| 2024 |
Ana Novi, ‘Best of Art Basel 2024: Theaster Gates, Julie Mehretu, Richard Hunt, and More’, Whitewall, 17 June 2024 Matthew Holman, ‘Urs Fischer: ‘I don’t fear anything when I make my large sculptures’’’, The Art Newspaper, 12 June 2024 Louis Jebb, ‘Two (or more) into one: Urs Fischer invites owners of his digital sculptures to have them remade into a new work’, The Art Newspaper, 10 June 2024 Nancy Hass, ‘Can Big Art Make It in Las Vegas? Urs Fischer Weighs In’, The New York Times, 08 June 2024 Anastasiia S. Kirpalov, ‘Why Does Urs Fischer Burn His Sculptures?’, The Collector, 13 April 2024 Amber Smith, ‘Institutional and Gallery Exhibitions on in Venice during the Biennale’, Elephant, 19 April 2024 Anastasiia S. Kirpalov, ‘7 Famous Artists Who Destroyed Their Own Works’, The Collector, 25 April 2024 Hili Perlson, ‘Nine Shows to See in Venice During the Biennale’, Art Basel, 15 April 2024 Kristina Andersson Bicher, ‘The Softer Side of John Chamberlain’, White Hot Magazine, 06 April 2024 Shawn Ghassemitari, ‘Urs Fischer Meditates on the Ephemerality of ‘Beauty’ in Gagosian Exhibition’, Hypebeast, 04 April 2024 ‘Venice’s New Beacon of Contemporary Art: Palazzo Diedo’, Salon Privé, 25 March 2024 ‘Palazzo Diedo opens in Venice, a great new space for contemporary art’, Finestre sull’Arte, 11 March 2024 ‘Urs Fischer to Exhibit New Problem Paintings at Gagosian in Paris’, Martin Cid Magazine, 04 March 2024 Melissa Kravitz Hoeffner, ‘A Beautiful Art Exhibit Is Opening Inside the Tiffany & Co. Landmark Flagship Store’, Time Out, 28 February 2024 Tianna Williams, ‘At Sadie Coles HQ, Artists Bring a Playful Sensuality to Lamps’, Wallpaper, 26 February 2024 Jonathan Griffin, ‘John Chamberlain’s car-crush sculptures deserve a second look’, Financial Times, 06 February 2024 Urs Fischer, ‘“It’s All Fear, No?”: Lena Henke, In Conversation with Urs Fischer’, Interview, 03 January 2024 Colin Dodgson, ‘Urs Fischer by Colin Dodgson’, Middle Plane, No. 8, January 2024, pp. 310 – 333 |
| 2023 |
Sarah Girgis, ‘Artist Urs Fischer Discusses Curating John Chamberlain Exhibition at Aspen Art Museum’, The Aspen Times, 19 December 2023 Ben Luke and David Clack, ‘A Brush With... Urs Fischer’, The Art Newspaper, 06 December 2023 ‘Gagosian and Jeffrey Deitch to Present “Forms,” Group Exhibition Coinciding with Art Basel Miami Beach’, Martin Cid, 22 November 2023 Shawn Ghassemitari, ‘When it Comes to Art: Listen but don’t Listen, says Urs Fischer’, Hypebeast, 19 October 2023 ‘Gagosian Gallery: a Riveting Odyssey of Art At Paris+ Par Art Basel’, Rain, 17 October 2023 Lea Zeitoun, ‘From Urs Fischer to Jean Prouvé, Explore Paris+ Par Art Basel's Public Artwork Program’, Designboom, 16 October 2023 Christina Catherine Martinez, ‘Urs Fischer to unveil a monumental wave in Paris’, Art Basel, 27 September 2023 Steven Vargas, You’re Not Hallucinating: A Massive, AI-Generated Glowing Cube Lands in Beverly Hills’, Los Angeles Times, 24 July 2023 Mark Westall, ‘Urs Fischer Denominator’, FAD Magazine, 17 July 2023 Jason Farago, ‘“Rear View,” a Show About Butts, Is Forward Thinking’, The New York Times, 20 April 2023 Mandi Smith, ‘Exhibition Review: Urs Fischer | Ice Cream Truck Democracy’, Musée, 17 |
|
2022 |
‘The Mighty Egg: a Cultural and Culinary History of our Favourite Household Ingredient’, Independent, 09 December 2022 ‘Dakis Joannou by Urs Fischer for DScene Art Issue’, DesignScene, 17 November 2022 Kathryn Bromwich, ‘Cracked, over-easy or richly symbolic: the humble egg in art – in pictures’, The Guardian, 12 November 2022 Eric Sanders, ‘Urs Fisher: Denominator’, Gagosian, Winter 2022, pp. 94-99 Basia Monka, ‘Play with art’,The Jerusalem Post, 20 August 2022 Christina Petridou, ‘Urs Fischer’s office chairs dance playfully adopting human behaviors’, Designboom, 16 August 2022 Ricky Amadour, ‘Urs Fischer: Museo Jumex, Mexico City, Mexico’, Frieze, No. 228, June/July/August 2022, p.171 Lee Gajin, ‘WONDROUS FISCHER IN PEACELAND’, Public Art, No. 188, May 2022, pp. 72-73 Ricky Amadour, ‘Urs Fischer Spotlights Pluralistic Notions of Love’, Frieze, 28 April 2022 Natasha Gural, ‘‘Urs Fischer Explores ‘Lovers’ Through Monumental Sculpture Connecting With His Vast, Inimitable Oeuvre At His First Solo Show In Latin America’, Forbes, 04 April 2022 India Mahdavi, ‘India Mahdavi's 5 Favourite Works on Frieze Viewing Room’, Frieze, 20 February 2022 ‘A sculpture by Swiss artist Urs Fischer inaugurated in Paris’, La Gazette Drouot, 16 February 2022 Philippe Régnier, ‘Station F inaugurates Urs Fischer’s ‘’Arc’’’, The Art Newspaper, 16 February 2022 |
