Gabriel Kuri

Gabriela Jauregui and Kit Hammonds, Gabriel Kuri: Forecast (Milan: Mousse Publishing, 2023) 

Gabriel Kuri, < (Brussels: Triangle Books, 2020) 

Gabriel Kuri, Sorted, Resorted (Cologne: Verlag der Buchhandlung Walther Konig, 2019)

Gabriel Kuri, Reduce to Improper Fraction (Paris: Three Star Books, 2018) 

Keith Park, Sungwon Kim, and Jeesun Park, Gabriel Kuri (Seoul: Kukje Gallery, 2016) (exh. cat.) 

Sofia Hernandez Chong Cuy, Daniel McClean, Heidi Zuckerman, Gabriel Kuri (eds.), Gabriel Kuri: With Personal Thanks to Their Contractual Thingness (Aspen (CO): Aspen Art Press, 2015) 

Gabriel Kuri: An Old Niche for Your New Need (Berlin: Esther Schipper Gallery, 2015) (exh. cat.)

Gabriel Kuri, All Probability Resolves into Form (Milan: Mousse Publishing, 2014) 

Gabriel Kuri, Gabriel Kuri: Bottled Water Branded Water, (Paris: Parc Saint Léger Centre d’Art Contemporain and Onestar Press, 2013) 

Caroline Käding and Thomas Thiel (eds.), Gabriel Kuri: Join the dots and make a point (Berlin: Sternberg Press, 2011) (exh. cat) 

Gabriel Kuri, Consummation Breakdown (Paris: onestar press, 2011) 

Gabriel Kuri, Gabriel Kuri: Before Contingency After the Fact (London: South London Gallery, 2011) 

Claudia Schmuckli, Elena Filipovic and Abraham Cruzvillegas (eds.), Gabriel Kuri: Nobody Needs to Know, the Price of your Saab (Houston (TX): Blaffer Art Museum / University of Houston, 2010) (exh.cat) 

Vincenzo de Bellis, Letizia Ragaglia and Catherine Wood (eds.), Gabriel Kuri: Soft Information in Your Hard Facts (Milan: Mousse Publishing, 2010) (exh. cat) 

Gabriel Kuri, Gabriel Kuri: 3.66% of 3.66% (Turin: Galleria Franco Noero, 2009) (exh.cat)

Marcella Becaria and Mercedes Vicente, Gabriel Kuri – and thanks in advance (New Plymouth: Govett-Brewster Art Gallery, 2007) (exh.cat) 

Jessica Morgan, Gabriel Kuri: Suggested Taxation Scheme (Amsterdam: Roma Publications, 2007) 

Gabriel Kuri, EN CUENTA (Ghent: Imschoot Publishers, 2006) 

Maxine Kopsa, Gabriel Kuri and Dieter Roelstraete, Gabriel Kuri: Compost Index (Amsterdam: Roma Publications, 2005) 

Francesco Bonami, Gabriel Kuri. Tirana Biennale 1: Escape, 2001 (Milan: Giancarlo Politi Editore, 2002) 

Gabriel Kuri and Matthew Higgs, Plan De San Lunes (Mexico City: La Colección Jumex, 2000) (exh. cat.)

Branden Wayne Joseph and Drew Sawyer, Copy Machine Manifestos: Artists Who Make Zines (London: Phaidon Press; New York (NY): Brooklyn Museum, 2023) 

Inés Katzenstein (ed.), Chosen Memories: Contemporary Latin American Art from The Patricia Phelps De Cisneros Gift And Beyond (New York (NY): The Museum of Modern Art, 2023) (exh. cat.) 

Julie Boukobza, KOLÈ SÈRÈ: Nicole Gravier, Anthea Hamilton, Gabriel Kuri, Sarah Ortmeyer, Martha Rosler (Koln: Braunsfelder Köln, 2021) 

Information (Today) Reader (Basel: Kunsthalle Basel, 2021) (exh. cat.)

Gilane Tawardos, The Sphinx Contemplating Napoleon (London: Bloomsbury Publishing, 2020) 

Gabriel Kuri, Olivier Vandervliet, and Gretar Gunnlaugsson, Signe Inférieur À (Brussels: Triangle Book, 2020) 

Luiza Teixeira de Freitas (ed.), There’ll Never Be A Door. You’re Inside: Works from the Coleção Teixeira de Freitas (Madrid: Fundaçion Banco Santander, 2019) (exh. cat.) 

Emily Butler and Candy Stobbs (eds.), Creating Ourselves: Works from the ISelf Collection (London: Whitechapel Gallery, 2017)

John Bock, Max Hollein, Martina Wein-hart, Anja Osswald, Lea Schleiffenbaum, and Ulf 

Erdmann Ziegler, ICH (Cologne: Verlag der Buchhandlung Walther Konig, 2016) 

Simon Lamunière, Domaine Du Muy: Parc De Sculptures Contemporaines = Contemporary Sculpture Park (Le Muy: Domaine du Muy, 2016) 

Johan Holten, Gutes Böses Geld Eine Bildgeschichte der Ökonomie = Money, Good And Evil (Bielefed: Kerber Verlag, 2016)

Jesse Benson and Shana Lutker, The Benefit of Friends Collected, Vol. 2 (Los Angeles (CA): Project X Foundation for Art & Criticism, 2015) 

Sarit Shapira (ed.), Babel: Works from the Igal Ahouvi Art Collection (Tel Aviv: The Igal Ahouvi Art Collection, 2015) 

George Baker, Ann Goldstein, Michael Maltzan and Shaun Caley Regen, Regen Projects 25 (New York (NY): Prestel, 2015) 

Jorge Fernández Torres (ed.), 12th Havana Biennial (San Marino: Maretti Editore, 2015) 

Katrina M. Brown, Kitty Anderson, and Maria Fusco, The Persistence of Objects (Lismore: Lismore Castle Arts, 2015) (exh. cat.) 

