (touring) 

On masculinity, Bonner Kunstverein, Bonn, Kölnischer Kunstverein, Cologne and Kunstverein für die Rheinlande und Westfalen, Dusseldorf, Germany

60 Years, Tate Britain, London, England

Flora + Fauna, Sadie Coles HQ, London, England

Palimpsest, Lismore Castle Arts, Waterford, Ireland

Parcours, Art Basel, Basel, Switzerland

FLIP – About Image Construction, Zwarte Zaal, KASK, Ghent, Belgium

The Policeman’s Beard Is Half Constructed: Art in the Age of Artificial Intelligence, Bonner Kunstverein, Bonn, Germany

Room, Mead Gallery, University of Warwick, Coventry, England

IN A DREAM YOU SAW A WAY TO SURVIVE AND YOU WERE FULL OF JOY: Elizabeth Price Curates, De La Warr Pavilion, Bexhill-on-Sea, England

Grounding Vision: Waclaw Szpakowski, Miguel Abreu, New York NY, USA

Room, Sadie Coles HQ, London, England

Montage, Off Vendome, New York NY, USA

Répétition, Boghossian Foundation – Villa Empain, Brussels

See sun, and think shadow, Gladstone Gallery, New York NY, USA

IN A DREAM YOU SAW A WAY TO SURVIVE AND YOU WERE FULL OF JOY: Elizabeth Price Curates, Whitworth Art Gallery, Manchester, England

The Present and the Probable, Fused, San Francisco CA, USA

Textilities...Once Removed (curated by Gregorio Magnani in dialogue with Rike Frank), Fondazione Antonio Ratti, Como, Italy 

Dora, Stanley Picker Gallery, Kingston University, London, England

Over you / you, 31st Biennial of Graphic Arts Ljubljana, Ljubljana, Slovenia

Images. Strategies of Appropriation, Museum für Gegenwartskunst, Basel, Switzerland

A Singular Form, Secession, Vienna, Austria

Somewhat Abstract, Nottingham Contemporary, Nottingham, England

Schichtwechsel, Nordstern Videokunstzentrum, Gelsenkirchen, Germany

Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern, Bortolami, New York NY, USA

Arts Council Collection Partnership, Aston Hall, Birmingham Museums and Art Gallery, Birmingham, England

Janice Kerbel, Hilary Lloyd, Silke Otto-Knapp, Kölnischer Kunstverein, Cologne, Germany

Remote Control, Institute of Contemporary Arts, London, England

Turner Prize, BALTIC Centre for Contemporary Art, Gateshead, England

Un'Espressione Geografica (A Geographical Expression), Fondazione Sandretto Re Rebaudengo, Turin, Italy

Another Face: Works from the Arts Council Collection, Hatton Gallery, Newcastle upon Tyne, England

Light Camera Action, abc – Art Berlin Contemporary, Berlin, Germany
Make Room: Interventions into the Garman Ryan Collection, The New Art Gallery, Walsall, England

Dispersion, Institute of Contemporary Art, London, England

FILMS, Sadie Coles HQ, London, England

Une saison à Bruxelles, Galerie Neu at dépendance, Bruxelles, Belgium

Art Sheffield 08. Yes, No & Other Options, Sheffield, England

Die Blaue Blume, Grazer Kunstverein, Graz, Austria

Biennale d’Art Contemporain de Lyon, Lyon, France

La Cámara del Eco. Arte Británico, Art from Britain, Echo Room, Alcalá 31, Madrid, Spain

Canal Plus at Vilma Gold: Films, performance, music, Vilma Gold, London, England

ATTITUDE, c/o Atle Gerhardsen, Berlin, Germany

Loveletter, Herald Street, London, England

Never for money, always for love, Grazer Kunstverein, Graz, Austria

Use this kind of sky, Keith Talent Gallery, London, England

I Really Should…, Lisson Gallery, London, England

A Perilous Space, Magnani, London, England

Extended play, Govett-Brewster Art Gallery, New Plymouth, New Zealand

To What End?, Center for Curatorial Studies, Bard College, New York NY, USA

Electric Earth, The State Russian Museum, St. Petersburg, Russia (touring) 

Gareth Jones, Hilary Lloyd, James Pyman, 38 Langham Street, London, England

Happy Outsiders from London and Scotland, Galeria Zacheta, Warsaw, Poland

ABBILD, Steirischer Herbst, Graz, Austria

Videonale 9, Bonner Kunstverein, Germany

Video Evidence, Southampton City Art Gallery, Southampton, England

The seat with the clearest view, Grey Matter Contemporary Art, Sydney, Australia, arranged by Polly Staple 

City Racing 1988 –1998: a partial account, ICA Institute of Contemporary Arts ICA, London, England

Intelligence: New British Art 2000, Tate Britain, London, England

The British Art Show 5, City Art Centre, Edinburgh, Scotland (touring)

Go away: artists and travel, Royal College of Art, London, England

Video Room, L’espace lausannois d’art contemporain, Lausanne, Switzerland

Sweetie, The British School at Rome, Rome, Italy

SuperNova, Stedelijk Museum Bureau, Amsterdam, The Netherlands

Accelerator,Southampton City Art Gallery, Southampton; Arnolfini, Bristol, England

It Took Ages, Bricks'n' Kicks, Vienna, Austria

Camouflage 2000, Galerie Praz- Delavallade, Paris, France

Inbreeder, Collective Gallery, Edinburgh, Scotland

Hilary Lloyd, Jemima Stehli, Brian Dawn Chalkley presents..., City Racing, London, England

Paul Graham, Hilary Lloyd, Richard Phillips, Bronwyn Keenan Gallery, New York NY, USA

Assuming Positions, ICA Institute of Contemporary Arts, London, England

Lovecraft, CCA, Glasgow, Scotland; South London Gallery, London, England

Hilary Lloyd, Jeremy Deller, Nicholas Usansky, Cabinet Gallery, London, England

Some Kind of Heaven: Video Programme, Kunsthalle Nurnberg, South London Gallery, London, England

Multiple Choice, Cubitt Gallery, London, England

Snowflakes Falling on the International Dateline, Casco, Utrecht, The Netherlands

Against, Anthony d'Offay Gallery, London, England

Alex Katz, Hilary Lloyd, Chris Moore, Andy Warhol, Gavin Brown's Enterprise, New York, NY, USA

Life/Live, Musée d'Art Moderne, Paris, France; Centro Cultural de Belém, Lisbon, Portugal

June Trailers, L'Atalantique Café, Milan, Italy

Once Removed, Laure Genillard Gallery, London, England

Karaoke, South London Gallery, London, England

Imprint 93/City Racing, City Racing, London, England

Imprint 93/Cabinet Gallery, Cabinet Gallery, London, England

Something's Wrong, The Tannery, London, England

Matter & Fact, The Collection Gallery, London, England

A Mellow Drama (London: Ublication, 2022)

LOEWE SS21 Womenswear Presentation, Paris, France and London, England

THE PAINTER: A Visual Essay by Hilary Lloyd, frieze, no. 192, January-February 2018, pp. 103 – 109

Arts Council England, England

Leeds Art Gallery, Leeds, England

Museum für Gegenwartskunst, Zurich, Switzerland

Sammlung Goetz, Munich, Germany

Southampton City Art Gallery, Southampton, England

Städtische Galerie im Lenbachhaus, Munich, Germany

Tate Collection, London, England