|
2021 |
Terry Peterson, ‘Urs Fischer will arrive in Mexico by the hand of the Jumex Museum’, Paris Beacon News, 01 December 2021 Jessica Stewart, ‘Urs Fischer’s Sculptures Are Candles That Slowly Melt Away Over Time’, My Modern Met, 14 September 2021 Kevin Brazil, ‘When is a Painting?’, Art-Agenda, 10 September 2021 Shawn Ghassemitari, ‘Urs Fischer’s Latest Exhibition is Literally Melting Away in Paris’ Bourse de Commerce’, Hypebeast, 11 August 2021 Sofia Lekka Angelopoulou, ‘Urs Fischer’s Ephemeral Wax Sculptures Are Burning Inside the Bourse de Commerce in Paris’, Designboom, 11 August 2021 Grace Ebert, ‘A Collection of Wax Sculptures by Artist Urs Fischer Is Burning in the Bourse de Commerce in Paris’, Colossal, 10 August 2021 Nancy Durrant, ‘Art lovers, get set! The exhibitions to see in London galleries and museums this summer’, Evening Standard, 07 July 2021 ‘Agenda: Ouverture de la Bourse de Commerce, Paris’, Numéro art 8, June-September 2021 Madeleine Schwartz, ‘Bourse majeure – Francois Pinault’s palace of art’, Apollo Magazine, 28 June 2021 Joël Gessler, ‘Conditio Humana’ Studio Magazine, No. 2, Spring/Summer, 2021 Eileen Kinsella, ‘Urs Fischer’s First NFT, Which Created Tension With His Longtime Dealer Gagosian, Sold for Nearly 100 Times Its Estimate on the Fair Warning App’, Artnet News, April 12 2021 Felix Bischoff, ‘The Big Interview: Art of the matter: Louis Vuitton and Urs Fischer unite,’ The Week, 04 March 2021 Stephanie Ip, ‘Urs Fischer Gives the Louis Vuitton Monogram and Unexpected Twist’, Prestige, 11 January 2021 Barry Samaha, ‘Louis Vuitton Taps Artist to Urs Fischer for a Whimsical Collection’ Harpers Bazaar, 06 January 2021 Tina Shrike, ‘Urs Fischer Defaces The Iconic Louis Vuitton Logo’, Cultured, 05 January 2021 Adam Jasper, ‘Snail’s Pace: Nature of Robotics: An Expanded Field / EPFL Pavilions’, Spike, No. 68, 2021, pp. 168-169 |
| 2020 |
Lorria Sahmet, ‘Louis Vuitton’s latest collaboration with contemporary artist Urs Fischer is a maximalist’s dream’ Lifestyle Asia, 31 December 2020 Olivier Zahm, ‘When I think about the political in the visual arts, it’s how dreams – new or broken – come alive. That’s where the love is. Art always has room for anything and everybody. Art is whatever you allow it to be, as an artist or a viewer.’ Purple Magazine, Issue ‘Purple Love’ No. 34, October 2020, pp. 250-255 Keith Estiler, ‘Max Ernst and Yves Tanguy’s Surrealist Paintings Displayed in a Desolate NYC Scene’ Hypebeast, 22 September 2020 Carina Fischer, ‘Destruction, Decay and a House Made of Bread: The Wacky and Wonderful Works of Urs Fischer’ Cobo Social, 31 August 2020 Fanny Singer ‘Uncanny Valley: Being Human in the Age of AI’ Frieze Magazine, July/August 2020. p. 124 Joanne Shurvell, ‘London’s Major Commercial Galleries Reopen This Week’ Forbes, 15 June 2020 |
| 2019 |
Galia Armeland, ‘Playing With Mud, Visual Study’, Tripod, No. 2, December 2019 Mayer Rus, ‘Artist Urs Fischer Reveals His Enchanting Home and Garden in Los Angeles’, Architectural Digest, 12 November 2019 Leonidas Kalai, ‘Urs Fischer makes candle portrait of Leonardo DiCaprio for Gagosian show’, Art Critique, 17 October 2019 ‘Urs Fischer casts candle sculpture of Leonardo DiCaprio with his parents in wax’, Design Boom, 16 October 2019 Nate Freeman, ‘Leonardo DiCaprio Had an ‘Open Mind’ When He Commissioned Artist Urs Fischer to Make This Very Unusual Portrait of His Family’, Artnet News, 15 October 2019 Anna Sansom, ‘Urs Fischer makes wax portrait of Leonardo DiCaprio and his family for Gagosian show’, The Art Newspaper, 14 October 2019 Stephanie Eckardt, ‘Urs Fischer Made a Giant Leonardo DiCaprio Candle, Then Lit it on Fire’, W Magazine, 14 October 2019 Arnaud Klein, ‘Inside the making of the Louis Vuitton bag designed by artist Urs Fischer’, Vogue, 08 July 2019 Drew Zeiba ‘Urs Fischer presents a dark domestic fairy tale at the Brant Foundation’, The Architects Newspaper, 28 May 2019 Briony Downes, ‘NGA curator Jaklyn Babington on #askacurator and watching Francesco melt’, Art Guide Australia, 21 May 2019 Sarah Nechamkin, ‘The Enigmatic and Ever-Playful Artist Urs Fischer Shows us his Camera Roll’, Interview Magazine, 25 April 2019 Mark Westall, ‘Urs Fischer: PLAY’, FAD Magazine, 11 April 2019 Genevieve Jacobs, ‘NGA unveils a melting masterpiece for modern times’, Riot Act, 18 March 2019 Li Xia, ‘National Gallery of Australia unveils giant melting wax sculpture’, Xinhua Net, 15 March 2019 Ron Cerabona, ‘National Gallery’s $1 million new acquisition begins melting away’, The Canberra Times, 15 March 2019 Alison Kubler, ‘Urs Fischer: Burning Down the House’, Vault, No. 25, February - April 2019, pp. 54-59 |
| 2018 |
Sasha Grishin, ‘’EuroVisions’ a ‘curious exhibition’ that lacks depth’, The Canberra Times, 03 December 2018 Mazzy-Mae Green, ‘Dasha by Urs Fischer’, Modern Matter, 17 October 2018 Nina Azzarello, ‘autonomously ‘dancing’ office chairs seem to have a life of their own’, designboom, 07 October 2018 TF Chan, ‘Meet the artists integrating themselves into their work at Pinault Collection’, Wallpaper*, September 2018 Peter Libbey, ‘A Life-Size Rhinoceros Sculpture by Urs Fischer Will Go Up in Midtown’, The New York Times, 13 May 2018 Brendan Krisel, ‘Life-Sized Rhino Sculpture Coming to Midtown’, Midtown Manhattan Patch, 12 May 2018 |
| 2017 |
Stephanie Eckardt, ‘If You’ve Ever Had the Urge to Cover Katy Perry’s Face in Clay, Here Is Your Chance’, W Magazine, 17 December 2017 Rachel Corbett, ‘Urs Fischer on his Miami Bus Stop, His Team-up with Katy Perry, and the ‘Most Difficult’ Project of His Life’, Artnet News, 06 December 2017 Fionnuala McHugh, ‘Swiss Artist Urs Fischer: Is he Serious?’, South China Morning Post, 23 April 2017 Ian A Stewart, ‘New Urs Fischer Show Lights a Fire at the Legion of Honor’, San Francisco Magazine, 21 April 2017 Charles Desmarais, ‘The Legion goes Engagingly Modern’, San Francisco Gate, 21 April 2017 John Neylon, ‘Genius Loves Company in Versus Rodin: Bodies Across Space and Time’, The Adelaide Review, 20 April 2017 ‘Review: Urs Fischer – The Kiss at Sadie Coles HQ, Davies Street’, The Tung, 18 February 2017 Hettie Judah, ‘In London, Art That Transforms – While It’s on View’, The New York Times Style Magazine, 06 February 2017 Louisa Buck, ‘Urs Fischer’s Kiss provides anger therapy at Sadie Coles’, The Art Newspaper, 03 February 2017 Alexander Bawden, ‘Urs Fischer: The Kiss at Sadie Coles HQ’, The Upcoming, 03 February 2017 Jethro Turner, ‘An Interview with Urs Fischer about his new show “The Kiss” at Sadie Coles HQ, London’, Purple, 02 February 2017 |
| 2016 |
Marie-Elisabeth De La Fresnaye, ‘Geneva: Urs Fischer and His Pretenses to the Musée d’Art et Histoire’s Rescue’, L’Oeil de la Photographie [The Eye of Photography], 08 July 2016 Ann Binlot, ‘The People’s Pottery: Urs Fischer’s Public Day Making Takes Moscow’, Wallpaper*, 10 June 2016 Jerry Saltz, ‘This 8-Foot Candle Portrait Mesmerized Me’, New York Magazine / Vulture, 16 / 17 May 2016 Jerry Saltz, ‘This 8-Foot Candle Portrait Mesmerized Me’, New York Magazine / Vulture, 16 / 17 May 2016 Urs Fischer, ‘Beyoncé by Urs Fischer’, Garage, 10, Spring–Summer, pp. 67–70 Nate Freeman, ‘Urs Fischer: A Big Fan of Gong Big, Downsizes with show at JTT on the Lower East Side’, ARTnews, 27 April 2016 Beth Marter, ‘Urs Fischer 4 Supreme,’ The Love Magazine, March 2016 |
| 2015 |
Carl Swanson, ‘Can Art School’s Cool Kids Grow up to be Anti-Bullying Activists?’ Vulture, 21 November 2015 Doug Haynes, ‘Surrealism & Contemporary Art’, Garage, 9, Fall–Winter 2015, pp. 144–151 James Reginato, ‘Raising the Bar’, Sotheby’s, June 2015 Urs Fischer and Mina Stone, ‘Cooking for Artists’, Gagosian Gallery, May–August 2015, pp. 153–155 Francesco Blandino, ‘Un Epidemic Immaginario. Urs Fischer a Napoli’, Artribune, 10 May 2015 ‘Urs Fischer’, Wall Street International, May 2015 Urs Fischer in Conversation with Adam McEwen, ‘Art is a Translator, Art is a Friend’, Mousse, 48, April–May 2015, pp. 294–309 ‘Garage No 10: A Special Edition with Urs Fischer + Beyoncé!’ Garage, 10, Spring–Summer 2015 ‘Leeds: Dirty Job Mucking In All In the Name of Art’, Yorkshire Evening Post, 18 February 2015 Alain Elkann, ‘Urs Fischer’, Alain Elkann Interview, 23 January 2015 |
| 2014 |
