Jim Lambie

Daniel Baumann, John Giorno, Suzanne Cotter and Sophie Woodward (eds.), Jim Lambie (New York: Skira Rizzoli, 2017) 

John Giorno, Richard Hell, Liz Lochhead and Gerard Malanga (eds.), Jim Lambie: Not Just for Me: A sample of the poetry club (Glasgow: Fruitmarket Gallery, 2014) 

Jim Lambie, Jim Lambie: Unknown Pleasures (Tokyo: Hara Museum of Contemporary Art, 2008) (exh. cat.) 

Rob Tufnell and Will Bradley (eds.), Jim Lambie: Voidoid (Glasgow: Modern Institute; London: Sadie Coles HQ; New York: Anton Kern; Cologne: Buchhandlung Walther Konig, 2004) 

Suzanne Cotter (ed.), Jim Lambie: Male Stripper (Oxford: Modern Art Oxford, 2004) 

Richard Massey, Jim Lambie (Glasgow: Modern Institute; London: Sadie Coles HQ; New York: Anton Kern, 2002) 

Jim Lambie, ZOBOP (London: Showroom Gallery; Glasgow: Transmission Gallery; The Modern Institute, 1999) 

Ayaki Saeki (ed.), Absolute Chairs (Tokyo: Heibonsha Ltd; Saitama: Museum of Modern Art Saitama, 2024) (exh. cat.) 

Felicity Fenner (ed.), Roslyn Oxley9 Gallery: The First 40 Years (Sydney: Formist Editions, 2024) 

Whitney Hintz, Laura Smith (eds.), Fifty Years of Art: The Hiscox Collection 1970-2020 (London: Whitechapel Gallery, 2020) colour illus. p. 45, 210 

An Album: Lietta & Dakis Joannou Home Installations 1998-2019 (Athens: Deste Foundation for Contemporary Art, 2020) 

Jason Beard, Amie Corrie (eds.), Reason Gives No Answers (London: Other Criteria Books, 2019) colour illus., pp. 104-107, 141, 145 (exh. cat.) 

Emily Butler and Candy Stobbs (eds.), Creating Ourselves: The Self in Art (London: Whitechapel Gallery, 2017) (exh. cat.) 

Chris Driessen and Heigi van Mierlo (eds.), Raw Stardust: Excursions in Contemporary Sculpture II (Tilburg: Fundament Foundation, 2011) 

Michael Spens (ed.), Studio International: Yearbook Special Issue 2007, Volume 206, Number 1029 (New York: The Studio Trust, 2007) 

Stephen Feeke, Lisa Le Feuvre and Sophie Raikes (eds.), Undone: Making and Unmaking in Contemporary Sculpture (Leeds: Henry Moore Institute, 2010)

Christian Rattemeyer, The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné (New York: MoMA Museum of Modern Art, 2009) 

Natsumi Araki (ed.), The Kaleidoscopic Eye: Thyssen-Bornemisza Art Contemporary Collection (Tokyo: Mori Art Museum, 2009)

Andrew Renton and Muriel Salem (eds.), Cranford Collection 02 (Guernsey: Cranford Collection, 2009) 

Andrew Renton (ed.), Cranford Collection 01 (Guensey: Cranford Collection, 2008)

David Batchelor (ed.), Documents of Contemporary Art: Colour (London: Whitechapel Gallery, 2008), cover illustration 

Iwona Blazwick (ed.), Reconstruction #2 (New York: Philips de Pury, 2007) 

Rachael Thomas and Philippe Parreno (eds.), All Hawaii Entrées: Lunar Reggae (Dublin: IMMA Irish Museum of Modern Art, 2006) 

Adam Lindemann (ed), Collecting Contemporary Art (Cologne: Taschen Books, 2006) 

James Beard (ed.), In the Darkest Hour There May Be Light: Works from Damien Hirst’s Murderme Collection (London: Serpentine Gallery; Other Criteria, 2006)

Kerstin Finger (ed.), Tape: An Excursion Through the World of Adhesive Tapes (Berlin: Gestalten; Munich: Prestel Publishing, 2005) 

Ackbar Abbas, Ludia Haustein, Doreet LeVite Harten, Sze Tsng Leong, Shaheen Merali, Georg Seeßlen, Tadashi Uchino and Mark Wilsher, About Beauty (Berlin: HKW Haus der Kultruen der Welt; Beijing: Beijing World Art Museum, 2005) 

Florian Illies, Silke Immenga and Ralph Melcher (eds.), Werke Aus Der Sammlung Boros (Karlsruhe: Museum für Neue Kunst, 2004) 

54th Carnegie International (Pittsburgh: CMOA Carnegie Museum of Art, 2004) (exh. cat.) 

Genesis Sculpture (Reims: Domaine Pommery; Paris: Beaux-Arts Magazine, 2004)

Judith Nesbitt & Jonathan Watkins, Days Like These: Tate Triennial Exhibition of Contemporary British Art 2003 (London: Tate Publishing, 2003) (exh. cat.) 

F. Pasini and G. Verzotti, Il racconto del filo: Cucito e ricamo nell’arte contemporanea, (Milan: Skira Rizzoli, 2003) 

Victoria Morton, Julie Roberts and Susan Daniel-McElroy, Painting Not Painting (St Ives (UK): Tate Publishing, 2003) (exh. cat.) 

Emma Mahony, Bad Behaviour from the Arts Council Collection (London: Hayward Publishing, 2003) 

The Unhomely (Cambdridge: Kettle’s Yard, 2003) 

Alice Dewey (ed.), New: Recent Acquisitions of Contemporary British Art (Edinburgh: National Galleries of Scotland, 2003)

Iwona Blazwick and Andrea Tarsia, Early One Morning (London: Whitechapel Art Gallery, 2002) 

Barry Schwabsky, Vitamin P (London: Phaidon Press, 2002) 

Will Bradley, Henriette Bretton-Meyer and Toby Webster, My Head is on Fire, but my Heart is Full of Love (Copenhagen: Charlottenborg Exhibition Hall, 2002) 

Uta Grosenick and Burkhhard Riemschneider (eds.), Art Now (Cologne: Taschen Books, 2002) 

Kate Davis and Rebecca Gordon Nesbitt (eds.), Greyscale/CMYK (Helsinki: NIFCA Nordic Institute for Contemporary Art; Glasgow: Tramway Art Center, 2002)

Katrina M Brown and Rob Tufnell, Here + Now: Scottish Art 1990-2001 (Aberdeen: Aberdeen Art Gallery & Museums; Dundee: DCA Dundee Contemporary Arts, 2001) 

Douglas Fogle and Midori Matsui, Painting at the Edge of the World (Minneapolis: Walker Art Center, 2001) 

Colin Ledwith (ed.), Tailsliding (London: British Council, 2001) 

Dr Helmut Friedhl, SchattenRisse/Shadows, Silhouettes and Cut-outs (Munich: Lenbachaus Kunstbau, 2001)

Pippa Coles, Matthew Higgs & Jacqui Poncelet, The British Art Show 5 (London: Hayward Publishing, 2000)

Matthew Higgs (ed.), Seven Wonders of the World (London: Bookworks, 1999)

Lovecraft (Exeter: Spacex Gallery, 1998)