Jonathan Horowitz

We Fight to Build a Free World: An Exhibition by Jonathan Horowitz (New York (NY): The Jewish Museum, 2020) [e-publication] 

Simon Castets and Jonathan Horowitz, Leftover Paint Abstractions (Brussels: Xavier Hufkens, 2018) (exh. cat.) 

Jonathan Horowitz, Occupy Greenwich (Greenwich (NY): Brant Foundation, 2016) 

Jason Farago and Jonathan Horowitz, Your Land, My Land: Election ’12 (Salt Lake City (UT): UMOCA Salt Lake City; Houston (TX): Contemporary Museum; St. Louis (MO): Contemporary Art Museum; Savannah (GA): Telfair Museum; Raleigh (NC): Contemporary Art Museum; New York (NY): ARTBOOK D.A.P, 2015) (exh. cat.) 

Elizabeth Peyton and Jonathan Horowitz, Secret Life (London: Sadie Coles HQ; Cologne: Buchhandlung Walther König, 2014) 

Jonathan Horowitz, 402 Dots (New York (NY): KARMA Books, 2014) 

Robert Rosenblum, Roy Lichtenstein and Henry Geldzhler, Self Portraits in “Mirror #1” (New York (NY): Gavin Brown Enterprise, 2012) 

Graham Domke, Pati Hertling, and Leslie Kolbrener, Minimalist Works from The Holocaust Museum (Dundee: Dundee Contemporary Arts, 2011) (exh. cat.) 

Jonathan Horowitz, Go Vegan! (New York (NY): Gavin Brown Enterprise; Ecstatic Peace Library, 2010) 

Lionel Bovier and Kelly Taylor, Jonathan Horowitz: And/Or (Zurich: JRP Ringier, 2009) (exh. cat.) 

Jonathan Horowitz, The Universal Calendar (Bonn: Kunstmuseum, 2001) (exh. cat.) 

Jonathan Horowitz, Help Name My Cat (St. Gallen: Kunst Halle Gallen, 2001) (exh. cat.) 

Jonathan Horowitz, Stairmaster Anthology (New York (NY): self-published, 1997) 

Catastrophe and Recovery (Seoul: MMCA National Museum for Modern and Contemporary Art, 2020) (exh. cat.) 

Michael Petry, The Word Is Art (London: Thames & Hudson, 2018) 

Eva Brioschi (ed.), Moving Tales: Video Works From La Gaia Collection (Milan: Mousse Publishing, 2016) (exh. cat.) 

David Moos, Heidi Zuckerman Jacobson, and Juan Roselione-Valadez, Beg Borrow and Steal: Rubell Family Collection (Miami: Rubell Family Collection, 2011) 

Sarah Farrar, The Woods That See and Hear (Amsterdam: Stichting Dertien Hectare, 2010) (exh. cat.) 

Klaus Biesenbach and Georges Bataille, Into Me/ Out of Me (Berlin: Hatje Cantz, 2006) 

Eric Mezil, Figures de l’acteur: Le Paradoxe du comedien, Collection Lambert en Avignon (Paris: Gallimard, 2006) 

Elisabeth Bronfen, Georg Franck, Stefan Grissemann, Matthais Dusini, Siegfried Mattl, Thomas, Meistrgang, Florian Steininger, Martin Zeiller and Heike Eipeldauer, Superstars: Das Prinio Prominenz Von Warhol bis Madonna (Berlin: Hatje Catz, 2005) 

The Wonderful Fund Collection (Cape Town: A4 Arts Foundation, 2005)

Ingvild Goetz, Stephan Urbaschek, and Fernanda Arruda, Fast Forward: Media Art, Sammlung Goetz (Munich: Sammlung Goetz; Ingvild Goetz, 2003) (exh. cat.) 

Dziewior Yilmaz, Establish relationships, Contextualise (Hamburg: DuMont, 2003) 

Love (Bregenz: Magazin 4 Bregenzer Kunstverein, 2003) 

Liam Gillick and Nicolaus Schafhausen, Dark Spring (Kraichtal: Ursula Blickle Stiftung, 2002) 

Tobias Rehberger, Penelope Curtis, Joelle Tuerlinckx, and Keith Wilson, The Object Sculpture (Leeds: Henry Moore Institute, 2002) 

Gerald Matt, Sabine Folie, and Michel Glasmeier, Tableaux Vivants: Lebende Bilder und Attituden in Fotografie,Film und Video (Vienna: Kunsthalle Wien, 2002) 

Diana Ebster, Fritz Emslander, Mike Kelley, Jessica Morgan, Rainald Schumacher, Birgit Sonna, Katharina Sykora, Matthias Winzen, and Katharina Vossenkuhl, Die Wohltat der Kunst: Post/Feministiche Positionen der neunziger Jahre aus der Sammlung Goetz (Cologne: Buchhandlung Walther König, 2002) 

Uta Grosenick and Burkhard Riemschneider, Art Now (Cologne: Taschen GmbH, 2002) 

Jan Hoet and Jeanne Greenberg, Casino 2001: 1st Quadrennial (Ghent: S.M.A.K, 2001) 

Bruce Hainley, Mark Sladen and Barbican Art Gallery, The Americans (London: Booth-Clibborn Editions, 2001) (exh. cat.) 

Joshua Decter, Justin Hoffmann, and Gabriel Mackert, Televisions: Kunst Sieht Fern (Wien: Kunsthalle Wien, 2001) 

Jennifer Allen, Waling Boers, and Bregtje van der Haak, 4free: Ausstellungskatalog, Buro Friedrich (Berlin: Buro Friedrich, 2001) 

Jan Hoet, Over the Edges (Ghent: S.M.A.K, 2000) 

Amy Cappellazo, Making Time: Considering Time As A Material In Contemporary Video & Film (Palm Beach (FL): Palm Beach Institution of Contemporary Art, 2000) (exh. cat.) 

Christian Holler, Pop Facades: Apparatuses and Codifications (Oberhausen: Oberhausen International Short Film Festival, 2000) 

Dieter Ronte, Zeitwenden – Ausblick (Koln: DuMont, 1999) 

Jan Hoet, S.M.A.K. Stedelijk Museum voor Actuele Kunst / Ghent (Ghent: Ludion, 1999) 

Jan Hoet, Creating Space for Looking (Ghent: S.M.A.K,1999) 

Torre de los Vientes, Cambio, Cambio, (New York (NY): Mexican Cultural Institute of New York, 1998) 

Markus Muller and Ulrike Groos, Make it Funky: Crossover Between Music, Pop and Avan-Garde Art (Cologne: Oktagon, 1998) 

Biovoid: Bryan Crockett, Alexandre Estrela, Jonathan Horowitz, Miguel Soares, Julian Laverdiere (Lisbon: Museu de História Natural, 1998) (exh. cat.)

Geoffrey Young, Looky Loo (New York (NY): New York Sculpture Centre, 1995) 

Dan Walworth, Document and Dream (New York (NY): Artists Space, 1989)

Jonathan Horowitz, Bach Two Part Invention #9 (CD Produced by Jonathan Horowitz, 1998)