Roberta Smith, ‘Urs Fischer’, The New York Times, 18 December 2014 Andrew Viglucci, Siobhan Morrissey, Jane Woolridge, ‘Happy Art, Happy People at Art Basel Miami Beach’, Miami Herald, 04 December 2014 M. Lax, ‘Urs Fischer at Sadie Coles HQ’, Art Observed, 15 August 2014 Victoria Sadler, ‘Review: The Human Factor at the Hayward Gallery’, The Huffington Post Blog, 07 August 2014 ‘Urs Fischer: Lever House Art Collection, New York’, Gagosian Magazine, Summer 2014, p. 103 ‘Art Basel 45 Retains its Supremacy in the Art Marketplace’, Artlyst, 23 June 2014 Scott Reyburn, ‘A Shadow Market at Art Basel’, The New York Times, 22 June 2014 Lynn Hirschberg, ‘The Art of Being Pharell’, W Magazine, May 2014 Brienne Walsh, ‘Urs Fischer’, ArtReview, Summer 2014, p. 155 Alexander Fury, ‘Show and Teller’, The Independent, 08 February 2014 Nicholas Cullinan, ‘Urs Fischer’s Objects and Images’, Parkett, No. 94, 2014, pp. 52–62 |
| 2013 |
Adrian Searle, ‘Urs Fischer: The Artist Who’s Made a Giant Rainbow Rainstorm Out of Clay’, The Guardian, 25 November 2013 Jan Tumlir, ‘Urs Fischer: Museum of Contemporary Art, Los Angeles’, ArtForum, October 2013, pp. 286–287 Olu Odukoya, ‘Girls, Old and New’, Modern Matter, Autumn/Winter 2013 Gerald Matt, ‘Museum of Contemporary Art, Los Angeles: Urs Fischer in Conversation’, Gagosian Magazine, Summer 2013, pp. 97–103 ‘Urs Fischer. Yes’, The Wall Street Journal, 11 June 2013 Christopher Knight, ‘Urs Fischer’s grand gestures come up short at MOCA’ Los Angeles Times, 25 April 2013 Andrew Mckie, ‘Sculpting to His Own Beat’, The Wall Street Journal, 13April 2013 |
| 2012 |
Barbara Casavecchia, ‘Review: Urs Fischer’, Art Review, Summer 2012, p. 146 Jonathan Griffin, ‘The Reluctant Interviewee’, The Art Newspaper, April 2012 Kevin MacGarry, ‘Out There: Urs Fischer’s Really Big Problems’, The New York Times Magazine, 01 March 2012 Roxana Azimi, ‘Keeping Up with Pinault’, Modern Painters, March 2012, p.90 Sarah Douglas, ‘Bed Piece: Visiting Urs Fischer’s New York Studio’, Gallerist New York, 24 February 2012 Michael Nevin, ‘Problem Paintings’, The Journal, 32, 2012, pp. 26–37 |
| 2011 |
Roberta Smith, ‘Urs Fischer’, The New York Times, 04 November 2011 James Clegg, ‘Urs Fischer and Georg Herold: Modern Institute, Glasgow’, ArtReview, 52, September 2011, pp. 168–169 Kaelen Wilson-Goldie, ‘Reviews’, Frieze, 141, September 2011, p.197 Mark Prince, ‘Urs Fischer: Sadie Coles HQ’, Flash Art, January–February 2011, p.98 |
| 2010 |
Maria de la Hoz, ‘Representacion Normalizada a Traves de la Vision de Urs Fischer’, Kultur Urbana, 30 November 2010 David Colman, ‘A Collector Bets on the Dark Side’, The Times, 21 November 2010 Skye Sherwin, ‘Exhibitions: Urs Fischer, London’, The Guardian Guide, 02–08 October 2010 ‘Critics Choice’, Time Out Magazine, October 2010 Joshua Edwards and Hendrik Geriits, ‘Behind the Scenes’, Paper, 8, Spring– Summer 2010 Jeffrey Kastner, ‘New Foundations’, Artforum, Summer 2010, p. 316 Christopher Mooney, ‘From Plato to Go-Go’, ArtReview, 40, April 2010 Georg Herold, ‘Urs Fischer: Interview’, The Journal, 28, March 2010 Urs Fischer, ‘Supplement’, The Journal, 28, March 2010 Faye Hirsch, ‘Presto Chango! Urs Fischer’s New Museum!’ Art in America, January 2010, pp. 104–109 |
| 2009 |
Massimiliano Gioni, ‘Urs Fischer’, PAPER, 7, Fall–Winter 2009 Linda Yablonsky, ‘Nasty Tongue, Old Croissant Join Urs Fischer New Museum Splash’, Bloomberg, 10 November 2009 Michell Kuo, ‘Taste Tests’, Artforum, November 2009 Calvin Tomkins, ‘The Imperfectionist’, The New Yorker, 19 October 2009 Roberta Smith, ‘Exploration of Space’, The New York Times, October 2009, p. C19, C21 Scott Rothkopf, ‘Previews: Urs Fischer’, Artforum, September 2009 Mary Krienke, ‘Urs Fischer at Galerie Eva Presenhuber’, ARTNews, February 2009 Gavin Brown, ‘Urs Fischer’, Interview, December 2008–January 2009 ‘Urs Fischer at Galerie Eva Presenhuber’, Mousse, No. 16, December 2008– January 2009 |
| 2008 |