Chromosone Damage (London: The Drawing Room; Barcelona: RM Verlag, S.L., 2015) 

Kaytie Johnson, Strange Currencies: Art & Action In Mexico City, 1990-2000 (Philadelphia (PA): The Galleries at Moore College, 2015) 

Eduardo Abaroa, Tatiana Cuevas, Néstor Garcia Canclini, and Susan Hiller, Traces and Remains (Mexico City: Colección Isabel y Agustín Coppel, 2014) 

Christine Macel (ed.), A History. Art, Architecture, Design from the 1980s Until Today (Paris: Centre Pompidou / Flammarion, 2014) 

Connie Butler and Michael Ned Holte, Made in L.A. 2014 (New York (NY): Prestel, 2014)

Johan Holton and Friedrich Meschede, For the Time Being (Cologne: Verlag Der Buchhandlung Walther Konig, 2013) 

Michael Wilson, How to Read Contemporary Art (London: Thames & Hudson, 2013)

Timothée Chaillou (ed.), Only Parts of Us Will Ever Touch Parts of Others (Paris: Galerie Thaddaeus Ropac, 2012) 

Unmonumental: The Object In The 21st Century (London: Phaidon Press, 2012) 

Francesco Bonami and Stefano Collicelli Cagol (eds.), Un' Espressione Geografica (Milan: Mousse Publishing, 2011) 

Pour Un Art Pauvre (Paris: Archibooks, 2011) 

Eileen Daly, Bloomberg New Contemporaries 2010 (London: New Contemporaries, 2011)

Achim Borchardt-Hume, Keeping It Real: An Exhibition In Four Acts From The D. Daskalopoulos Collection (London: Whitechapel Gallery, 2010) (exh.cat) 

Laura Hoptman, Yilmaz Dziewior and Uta Grosenick (eds.), The Art of TOMORROW (Berlin: Distanz, 2010) 

Rubén Ortiz Torres, Transurbaniac: Art, Emotions & Some City Trances (Mexico City: Museo Universitario Arte Contemporáneo, 2010) (exh. cat.)

Vitamin 3-D: New Perspectives In Sculpture And Installation (London: Phaidon Press, 2009) 

Damián. Ortega, Jessica Morgan, and Gabriel Kuri, Do It Yourself (New York (NY): Skira Rizzoli; Boston (MA): Institute of Contemporary Art Boston, 2009) 

Stefanie Kreuzer, Revolutionen Des Alltäglichen : Zeitgenössische Lateinamerikanische Kunst (Nurnberg: Verlag für Moderne Kunst, 2009) (exh. cat.)

Order, Desire, Light: Contemporary Drawing (Dublin: Irish Museum of Modern Art, 2008) (exh. cat.) 

Julie Rodrigues Widholm (ed.), Escultura Social: A New Generation of Art from Mexico 

City (Chicago (IL): Museum of Contemporary Art; New Heaven (CT): Yale University Press, 2007) (exh.cat) 

Richard Flood, Laura Hoptman, Massimiliano Gioni and Trevor Smith, Unmonumental: The Object in the 21st Century (New York (NY): New Museum; Phaidon Press, 2007) 

Commentaries (Glasgow: The Common Guild, 2007) (exh. cat.) 

Elena Filipovic, Let Everything Be Temporary, Or When Is The Exhibition? (New York (NY): Apex Art, 2007) (exh. cat.) 

Doryun Chong and Yasmil Raymond, Brave New Worlds (Minneapolis (MN): Walker Art Center; New York (NY): D.A.P./Distributed Art Publishers, 2007) (exh. cat.)

Gabriel Kuri, In This Colony (Amsterdam: Kunstfort Bij Vijfhuizen, 2005) (exh.cat) 

Jessica Morgan and Bjorn Roth (eds.), Material Time/Work Time/Lifetime (Reykjavik: Morgunbladid, 2005) (exh.cat) 

Andrea Inselmann (ed.), Material Matters (Ithaca (NY): Cornell University; Herbert F Johnson Museum of Art, 2005) (exh.cat) 

Cristina Guerra, Around the Corner (Lisbon: Contemporary Art, 2004) 

Rochell Steiner (ed.), State of Play (London: Serpentine Gallery; PJ Print, 2004) (exh.cat) 

Dan Cameron, Amada Cruz, Jessica Morgan, Ralph Rugoff, Katy Siegel and Neal Benezra, Supernova: Art of the 1990s from the Logan collection (New York (NY): D.A.P. Distributed Art Publishers, 2004)

La Biennale di Venezia (50th International Art Exhibition): Dreams And Conflicts, The Dictatorship Of The Viewer (Venice: La Biennale di Venezia, 2003) (exh. cat.)

Dieter Roelstraete, Sonsbeek 9 (Arnhem: Stichting Sonsbeek, 2001) (exh.cat) 

Jill Martinez Krygowski, Contemporary Projects 4: New Sitings (Los Angeles (CA): Los Angeles County Museum of Art, 2000) 

C/O La Ciudad (Ottawa: SAW, 2000) (exh. cat.) 

New Sitings: Los Angeles County Museum of Art (April 13 – July 9, 2000) (Los Angeles (CA): County Museum of Art Los Angeles, 2000) (exh. cat.)

Matthew Higgs (ed.), Seven Wonders of the World (London: Bookworks, 1999) 

Cuauhtémoc Medina, Postnational and Postpictorial: Five Continents and One City (Mexico City: Instituto de Cultura de la Ciudad de México, 1999) 

Five Continents and One City: Second International Salon of Painting (Mexico City: Gobierno del Distrito Federal, 1999) (exh. cat.)