Bob Nickas, ‘Urs Fischer, You’, Artforum, No. 4, December 2008, p. 292 ‘Unmonumental: The Object in the 21st Century’, New Museum Paper, No. 3, Winter 2008, p.5 Roxana Azimi, ‘Das Kunstmarkt-Briefing’, Monopol, No. 10, October 2008 Joe Fyfe, ‘Things the Mind already Knows’, Art in America, September 2008, No. 8, p. 157 Neville Wakefield, ‘Urs Fischer’ Another Magazine, Spring–Summer 2008, pp. 405–412 Scott Reyburn, ‘Art Basel, Buoyed by Global Buyers, Escapes U.S. Economic Woes’, Bloomberg, 10 June 2008 ‘Seeing Warhol’, Interview, June–July 2008, p. 124 Jerry Saltz, ‘Two Coats of Painting’, New York Magazine, June 2008 Roberta Smith, ‘When Artworlds Collide’, The New York Times, 16 May 2008 Howard Halle, ‘Who’s Afraid of Jasper Johns? Art Becomes a Real Fake’, Time Out New York, May 2008 Katy Donohue, ‘Profile: Mark Fletcher’, Whitewall, No. 9, Spring 2008, p. 40 Michelle Grabner, ‘Makers and Modellers: Works in Ceramic’, X-Tra, 10:3, Spring 2008, p. 54 Brian Boucher, ‘Urs Fischer at Gavin Brown’s Enterprise’, Art in America, No. 3, March 2008, pp. 166–167 Katie Sonneborn, ‘Makers and Modellers’, Frieze, March 2008, p. 183 Marti Silas, ‘Mostra compara arte com religiao’, Folha de Sao Paulo, March 2008, p. E11 Camila Molina, ‘God is Design abre novo espaco na Barra Funda’, Caderno 2, March 2008, p. D9 H. H., ‘Reviews, Urs Fischer’, Modern Painters, No. 20:1, February 2008, p. 91 Daniela Fabian, ‘Interview: Michael Ringier’, Schweirzer Illustrierte Style, No. 1, January–February 2008, pp. 52–59 |
| 2007 |
Alex Kitnicki, ‘Urs Fischer, You’, Time Out New York, 633, 15–21 November 2007 Maurizo Cattelan, ‘Urs Fischer’, Mousse, 11, November 2007 Holland Cotter, ‘Urs Fischer’, New York Times, November 2007 Jerry Saltz, ‘Can You Dig It? At Gavin Brown, Urs Fischer takes a Jackhammer to Chelsea itself’, New York Magazine, November 2007 Kristin Jones, ‘Urs Fischer’, Frieze.com, 26 October 2007 Martin Herbert, ‘Urs Fischer’, Time Out, 17–23 October 2007 ‘Urs Fischer’, Kulture Flash, 222, October 2007 Urs Fischer, ‘Production Notes’, Artforum, October 2007 Silvano Cerruti, ‘Frischer Fischer’, 20 Minuten Week, No. 36, September 2007, p. 7 Noah Stolz, ‘San Stae. Urs Fischer e Ugo Rondinone’, Kunst-Bulletin, No. 8, July–August 2007, pp. 49–50 Eva Scharrer, ‘Biennale Venedig – Wechselvoller Parcours mit ernstem Unterton’, Kunst-Bulletin, No. 8, July–August 2007, pp. 42–48 Carol Vogel, ‘In for a Penny, In for the Pounce’, The New York Times, 14 June 2007 Adrian Searle, ‘Venice takes flight’, The Guardian, 12 June 2007 Karl Wust, ‘Farben, Schatten und tote Baume’, Der Zurcher Oberlander, 11 June 2007 Julia Chaplin, ‘A NIGHT OUT WITH – Alison Gingeras; Follow that Motoscafo’, The New York Times, 10 June 2007 Renato Diez, ‘Le Avanguardie di Monsieur Pinault’, Arte, No. 407, June 2007, pp. 148–154 Caroline Micaela Hauger, ‘Bitzkarriere’, Schweizer Illustrierte, No. 24, June 2007, pp. 37–39 Caroline Miacela Hauger, ‘Nur die Kunstler fehlten – Schweizer Party – Marathon in Venedig’, Schweizer Illustrierte, No. 24, June 2007, p. 40 Jessica Morgan, ‘Top Five: What to See this Month’, ArtReview, June 2007, p. 44 Gerard Mack, ‘Urs Fischer und Ugo Rondinone in San Stae’, NZZ am Sonntag, June 2007, p. 68 Stephanie Ringel, ‘Anarchie in der Lagune’, Sonntagsblick, June 2007, pp. 44–45 Philipe Mathonnet, ‘A Venise, l’art s’humanise’, Le Temps, June 2007, p. 19 Ursula Badrutt Schoch, ‘Andacht, Wildheit’, St. Galler Tagblatt, June 2007 Ursula Badrutt Schoch, ‘Viele Bilder und ein paar Baume’, Der Bund, June 2007, p. 37 Carole Koch, ‘Hardware’, annabelle, No. 11, June 2007, pp. 80–85 Dietrich Roeschmann, ‘Schweizer Meister’, annabelle, No. 11, June 2007, p. 50 Eve Karrer, ‘Baume statt Barock’, SonntagsZeitung, June 2007, p. 53 ‘Kunst Hoch Vier’, Schweizer Illustrierte Style, No. 6, June 2007, p. 20 Reena Jana, ‘The Dancing Camel’, art on paper, No. 5, May–June 2007, pp. 38–39 Samuel Herzog, ‘O sole mio – viel Kunst aus Frankreich fur Venedig’, NZZ, No. 106, May 2007, p. 45 Clare Morgan, ‘Surprise Twist on the Convict Island’, smh.com.au, 17 April 2007 Amanda Coulson, ‘Reviews: Urs Fischer and Rudolf Stingel’, Modern Painters, April 2007, p. 101 Rosalie Higson, ‘Visions on a haunted isle’, The Australian, April 2007 Michael Fitzgerald, ‘Impressario of the New’, Time, 22 March 2007 |
| 2006 |
Linda Yablonsky, ‘Art Miami Fair, Art Market Showed its Blood and Bones’, Bloomberg, 12 December 2006 Gerhard Mack, ‘Superbowl der Kunst’, NZZ am Sonntag, 10 December 2006 Roberta Smith, ‘ART: More than you can see: Storm of Art Engulfs Miami’, The New York Times, December 2006 Ute Thon, ‘Kaufrausch der Milliardare bei der Art Basel Miami Beach’, Art Das Kunstmagazin Online, December 2006 Jonathan T. Neil, ‘The Fischer King’, ArtReview, December 2006, pp. 71–75 Annette Messanger and Urs Fischer, ‘Fables’, Wrong Times, October 2006 Marc-Olivier Wahler, ‘PALAIS’, Magazine 01, Fall–Winter 2006, pp. 30–31 Marcia E Vetrocq, ‘A Museum of His Own’, Art in America, No. 9, October 2006, pp. 96–101 Luca Cerizza, ‘City Report’, Frieze, No. 102, October 2006, p. 253 Peter Plagens, ‘Madison Avenue Ennui’, Art in America, No. 6, June–July 2006, pp. 76–79 ‘Glanzlichter der Woche’, Zuritipp, No. 22, 01–07 June 2006, p. 44 ‘The List’ (Most Influential Artists), The Art Newspaper, June 2006 Massimo Gioni, ‘Le monde instable de Urs Fischer’, art press, No. 324, June 2006, pp. 27-33 ‘Fantasietuin ontwerpen’, NRC, May 2006, p. 19 Thorsten Dorting, Herbert Lanz, ‘100 Grunde, warum die Schweiz weider strahlt’, Facts, 19:06, May 2006, p. 20 Richard van der Klaauw, ‘De Vakantie’, Metro, May 2006, p. 19 Machteld Leij, ‘Fischers beelden speels en wreed’, NRC, May 2006, p. 9 ‘Raar maar waar’, R’Uit Magazine, May 2006, p. 37 Afshan Ayar, ‘Niets is wat het lijkt’, R’Uit Magazine, May 2006, pp. 26–27 Alison Gingeras, ‘la collection Francois Pinault – le defi du choix’, art press, No. 323, May 2006, pp. 50–55 Jessica Kerwin, ‘On With the Show’, W Magazine, May 2006, p. 128, 130 Daniel Birnbaum and Martha Rosler, ‘The 2006 Whitney Biennial’ Artforum, May 2006 ‘Urs Fischer: Crème de Yvette’, Another Magazine, No. 10, Spring–Summer 2006 ‘Urs Fischer’, Tate Etc., No. 6, Spring 2006, p. 38 Almuth Spiegler, ‘Venedig: Im Palast der Begierde’, Die Presse, 28 April 2006 Thomas Migge, ‘Kunst am Kanal’, Dradio, 26 April 2006 ‘Fischer wekt teddybeer tot leven’, Rijn Mond NL, 04 April 2006 ‘Knuffelbeer van Format’, AD, April 2006, p. 1 Marjorie Tjon A Fong, ‘Stoere Alpenhut van Gezaagde Broken’, AD Zaterdag, April 2006, p. 15 Eva Clausen, ‘Derunaufhaltsame Augstieg des Monsieur Pinault’, NZZ, No. 99, April 2006, p. 49 Dirk Schumer, ‘Nur Tiepolo weint Tranen aus Gips’, Frankfurter Allgemeine Zeitung, No. 99, April 2006, p. 49 Roswitha Erbsloh, ‘Palais Pinault’, Artnet, 06 March 2006 Michael Kimmelman, ‘Biennial 2006: Short on Pretty, Long on Collaboration’, The New York Times, 03 March 2006 ‘Urs Fischer’, AD, March 2006, p. 26 Christoph Doswald, Nachrichten aus dem Reduit, No. 2, 2006, pp. 34 – 35 Hanno Rauterberg, ‘Ein Freibeuter der Kunste’, Die Zeit, No. 18, 2006 Wim Van der Beek, ‘Urs Fischer’, Kunstbeeld Nl, No. 5, 2004, p. 14 Roos Gortzak, ‘The Vincent van Gogh Biennial Award for Contemporary Art in Europe 2006’, Stedelijk Museum Amsterdam, 2006 pp. 14–27 Adam Lindemann, ‘Collecting Contemporary’, Taschen, 2006, p. 49 |
| 2005 |
Alison M. Gingeras, ‘Best of 2005’, Artforum, December 2005 Steven Vincent, ‘Urs Fischer at Gavin Brown’s Enterprise’, Art in America, October 2005 Filippo Romeo, ‘Review: Urs Fischer – Fondazione Trussardi’, Artforum International, No. 44, September 2005, pp. 313–314 Elisa Filco, ‘Urs Fischer’, Flash Art Italia, June–July 2005 Gabriela Walde, ‘Flirt mit der Flamme, Ausstellungsrezension’, Berliner Morgenpost, June 2005 Nicola Kuhn, ‘Ich beiss’ auf deine Witze, Ausstellungsrezension’, Der Tagesspiegel, June 2005 Martin Herbert, ‘Round and Round Again’, Time Out, 25 May–01 June 2005 Filippo Romeo, ‘Milan: Critics Picks’, Artforum, 24 May 2005 ‘Le Favole di Fischer’, La Repubblica, 16 May 2005 Barbara Casavecchia, ‘Da Cattelana Urs Fischer Trussardi colpisce ancora’, La Repubblica, 03 May 2005 ‘Urs Fischer’, Tema Celeste, May–June 2005 Nicoletta Caboilli, ‘Giocattoli per adulti. Nella realtà senza consuetudini’, Arte, May 2005 ‘What’s On’, The Art Newspaper, May 2005 Flavia Fossia Margutti, ‘Monitor Arte’, Glamour, May 2005 ‘Supercreativo’, Marie Claire, May 2005 ‘Urs Fischer: da Vedere’, Flash Art Italia, April–May 2005 Alessandra Mammi, ‘Horror con Humour’, L’Espresso, April 2005 Francesco Bonami, ‘L’Arte a Sorpresa Firmata’, Vanity Fair, April 2005 Maruccia Casadio, CasaVogue, April 2005 Maria Cristina Didero, ‘La Materia delle Favole’, Ottagono, May 2005, p. 30 Ada Masoero, ‘Una Signora del Jet-Set nell’Istituto die Ciechi’, Il Giornale dell’Arte, May 2005, p. 24 Flavia Fossa Margutti, ‘Vi faro ridere’, Glamour, May 2005, p. 188 Donatella Bono, ‘Le sculture <> di Urs Fischer’, Il Giornale, May 2005, p. 50 Pia Capelli, ‘L’arte? Bisogna guerdarla, non ragionarla’, Libero, May 2005, p. 36 Francesca Bonazzoli, ‘Le briciole pazze del visionario Fischer’, Il Corriere della Sera, May 2005, p. 5 ‘Scarpe sinus come gatti e scope volante: Il mondo giocoso di Fischer’, Il Girono, May 2005, p. 10 Pia Captelli, ‘O’Chair, per Trussardi’ arrivano le Jet Set Lady’, Libero, April 2005, p. 21 Roberta Smith, ‘The Listings’, The New York Times, February 2005 Provence-Alpes-Cote d’Azur’, Fonds regional d’art Contemporain Provence-Alpes-Cote d’Azur, 2004, pp. 78–79 |
| 2004 |
Craig Burnett, ‘Elton John?’ The Guardian Guide, 04 December 2004, p. 37 ‘Hexenmister in der Kunstachmelze’, Art, November 2004 Ali Subotnik. ‘Unplugged, a Casa per le vacanze’, Work: Art in Progress, October–December 2004, p. 10 Alison M. Gingeras, ‘Urs Fischer’, Artforum, October 2004 Tom Morton, ‘Roll with It’, Frieze, 86, October 2004, pp. 138–143 Daniel Birnbaum, ‘Sampling the Globe’, Artforum International Special: This is Today Pop After Pop, No. 43:2, October 2004, pp. 240–244 ‘Kir Royal, Ausstellungsrezension’, NZZ am Sonntag, August 2004, p. 59 ‘Kir Royal’, Studio: Israeli Art Magazine, No. 154, July–August 2004, pp. 138–141 Samuel Herzog, ‘Le roie est mort, vive le Kir’, NZZ, No. 158, 10–11 July 2004, p. 43 ‘Urs Fischer, Kir Royal’, NZZ Ticket, 28:4, 08–14 July 2004, p. 23 Martin Kraft, ‘Kir Royal: Ausstellung von Urs Fischer im Kunsthaus: Fast ein Klassiker’, Zuritipp, No. 28, 08–14 July 2004, p. 15 Barbara Basting, ‘Vitalitatstest Glorreich Bestanden’, Tages-Anzeiger, July 2004, p. 41 Alexander Marzahn, ‘Konig Artus im Wunderland: Zwischen Stuhl und Banken’, Basler Zeitung, July 2004, p. 27 ‘Arte de rompe y rasga’, El Mundo, July 2004, p. 61 Stefan Zweifel, ‘Im Universaalschaum’, Frankfurter Allgemeine Zeitung, July 2004, p. 36 Claudia Spinelli, ‘Leicht, nicht seicht’, Weltwoche, No. 29, July 2004, p. 83 Chivas Clem, ‘Portrait of a Single Rain Drop’, Time Out New York, May 2004 Brigitte Ulmer, ‘Der Kunst-Rebell’, Bolero Men, Spring 2004, pp. 50–52 Beatrix Ruf, ‘Wie war’s in Wachs, Du Schone?’ Kunstpreis der Bottcherstrasse Bremen, March–April 2004, p. 21 Ursula Arx, ‘Fischer das Untier’, Das Magazin, No. 10, Tages-Anzeiger, 06–12 March 2004, pp. 8–14 Daniel Binswanger, ‘Langewelle beim Nasenbohren’, Wellwoche, No. 12, March 2004, p. 9 Nicholas Trembley, ‘Chaises Musicales’, Numero, March 2004 Giovanni Carmine, ‘Urs Fischer, Personal Weather’, Flash Art, January–February 2004, pp. 84–87 Martin Herbert, ‘Urs Fischer: Arts Review’, Time Out Magazine, 05–12 January 2004 Jonathan Jones, ‘Urs Fischer: Arts Review’, The Guardian, January 2004 Ewa Hess, ‘Fischers Sicht der Dinge: Der Zurcher Kunstler Urs Fischer verblufft die Kunstwelt – und steht vor dem internationalen Durchbruch’, Sonntagszeitung, January 2004, p. 35-37 Sue Hubbard, ‘Things are not what they seem’, The Independent, 2004, p.12 ‘Urs Fischer – Kir Royal’, Kunsthaus Zurich Magazin, No. 2, 2004, p. 10–16 Christopher McCormack, ‘Previews’, Contemporary, No.68, 2004 Brenda Richardson, ‘Postcard from America – Down the Rabbit Hole in Zurich’, Parkett, No. 72, 2004 pp. 58–75 Beatrix Ruf, ‘Wanted to Turn the Music On but it was Already Playing’, Parkett, No. 72, 2004, pp. 76–81 Benjamin Weissman, ‘Garden of Earthly Hates’, Parkett, No. 72, 2004, pp. 82–91 |
| 2003 |
Riki Simons, ‘Zwisters kunstgeheim’, Elsevier, December 2003 Pablo Lafuente, ‘The Failure Man’, Art Review, Winter 2003 Alison M. Gingeras, ‘Urs Fischer’, Artforum International, No. 9, May 2003, pp. 158–159 Kamini Vellodi, ‘Urs Fischer: Need No Chair When Walking’, Contemporary, No. 50, April 2003 Louisa Buck, ‘Urs Fischer: Need No Chair When Walking’, The Art Newspaper, No.133, February 2003 Amber Cowan, ‘Choice’, The Times, February 2003, p. 25 Martin Coomer, ‘Urs Fischer’, Time Out, February 2003, p. 47 |
| 2002 |
Pablo Lafuente, ‘The Failure Man’, ArtReview, Winter 2002 Anna Dezeuze, ‘The Object Sculpture’, Art Monthly, July–August 2002 Barry Schwabsky, ‘The Object Sculpture’, Artforum, Summer 2002 Already Hickling, ‘The Object Sculpture’, The Guardian, June 2002 Tom Lubbock, ‘Colourvision’, The Independent, June 2002 Kirsty Bell, ‘The Firing Line’, Artscene UK, June 2002, p. 3 Kirsty Bell, ‘Review’, Frieze, No. 67, May 2002 ‘Lowland Lullably’, The New Yorker, 22–29 April 2002, p. 36 ‘Ugo Rondinone with John Giorno and Urs Fischer’, Village Voice: Spring Arts, April 2002, p. 79 ‘Ugo Rondinone with John Giorno and Urs Fischer’, The New York Magazine, April 2002, p. 85 Andreas Schlaegel, ‘Urs Fischer: Contemporary Fine Arts’, Flash Art, March–April 2002, p. 107 Corinna Daniels, ‘Neues von Urs Fischer bei Contemporary Fine Arts’, Die Welt, 08 February 2002, p. 34 Nicolas Siepen, ‘Nichts für Bing Crosby’, Frankfurter Allgemeine Zeitung, 29, 04 February 2002 ‘Brigitte Werneburg schaut sich in den Galerien von Berlin um’, Die Tageszeitung, 15 January 2002 |
| 2001 |
W.D. ‘Wenn der Tod noch schnell seine Zahne putzt’, Schweizer Illustrierte, No. 41, October 2001, p.87 Claudia Spinelli, ‘Berührend Skurril: Hauser & Wirth & Presenhuber zeigen Urs Fischer’, Neue Zürcher Zeitung, No. 207, 07 September 2001 |
| 2000 |
Jochen Becker, ‘Manifesta 3’, Kunstforum International, No.152, October–December 2000, pp. 438–442 ‘Kölnische Gemischtwaren: Kunstmesse Art Cologne 2000 mit Brietem Angebot’, Südkurier, 11 November 2000 Annette Schroeder, ‘Prima leben im Videobunker: Förderprogramm auf der Art Cologne Präsentiert 21 Künstler’, Kölnische Rundschau, 08 November 2000 Dorothea Baumer, ‘Köln ist ein guter, ein idealer Platz: Die 34–Art Cologne’, Süddeutsche Zeitung, 06 November 2000 Helga Meister, ‘Zu viele kindliche Seelen’, Düsseldorfer Nachrichten, 06 November 2000 Claudia Posca, ‘Die Kunst: Kunst zu sehen – Eindrücke von der 34: Art Cologne’, Neuer Rhein Zeitung, 03 November 2000 Sigrid Nebelung, ‘Kronleuchter aus Plastiktüten: 21 Künstler Profitieren in Diesem Jahr vom Förderprogramm der Art Cologne – Der Trend geht zur Installation’, Handelsblatt, 03 November 2000 Philipp Meier ‘Der leise Seufzer der Kunst: die Art Cologne-Deutschlands führende Modernmesse’, Neuer Zürchner Zeitung, November 2000 ‘Urs Fischer im Kunsthaus Glarus’ Kunst-Bulletin, June 2000, p.49 Nicoline Wijnja, ‘Resten Kit’, Parool, 04 May 2000 Janneke Wessling, ‘Staketsels Zonder Inhoud’, NRC, 01 May 2000 ‘Urs Fischer’, De Witte Raat, May–June 2000 Eugénie Goldschmeding, ‘Speelsheid is het steutelwoord’, Bldz, May 2000 Eugen von Arb, ‘Der Schöne und das Biest: Urs Fischer’, Die Sudostschweiz, 07 April 2000 ‘Urs Fischer’, Cash, April 2000, p. 99 Simon Maurer, ‘Der Künstler als ‘Büetzer’’, Tages Anzeiger, No. 63, April 2000, p. 63 Martin Coomer, ‘Urs Fischer, ICA’, Time Out London, 16–23 February 2000, p. 54 ‘Annäherungen an die Oberflächen einer Wirklichkeit’, Die Südostschweiz, February 2000, p. 07 Jonathan Jones, ‘Exhibitions: Urs Fischer’, The Guardian, 24 January 2000 Claire Allfree, ‘Art: Miriam Bäckström and Urs Fischer – Art from Europe’, Metro, January 2000 |
| 1999 |
Chiara Chelotti, ‘Le Repubbliche dell’Arte’, Flash Art, No. 217, Summer 1999, p. 91 Anna Helwing, ‘Fundamentgefumme, ‘Stormy Weather’ von Urs Fischer’, Kunst Bulletin, No. 3, March 1999, pp. 18–24 Martin Coomer ‘’Holding Court’: Entwistle (Upmarket)’, Time Out London, February 1999, p. 49 ‘Gespenstige Welt der Dinge – Urs Fischer bei Hauser & Wirth’, Neue Zürchner Zeitung, January 1999, p. 50 ‘Surfen / Pilgern: Urs Fischer – Gemütsmensch’, Züri Tipp, 04 January 1999 |
| 1998 |
Ulrich Gerster, ‘Mindestens amüsant: Ironisches im Museum für Gegenwartskunst’, Neue Zürcher Zeitung, 28 July 1998 Sabine Altdorfer, ‘Ironie, Verballhornung oder was? Verfremdung von Realität im Museum für Gegenwartskunst Zürich’, Limmattaler Tagblatt, 22 July 1998 Elisabeth Feller, ‘Ironie Oder Blosse Eselei’, Südkurier, 21 July 1998 ‘Ironie ist, wenn man totzdem lacht’, Voralberger Nachrichten, 11 July 1998 Simon Maurer, ‘Das apportierwillige Hundeskelett’, Tages Anzeiger, 30 June 1998 ‘Hinterfragte Wirklichkeit’, Berner Rundschau, 27 June 1998 |
| 1997 |
‘Alles mögliche nebeneinander’, Stehplatz, No. 54, September 1997 ‘Une Fiac aux couleurs de la Suisse’, Le Journal des Arts, No. 44, September 1997, pp. 13–14 |
| 1996 |
Claudia Spinelli, ‘Urs Fischer in der Galerie Walcheturm’, Das Kunst-Bulletin, No. 4, April 1996, p. 40 ‘Besetzt: Urs Fischer in der Galerie Walcheturm’, Neue Zurcher Zeitung, No. 77, April 1996 Simon Maurer, ‘Sexy Kuhfladen’, Tages-Anzeiger Zürritip, 1996, p. 50 |